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Type Electret Condenser
Frequency Response 60~18,000 Hz
Polar Pattern Supercardioid,rotationally symmetrical
about microphone axis, uniform with frequency
Sensitivity(at 1,000Hz) -70dB*(0.32mV)*0dB=1V/μbar
Output Impedance 400Ω
Phasing Positive pressure on diaphragm produces
positive voltage on pin 2 with respect to pin 3
Connector Three-pin professional audio connector
(male XLR type)
Case Metallic enamel-painted die cast metal body
with hardened, matte-finished steel grille
Net Weight 275 grams (10.2 oz)
Touch Noise. Super low
Power Supply 9-52V phantom power
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- Especially for tom and snare recording
- Polar pattern: cardioid
- Frequency range: 40 - 18,000 Hz
- Impedance: 350 Ω
- Robust metal chassis
- Incl. special tom holder
- Bag included
- Dimensions: 63 x 41 mm
- Weight: 125 g
| Optimized for low-frequency bass punch/high-power SPL handling. Designed for kick drum.
The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch“, and delivers studio quality sound even at extremely high sound pressure levels.
The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
Features
- Frequency response shaped specifically for kick drums and bass instruments
- Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
- Studio quality performance, even at extremely high sound pressure levels
- Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
- Hardened steel mesh grille that resists wear and abuse
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Neodymium magnet for high signal–to–noise ratio output
- Low sensitivity to varying load impedance
- Legendary Shure quality and reliability
Type |
Dynamic (moving coil) |
Frequency Response |
20 to 10,000 Hz |
Polar Pattern |
Supercardioid, rotationally symmetrical about microphone axis |
Output Level |
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV), *1 Pa = 94 dB SPL |
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A high performance mini-condenser for sound reinforcement and recording. Great for instruments or drums. The ultra-uniform pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.
Other features include:
- Mew A98D flexible drum mount
- SPL handling to 160dB
- frequency response of 20 to 20,000Hz and included preamplifier
- shock mount and windscreen
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A highly consistent cardioid polar pattern
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording
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Audio Frequency Response 50 Hz - 16,000 Hz
Case Material Die cast zinc
Connector Type 3-pin XLR
Element Dynamic
Finish Textured Satin Black
Impedance, Low-Z balanced 600 Ω
Mic Type Instrumental
Open Circuit Voltage 2.2 mV/Pascal
Polar Pattern Supercardioid
Power Requirement Passive
Wired/Wireless Wired
Weight Net 8.32 oz (236 g)
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