€129.00 incl. GR VAT
In stock
EAN: N/A
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| Weight | 1.40 kg |
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| INTER-M RM-01 Remote Microphone remove | SHURE BETA-57A - Instrument Microphone 50Hz to 16kHz remove | SHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove | Shure MX202B/C Microflex Overhead Microphones remove | AKG C414-XLS - Large Diaphragm Condenser Microphone with Five P remove | SHURE SM 58LCE - Vocal Microphone 50Hz to 15kHz remove | |||||||||||||||||||||||||
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| Name | INTER-M RM-01 Remote Microphone remove | SHURE BETA-57A - Instrument Microphone 50Hz to 16kHz remove | SHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz remove | Shure MX202B/C Microflex Overhead Microphones remove | AKG C414-XLS - Large Diaphragm Condenser Microphone with Five P remove | SHURE SM 58LCE - Vocal Microphone 50Hz to 15kHz remove | ||||||||||||||||||||||||
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| SKU | RM-01 | BETA57A | KSM137/SL | MX202B/C | C414-XLS | SM58LCE | ||||||||||||||||||||||||
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| Price | €129.00 incl. GR VAT | €175.00 incl. GR VAT | €396.80 incl. GR VAT | €333.12 incl. GR VAT | €1,116.00 incl. GR VAT | €122.00 incl. GR VAT | ||||||||||||||||||||||||
| Stock | In stock | Only 1 left in stock (can be backordered) | Available on backorder | In stock | Available on backorder | In stock | ||||||||||||||||||||||||
| Availability | In stock | Only 1 left in stock (can be backordered) | Available on backorder | In stock | Available on backorder | In stock | ||||||||||||||||||||||||
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| Description | ||||||||||||||||||||||||||||||
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| Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence.
The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
Performance Characteristics
APPLICATIONS Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Suggested Applications
Acoustic Guitar |
Shure MX202B-C Microflex Overhead Cardioid Condencer Microphone
It is hard to believe that such small, unobtrusive microphones can produce such great sound, Features:
Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum 50 to 17,000 Hz Output Impedance 180 ohms actual (EIA rated at 150 ohms) Sensitivity (At 1,000 Hz, open circuit voltage*) Cardioid: -35.0 dBV/Pa (17.8 mV) Supercardioid: -33.5 dBV/Pa (21.1 mV) Omnidirectional: -27.5 dBV/Pa (42.2 mV) All values -12 dB at 0 gain; *1 Pascal = 94 dB SPL Maximum SPL (1 kHz at 1% THD, 1 k ohm load) Cardioid: 124.2 dB Supercardioid: 122.7 dB Omnidirectional: 116.7 dB All values +6 dB at 0 gain Equivalent Output Noise (A-weighted) Cardioid: 28.0 dB SPL Supercardioid: 26.5 dB SPL Omnidirectional: 20.5 dB SPL Signal to Noise Ratio (referenced at 94 dB SPL) Cardioid: 66.0 dB Supercardioid: 67.5 dB Omnidirectional: 73.5 dB Dynamic Range at 1 k ohm load 96.2 dB 100 dB at 0 gain Common Mode Rejection 45.0 dB minimum Preamplifier Output Clipping Level (1% THD) -6.0 dBV (0.5 V) -12 dBV at 0 gain Polarity Positive sound pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output connector. Power Requirements 11 to 52 Vdc phantom, 2.0 mA Environmental Requirements Operating Temperature Range: -18 to 57 degrees C (0 to 135 degrees F) Relative Humidity: 0 to 95% | The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg) | The legendary Shure vocal mic is tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers around the globe. The Shure SM58? is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech - the SM58 is the overwhelming choice of professionals.
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