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• 240 Factory Programs; 16 User programs
• Classic true stereo reverb programs: Ambience, Plate, Chamber, Gate, Hall and Room as well as
Tremolo, Rotary, Chorus, Flange, Pitch, Detune, 5.7 second Delay and Echo
• Dual Effect configurations include Dual Mono, Dual Stereo, Cascade and Parallel with combinations
of Flange, Pitch, Chorus, Delay and Reverb
• Front panel Adjust knob allows instant control over the current program
• Easy-to-use Learn mode patches a MIDI Controller or Program Change to as many as 5 front panel
controls (Mix, Effects Level/Balance, Adjust, Bypass and Tap)
• Tempo-controlled rates and delay times lock to Tap tempo or MIDI Clock
• Tap tempo can be set by audio Input, the front panel Tap button, optional footswitch, MIDI controller
or Program Change
• Dry or Muted audio output can be controlled from the front panel Bypass button, optional footswitch,
MIDI Controller or Program Change
• 24-bit Digital Signal Processing
• 20-bit A/D, D/A with a frequency response of 20Hz to 20kHz ±1dB
• Analog outputs provide >95dB Dynamic Range
• S/PDIF digital output provides simultaneous wet or dry 20-bit digital output with >100dB Dynamic
Range
• High impedance input allows you to use a variety of instruments from guitars to keyboards
• Left output doubles as a headphone output
• Software-selectable MIDI OUT/THRU port
• System mode provides access to system-wide settings and MIDI features:
Assign front panel Bypass button as Input Mute or Bypass
Enable or Disable Learned Patches
Mute or Bypass during Program loads
Wet or Dry Digital Output
MIDI OUT or THRU
Enable or Disable MIDI Program change
Enable or Disable incoming MIDI Clock
Global or Program Specific Tempo
MIDI Dumps for the current program, all 16 User Programs, or System mode settings
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The BSS FDS-334T is a 2 input / 4 output loudspeaker management system with
Features such as : Fast-access edit input and output, Each output is assignable
to either input or to sum of inputs, Navipad menu navigation, Bright blue text display,
Crossover, assignable PEQ mid-filter limiters, polarity and delay on each output,
Assignable parametric EQ and delay on each input, LED bargraphs on every input
and output, 6, 12, 18, 24 or 48dB per octave Butterworth, Bessel or Linkwitz crossover
alignments, 60 user programs, Lockable front panel mutes and level trims and MIDI control.
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BSS Opal FCS-966 Constant Q Graphic Eq
Graphic equalisers are found in just about every sound application, from room contouring to feedback control and general audio sweetening.
Traditionally, much general eq'ing takes place on the faders alone, but this restricts the use of the faders at each end of the scale for further precision eq work. So we provided the Opal FCS-966 with separate LF and HF contour filters which can change an overall sound balance without disturbing a detailed room or loudspeaker response.
These filters are very musical gentle boost and cut shelving filters which can be used to add (or remove) room effects that change with temperature, audience numbers or humidity.
All these effects can be easily made without disturbing the critical fader settings already made.
Constant Q Filters
The modern generation of graphic eq's
uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting.
Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions.
More Gain Control Per Filter
Each eq fader has +/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control.
High Pass Filter
Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.
Metering
BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control.
Centre Bypass
When any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.
Input/Outputs
All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals.
Relay Bypass
The EQ IN buttons switch the EQ path
into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.
Control Descriptions
Faders
30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders.
HP Filter
Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.
LF Contour
Smooth shelving filter, +/-6dB of gain at 50Hz
HF Contour
Smooth shelving filter, +/-6dB of gain at 14kHz.
GAIN
Used for overall unity gain adjustment. Adjustable from - infinity to +10dB.
CLIP
Triple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points.
LED Meter
Shows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps. |
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Art + Science = Magic
The Engineering Group at TC Electronic were given carte blanche to create the optimal studio
signal processor. Being musicians and studio engineers themselves, they know what is important
and have a feel for what you are looking for. Working on the borderline between art and science,
they created the M2000.
Designed for the artist within you, you will create magic when using the M2000.
Main features
Magic
The M2000 provides you with a broad palette of high quality effects enabling you to
create magical effects. The true dual engine configuration allows you to run two full-
blown effects simultaneously, i.e. on two individual effects sends. The effects have
been developed for optimal sonic quality with no compromises made. This has only
been possible because our engineers succeeded in combining the latest technology
with TC's powerful DARC? chip.
Ultimate User-Interface
The user-friendly TC feature, the Recall Wizard, instantly finds the preset that suits
your need in any situation. You simply enter your preferences, such as gentle reverb
for vocal, or extra pitch for guitar and the Wizard serves you a short list of presets ready
to compare and use.
Uncompromising Effects
The M2000 gives you access to a stunning array of Reverb, Pitch-shifting, Delays, Chorus,
Dynamics etc. Among the included reverbs you?ll find the unique Co-efficient Optimized
Room Emulator or C.O.R.E. Reverb? based upon TC?s famous reverberation Technology.
Another unique feature in the M2000 is the Dynamic Morphing. This function enables you to
apply e.g. Chorus to a vocal at low volume levels, while the same effect is being morphed into
flanging at high levels giving the signal a totally new dynamic dimension.
The Sensation
The M2000 is fully prepared for the digital age with Digital I/O connectors, S/PDIF and the
professional format AES/EBU. However, specifications never tell the whole story. What really
matters is how your final mix sounds. This is where TC?s long experience and know-how in high-end
studio signal processing becomes important.
More Features
250 factory presets, including Delay, Reverb, Ambience, Pitch, Dynamics, EQ + more.
True stereo Twin Engine processing with six different routings available.
Dynamic Morphing? and Patch Glide with adjustable glide times.
20bit Analog Conversion (105dB Dynamic Range A to D): 10Hz-20Khz bandwidth
AES/EBU (24bit) and SPDIF (24bit) digital I/O. + 16bit dithering tool for DAT output.
Wizard Help menus assist user in preset choices on an easy to read scrolling bit-mapped display.
Tap tempo and MIDI tempo Delay presets. Tap tempo button and footswitch jack.
Both 128 user and 128 Combi-user presets + 4 snapshot memories.
Universal auto-switching power supply (100-240V.)
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Features | • Dual 15-band equalizer | | • Constant Q | | • Low cut filter at 50Hz with a 12dB/Octave slope | | • Balanced XLR inputs and outputs | - | • Bal 1/4" inputs and impedance balanced 1/4" outputs | - | • ISO 2/3 octave frequency centers |
PRICE DOES NOT INCLUDE VAT
Longer throw faders provide more precise adjustments when equalizing a room. The SR830QXLR offers 2 channels of equalization each with 15 bands of 45mm faders. The all steel chassis construction can handle the abuse of the road, or the solace of a permanent installation.
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PRICE WITHOUT V.A.T. 23%
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