KALI AUDIO LP-6 BLACK Active studio monitor 6,5″ (Piece)

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Project Lone Pine Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever […]

 

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Project Lone Pine

Kali\’s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank.

Performance
Transparency. Clarity. Accuracy.

Kali Audio\’s Lone Pine Series studio monitors are designed to allow you to hear every detail that\’s happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.

80W Class D Power

39 Hz Lower Frequency Response

< 3% System THD 94 dB @ 1M

112 dB Max SPL

3-D Imaging Waveguide

Hear three dimensional sound from a stereo pair of speakers.

Dual-Layer Voice Coil

Large diameter voice coil allows for low distortion and high dynamic range.

Low Noise Port Tube

Precisely engineered using airflow simulations for powerful bass without port noise.

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the “Common Loudspeaker Format Viewer” application to view.

Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily.

Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track.

The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker.

Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.

Boundary EQ Control

A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers.

Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.
3-D Imaging Waveguide

The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.

In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.

Low Noise Port Tube

We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise.

On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.

Powered: Yes
Amp Class: D
Power Config: Bi-Amped
LF Power: 40 W
HF Power: 40 W
Total Power: 80 W
LF Driver: 6.5″ Woofer
HF Driver: 1″ Soft Dome Tweeter
Freq. Response (-10 dB): 39 Hz – 25 kHz
Frequency Range (±3 dB): 47 Hz – 21 kHz
Crossover: 1.5 kHz
Listening Distance: 2.2 Meters
Max SPL: 112 dB
Weight 7.00 kg

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KALI AUDIO LP-6 BLACK Active studio monitor 6,5" (Piece) removeFOCAL Twin6 Be ACTIVE STUDIO MONITOR 3-way Near-field Shielded removeRCF MYTHO 6 ACTIVE TWO-WAY 6.5" DSP MONITORING SYSTEM removeADAM A8X Active Studio Monitor 150W removeM-AUDIO BX8 D3 MONITOR SPEAKER removeSAMSON STUDIO GT ACTIVE STUDIO MONITOR GT 2x20W WITH USB (PAIR) remove
NameKALI AUDIO LP-6 BLACK Active studio monitor 6,5" (Piece) removeFOCAL Twin6 Be ACTIVE STUDIO MONITOR 3-way Near-field Shielded removeRCF MYTHO 6 ACTIVE TWO-WAY 6.5" DSP MONITORING SYSTEM removeADAM A8X Active Studio Monitor 150W removeM-AUDIO BX8 D3 MONITOR SPEAKER removeSAMSON STUDIO GT ACTIVE STUDIO MONITOR GT 2x20W WITH USB (PAIR) remove
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Description
ContentProject Lone Pine Kali\'s debut LP-6 studio monitors are designed to give you world-class power and accuracy without breaking the bank. Performance Transparency. Clarity. Accuracy. Kali Audio\'s Lone Pine Series studio monitors are designed to allow you to hear every detail that\'s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you\'ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing. With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using. 80W Class D Power 39 Hz Lower Frequency Response < 3% System THD 94 dB @ 1M 112 dB Max SPL 3-D Imaging Waveguide Hear three dimensional sound from a stereo pair of speakers. Dual-Layer Voice Coil Large diameter voice coil allows for low distortion and high dynamic range. Low Noise Port Tube Precisely engineered using airflow simulations for powerful bass without port noise. The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it’s playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on. Rather than make our own claims about the accuracy of our speakers, we had them independently tested by Pro Sound Testing in Greenville, Indiana. You can download their full test data from the links below, and explore the frequency response, dispersion, and distortion characteristics of both the LP-6 and LP-8. Please note that this data requires the "Common Loudspeaker Format Viewer" application to view. Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom. This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily. Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you’re hearing the bass that you have on the track. The integrated Class D Power amp delivers clean, reliable power that’s optimized to this speaker. Both models use 40W for the 1” soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer. Boundary EQ Control A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound. Happily, most of the common positions are fairly predictable and easily corrected. Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed. Easy Connections The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack. 3-D Imaging Waveguide The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately. In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general. Low Noise Port Tube We wanted to put a port on the front of the LP-Series studio monitors so that they could be used in small spaces where they’d be placed against walls. At the same time, we didn’t want noise from the front port to distract from the accuracy of the speaker, so we developed a special front port that doesn’t make noise. On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as "chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end. The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
Powered: Yes
Amp Class: D
Power Config: Bi-Amped
LF Power: 40 W
HF Power: 40 W
Total Power: 80 W
LF Driver: 6.5" Woofer
HF Driver: 1" Soft Dome Tweeter
Freq. Response (-10 dB): 39 Hz - 25 kHz
Frequency Range (±3 dB): 47 Hz - 21 kHz
Crossover: 1.5 kHz
Listening Distance: 2.2 Meters
Max SPL: 112 dB

The Twin6 Be is the best seller of the Focal Professional range and the most versatile work tool of the SM6 line. It represents the only necessary solution for recording, mixing and mastering. The image precision, treble definition as well as midrange neutrality are at the heart of its reputation.
The excellent articulation of the bass and midbass registers, even at very high sound levels, makes it an unavoidable reference for engineers who require absolute transparency. Furthermore, the design of the Twin6 Be permits a high SPL while at the same time offering a stable tonal balance. One of the two 6.5" woofers works in large band (midrange – bass) whereas the other reproduces from 40 to 150Hz. This creates a bass that preserves all the signal dynamics, without any masking effect in the midrange, thereby keeping all its neutrality and transparency. Additional control of the bass register is accomplished by fine-tuning on the control plate on the back of the Twin6 Be in order to obtain a perfect mirror configuration with its mate. The Twin6 Be can be installed vertically or horizontally to respond to the space requirements of each studio.

 

Specifications
Frequency response : 40Hz - 40kHz
Maximum SPL : 115dB SPL (peak @ 1m)

Input :

Type/Impedance: symmetrical/10 kOhms
Connector: XLR
Sensitivity: Adjustable, +4dBu or -10dBV

Bass/mid-range : 2x150W rms, BASH® technology
Treble : 100W rms, AB class

Electric supply :

Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire

Visualization and control :

Input sensitivity selector
Mid-range speaker selector (right/left)
Adjustable tweeter and woofer levels by potentiometer
Power on/off
Voltage selector

warning light : Power on LED

Electric supply :

Local supply power: 230V (2A fuse)
115V (4A fuse)
Connection: Removable IEC supply wire

Woofer : 2x6W4370B Focal "W" composite sandwich cone 6-1/2" (16.5cm) speaker
Tweeter : TB871, Focal inverted dome tweeter in Beryllium
transducer shielding : Integral through cancellation magnets or by magnet design
Box : 7-1/2" (19mm) MDF panels

Finish :

Dark red natural veneering side panels, black body

Dimensions (HxWxD) : 9-13/16 x 19-11/16 x 13-3/8 " (250x500x340mm)
Weight : 30.8lb (14kg)

 

MYTHO 6 is a two-way reference studio monitor that features a high quality large metal dome tweeter for the best vocal reproduction and a 6” neodymium vented woofer with a large sized 51 mm voice coil that guarantees very high energy for tight and controlled bass reproduction and perfect thermal stability with minimum power compression.

The magnetic circuit features a special air ventilation to reduce air compression, air noises and minimize distortion in large excursion situations. The MYTHO 6 is equipped with two separate amplifiers: 200 W for the low frequencies and 100 W for the high. The design is a classic AB circuit, unparalleled for low distortion and natural sound. The signal processing is executed from a dedicated high quality DSP processing. It features a solid aluminium cabinet internally braced and reinforced to improve low frequencies behaviour and reduce resonances.

Acoustical Specifications
Frequency Response -3 dB:40 Hz÷ 20 kHz
Max SPL:114 dB 
Horizontal coverage angle:110° 
Vertical coverage angle:70° 
Compression Driver:1" neo, metal dome 
Woofer:6.5" neo, ICC technology 
INPUT/OUTPUT SECTION
Input connectors:combo XLR/Jack 
Input sensitivity:-6/+6 dBu 
PROCESSOR SECTION
Crossover frequencies:1900 Hz 
Protections:thermal, excurs., rms 
Limiter:soft limiter 
Controls:bass tilt, roll-off, treeble tilt, desktop, DSP controlled 
AMPLIFIER SPECIFICATIONS
High frequencies:100 Watts 
Low frequencies:200 Watts 
Cooling:convection 
Connections:vde 
CABINET
Cabinet Material:die cast aluminum 
Hardware:orientation adjustable stand 
PHYSICAL SPECIFICATIONS
Height:370/14.5 mm/inch 
Width:265/10.4 mm/inch 
Depth:250/9.8 mm/inch 
Net Weight:10.5/23 Kg/Lbs

 

PRICE PER UNIT

The most powerful AX monitor

With its power and radiation characteristics, the brand new A8X is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.

The A8X is equipped with the X-ART tweeter and a large (8.5”) midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter: a licence to thrill.

Cabinet- and bass reflex-construction

Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large, double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.

Amplification and controls

With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.

On the rear panel are several controls: a gain for the high frequencies (± 4dB) and two shelf filters for the high and low frequencies.
There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.

Review: A8X: a "powerful link" between near- and midfield monitors!

"The A8X is a powerful link between ADAM´s AX Series and the formidable and more expensive SX Series. Its all-in-all homogenous tuning, the deep and precise bass as well as the brilliant mid- and high-frequency reproduction make this speaker a huge recommendation for ambitious people without deep pockets." (Professional Audio 10/2010)

Mid-Woofer
Number1
Basket Ø8.5" (220 mm)
Voice coil Ø1.5" (38 mm)
Cone materialCarbon/Rohacell/Glass Fiber
Tweeter
Number1
TypeX-ART
Diaphragm area4 inch² (2420 mm²)
Equiv. Diaphragm Ø2" (56 mm)
Velocity transform ratio4:1
Diaphragm weight0.17 g
Built-in Amplifiers
Mid-Woofer1
TypePWM
Amp. power RMS / music150 W / 225 W
Tweeter1
TypeA/B
Amp. power RMS / music50 W / 75 W
Control panel
Input Sensitivity-∞ to +14 dB
High Shelf EQ > 5 kHz±6 dB
Low Shelf EQ ±6 dB
Tweeter gain±4 dB
Input connectors
AnalogXLR / RCA
General data
Frequency response38 Hz - 50 kHz
THD 90dB/1m > 100 Hz≤0.5 %
Long term output≥112 dB
Max. peak≥120 dB
Crossover frequencies2300 Hz
Input impedance30 KOhm
Weight28.7 lb (13 kg)
Magnetically shieldedNo
Height x Width x Depth15.5" (400 mm) x 10" (255 mm) x 12.5" (320 mm)
Warranty5 Years
Delivery contents

Power cord, Manual



M-Audio BX8 D3 Features:
  • 150W active studio monitor with 8" military-grade Kevlar low-frequency driver and 1.25" silk dome tweeter
  • Bi-amplified design delivers a sound that's both powerful and precise
  • Custom waveguide ensures accurate dispersion for an incredibly tight soundstage
  • Optimized rear-mounted port produces defined low-end response with bass extension down to 37Hz
  • Acoustic Space Control tailors your monitor to your mix space
  • Volume control for dialing in the perfect playback level
  • Balanced combo input allows for flexible installation
  • Front-panel LED shines brightly when the speaker is positioned at an ideal angle
M Audio BX8 D3 8 Inch Powered Studio Monitor Specifications
  • Frequency Range: 37Hz – 22kHz
  • Crossover: 2.0kHz
  • Maximum Peak Input Level: -2dBU
  • Input Types: Balanced 20kO XLR, and TRS
  • Unbalanced: 10kO TS
  • Input Sensitivity: -12dBU
  • HF Driver Size: 31.8 mm (1.25“)
  • LF Driver Size: 203 mm (8“)
  • Amplifier Power: 150W Class A/B
  • HF Driver Power Amp: 70W
  • LF Driver Power Amp: 80W
  • Port: Rear internally flared
  • Controls: Yes
  • Magnetic Shielding: Yes
  • AC Input Voltage: 100–120V, 50/60 Hz 220–240V, 50/60 Hz
  • Enclosure Construction: MDF
  • Enclosure Finish: Black PVC
  • Baffle Construction: Injection-molded ABS
  • Baffle Finish: Matte black with Soft-touch
  • Dimensions (HxWxD): 384 mm x 250mm x 302mm (15.1” x 9.8” x 11.9”)
  • Weight: 10.5 kgs (23.1 lbs)
  • Display Carton (HxWxD): 398mm x 345mm x 482mm (15.6” x 13.5” x 18.9”)
  • Shipping Carton (HxWxD): 412mm x 359mm x 502mm (16.2” x 14” x 19.68”)
  • Shipping Weight: 12.8kgs (28.22lbs)
  • Configuration: 2-Way bi-amp
  • System Type: Active Monitor
  • Fuse Rating: 220–240V~ T1AL, 250V 100–120V~ T2AL, 250V
  • Power Consumption: 150W
  • Shape: Bass-reflex

    * Active studio monitors with USB audio interface
    * 4.25-inch magnetically shielded, inverted cone, copolymer woofer
    * 1-inch silk dome high frequency driver
    * 2 x 20 watts of internal stereo power
    * Two combination mic and instrument/line inputs
    * Two 1/8-inch stereo headphone outputs with level controls
    * Includes Cakewalk® Sonar LE music production software
    * Mic and instrument/line gain control with clip LED
    * 16-bit 44.1kHz/48kHz
    * Stereo RCA and 1/8-inch aux inputs
    * 2-position switch for no-latency direct stereo and mono monitoring
    * Mix control to balance computer and audio sources
    * USB and speaker cable included


Weight7.00 kg14.00 kg12.00 kg13.00 kg13.00 kg4.30 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 7.00 kg
Weight 14.00 kg
Weight 12.00 kg
Weight 13.00 kg
Weight 13.00 kg
Weight 4.30 kg