KALI AUDIO LP-6 BLACK Active studio monitor 6,5″ (Piece)

179.00 incl. GR VAT

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Project Lone Pine Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever […]

 

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Project Lone Pine

Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank.

Performance
Transparency. Clarity. Accuracy.

Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.

80W Class D Power

39 Hz Lower Frequency Response

< 3% System THD 94 dB @ 1M

112 dB Max SPL

3-D Imaging Waveguide

Hear three dimensional sound from a stereo pair of speakers.

Dual-Layer Voice Coil

Large diameter voice coil allows for low distortion and high dynamic range.

Low Noise Port Tube

Precisely engineered using airflow simulations for powerful bass without port noise.

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the “Common Loudspeaker Format Viewer” application to view.

Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.

Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.

The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.

Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.

Boundary EQ Control

A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.

Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide

The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.

In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.

Low Noise Port Tube

We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.

On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.

Powered: Yes
Amp Class: D
Power Config: Bi-Amped
LF Power: 40 W
HF Power: 40 W
Total Power: 80 W
LF Driver: 6.5″ Woofer
HF Driver: 1″ Soft Dome Tweeter
Freq. Response (-10 dB): 39 Hz – 25 kHz
Frequency Range (±3 dB): 47 Hz – 21 kHz
Crossover: 1.5 kHz
Listening Distance: 2.2 Meters
Max SPL: 112 dB
Weight 7.00 kg

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KALI AUDIO LP-6 BLACK Active studio monitor 6,5" (Piece) removeGENELEC 8130A COMPACT 2WAY DIGITAL ACTIVE MONITOR removeADAM A7X Active Studio Monitor 100W removeBEHRINGER Truth B-2031A 225W High-Resolution, Active 2-Way Reference Studio Monitor -PRICE PER PIECE- removeADAM S2X Active Studio Monitor 250W removeFOCAL CMS-50 ACTIVE STUDIO MONITOR 2-WAY HF 50W LF 80W remove
NameKALI AUDIO LP-6 BLACK Active studio monitor 6,5" (Piece) removeGENELEC 8130A COMPACT 2WAY DIGITAL ACTIVE MONITOR removeADAM A7X Active Studio Monitor 100W removeBEHRINGER Truth B-2031A 225W High-Resolution, Active 2-Way Reference Studio Monitor -PRICE PER PIECE- removeADAM S2X Active Studio Monitor 250W removeFOCAL CMS-50 ACTIVE STUDIO MONITOR 2-WAY HF 50W LF 80W remove
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Description
ContentProject Lone Pine Kali\'s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\'s Lone Pine Series studio monitors are designed to allow you to hear every detail that\'s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\'ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing. With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using. 80W Class D Power 39 Hz Lower Frequency Response < 3% System THD 94 dB @ 1M 112 dB Max SPL 3-D Imaging Waveguide Hear three dimensional sound from a stereo pair of speakers. Dual-Layer Voice Coil Large diameter voice coil allows for low distortion and high dynamic range. Low Noise Port Tube Precisely engineered using airflow simulations for powerful bass without port noise. The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the "Common Loudspeaker Format Viewer" application to view. Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily. Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track. The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker. Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. 3-D Imaging Waveguide The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately. In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general. Low Noise Port Tube We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise. On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end. The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Powered: Yes
Amp Class: D
Power Config: Bi-Amped
LF Power: 40 W
HF Power: 40 W
Total Power: 80 W
LF Driver: 6.5" Woofer
HF Driver: 1" Soft Dome Tweeter
Freq. Response (-10 dB): 39 Hz - 25 kHz
Frequency Range (±3 dB): 47 Hz - 21 kHz
Crossover: 1.5 kHz
Listening Distance: 2.2 Meters
Max SPL: 112 dB

The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.

Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type 
Input Sampling rate
No de-emphasis  29 - 200 kHz
Input Sampling rate
Using de-emphasis 
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches 
Speaker weight 5.6 kg (12.3 lb)

PRICE PER UNIT

ADAMs A7 & A7X: the evolution of a legend

The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over three dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the worldʼs largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.

With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.

Driver technology

The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7” midwoofer. It has been redesigned with a much bigger voice coil (1.5”) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers / controls

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies.
To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Mid-Woofer
Number1
Basket Ø7" (175 mm)
Voice coil Ø1.5" (38 mm)
Cone materialCarbon/Rohacell/Glass Fiber
Tweeter
Number1
TypeX-ART
Diaphragm area4 inch² (2420 mm²)
Equiv. Diaphragm Ø2" (56 mm)
Velocity transform ratio4:1
Diaphragm weight0.17 g
Built-in Amplifiers
Mid-Woofer1
TypePWM
Amp. power RMS / music100 W / 150 W
Tweeter1
TypeA/B
Amp. power RMS / music50 W / 75 W
Control panel
Input Sensitivity-∞ to +14 dB
High Shelf EQ > 5 kHz±6 dB
Low Shelf EQ ±6 dB
Tweeter gain±4 dB
Input connectors
AnalogXLR / RCA
General data
Frequency response42 Hz - 50 kHz
THD 90dB/1m > 100 Hz≤0.5 %
Long term output≥106 dB
Max. peak≥114 dB
Crossover frequencies2500 Hz
Input impedance30 KOhm
Weight20.3 lb (9,2 kg)
Magnetically shieldedNo
Height x Width x Depth13.5" (337 mm) x 8" (201 mm) x 11" (280 mm)
Warranty5 Years
Delivery contents

Power cord, Manual


 

Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany

PRICE PER UNIT

 

S2X

The S2X brings together the virtues of the ʽclassicalʼ 7” woofer and tweeter combination by using ADAM innovative technologies and top-class materials.

The HexaCone 7” woofer is driven by a sophisticated magnet system with a 2” voice coil creating a greater linear excursion. This produces more dynamics than one would assume in a monitor of such small proportions. As a result, in addition to the unsurpassed audio quality of the X-ART and A/B amplifier combination, this monitor surprises the listener with a very powerful, deep, but always tight and precise low end.

 

Review at a glance: "Sonic sensation“

“The ADAM Audio S2X can convince in all areas, concerning the sound as well as the workmanship, and are worth every Euro. […] a no-compromise tool for all who mean serious business, whether in music or postproductions.” (www.96kHz.de, 03/2010)

“We started off with a classical string quartet recording and let´s just say right away that the S2Xs floored us. Several adjectives spring to mind [...] - wide open, transparent, effortless, breathtaking realistic, loud, dynamic, involving... [...] If you close your eyes and continue listening, the S2Xs seem to ‚disappearʽ almost entirely. [...] you gradually become less aware that you´re listening to speakers because they´re like an open window on the music itself. [...] Result: These monitors are up there with the best we´ve tried so far.” (MusicTech, 01/2010)

Woofer
Number1
Basket Ø7.5" (186 mm)
Voice coil Ø2" (50 mm)
Cone materialHexaCone
Tweeter
Number1
TypeX-ART
Diaphragm area4 inch² (2420 mm²)
Equiv. Diaphragm Ø2" (56 mm)
Velocity transform ratio4:1
Diaphragm weight0.17 g
Built-in Amplifiers
Woofer1
TypePWM
Amp. power RMS / music250 W / 350 W
Tweeter1
TypeA/B
Amp. power RMS / music50 W / 100 W
Control panel
Input Sensitivity (coarse)-20 to +8 dB (4 dB steps)
Input Sensitivity (fine)-1.5 to +2 dB (0.5 dB steps)
EQ 80 Hz0 to +6 dB (1 dB steps)
High Shelf EQ > 6 kHz±4 dB (1 dB steps)
Low Shelf EQ ±4 dB (1 dB steps)
Tweeter gain±2 dB (0.5 dB steps)
Input connectors
AnalogXLR
Digital (optional)AES/EBU / SPDIF / word clock
General data
PanelFront
Frequency response35 Hz - 50 kHz
THD > 80 Hz≤0.8 %
Long term output≥110 dB
Max. peak≥120 dB
Crossover frequencies2200 Hz
Input impedance10 KOhm
Weight23.8 lb (10,8 kg)
Magnetically shieldedOptional
Height x Width x Depth14.5" (370 mm) x 8.5" (220 mm) x 12.5" (320 mm)
Warranty5 Years
Delivery contents

Power cord, Manual

 

 

The CMS 50 is the most compact monitoring loudspeaker of all the Focal Professional range. Its design permits listening from 50cm away, while still keeping the possibility of the monitors at a great distance from one another without damaging the soundstage. The 5” mid-woofer reaches down to 55Hz, while offering a controlled bass and a totally linear midrange. The midrange register of the CMS 50 has unequalled neutrality in its price range. The Al-Mg inverted dome tweeter offers outstanding dynamics and a degree of definition in the treble that allow precise measurement of reverb and other effects which are normally very difficult to assess.

 

Specifications
Frequency response (+/-3dB) : 55Hz - 28kHz
Maximum SPL : 107dB SPL (peak @ 1m)

Input :

Balanced 20 kOhms / Unbalanced 47 kOhms
Connector XLR / RCA

HF amplifier stage : 50W RMS, class AB
LF amplifier stage : 80W RMS, class AB

Electric supply :

Mains voltage: 220 - 230V (1.6A fuse rating)
120V (3.5A fuse rating)
100V (4A fuse rating)
IEC inlet and detachable power cord

Adjustment :

- Adjustable sensitivity, +4dBu / 0 / -10dBV
- Adjustable volume, -66dB / 0dB
- Adjustable high-pass filter, idle / 45 / 60 / 90Hz (12dB/oct.)
- Adjustable LF Shelving, 0 / -4 / -2 / +2dB
- Adjustable HF Shelving, 0 / -4 / -2 / +2dB
- Parametric filter (160Hz), adjustable, 0 / -2 / -4 / -6dB
- Power ON/OFF switch, mains voltage selector
- STANDBY/ON switch

Indicators :

Power ON / OFF LED
Standby / ON LED
Audio Clip LED

Woofer : 5" Focal drive unit, Polyglass cone
Tweeter : Aluminum/Magnesium inverted dome Focal tweeter
Shielding : Integral by cancellation magnet
Construction : Reinforced and damped Aluminum cabinet

Finish :

Black powder cabinet

Dimensions with spikes : 289.5 x 190 x 201mm (11.4" x 7.5" x 7.9“)
Dimensions with table stand : 299.5 x 190 x 201mm (11.8" x 7.5" x 7.9“)
Net weight : 7.7kg - (17lb)

 

Weight7.00 kg8.60 kg10.00 kg7.50 kg11.00 kg7.70 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 7.00 kg
Weight 8.60 kg
Weight 10.00 kg
Weight 7.50 kg
Weight 11.00 kg
Weight 7.70 kg