The 1176-KT from Klark Teknik is a FET-style compressor closely modeled on the 1176LN, particularly the original D and E versions of this well-regarded signal processing unit. It features four selectable ratios, an attack knob, and a release knob; with this kind of compressor, the level of gain reduction is directly affected by how high […]
The 1176-KT from Klark Teknik is a FET-style compressor closely modeled on the 1176LN, particularly the original D and E versions of this well-regarded signal processing unit. It features four selectable ratios, an attack knob, and a release knob; with this kind of compressor, the level of gain reduction is directly affected by how high you drive the input knob.
The unit gives you attack range of 25 to 760 microseconds, a release time range of 80 to 670 milliseconds, and selectable push button rations of 4:1, 8:1, 12:1, and 20:1. To answer a question surely on the mind of anyone familiar with the original 1176: Yes—this compressor offers all-button mode; you can achieve that characteristic smashing effect with this unit.
Differentiating this version from the classic 1176 are custom-engineered MIDAS input and output transformers, aiming to provide a pristine, discrete signal path. A vintage style VU meter is provides, giving you the option to monitor your gain reduction, or the output. In the various output modes, you have the choice of a reading of zero corresponding to +4, +6, or +8 dBm. This model accepts both XLR and 1/4″ TRS inputs and outputs.
Features at a Glance
Classic FET-style compressor modeled after iconic 1176LN, D and E Revisions
Discrete signal path
Class-A line-level output amplifier
Custom-built MIDAS input and output transformers
Push button selection of compression ratios: 4:1, 8:1, 12:1, 20:1
Fast attack times: 25 to 760 microseconds
Adjustable release times: 80 to 670 milliseconds
Vintage-style meter displays both gain reduction and output
Transformer-balanced inputs and outputs on Neutrik XLR connectors
Rugged 2 RU rackmount chassis for durability in portable applications
Designed and engineered in the UK
Audio Output
Type
1 x XLR, balanced 1 x 1/4″ TRS, balanced
Impedance
105 Ohms, balanced and unbalanced
Maximum Output Level
+25 dBu
Compressor
Compression Ratio
4:1, 8:1, 12:1, 20:1
Attack Time
25 to 760 µs, adjustable
Release Time
80 to 670 ms, adjustable
Meter Settings Options
Gain reduction, +8/6/4 dBu
System Specifications
Frequency Response
20 Hz to 20 kHz, ±1 dB
Signal to Noise Ratio
80 dB at +4 dBu In
Total Harmonic Distortion (THD) + N
0.15% typical
Power Supply
Mains
Standard IEC receptacle
Power Input
100 to 240 VAC, 50/60 Hz, 10 W
Fuse
T 1 AH, 250 V
Dimensions (H x W x D)
3.5 x 19.0 x 6.3″ / 88.0 x 483.0 x 159.0 mm
Weight
6.2 lb / 2.8 kg
Audio Input
Type
1 x XLR, balanced 1 x 1/4″ TRS, balanced
Impedance
> 600 Ohms, balanced and unbalanced
Maximum Input Level
+30 dBu
Input Pad Switch
-20 dB typical
Weight
3.50 kg
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The 1176-KT from Klark Teknik is a FET-style compressor closely modeled on the 1176LN, particularly the original D and E versions of this well-regarded signal processing unit. It features four selectable ratios, an attack knob, and a release knob; with this kind of compressor, the level of gain reduction is directly affected by how high you drive the input knob.
The unit gives you attack range of 25 to 760 microseconds, a release time range of 80 to 670 milliseconds, and selectable push button rations of 4:1, 8:1, 12:1, and 20:1. To answer a question surely on the mind of anyone familiar with the original 1176: Yes—this compressor offers all-button mode; you can achieve that characteristic smashing effect with this unit.
Differentiating this version from the classic 1176 are custom-engineered MIDAS input and output transformers, aiming to provide a pristine, discrete signal path. A vintage style VU meter is provides, giving you the option to monitor your gain reduction, or the output. In the various output modes, you have the choice of a reading of zero corresponding to +4, +6, or +8 dBm. This model accepts both XLR and 1/4" TRS inputs and outputs.
Features at a Glance
Classic FET-style compressor modeled after iconic 1176LN, D and E Revisions
Discrete signal path
Class-A line-level output amplifier
Custom-built MIDAS input and output transformers
Push button selection of compression ratios: 4:1, 8:1, 12:1, 20:1
Fast attack times: 25 to 760 microseconds
Adjustable release times: 80 to 670 milliseconds
Vintage-style meter displays both gain reduction and output
Transformer-balanced inputs and outputs on Neutrik XLR connectors
Rugged 2 RU rackmount chassis for durability in portable applications
Designed and engineered in the UK
Audio Output
Type
1 x XLR, balanced 1 x 1/4" TRS, balanced
Impedance
105 Ohms, balanced and unbalanced
Maximum Output Level
+25 dBu
Compressor
Compression Ratio
4:1, 8:1, 12:1, 20:1
Attack Time
25 to 760 µs, adjustable
Release Time
80 to 670 ms, adjustable
Meter Settings Options
Gain reduction, +8/6/4 dBu
System Specifications
Frequency Response
20 Hz to 20 kHz, ±1 dB
Signal to Noise Ratio
80 dB at +4 dBu In
Total Harmonic Distortion (THD) + N
0.15% typical
Power Supply
Mains
Standard IEC receptacle
Power Input
100 to 240 VAC, 50/60 Hz, 10 W
Fuse
T 1 AH, 250 V
Dimensions (H x W x D)
3.5 x 19.0 x 6.3" / 88.0 x 483.0 x 159.0 mm
Weight
6.2 lb / 2.8 kg
Audio Input
Type
1 x XLR, balanced 1 x 1/4" TRS, balanced
Impedance
> 600 Ohms, balanced and unbalanced
Maximum Input Level
+30 dBu
Input Pad Switch
-20 dB typical
The latest addition to the 10 Series product line, the dbx® 1074 QuadGate™, is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4” side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed.
From the company that has been redefining the standard of signal processing for more than 30 years, dbx® Professional Products comes a bulletproof product that caters to the scrutinizing needs of those who require the precision noise gating capabilities. Once again, the engineering staff at dbx® Professional Products have taken technology that has been over three decades in the making and have created a product that is flexible, versatile and rock solid in construction design. The 1074ʼs independent channel design with key filtering capabilities make it the perfect tool for countless applications.
Four independent channels of gating
Independent key filtering
Independent Threshold and Release controls
Differentially balanced gold-plated XLR and 1/4" inputs and outputs
0.008% typical at +4 dBu (1 kHz unity gain), 0.08% typical at +20 dBu (1 kHz unity gain),
Interchannel Crosstalk
Stereo Coupling
True RMS Power Summing
Operating Voltage
100-120 VAC 50-60 Hz or 200-240 VAC 50/60 Hz
Power Consumption
30 Watts
Fuse
100-120 VAC:250 mA Slow Blow, 200-240 VAC:125 mA Type T
Power Connector
IEC receptacle
Unit Weight
6.9 lbs.
Shipping Weight
9.3 lbs.
The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor,sweep equalizer, output level and VU metering in a 2U space. PREAMPLIFIER The VT-737SP has three input selections: 1. The VT-737SP features a higher-performance microphone input transformer with +48v phantom selection. 2. Instrument DI high source input with jack located on front panel. 3. Balanced line input, discrete high-level Class A. The Class A preamplifier utilizes two cascaded, dual vacuum tube triodes configured with minimum negative feedback. A high gain switch boosts the overall gain of the preamplifier. The four high quality tubes are configured as singled ended anode coupled followers. A passive-variable high pass filter and hard-wire relay bypass completes the input signal conditioning. The phase reverse relay is available on all three inputs. OPTO-COMPRESSOR The opto-compressor features a minimum signal path design with twin Class A vacuum tube triodes for gain matching. The optical attenuator acts as a simple passive level controller. Full dynamic control from soft compression to hard- knee limiting can be achieved with threshold, ratio-compression, attack and release controls plus gain reduction selection on the large VU meter. Special spectral control including de-ess is available with the dual sweep mid EQ to side- chain switch. The EQ section can be flipped pre or post the opto-compressor via a front panel switch for alternate effects and tone shaping. Two VT-737SPs can be linked via a rear panel link cable for stereo tracking. The compressor bypass is a sealed silver relay for the most direct signal path. SWEEP-EQUALIZER AND OUTPUT LEVEL The VT-737SP equalizer utilizes 100% discrete, Class A-high-voltage transistors for optimum sonic performance. The high and low frequency bands provide the smooth characteristics of an all passive design, while the dual mid bands include variable frequency and switched Q-width selection. The enhanced range of the mid bands is extended into the high and low bands by the use of X10 frequency multipliers. The bypass switch incorporates a sealed silver relay for the most direct signal path. When the EQ to sidechain is engaged, the high-low EQ remains in the audio path for "tone enhancement“. The output level control provides a variable control of the overall signal path. The output amplifier utilizes another dual triode vacuum tube driving a 100% discrete, Class A, high-current, balanced and DC coupled low noise output amplifier.
AVALON VT-737SP FEATURES Vacuum tube triode signal path, transformer balanced microphone input, high-voltage circuits for maximum headroom to +30dB, low noise -92dB, internal discrete power supply with toroidal transformer, soft-start tube life extender, stereo link for compressors, all discrete Class A equalizer with musical passive filter design, sealed silver relays for signal routing, large control knobs with professional conductive plastic potentiometers, VU meter for output level monitoring and compressor gain reduction.
VT-737SP SPECIFICATIONS Circuit topology Four dual triode vacuum tubes (Sovtek 6922), high-voltage discrete Class A Gain Range Microphone: Transformer balanced 850/2500 ohm, 0dB to +58dB Instrument: Unbalanced 1 meg ohm, 0dB to+30dB Line: Balanced Class A 20k ohms, -27dB to 28dB Maximum input level and connector types Microphone26dB@25Hz, +30dB@1kHz balanced XLR Instrument+30dB unbalanced front panel jack socket Line +36dB balanced XLR Maximum output level +30dB balanced 600 ohms, DC coupled, discrete Class A Output type and gain XLR connector, output trim gain -45dB to20dB Noise 20kHz unweighted -92dB Noise microphone EIN -116dB, 22Hz to 22kHz unweighted Distortion THD, IMD 0.5% Frequency response -/2.5dB 10Hz to 120kHz input filter included Frequency response -3dB 1Hz to 200kHz line in-out VU meter and gain reduction High quality illuminated OVU =+4dB and gain reduction to -20dB High cut filter Variable 6dB per octave 30Hz to 140Hz Compressor type Optical passive attenuator incorporating twin vacuum tubes and stereo link Threshold - Ratio Threshold variable -30dB to +20dB, ratio-compression variable 1:1 to 20:1 Attack - Release Attack variable 2mS to 200mS, release variable 100mS to 5 seconds Equalizer type Discrete Class A, variable active and switched passive design Frequency bands (4) Treble - switched 10kHz, 15kHz, 20kHz, 32kHz, +/- 20dB range, shelf High mid - variable 200Hz to 2k8Hz and 2kHz to 28kHz, +/- 16dB range, hi-lo Q Low mid - variable 30Hz to 450Hz and 300Hz to 4k5Hz, +/- 16dB range, hi-lo Q Bass - switched 15Hz, 30Hz, 60Hz, 150Hz, +/- 24dB range, shelf AC power Internal toroidal 100v to 240v, 50-60Hz selectable, 75 watts maximum Dimensions 19 x 12 x 3.5 in (482 x 305 x 89mm) Weight 22lbs (10kg) Dimensions-shipping carton 21 x 18 x 8 in (533 x 457 x 203mm) Weight-packed 26lbs (11.8kg)
Description
The alphaton Feedback-Controller FC-100 is a revolutionary product for every microphone application including wireless types. It can provide effective feedback control to any sound reinforcement situation. It can also eliminated string feedback in guitars and bass instruments which are equipped with piezo or condenser pickups. The FC-100 provides 6 to 10 dB of feedback protection by analysing the incoming signal, detecting the presence of feedback and then notching out the feedback frequency. The FC-100 relieves the sound engineer automatically. It works dynamically and eliminates a feedback signal before it can grow into a peak. Internally a discriminator circuit detects the presence of regenerative feedback and triggers the automatic equaliser to insert a notch where the feedback peak is coming up. This normally prevents other peaks from developing but if they do, the process is repeated at high speed, thus keeping feedback under control.
Technical Data In- and Outputs transformer balanced max. Inputlevel + 3 dB Gain (RS=200 Ohm, RL=2kOhm) 0 dB Frequency Response 20 Hz ... 20 kHz, +/- 1,5 dB Feeback Cancellation 6 ... 10 dB Power Requirement 30 ... 48 V Phantom Current drain ca. 8 mA External Power Supply 9 ... 20 V DC, 3,5 mm jack, tip + Housing Aluminium Diecast Weight 285 grams Dimensions 112 x 60 x 32 mm
Product Features:
Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology Audiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel) Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input) 64 user memories for complete setups and/or individual module configurations Separate mic/line input with phantom power for RTA and Auto-EQ applications Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates Open architecture allowing future software updates via MIDI "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany
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