Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
€47.11 incl. GR VAT
In stock
EAN: N/A
Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string musical instruments
Weight | 1.00 kg |
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NPG CB-410 Instrument Microphone 48V remove | SHURE Beta98HC - clip on condenser instrument mic remove | LD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove | SENNHEISER E-609 Dynamic Microphone for Strings remove | AKG C 451B B/ST Matched Pair remove | SHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz remove | |||||||||||||
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Name | NPG CB-410 Instrument Microphone 48V remove | SHURE Beta98HC - clip on condenser instrument mic remove | LD Systems LDWS1000MW Wind / Percussion Instrument Clip Microphone remove | SENNHEISER E-609 Dynamic Microphone for Strings remove | AKG C 451B B/ST Matched Pair remove | SHURE Beta-56a - Snare-Tom Microphone 50Hz to 16kHz remove | ||||||||||||
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SKU | CB-410 | BETA98H/C | LDWS1000MW | H10SE00147 | C 451B STEREO PAIR | BETA 56A | ||||||||||||
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Price | €47.11 incl. GR VAT | €241.91 incl. GR VAT | €108.04 incl. GR VAT | €98.00 incl. GR VAT | €917.03 incl. GR VAT | €196.80 incl. GR VAT | ||||||||||||
Stock | In stock | Available on backorder | Available on backorder | In stock | Available on backorder | Only 1 left in stock (can be backordered) | ||||||||||||
Availability | In stock | Available on backorder | Available on backorder | In stock | Available on backorder | Only 1 left in stock (can be backordered) | ||||||||||||
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Description | ||||||||||||||||||
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Type: Black Electret Condenser Polar Pattern: Uni-Directional Frequency: 50Hz-16KHz Sensitivity: -45dB Output Impedance: 250 Ohm Mixer Phantom Power: +48V Ideal for wind & string musical instruments |
A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. Other features include:
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User's manual [7,20 MB] Wind / percussion instrument clip microphone Linear frequency response, natural sound reproduction, lightweight, easy and stable positioning thanks to the gooseneck, very good impact sound isolation thanks to elastic capsule fastening, strong clamp providing good fastening without causing any damage to the instrument thanks to the soft rubber inner surface of the clips. Phantom Power Adapter LDPHA also available separately. Specifications:
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The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.
Pick-up pattern : Super-cardioid |
Precise artistic work deserves precise artistic craftsmanship. A classic by now, the CMS Series CK 1 capsule from AKG was a best seller from the moment it was launched in 1969. Comprising a range of interchangeable capsules and preamps as well as then innovative, dedicated accessories, the CMS Series from AKG quickly became a legend. It was discontinued in 1993. Responding to growing demand from recording engineers, AKG decided to produce the C 451 B with identical acoustical behaviour of the popular original C 451 EB + CK 1 microphone again, with dramatically improved specifications and outstanding price/ performance. The capsule of the new version is fixed permanently to the preamp to eliminate the mechanical problems of the screw joint. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. An all-metal body provides excellent protection from RF interference and the microphone is rugged enough to give excellent results even under very harsh conditions. The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, overhead miking, or other instruments with a percussive sound. The airy sound, high overload limit of the capsule and electronic circuitry, and improved engineering details of the C 451 B are a solid foundation for creating another legend. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 200 Hz to 15,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program. Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (Soundtool case, middle size). Features:
Specifications:
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NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw. Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications. Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
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Weight | 1.00 kg | 0.20 kg | 0.35 kg | 0.14 kg | 2.00 kg | 0.80 kg | ||||||||||||
Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | ||||||||||||
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