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LEXICON PCM96S, professional surroundprocessor, new and legendary reverb and effectalgorithm, up to 24bit/96khz, firewire audio streaming for six channels, "hardware plug-in" for Mac VST and audio unit software, 2200 presets and 768 user-programs, three AES/EBU in/out (XLR) OLED Display, compact flash card slot, HiQnet compatible, Midi IN/OUT/THRU, dual ethernet/firewire, wordclock in, .1U, 19“
FEATURES
- DAW automation
- FireWire streaming
- Unrivalled collection of new and legendary Lexicon reverbs and effects
- Connectivity options include six channels XLR analog, six channels XLR AES/EBU digital I/O
- MIDI, Wordclock, Ethernet and Firewire.
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The ARX EC-2 is a flexible yet affordable 24 dB per octave Phase Correct active crossovers. It has 2 modes of operation; as either Stereo 2 way or a Mono 3 way units, with a switch on the back panel selecting either mode.
Features Ultra low noise circuitry Totally phase aligned at crossover point Switchable Dual Channel 2 way or Single Channel 3 way Unique 'semi-fixed' crossover point 24dB per octave (Fourth Order) Linkwitz-Riley filters Separate Summed Mono Output Balanced Inputs and Outputs Built in High Pass filters Intuitive, 'user friendly' layout Flawless performance in any audio environment
Tamper-Proof Crossover Points The crossover points are determined internally by the value of 4 resistors per channel; changing the resistor value changes the crossover point. This 'semi fixed' method avoids the pitfalls of externally adjusted crossover points, making the crossover points tamper-proof once they are set. Idle fingers can't fiddle with the crossover points and create havoc with the system! As a handy guide, a list of common crossover points and their corresponding resistor values are printed inside the unit's lid, and also set out in the Owner's Manual. On the front panel are level controls for Low and High in dual channel 2 way mode, and Low, Mid and High in single channel 3 way mode, with corresponding Outputs on the rear panel.
Balanced Inputs and Outputs EC-2 has Balanced Inputs and Outputs, on XLR connectors. The EC-2 also has an additional summed Mono Low output, for applications that need a Mono Low feed (e.g. Left and Right full-range plus a single Sub Bass speaker). High Pass Filter There is also a preset 30 Hz HighPass filter to remove unwanted subsonics which can damage speakers and waste amplifier power. In addition, each output has up to +6 dB of gain available, to compensate for amplifiers and speakers of differing sensitivities. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240VAC, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage change switch. Uncompromising Audio Quality Innovative circuit design is pointless unless it delivers stunning sound quality, and here the EC-2 excels. It has been designed for uncompromising audio quality, and to achieve this, Linkwitz Riley 24dB (Fourth Order) state variable filters are used throughout, ensuring a smooth Phase Correct transition through the crossover region. From Stage Monitors to Studio Monitors, from Front of House to the Front room of your House, the ARX EC-2 is a crossover that is suited to any application that requires flawless, transparent sound. You'll never compromise on Quality when you choose ARX
T E C H N I C A L S P E C I F I C A T I O N S
Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 21 dB CMRR >45 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 21dB Frequency Response 30Hz-20KHz +or- 0.5dB Note: 30 Hz is a function of the High Pass filter Signal to Noise ratio (Controls at Unity) -90 dB Unweighted, -93 dB 'A' weighted Distortion 004% THD,0dB,1KHz Dynamic Range 111 dB Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 13/4“H x 6“D, 482 x 44 x 155mm Input Connector type XLR Output Connector type XLR Crossover point frequencies are changed internally by varying the value of 4 resistors per channel.
Front Panel Controls Low and High Output controls for 2 way mode Low, Mid and High Output controls for 3 way mode Marker panels for labelling crossover assigns 2 way/ 3 way status LEDs Rear Panel Balanced XLR Inputs and Outputs Additional summed mono Low output 2 way / 3 way mode switch |
Features: Eight channel / four way split per channel Channels linkable up to 1 in, 32 out Ultra low noise design 'SilentSwitch' Phantom Power switching ?20 dB pad switch 0 to +40 dB Gain available via rear switches Headphone monitoring and PFL metering Electronically Balanced Inputs and Outputs (standard) Transformer balanced Outputs option Intuitive, 'user friendly' layout Flawless audio performance
EC-2 Superb Audio Quality Active microphone and line signal splitting has a number of benefits over using passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. About the MSX 32 With these benefits in mind, the ARX MSX 32 Active Microphone/Line Splitter has been developed to deliver the performance required by the increasing complexity of today?s standards of audio production. The MSX 32 consists of eight channels of actively buffered ultra low noise Microphone/Line Splitter. Each of these channels has four electronically Balanced splits ? two outputs on the rear panel for Main and Monitor, plus two more output splits on the front panel. All splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED. A PFL switch and 6 LED metering enables each channel to be easily checked with headphones for signal monitoring, and also for line tracing when troubleshooting. Gain through the MSX 32 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links each channel to the previous one, providing an ultimate maximum of 32 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted. Number stickers are provided to give each channel an individual number for up to 40 channels when multiple MSX32s are being used.Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout. Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1 as required. Internal Power Supply The MSX 32?s internal toroidal transformer based power supply is triple shielded to get the maximum benefit from the ultra low noise design of the splitter circuitry. An illuminated power switch on the front panel provides visual confirmation of AC power connection to the unit.The headphone output and the 6 LED PFL metering are both mounted on the right hand side of the front panel. Rear panel connectors enable this function to be linked when using multiple MSX 32 units. To sum up, this feature packed two RU device is the answer wherever transparent signal buffering and routing is required.
T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping Headphone Output 2 watts/8 ohms AC Mains Input Fused IEC socket AC Power 100-120V AC 2 amp 220-240V AC 1 amp Transformer Type Low noise shielded toroidal Size 2 RU - 19?W x 3½?H x 8?D, 482 x 89 x 200 mm Weight E model - 15 lbs (7 Kg) |
Innovation
The ARX AFTERBURNER? is a unique Multi Mode compressor/limiter designed for use in any professional audio dynamics control application. Multiple Modes The Afterburner can be set up and used in three different ways: In Two channel mode, it performs as two independent compressor/limiters, with 'industry standard' variable Threshold, Ratio and Output gain. In stereo mode, our New Adaptive Stereo Link circuitry provides increased stereo imaging accuracy when linking both channels as a stereo pair. A single front panel switch puts the Afterburner into its alternative Mono mode, setting it up as a Single channel, Dual Band compressor/limiter, with separate dynamics control of both Low and High frequencies, opening up a whole new range of gain control techniques. Enhance Switch In any mode, the Afterburner features an 'Enhance' switch, which provides frequency restoration to preserve the spectral balance of the audio signal, compensating for the sagging Low and High frequency response of compressed program material. Think of it as a 'smart' loudness control. Features Switchable Modes - Stereo; Dual Channel Single band; or Single Channel Dual Band (Low and High) Low and High frequency compression in Single Channel mode 'Enhance' switch restores spectral balance of compressed signal New Hard/Soft knee compression switch New Adaptive Stereo Link circuit for accurate stereo imaging New Above/Below Threshold LEDs enable at-a-glance compression confirmation Balanced XLR and Jack Inputs and Outputs Sidechain Insert points Intuitive user-friendly layout Flawless performance New Above/Below Threshold LEDs enable at-a-glance compression confirmation New Hard or Soft knee compression option New LED metering provides accurate Level status, with separate Gain Reduction metering in easy to read 'wide scale' meters. There is also comprehensive LED indication of all operating functions and status in any mode. Balanced Inputs and Outputs On the rear panel, each channel has true differential Balanced inputs and outputs, on both XLR and TRS jack connectors. As well, each channel has a TRS jack Sidechain access insert point, for applications such as De-essing (when used with an external equalizer such as the ARX Multi Q or EQ 260).Other features include a true Hardwire bypass switch for each channel, and passive RFI filters on the inputs. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With its smooth compression, intuitive user friendly layout, high density precision circuitry, and extensive user-variable operating parameters, the unique ARX Afterburner is equally at home in Studio, Installation, Broadcast and Sound Reinforcement environments. It can provide great sounding dynamics control effects that are not available with any other device. T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 22 dB CMRR >60 dB, 20 Hz-20 KHz Output Impedance Balanced 300 ohms, Unbalanced 150 ohms Output Level (Max) + 22 dB Frequency Response 20Hz to 20KHz ±0.2dB Signal to Noise ratio -93 dB Unweighted, -99 dB 'A' weighted Distortion .02% THD @ 0dB,1KHz Dynamic Range 115 dB Sidechain Insert Impedance 10 Kohm Filter Section Filter Type Phase corrected 6dB/octave Summed Filter Response ±0.2dB through crossover region Dividing Frequency 250 Hz Enhance Section Low Enhance 50 Hz, High Enhance 10 KHz Power Requirements 100/120 V AC, 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input/OutputConnector type XLR, Balanced Jack Sidechain Insert Connector TRS Jack
Front Panel Controls Hardwire bypass IN/OUT switch Threshold, Ratio and Output Gain controls Above/Below Threshold LEDs 12 segment LED Output Level display Numbered marker panel for labelling compressor assigns 7 segment LED Gain Reduction display Enhance switch and status LED Adaptive Stereo link switch and status LED Dual/Single channel mode switch and status LEDs Rear Panel Connectors Balanced Inputs and Outputs, on both XLR and TRS jack connectors. In Single channel (Mono) mode, use Channel 1 Inputs and Outputs only Sidechain Insert TRS connector on each channel AC input connector, with voltage switch and fuse. |
Features Four Independent Compressor Channels Channels 1 and 2, 3 and 4 are stereo linkable 7 LED Gain Reduction metering Balanced XLR Inputs and Outputs Sidechain Insert points Intuitive, user friendly layout Flawless performance The sheer amount of effects and signal processors necessary for today's standards of audio production puts a great strain on the available space in equipment racks, both in the studio and on the road.So, ARX would like to introduce the ARX Quadcomp. An all-new upgrade of the classic award-winning ARX Quadcomp?, the very first four channel 1 RU compressor.You?ll notice that we haven?t strayed very far from our original design concept. The Quadcomp is still four variable ratio Compressor/ Limiters neatly housed in a compact all steel 1 RU package. However, all new low noise/low distortion circuitry, better metering plus XLR inputs and outputs put the Quadcomp in a class of its own. More Control, Less Space On the front panel, each channel has the 'industry standard' individual controls for Threshold, Compression Ratio and Output, plus a new 7 LED Gain Reduction display for accurate visual indication of the amount of gain reduction being applied to the program, and an IN/OUT hardwire bypass switch.In addition to this, each channel has a blank numbered panel to write on for easy confirmation of compressor assigns. Precision Circuitry Internally, each compressor uses Class A VCAs and true 2 pole averaging RMS/DC converters for low distortion and accuracy, plus program dependent attack and release time, which automatically determines optimum compressor response. Balanced Inputs and Outputs The rear panel has true differential Balanced XLR Inputs and Outputs for each compressor. Each compressor has a TRS jack Sidechain access insert point, for frequency sensitive compression, De-essing, etc. in conjunction with an external equalizer (such as the ARX EQ260). Compressor pairs 1 and 2, 3 and 4 also have rear panel mounted Stereo Link switches for accurate stereo tracking. When switched IN, the first channel becomes the master and controls all the functions of the second except Output gain. Universal AC Power AC power range is switchable 100 to 120V, or 220 to 240V, and is connected to the unit via a standard IEC connector, with built-in fuse and voltage switch. Whatever the application ? Channel insert, Bus insert, Master Outputs, Monitor outputs, Crossover outputs, the Quadcomp II?s unique High Density design, precision Low Noise circuitry and clean uncluttered layout make it a truly useful audio tool for all applications.
T E C H N I C A L S P E C I F I C A T I O N S Input Impedance Balanced 20 Kohms, Unbalanced 10 Kohms Input Headroom + 20dB CMRR >50dB, 20 Hz?20 KHz Output Impedance Balanced 300 ohms Unbalanced 150 ohms Output Level (Max) + 20 dB Frequency Response 20Hz-20KHz ±0.5dB Signal to Noise ratio -93 dB Unweighted, -98 dB ?A? weighted Distortion .015% THD @ 0dB,1KHz Dynamic Range 108 dB Attack and Release Times Program dependent Metering 7 LED display: ?1, 2, 3, 6, 12, 18, ?24 dB Sidechain Insert Impedance 10 Kohm Power Requirements 100/120 V AC or 220/240 V AC Weight 5 lbs/2.2 Kg Dimensions 19“W x 1?“H x 6“D, 482 x 44 x 155mm Input Connector type Balanced XLR Output Connector type Balanced XLR Sidechain Insert Connector TRS Jack
Front Panel Controls Hardwire bypass IN/OUT switch Threshold, Ratio and Output Gain controls 7 LED Gain Reduction display Marker panel for labelling compressor assigns Stereo link status LEDs Rear Panel Connectors Input and Output balanced XLR connectors TipRingSleeve Sidechain insert connectors Channels 1 and 2, 3 and 4 Stereo link switches IEC AC mains connector with inbuilt fuse and voltage change |
The S com 4 is a compact and versatile single-rack space device that provides
four channels of high quality dynamics processing with an Expander/Gate and
Compressor/Limiter on each channel.
The four channels operate independently or in stereo pairs. Its multi-segment LED
metering displays input/output level as well as gain reduction. The Expander/Gate
section features a continuously variable Threshold control as well as a switch for
fast or slow release times.
The Compressor/Limiter section includes variable Threshold, Ratio and Output levels.
S com 4's Enhancer switch restores high frequencies that are sometimes diminished
by heavy compression. This wide-ranging combination of features makes the S com
4 an efficient and versatile audio tool for a wide variety of applications. Its clean and
quiet audio characteristics make it ideal where high sonic integrity is imperative.
FEATURES:
4 Channel Compressor/Limiter, Expander/Gate with Enhancer
Linkable in two Stereo pairs
Expander/Gate with variable Trigger control and switchable Fast/Slow Release
5 Segment LED meters for Input/Output levels and Gain Reduction on each channel
Advanced circuit design utilizing Low Noise Operational
Amplifiers and High Quality VCA's
Servo Balanced Inputs and Outputs on XLR and 1/4" connectors
SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee
based on the level of Input signal applied
Individual Threshold and Ratio controls on each channel
Three-year extended warranty
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