| Content | Korg TR-76 - 76 Keys Music Workstation Synthesizer
Turning a great idea into brilliant music takes both inspiration and a solid workstation. Inside the affordable new TR Series you?ll find exactly what you need to take your music from all right to extraordinary.
Start with Korg?s proven Hyper Integrated sound engine ? the synthesis system that has made the TRITON a world-wide standard. Add in a comprehensive 64 MB ROM which includes many new sounds - as well as Korg classics. Bring it all up-to-date with totally new features including USB MIDI capabilities and reliable, portable SD card data storage. Package it all in a sleek black body housing Korg?s classic 16-track sequencer, superb effects engine, and top it off with a clear and user-friendly interface.
Introducing the KORG TR Music Workstation; it?s brimming with rich, brilliant sounds for musicians who may not be rich, but just might be brilliant.
Proven HI Synthesis
The TR Music Workstation is based upon the acclaimed HI (Hyper Integrated) sound that made the TRITON series the choice of professional musicians the world over. It boasts 64 MB of PCM data (twice the size of the original TRITON!), and a 48 kHz sampling frequency that exceeds CD standards to deliver highly expressive and professional quality sound. This expansive amount of high-quality PCM data is enhanced by multi-mode resonant filters, abundant modulation schemes and sophisticated effects to create Korg?s distinctively rich and brilliant sound with the warmth and fatness you expect. The new TR is also compatible with many TRITON family sounds and songs.
Abundant 64 MB Sample ROM
The new sampled waveforms include stereo-sampled piano (taken from the same sampling session as used on the OASYS!), electric piano, nylon-string guitar, acoustic guitar and strings. With multi-level dynamics and natural instrument articulations and vibrato, these waveforms produce expressive and realistic sounds. There?s also a full complement of excellent drum sounds and patterns covering a broad range of styles for music production and performance. The TR Music Workstation provides 470 high-quality multisamples and 518 outstanding drum samples, giving you a broad selection to work with.
Modulation Drives Distinctive Sound Creation
Modulation is what creates the motion, nuance and articulation that are such an important part of synthesizer artistry. The TR Music Workstation?s Alternate Modulation provides a total of 42 types of AMS (Alternate Modulation Source) including EG, LFO, keyboard tracking, and joystick (as well as controllers such as knobs and pedals) to create extremely sophisticated sounds. These can be programmed in, or operated in realtime to give your sounds a high degree of expressive life.
High-quality Effect Section
With development borrowed from Korg?s acclaimed D-Series digital recorders and TRITON workstations, the TR offers a broad palette of 89 types of effects to enrich your sound creations. The effect section consists of two Master effects, one stereo Insert effect, and one Master EQ (stereo three-band) together with a sophisticated mixer section that lets you control the routing of these individual components. Many of the effects offer realtime modulation of parameters and tempo-based synchronization, for total integration with your tracks.
Effect settings can be made independently for each Program, Combination, and Song, helping you bring your overall sound to perfect completion. With the optional EXB-SMPL sampling upgrade board installed, you can even sample through the Insert effect for even more sonic possibilities.
A Multitude of Fresh Programs and Combinations
The TR contains a wide range of new high-quality Programs and Combinations created by Korg?s renowned international voicing team. The new stereo piano is velocity-switched between two levels, providing realistic response to your playing dynamics. Even more realistic electric pianos, choirs, guitars, strings, woodwinds and drums are also provided. There?s also a rich collection of synth and sound-effect programs that are ideal for dance music. In addition to the 512 preloaded Programs, there are 128 GM-compatible programs and nine drum kits*. Unlike many other keyboards, all Program locations are RAM so you can adjust sounds to your liking, or replace them as you wish.
* The sound mapping of the nine drum programs is compatible with GM Level 2.
You can use up to eight Programs simultaneously in a Combination to create extremely rich and complex sounds. Combinations can contain ?layers? that play multiple sounds simultaneously; ?splits? that assign different sounds to different regions of the keyboard; and ?velocity layers? that dramatically change the sound or switch Programs in response to your playing dynamics. Control assignments can give your sound and performance even greater impact.
Up to 512 Programs, 384 Combinations, and 24 drum kits that you create can be stored to internal rewritable memory locations. This data can also be stored or transferred to your computer via an SD card. Best of all, the TR is compatible with many sounds available for the TRITON and Karma keyboard products*, so you can enjoy the many commercial and user-created shareware collections available for the best-selling line of keyboards ever made.
* The TR can load sounds made for the TRITON ?Classic?, Le and Karma music workstations ? only Insert effect 1 is loaded, the other four are ignored. Karma settings will also be ignored. Sounds created on the TRITON Studio and Extreme can be loaded, but the accuracy/reproduction will vary when the sounds use multisamples/drumsamples that are not available in the TR.
A Comprehensive Music Production System
The TR?s 16-track sequencer provides a capacity of 200,000 notes and up to 200 songs, creating a comprehensive music production system offering superb functionality and excellent operability. You can record in realtime or step time, and a host of powerful editing tools are provided.
Setting up for a new song is easy. Choose a template song (16 preset, 16 user) that has sounds and effects already set up; or use the Auto Song Setup feature to instantly set up the Program or Combination you are currently playing into a new record-ready song, complete with all effect and arpeggiator settings. Either way, you can begin recording immediately, before you lose that flash of musical inspiration.
The Cue List allows you to build your arrangement up in sections (up to 99), and then convert them into a single song for consecutive playback or to create new song structures. You can build songs using 150 preset drum patterns and 100 user patterns, as well as take advantage of the Track Loop function to loop specified regions of measures within each track.
Song data can also be saved on an SD card in SMF (Standard MIDI File) format 0 or 1, letting you exchange data with most MIDI sequencers. Share your ideas with other musicians who are computer-users, or move your songs into your computer for further editing, notation, or integration with other applications. Once again, Song data can be loaded from the TRITON and Karma line of music workstations*, for compatibility with tens of thousand of users around the world.
* Only Insert Effect 1 will be loaded, the other four are ignored. Karma settings will also be ignored, as will Tone Adjust settings from the Studio and Extreme.
Expand Your Creative Song-writing Potential
The TR Music Workstation contains powerful polyphonic dual arpeggiators as well as Korg?s inspiring RPPR feature, offering amazing levels of expressive power and high-impact playing. Performances enriched by these unique composition tools can be recorded directly into the internal sequencer in realtime.
Ultra-powerful Arpeggiator
The richly expressive dual polyphonic arpeggiators generate powerful performances. In addition to five basic preset arpeggio patterns, the TR contains 200 patterns suitable for use with all different types of sounds, either fixed-note drum patterns or variable pitched parts. You can use one arpeggiator in Program Mode, and both arpeggiators simultaneously in Combi mode, and even record their output directly into the internal sequencer.
The possibilities are endless. For example, two different arpeggio patterns can be applied to two separate key-split sounds of a Combination, or you can use velocity to switch between two arpeggio patterns. Together with original patterns that you create, a total of 216 different patterns can be stored in internal memory. Arpeggios can be synchronized with MIDI clock, so they run in time with the internal sequencer, BPM-based effects, and more.
RPPR (Realtime Pattern Play/Recording) Function
The RPPR function lets you record a simple sequenced phrase or pattern, assign it to a key, and then play that pattern back in realtime simply by pressing the corresponding key. This gives you amazing possibilities for realtime performance; you can switch to different patterns with each key (and even use multiple keys to play different phrases simultaneously), or add additional patterns by pressing more keys. 150 preset drum patterns are built in, and 100 more can be created and stored for each Song.
USB Connector for Easy System Connections
The rear panel provides a USB connector (type B) that lets you make MIDI connections with your computer using a single cable ? no MIDI interface needed! It?s easy to connect the TR to a computer-based DAW for recording, or to use it with notation software, educational courses and much more. Transmission and reception of system exclusive data is also supported, allowing you to manage sounds and other types of data on your computer for smooth and professional song production.
High-capacity SD Card for Efficient Data Management
The TR Music Workstation uses compact and high-capacity SD cards to save and load sounds, sequences and sample data. The reading speed is extremely fast, so data management is quick and easy. SD card capacities from 16 MB to 1 GB are supported, and you can easily transfer data to your computer via readily-available card readers.
Inviting, Intuitive Interface
The TR Music Workstation is designed to be not only powerful, but also smart and speedy. The 240 x 64 pixel LCD features an adjustable contrast for optimal viewing in any situation. You can quickly and efficiently find the sound you want by using the ?category select? function. Category select is available not only for Programs and Combinations, but also for PCM waveforms and effect algorithms, speeding-up your sound editing. When searching for a desired Program, you can use the Audition key to automatically play a phrase that?s appropriate for the sound being selected.
Controllers Maximize Your Performance Potential
The TR Music Workstation?s 4-way joystick lets you freely vary the pitch and apply modulation effects such as vibrato or wah. There are also four assignable knobs plus two assignable switches and foot pedal jacks that you can use for applying alternate modulation, providing you with a full range of control that is indispensable for burning up the stage or cutting sizzling tracks.
Light-weight and Compact
The TR Music Workstation is light-weight, with the 61-note model weighing only 17.8 lbs. and the 76-note model only 20 lbs. The rich sound and powerful functionality you expect from Korg are now available anywhere, anytime, any place.
| Tone Generator: |
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HI (Hyper Integrated) sound engine
48kHz Sampling frequency
64MB PCM ROM
470 multisamples + 518 drum samples |
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Polyphony: |
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62 voices, 62 oscillators (single mode)
31 voices, 62 oscillators (double mode) |
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Keyboard: |
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61 keys and 76 keys; velocity and aftertouch sensing
88-key weighted (Real weighted Hammer action 2); velocity and aftertouch sensing |
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Effect Section: |
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Stereo digital multi-effect system? all usable simultaneously
2 Master effects (mono in, stereo out)
1 Insert effect (stereo in/out)
Master EQ (3-band stereo) |
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Number of Effect types: |
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89 (available for Insert effects or Master effects) |
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Programs, Combinations, Drumkits: |
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512 Programs (512 preloaded)
384 Combinations (384 preloaded)
24 Drumkits (16 preloaded)
GM sound map compatible ? 128 programs + 9 drum kits (ROM) |
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Sequencer: |
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16 tracks
1/192 resolution
200 songs |
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Maximum capacity: |
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200,000 notes
20 cue lists
150 preset drum patterns/100 user patterns
(for each song)
Supports TR/TRITON format (.SNG file), Standard MIDI Files (format 0 and 1) |
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RPPR (Realtime Pattern Play/Recording) function: |
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One set available for each song |
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Dual Polyphonic Arpeggiator: |
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Two arpeggiators, useable simultaneously
(Combination, Sequencer modes)
5 preset arpeggio patterns; 216 user arpeggio patterns (200 preloaded) |
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EXB-SMPL Sampling Upgrade (sold separately): |
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48 kHz, 16-bit linear
Memory capacity=64MB* (when 2/32 MB SIMMs installed, 16 MB SIMM included with the EXB-SMPL)
4,000 samples / 1,000 multisamples (128 indexes are available per multisample), Time Slice, Time Stretch/Compress, other editing functions
AIFF, WAVE, AKAI (S3000/S1000 samples and mapped multisamples only), Korg format sample data loading are available
Sample data exporting as AIFF, WAVE format available
*User-installable. Use 16 MB or 32 MB 72-pin SIMM modules that are either Fast Page or EDO-compatible, with an access speed of 60 nsec or faster, 11-bit addressing required. For details refer to a TR dealer near you. |
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SD Card/MEDIA Mode Functions: |
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Load, Save, Utility, Data filer functions (Save/Load of MIDI exclusive data)
CD-ROM (ISO9660 level 1, AKAI S-100/3000 format) loading available (when EXB-SMPL installed) |
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Controllers: |
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Joystick
2 Assignable switches
4 Assignable knobs
Audition key
Category key |
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Inputs: |
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Assignable Switch/Pedal
Damper (half damper supported) |
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Outputs: |
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MAIN=L/MONO, R
Individual-1, 2
Headphones |
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USB: |
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USB-B connector (USB ver.1.1 supported), providing USB MIDI communication |
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Media Slot: |
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SD card? slot
2.7~3.6 V compatible
16 MB~1 GB memory capacities supported |
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MIDI: |
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IN, OUT, THRU |
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Graphical User Interface: |
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240x64 dots LCD display with back-light |
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Dimensions: |
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61-key
41.14? (W) x 11.89? (D) x 3.74? (H)
1,045 (W) x 302 (D) x 95 (H) mm
76-key
49.53? (W) x 11.89? (D) 3.74? (H)
1,258 (W) x 302 (D) x 95 (H) mm
88-key
55.67" (W) x 14.37" (D) x 4.84" (H)
1,414 (W) x 365 (D) x 123 (H) mm |
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Weight: |
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61-key: |
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61-key
17.20 lbs / 7.8 kg
76-key
20.28 lbs / 9.2 kg
88-key
53.13 lbs / 24.1 kg |
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Power Consumption: |
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13 W (when EXB-SMPL and 2/32 MB SIMMs are installed) |
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Accessories: |
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AC/AC power supply |
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System compatibility for connecting computer: |
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Windows: |
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? Supported OS: Microsoft Windows XP Home Edition/Professional
? Supported Computer: A computer with USB connector that meets the above requirements |
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Macintosh: |
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? Supported OS: Mac OS X 10.2 or later
? Supported Computer: An Apple Macintosh with USB connector that meets the requirements for the above operating system
Note: USB MIDI has been tested and works under Rosetta and Universal Binary on Intel-based Macs, using the standard Class Compliant driver. In this case, however, Port Names will be shown as generic names like Port 1, Port A etc. instead of the product name. |
| Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.
The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.
Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with "Wave" in their names.
This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.
In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
Oscillators
Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.
Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.
Not only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus, lo and behold, the desperately requested "Upper Wavetable" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.
What's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.
Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.
Each of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.
On top of all that, oscillator 2 can be hard-synced to oscillator 3.
Ring Modulation and Noise Generator
Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.
The noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.
The three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.
Filters
The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.
The selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).
Furthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.
Overdrive, Saturation, Distortion, Shaping
You name it. The Blofeld offers a freely controllable "Drive" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low/medium/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as "binary distortion“, a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.
Effects
The Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.
The first effect slot offers such modulation effects as chorus, flanger as well as a combined type called "Triple FX“. The latter gives you several effects at once, but with a reduced parameter set.
The second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.
Envelopes
Four envelopes with different types and trigger modes affect any sound parameters you choose.
Each envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think "organ percussion register“, for instance.
The Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a "one shot" Envelope.
The Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).
LFOs
Each of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample & hold and random.
LFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).
One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.
Modulation Matrix
Here's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.
Individual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.
You can of course "modulate the modulators" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.
And how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.
Modifiers
What if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as "LFO1*MW" (LFO 1 controlled by Modulation Wheel) and "LFO2*Press" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the "LFO3*MW" thing for you.
But, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the "operation" set to "*" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.
Okay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.
Arpeggiator
Okay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...
It features variable clock divisions from 1/64 triplets to more than 1000 bars, with variable swing/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.
But more importantly, it has the most powerful Pattern Editor we have ever seen.
You can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.
Then you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.
No wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!
Sound
Now, how does all that sound? You probably know that Waldorf synthesizers are well loved for their sound character, and the Blofeld is certainly no exception. But who are we to tell you? Better listen to the Waldorf Blofeld demos or just believe us: it sounds great. Now go and get one!
Technical InfoMost important features
Unbeatable price tag
Sturdy Metal Enclosure
7 endless stainless steel Dials
Graphic Display 128 x 64 pixels, b/w, white background LED
More than 1000 Sounds
3 Oscillators per voice
Frequency Modulation between the Oscillators
All Q Oscillator Models
All Microwave II/XT/XTk Wavetables
2 independent Multi Mode Filters per voice
Filter FM
2 Drive stages per voice with selectable Drive Curves
3 fast LFOs per voice
4 fast Envelopes per voice
Powerful Arpeggiator
Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound
General Features
Up to 25 Voices
16 part multi timbral
More than 1000 Sounds
Sturdy Metal Enclosure
7 endless stainless steel Dials
5 Buttons
Graphic Display 128 x 64 pixels, b/w, white background LED
MIDI LED
Volume Control
Power Switch
Stereo Output
Headphone Output
MIDI In
USB Connector for MIDI In / Out:
- uses standard USB MIDI Driver provided by host computer OS
- Windows ME minimum, Windows XP or newer recommended
- Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended
External Power Supply
Per Voice
3 Oscillators
Virtual Analog Models:
- Pulse with Pulse Width Modulation and adjustable Brilliance
- Sawtooth with adjustable Brilliance
- Triangle
- Sine
Wavetables:
- Q Alt 1 and Alt 2 Wavetable with adjustable Brilliance
- All Wavetables from Microwave II/XT/XTk Series with adjustable Brilliance
- Separate Wavetable selectable for Oscillator 1 and 2
Frequency Modulation between the Oscillators
Oscillator Synchronization
Ring Modulator for Osc 1 / 2
Noise Generator with Noise Colour
2 independent Multi Mode Filters:
- Filter FM
- Resonance up to Self-Oscillation
- Low Pass 24 dB / 12 dB
- Band Pass 24 dB / 12 dB
- High Pass 24 dB / 12 dB
- Notch 24 dB / 12 dB
- Comb Filter with positive / negative Feedback
- PPG Low Pass Filter
2 Drive stages per voice with adjustable Drive Gain and selectable Curves:
- Clip
- Hard
- Medium
- Soft
- Sine Shaper
- etc.
Modulation Matrix with 16 Slots, freely programmable:
- Modulation Speed far into Audio Range
- Modulation Sources include all internal Modulation Sources plus various MIDI messages
- Modulation Destinations for almost all continuous sound parameters
Various pre-routed Modulation Destinations with selectable Sources:
- Pitch Modulation
- Oscillator 1 / 2 / 3 Frequency Modulation
- Oscillator 1 / 2 / 3 Pulse Width Modulation
- Filter 1 / 2 Cutoff Modulation
- Filter 1 / 2 Frequency Modulation
- Pan 1 / 2 Modulation
- Amp Modulation
4 Modifiers for transforming Modulation Sources with various Algorithms
3 fast LFOs:
- Syncable to MIDI Clock
- Note Retrigger with adjustable Start Phase
- Monophonic LFO
- Keytrack
4 fast Envelopes with selectable types:
- Single Trigger / Retrigger per Envelope
- ADSR
- ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level)
- One Shot
- Loop S1S2 (Loop between Sustain 1 and 2)
- Loop All (Loop over all stages)
Poly, Mono, Dual or Unisono Mode with selectable Voice Count
Per Part
Powerful Arpeggiator:
- Hold and One Shot modes
- Syncable to MIDI Clock
- Direction Up, Down, Alternate
- Range up to 10 Octaves
- Various methods to modify Note Sort Order
Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound.
programmable per Step:
- Accent
- Timing
- Length
- Glide on/off
- Pause
- Chord
- Previous note
- Random not from Note List
- first and/or last note from Note List
1 Effect slot per part
1 Effect slot globally for all parts
Effect types:
- Chorus
- Flanger
- Phaser
- Overdrive
- Triple FX (S&H, Ring Modulation, Chorus)
- Delay (only available on global Effect slot)
- Clocked Delay (only available on global Effect slot)
- Reverb (only available on global Effect slot) |
Intuitive and ultra-powerful volca sequencer
A fun to use sequencer with superb improvisatory potential
The step sequencer is designed for ease of editing and to allow parts to be inserted or removed "on the fly." Use the 16 step keys to enter notes intuitively while maintaining visual confirmation of the timing of the notes in a measure. You can also record your performance in real time.
Up to ten of the sequence patterns you create can be stored in internal memory.
Motion sequencer records and plays back up to 11 parameters
The motion sequence function records your knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances. The volca sample is able to record all knob movements that are related to sound editing. This allows sophisticated editing that had been impossible for hardware samplers of this category.
Parameters that can be used with Motion Sequence
・ Start Point (Playback start location)
・ Length (Playback length)
・ Hi Cut (Cutoff frequency)
・ Speed (Playback speed)
・ Pitch EG Int (Pitch EG depth)
・ Pitch EG Attack (Pitch EG attack time)
・ Pitch EG Decay (Pitch EG Decay time)
・ Amp Level
・ Pan
・ Amp EG Attack (Amp EG Attack time)
・ Amp EG Decay (Amp EG Decay time)
Keyboard
Multi touch Keyboard
Sampler
Type
PCM
Maximum Polyphony
8
Number of Samples
100 (User over writable)
Memory Size for Sample
4 MB, Maximum 65 seconds
Sampling Frequency
31.25 kHZ, 16 bit
Edit
Sample(Start Point, Length, Hi Cut), Pitch(Speed, EG Int, Attack,Decay), Amp(Level, Pan, Attack, Decay), Reverse On/Off
Effects
Digital Reverb
On/Off, Mix
Analogue Isolator
Bass, Treble
Sequencer
Number of Parts
10
Number of Steps
16
Number of Recording Patterns
10
Control
Motion Sequence, Active Step, Step Jump, Swing
Song
Maximum Number of Sequence
16
Number of Recording Songs
6
Connectors
Audio Output
Headphones (3.5mm stereo mini jack)
Sync
Sync In (3.5mm monaural mini jack, Maximum input level: 20V)
Sync Out(3.5mm monaural mini jack, Maximum Output level: 5V)
MIDI
MIDI IN
Power
Battery Life
Approximately 10 hours (using alkaline batteries)
Power Supply
AA alkaline battery × 6 or AA nickel-metal hydride battery × 6 Or AC adapter (DC 9V) (optional)
Others
Accessories
AA alkaline battery ×6 (for verifying operation), Cable
Options
AC adapter (DC 9V)
Dimensions
(W x D x H)
193 × 115 ×45 mm / 7.60” x 4.53” x 1.77”
Weight
372 g / 13.12 oz. (Excluding batteries)
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Korg Microkorg - 37 Keys Analog Modeled Synthesizer-Vocoder
State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG Synthesizer/Vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.
Powerful synthesis
The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg?s critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms . These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg?s classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.
Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings ? routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. ? and you have performance that is unheard of from a synthesizer in this price range!
Classic vocoding
The microKORG includes an 8-band vocoder with many advanced features. You can capture and ?freeze? the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.
A full range of effects
Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock ? a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.
Great sounds and expression
Korg has used all of the microKorg?s synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The Pitch Bend wheel, Modulation wheel and five other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The Edit Mode allows you to fully edit the existing sounds, or to create your own new ones.
Flexible arpeggiator
Six types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.
Audio in
Two external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG?s filter and effects, allowing you to process sounds in truly creative ways.
A compact MIDI controller
The microKORG?s compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It?s also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!
Clear control and classic looks
There?s no complex menu structure ? all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that?s both vintage and funky.
| Sound Generation Method: | | | Analog Modeling Synthesis System
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Synthesizer Program: | | | Multi Timbral: | | | 2 (max, Normal/Dual Mode)
| | | Voices: | | | 4 voices
| | | Sound Source: | | | 2 Oscillator + Noise Generator,
Multi Mode Filter (-24dB/oct LPF, -12dB/oct LPF/BPF/HPF),
EG x2,
LFO x2,
Virtual Patch x4
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Vocoder Program: | | | Voices: | | | 4 voices
| | | Sound Source: | | | 1 Oscillator + Noise Generator,
EG x1,
LFO x2,
8 Channels vocoder,
Level and pan of each channel can be edited,
Formant Shift function
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General Specifications: | | | Programs: | | | 128 programs
| | | Effects: | | | Modulation effects (3 types),
Delay (3 types),
Equalizer
| | | Arpeggiator: | | | 6 types
| | | Keyboard: | | | 37 Keys (mini-keyboard, velocity sensitive)
| | | Inputs: | | | AUDIO IN 1, and 2
| | | Level switch: | | | LINE/MIC,
[AUDIO IN 1, 2 (LINE)],
[AUDIO IN 2 (MIC)]
| | | Outputs: | | | L/MONO, R and
Headphones
| | | MIDI: | | | IN, OUT and THRU
| | | Display: | | | 3 characters x1 line with 8 segment LED
| | | Power Supply: | | | DC 9 V (AC adapter), or
six AA alkaline batteries (sold separately)
| | | Power Consumption: | | | 6.4 Watt maximum
| | | Dimensions: | | | 20.63“(W) x 9.13“(D) x 2.76“(H)
524mm(W) x 232mm(D) x 70mm(H)
| | | Weight: | | | 4.85 lbs.
2.2 kg
| | | Accessories: | | | AC adapter (DC 9 V, 600 mA),
Condenser Microphone
| Specifications subject to change without notice
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Analog Physical Modeling Engine with multiple synthesis and oscillator types, Each oscillator type has flexible LFO and ADSR routing plus unique Texture and Mod controls that work as follows:
Multi-saw
Texture, control adds sub-oscillator
Mod, layers multiple sawtooth waves
Pulse
Texture, changes pitch of 2nd square wave
Mod, change pulse width
Oscillator Sync
Texture, changes pitch and tone of OSC2
Mod, sets pitch change amount
Ring Modulation
Texture, changes pitch of OSC1
Mod, changes pitch of OSC2
Frequency Modulation
Texture, sets Modulation amount
Mod, changes pitch of the Modulator
?Onboard effects processor with five types add depth to your sound
The effect types are: OFF (effect bypass,) Delay, VCM Phaser, VCM Chorus/Flanger and Distortion
?8-note polyphony allows complex chords and pads or switch to mono Mode for fat synth bass or solo leads
| Info
The ARP Odyssey has been downsized to 86% of the original ARP Odyssey. Carefully selected parts are used in the familiar slider section, providing an operating feel that's even smoother than the original. The keyboard uses a 37-note slim keyboard that features lighter weight and excellent playability. While making the instrument more compact and easier to use, we have also paid attention to ensuring that the mini-keyboard is uncompromisingly "playable." Although the keyboard has 37 keys, the transpose function lets it cover a broad range of seven octaves.
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