KORG TP2-TWO CHANNEL TUBE MIC-LINE PREAMP.

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440.00 incl. GR VAT

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In this era of digital audio, more and more musicians, engineers and producers are longing for the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TP-2. In one rugged and compact unit, the TP-2 combines a dual channel tube preamp, optical compression and digital outputs ? a total solution for your […]

 

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In this era of digital audio, more and more musicians, engineers and producers are longing for
the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TP-2. In one
rugged and compact unit, the TP-2 combines a dual channel tube preamp, optical compression
and digital outputs ? a total solution for your demanding audio applications.
Two for one!
The TP-2 offers two completely independent preamps, with individual realtime controls. Each channel
is driven by its own 12AX7 tube. A ?Stereo? switch on the front panel allows both preamps to work in
tandem when processing a stereo source.
Full-featured mic preamps
Using a specially tuned version of the Valve Force technology so widely acclaimed in the Electribe X
series and the TRITON Extreme, the new TP-2 tube-driven preamp imparts a robust warmth and a rich
musical character that is ideal for your critical and challenging acoustic sources. Each preamp channel
accepts either XLR or 1/4″ TRS inputs, and switchable phantom power is provided. Equipped with a Hi-Z
switch, 26dB pad button and a variable trim knob, the TP-2 assures the optimal gain setting for any source,
from a premium microphone to a direct bass or guitar signal. A pair of faders controls the output level,
and a low-cut switch and a phase reverse button offer even more flexibility.
Transparent optical compression
By using state-of-the-art optical compression, the TP-2 is able to respond quickly, breathing life and luster
into your sound. In addition to enhanced response times, optical compression provides a wide range of
dynamic control ? without coloring the source material in adverse ways. Compression sensitivity knobs on
the front panel are teamed with Fast/Slow release time buttons and audiophile analog VU meters for intuitive
realtime control.
Best of both worlds
While the TP-2 works hard in the analog domain to achieve warm, smooth and musical results, its digital
characteristics are no less stellar. Analog-to-digital conversion is 24-bit, using 64-times oversampling for
error-free reproduction. Sampling rates of 44.1, 48 and 96 kHz are offered, and the digital output is provided
in both S/P DIF optical and coaxial formats. Analog outputs are also provided.
Use it anywhere
While the TP-2 is obviously well suited to enrich your hardware or software based digital recordings, it is
perfect for a variety of applications. Live, the TP-2 can be used to add warmth to any vocal mic or acoustic
instrument. As a mastering tool, the TP-2 provides superior dynamic control. You can even use it as a preamp
when preparing audio samples for your keyboard or computer.
XD series plug-in version
For those of you who are already using Korg?s D32XD or D16XD Digital Recording Studios, the full functionality
and feature set of the TP-2 is available as an optional enhancement for these Xtended Definition recorders in the
TPB-2. The TPB-2 mounts directly into the option bay on the D16XD or D32XD front panel.

SPECIFICATIONS:

Input connector:
XLR-3-31 type (+48 V phantom power, switchable),
1/4 TRS phone jack (balanced, unbalanced when Hi-Z is On)
Input impedance:
4k Ohms (XLR-3-31), 10k Ohms (TRS phone Jack),
1M Ohms (TRS phone Jack Hi-Z)
Input level:
-60dBu ~ -12dBu @ TRIM = max. ~ min., PAD OFF
-34dBu ~ +14dBu @ TRIM = max. ~ min., PAD ON
Max. level:
-48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF
-22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON
in Hi-Z
-48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF
-22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON
Source impedance: 600 ohm
Tube: 12AX7
Method of compression:
Vacuum tube gain reduction using a photocoupler
Frequency response:
10Hz ~ 20kHz ± 1dB @fs44.1kHz, +4dBu, 10k ohm
10Hz ~ 22kHz ± 1dB @fs48kHz, +4dBu, 10k ohm
10Hz ~ 44kHz ± 1dB @fs96kHz, +4dBu, 10k ohm
S/N: TBD
Dynamic range: TBD
A/D conversion: 24 bit, 64 times oversampling
Sampling frequency: 44.1kHz, 48kHz, 96kHz
Analog outputs:
Connector: XLR-3-32 type, 1/4″ TRS phone jack (balanced)
Output impedance: 150 ohm
Standard output level: +4dBu
Max. output level: +16dBu
Impedance: over 10k ohm
Digital outputs:
Connector: Optical, Coaxial
Format: 24bit S/P DIF (IEC60958, EIAJ CP-1201)
General:
Dimensions:
8.82″ (W) x 6.97″ (D) x 3.46″ (H)
224 (W) x 177 (D) x 88 (H)mm
Weight: 2.93 lbs. / 1.3 kg
Accessories: AC power supply, Owners? manual

Weight 2.00 kg

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Quick Comparison

KORG TP2-TWO CHANNEL TUBE MIC-LINE PREAMP. removeAVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER removePRESONUS Blue Tube DP V2 Microphone Preamplifier removeARX 8-PRE 8CHANNEL MICROPHONE PRE-AMP removePRESONUS HP-60 Headphone Amplifier 6 Channels removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER remove
NameKORG TP2-TWO CHANNEL TUBE MIC-LINE PREAMP. removeAVALON U5 MONO INSTRUMENT and DI PREAMPLIFIER removePRESONUS Blue Tube DP V2 Microphone Preamplifier removeARX 8-PRE 8CHANNEL MICROPHONE PRE-AMP removePRESONUS HP-60 Headphone Amplifier 6 Channels removeFOCUSRITE ISA 428 MKII FOUR CHANNELS MIC PREAMPLIFIER remove
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SKUTP2U 5BLUETUBE DP V2 EU8-PREAPA2018-00893ISA 428 MKII
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Description
ContentIn this era of digital audio, more and more musicians, engineers and producers are longing for the warm, full-bodied sound produced by vacuum tubes. Say hello to the all-new TP-2. In one rugged and compact unit, the TP-2 combines a dual channel tube preamp, optical compression and digital outputs ? a total solution for your demanding audio applications. Two for one! The TP-2 offers two completely independent preamps, with individual realtime controls. Each channel is driven by its own 12AX7 tube. A ?Stereo? switch on the front panel allows both preamps to work in tandem when processing a stereo source. Full-featured mic preamps Using a specially tuned version of the Valve Force technology so widely acclaimed in the Electribe X series and the TRITON Extreme, the new TP-2 tube-driven preamp imparts a robust warmth and a rich musical character that is ideal for your critical and challenging acoustic sources. Each preamp channel accepts either XLR or 1/4" TRS inputs, and switchable phantom power is provided. Equipped with a Hi-Z switch, 26dB pad button and a variable trim knob, the TP-2 assures the optimal gain setting for any source, from a premium microphone to a direct bass or guitar signal. A pair of faders controls the output level, and a low-cut switch and a phase reverse button offer even more flexibility. Transparent optical compression By using state-of-the-art optical compression, the TP-2 is able to respond quickly, breathing life and luster into your sound. In addition to enhanced response times, optical compression provides a wide range of dynamic control ? without coloring the source material in adverse ways. Compression sensitivity knobs on the front panel are teamed with Fast/Slow release time buttons and audiophile analog VU meters for intuitive realtime control. Best of both worlds While the TP-2 works hard in the analog domain to achieve warm, smooth and musical results, its digital characteristics are no less stellar. Analog-to-digital conversion is 24-bit, using 64-times oversampling for error-free reproduction. Sampling rates of 44.1, 48 and 96 kHz are offered, and the digital output is provided in both S/P DIF optical and coaxial formats. Analog outputs are also provided. Use it anywhere While the TP-2 is obviously well suited to enrich your hardware or software based digital recordings, it is perfect for a variety of applications. Live, the TP-2 can be used to add warmth to any vocal mic or acoustic instrument. As a mastering tool, the TP-2 provides superior dynamic control. You can even use it as a preamp when preparing audio samples for your keyboard or computer. XD series plug-in version For those of you who are already using Korg?s D32XD or D16XD Digital Recording Studios, the full functionality and feature set of the TP-2 is available as an optional enhancement for these Xtended Definition recorders in the TPB-2. The TPB-2 mounts directly into the option bay on the D16XD or D32XD front panel. SPECIFICATIONS: Input connector: XLR-3-31 type (+48 V phantom power, switchable), 1/4 TRS phone jack (balanced, unbalanced when Hi-Z is On) Input impedance: 4k Ohms (XLR-3-31), 10k Ohms (TRS phone Jack), 1M Ohms (TRS phone Jack Hi-Z) Input level: -60dBu ~ -12dBu @ TRIM = max. ~ min., PAD OFF -34dBu ~ +14dBu @ TRIM = max. ~ min., PAD ON Max. level: -48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF -22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON in Hi-Z -48dBu ~ 0dBu @ TRIM = max. ~ min., PAD OFF -22dBu ~ +12dBu @ TRIM = max. ~ min., PAD ON Source impedance: 600 ohm Tube: 12AX7 Method of compression: Vacuum tube gain reduction using a photocoupler Frequency response: 10Hz ~ 20kHz ± 1dB @fs44.1kHz, +4dBu, 10k ohm 10Hz ~ 22kHz ± 1dB @fs48kHz, +4dBu, 10k ohm 10Hz ~ 44kHz ± 1dB @fs96kHz, +4dBu, 10k ohm S/N: TBD Dynamic range: TBD A/D conversion: 24 bit, 64 times oversampling Sampling frequency: 44.1kHz, 48kHz, 96kHz Analog outputs: Connector: XLR-3-32 type, 1/4" TRS phone jack (balanced) Output impedance: 150 ohm Standard output level: +4dBu Max. output level: +16dBu Impedance: over 10k ohm Digital outputs: Connector: Optical, Coaxial Format: 24bit S/P DIF (IEC60958, EIAJ CP-1201) General: Dimensions: 8.82" (W) x 6.97" (D) x 3.46" (H) 224 (W) x 177 (D) x 88 (H)mm Weight: 2.93 lbs. / 1.3 kg Accessories: AC power supply, Owners? manual

The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable
gain preamp and filter. The high input impedance accepts a wide variety of signal levels
and instruments from acoustic guitars to high-output active bass guitars and keyboards.
The U5 direct box is loaded with sonic character and user features professionals demand.

U5 FEATURES
Pure Class A, 100% discrete design
Smooth musical detail and sonic excellence
Variable gain preamp to +30dB.
Dual microphone and line outputs
Hi-Z   3,000,000 ohm input impedance
Very low noise -100dB
High headroom +30dB
Six tone bank selections.
DC coupled Class A output for superior bass
High cut switch eliminates noise
LED active signal indicator
Headphone monitor output jack
Low distortion less than 0.5% THD and IMD
High level 400 watt speaker input
Active to thru selector - ground isolation switch
100% discrete power supplies for audio path
Internal toroidal power supply for low noise
Long lasting, stainless steel hardware
 
SONIC EXCELLENCE
The Avalon U5 Pure Class A instrument DI & preamplifier is the most powerful direct box
available today.  Designed to optimize absolute signal integrity and musical performance,
the U5 includes many features and sonic excellence unequaled by lesser designs. The
U5 is ideal for bass guitar and acoustic instruments, electric guitars, keyboards, synthesizers
and low output pickups. 
Features include state-of-the-art, high input impedance input stage for zero load effect on
sensitive pickups and keyboards, 100% discrete, Pure Class A signal amplifiers, practical
user features and rugged hardware designed to deliver true high performance audio for many
years. 
DESIGNED FOR DEEP & CONTROLLED BASS
Avalon U5 DI-preamps have been in use around the world since 1995. They have found their way
into the world's leading musicians rigs and recording sessions and been featured on thousands
of the best selling (and sounding) albums and live performances.
MINIMUM SIGNAL PATH DESIGN
The U5 includes a variable gain Class A preamplifier to boost low level pickup signals and a high
level speaker input for capturing the live sound of the instruments amplifier. Six passive tone-EQ
curves are also included to enhance a variety of acoustic and electric instruments. A high-cut switch
eliminates unwanted acoustic pickup and high frequency noise, while a  headphone monitor amp
has been included for personal listening. Twin DC coupled Class A output amplifiers drive both low
level microphone preamp inputs and high level +4dB inputs for direct to tape recording or processing.
The active-to-thru switch selects either the instrument input directly or sends the boosted-equalized
signal to the amplifier via the front panel jack. A ground isolation switch eliminates any possible earth
loop or AC buzz problems with complete safety.

U5 SPECIFICATIONS
Circuit Topology:  100% discrete, high-voltage Class A 
Gain:  Switched 3dB steps, maximum gain +30dB 
Input Impedance:  3 ,000,000 ohm unbalanced (single ended) 
Maximum Input Level  +24dBu unbalanced, 400w speaker input 
Output Connectors (2):  XLR type, pin 2 hot electronic balanced 
Maximum Output Level (Class A):  +30dBu DC coupled, balanced 600 ohms (mic and line out) 
Headphone Output:  0.5w into 600 ohms 
Noise 20kHz Unweighted:  -100dBu minimum gain position 
Distortion THD, IMD:  0.1% at +10dB 
Frequency Response, -/+0.5dB:  5Hz to 100kHz 
Frequency Response, -3dB:  1Hz to 500kHz (input band limited) 
High Cut Filter:  -3dB at 8kHz minimum phase design 
Tone Selector:  Six position rotary switch, all passive filters 
AC Power:  Internal toroidal AC supply 
Dimensions:  8.5 x 3.5 x 12 in (216 x 88 x 305mm) 
Weight-Packed:  12lbs (5.4kg) 
Rack mount kit (1) RM-1:  Single U5 19 inch rack mount kit (holds one half rack unit) 
Rack mount kit (2) RM-2:  Dual U5 19 inch rack mount kit (holds two half rack units) 

PreSonusʼ popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.

Now weʼve improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonusʼ top-of-the-line Class A XMAX™ mic preamplifier with 80 dB of variable gain—an upgrade from the original BlueTube DPʼs solid-state stage.

You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels.

A Tube Drive control provides a wide range of sounds: when itʼs clicked off, youʼre using the solid-state preamp for quiet, transparent amplification; when itʼs engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion.

    2 input channels, each with:
        High-headroom Class A XMAX™ mic preamplifier with 80 dB gain range
        12AX7 vacuum tube gain stage
        Tube Drive tube-saturation control
        48V phantom power
        80 Hz high-pass filter
        -20 dB pad to reduce hot input levels
        Polarity-reverse switch
        Illuminated analog VU input-level meter

    Input/Output
        2 balanced combo mic/unbalanced instrument inputs
        2 balanced XLR main (L/R) line outputs
        2 unbalanced ¼” main (L/R) line outputs

    Physical
        Compact 1/2U chassis
        External 12 VDC, 1A power supply

Applications

Console input extending for both Digital and Analog mixing
consoles in Studio, Live and Broadcast
Mic Pre-amps for ADAT/ Hard Disk/ Multitrack Recording
 
Innovation
If you love your compact Digital (or Analog) mixing console, but wish it had
more microphone inputs, ARX has the solution ? the 8 Pre: eight channels
of superb sounding Microphone Pre-amps in a compact 1 RU chassis.
The 8 Pre is the ideal console extender for those times when you need more
microphone inputs. Now you can put those unused line inputs to good use,
and who knows - the 8 Pre pre-amps sound so good that you?ll probably end
up using them all the time instead of the ones that came with your mixer!
Superb Audio Quality
The 8 Pre?s ultra low noise figures come from extensive use of premium
components plus care and attention to board design and layout. The result is
superb, transparent audio quality and the headroom to handle anything that a
mic can throw at it.
Gain is adjustable from 20 db through to 60 dB via a trim control on the front
panel, plus we?ve included a ?20dB Pad switch to tame the hottest condenser
mic output if required. The Clip status LED lights up 1 dB before the onset of
clipping, just to warn you you?re getting close.Phantom power is switchable in
banks of four channels: 1 through 4, 5 through 8. A Phase reverse switch is also
provided on each pre-amp channel to eliminate any close miking problems.
In short, the ARX 8 Pre is the mic Pre-amp that you?ll wish the console manufacturer
had used. It provides a unique solution to today?s multiple Mic Pre-amp requirements.

T E C H N I C A L S P E C I F I C A T I O N S
Input Gain 20dB to 60dB
Input Pad ?20dB
Input Impedance 4 KOhm
Input Headroom +23dB
Output Impedance 300 Ohm
Output Level (Max) +23dB
Frequency Response 20Hz ? 20KHz ±0.2 dB
Signal to Noise ratio (Gain set @ 20 dB)
?93dB Unweighted, ?99dB ?A? weighted
Distortion @ Unity Gain .004%, 20 Hz ? 10 KHz
Dynamic Range 116 dB
Phantom Power 48 VDC
Input Connectors Balanced XLR
Output Connectors Balanced TRS jack
Clip Indicator Illuminates 1 dB prior to clipping
Power Requirements 100/120 V AC, 220/240 V AC
Weight 5 lbs/2.2 Kg
Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

Mic Inputs
• Frequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz
• Frequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz
• Gain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +7.4dBu
• THD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -98dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 123dB (relative to max output 25dBu)
• SNR: 120dB (relative to 0dBFS (+22dBu)
• CMRR: 88dB.
• Input Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω

Line Inputs
• Frequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz
• Gain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim
• Maximum headroom: +25.4dBu
• THD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
• Noise at main output with unity gain: -91dBu (measured with a 20Hz/22kHz bandpass filter)
• SNR: 116dB (relative to max output 25dBu)
• SNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ

Instrument Inputs
• Frequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz
• Frequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz
• Gain range: +10dB to +40dB continuously variable
• Maximum headroom: +11.5dBu
• THD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz/22kHz bandpass filter)
• Noise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz/22kHz bandpass filter)
• Input Impedance = >1MΩ

High Pass Filter
• Roll off = 18dB per octave 3 pole filter
• Frequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)

Meters
• 6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:

Meter panel calibration value in dBFS / Equivalent dBu value
0dBFS / +22dBu
-2dBFS / +20dBu
-6dBFS / +16dBu
-12dBFS / +10dBu
-18dBFS / +4dBu
-42dBFS / -20dBu



Front and rear connectivity

Analogue Channel Inputs (Inputs 1-4)
• 4 instrument 1⁄4” TS jack inputs on front panel
• 4 microphone XLR inputs on rear panel
• 4 line 1⁄4” TRS jacks on rear panel
• 4 insert return 1⁄4” TRS jacks on rear panel
• 4 ADC XLR inputs on rear panel

Analogue Audio Outputs (Outputs 1-4)
• 4 line XLR outputs on rear panel
• 4 insert send 1⁄4” TRS jacks on rear panel

Other I/O
• IEC power input connector 100Vac – 240Vac

Front Panel Indicators
• 8 output meters, 6 segment
• 4 30-60 mic gain range selection indicator
• 4 +48V phantom power indicator
• 4 Phase indicator
• 4 Insert In indicator
• 4 Filter In indicator
• 4 Input selection indicators (Mic, Line, Inst)
• 4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)
• Ext clock indicators (Lock, Word clock, 256X)

Weight
5.5kg
12.2lbs

Dimensions (W x H x D)
480mm (W) x 88mm (H) x 280mm (D)
19" (W) x 3.5" (H) x 11" (D)


Weight2.00 kg5.40 kg2.00 kg2.00 kg2.00 kg5.50 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 2.00 kg
Weight 5.40 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 5.50 kg