JTS CX-509 Low Profile Condenser Instrument Microphone

55.45 incl. GR VAT

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Type     Uni-directional Condenser Frequency Response     30~18,000 Hz Sensitivity (at 1,000Hz)     -65dB*(0.56mV)*0dB=1V/μbar Impedance     220Ω Max. SPL for 1% T.H.D.     130 dB Signal-To-Noise Ratio     70dB Output Connector     3P XLR(M) (power module) Phantom Power Requirements     9-52 VDC Current Consumption     ≤3mA Weight     60 grams (2.11oz) Dimensions     Ø19mm (W)* […]

 

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Type     Uni-directional Condenser
Frequency Response     30~18,000 Hz
Sensitivity (at 1,000Hz)     -65dB*(0.56mV)*0dB=1V/μbar
Impedance     220Ω
Max. SPL for 1% T.H.D.     130 dB
Signal-To-Noise Ratio     70dB
Output Connector     3P XLR(M) (power module)
Phantom Power Requirements     9-52 VDC
Current Consumption     ≤3mA
Weight     60 grams (2.11oz)
Dimensions     Ø19mm (W)* 79mm (H)

Weight 0.50 kg

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Quick Comparison

JTS CX-509 Low Profile Condenser Instrument Microphone removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSENNHEISER E-609 Dynamic Microphone for Strings removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeAKG D 40 Dynamic Instrument Microphone remove
NameJTS CX-509 Low Profile Condenser Instrument Microphone removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeSENNHEISER E-609 Dynamic Microphone for Strings removeSENNHEISER E-604 CARDIOID DYNAMIC MICROPHONE removeAKG D 40 Dynamic Instrument Microphone remove
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SKUCX-509H10SE00105KSM137/SLH10SE00147H10SE00051D 40
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Description
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Type     Uni-directional Condenser
Frequency Response     30~18,000 Hz
Sensitivity (at 1,000Hz)     -65dB*(0.56mV)*0dB=1V/μbar
Impedance     220Ω
Max. SPL for 1% T.H.D.     130 dB
Signal-To-Noise Ratio     70dB
Output Connector     3P XLR(M) (power module)
Phantom Power Requirements     9-52 VDC
Current Consumption     ≤3mA
Weight     60 grams (2.11oz)
Dimensions     Ø19mm (W)* 79mm (H)

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

The super-cardioid e 609 instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

Pick-up pattern : Super-cardioid
Frequency response : 40.....15000 Hz
Sensitivity in free field, no load (1kHz) : 1,5 mV/Pa
Nominal impedance : 350 Ohm
Min. terminating impedance : 1000 Ohm
Dimensions : 55 x 34 x 134 mm
Weight : 140 g

The e 604 is a cardioid microphone especially suitable for use with drums and brass instruments. Features Rugged reinforced glass-fibre body Low sensitivity to impact and handling noise Very high sound pressure handling capability Low distortion microphone Hum compensating coil Easy to position due to compact design Integral stand mount Delivery Includes 1 e 604 1 drum clip 1 pouch Technical Data Frequency Response  40.....18000 Hz Sensitivity in free field, no load (1kHz)  1,8 mV/Pa Min. terminating impedance  1000 Ohm Dimensions  d 33 x 59 mm Weight w/o cable  60 g

The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use "with a smile“.
The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.
The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.
An integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D 40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Musical instruments, Live applications.
Dynamic microphone designed for drums and percussions, wind instruments, and guitar amps
Patented AKG Varimotion diaphragm
Custom built capsule mounting
Spring steel wire-mesh cap
Rugged all-metal body withstands typical tough handling on stage

Type Cardioid
Polar pattern 75 to 20,000 Hz
Sensitivity 4 mV/Pa (-48 dBV)
Max. SPL 144/156 dB SPL (for 1%/3 % THD)
Equivalent noise level 18 dB-A
Impedance =1000 ohms
Connector 3-pin XLR
Finish dark stage blue
Dimensions length 104 mm (4.1 in.) height (incl. stand adapter): 79 mm (3.1 in.) max. dia.: 44 mm (1.7 in.)
Net weight 245 g (8.6 oz.)
 

Weight0.50 kg0.32 kg0.50 kg0.14 kg0.10 kg0.24 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 0.32 kg
Weight 0.50 kg
Weight 0.14 kg
Weight 0.10 kg
Weight 0.24 kg