LINE 6 FBV-2 Foot Controller

Don't feel like carrying around a full-sized foot controller? Now you don't have to! The FBV2™ lets you scroll through the first bank of four presets and is small and light enough to fit in your gig bag. With its ultra-reliable switches and aluminum case, the FBV2 can take all the abuse you can throw at it.

• Scrolls through Channels A,B,C, & D
• Self-powered though the locking cable

• Spider Valve
• Spider II
• Spider III
• Flextone III
• Vetta
• Vetta II
• HD 147
• Pod 2.0
• Pod XT
• Pod XT Pro
• Bass Pod XT
• Bass Pod XT Pro

This simple but robust single-channel switch can be used universally. Whenever a change of channel or function via foot switch is required. For example, the PF1 can be used to switch the channel of a guitar amp or activate a particular function on a keyboard. The switch is latching, not spring return. To connect, a standard Mono Jack cable is sufficient.

• Type: passive
• Number of Outputs: 1
• Output Connections: 6.3 mm jack
• Controls: Foot switch
• Switch Type: latching
• Cabinet Material: sheet steel
• Cabinet Surface: powder-coated
• Width: 55 mm
• Depth: 65 mm
• Height: 60 mm

Designed to work with: ID:Core Stereo 20, ID:Core Stereo 40, ID:Core Stereo 40H and ID:Core BEAM, Connect a Blackstar FS-11 footcontroller (not supplied) to control your ID:Core in one of the following modes: In Alternative Mode (selected via INSIDER) patches will cycle on a ʻloopʼ. e.g. switching up from Bass 2 will move to Clean Warm. When in Manual Mode, the effect of any footcontroller switch will depend on its last state. Pressing Switch 1 will return the amplifier to Patch Mode. Pressing Switch 2 will toggle the effects off and on without returning to Patch Mode.

• Onstage, switch your vocal mike between FOH and monitor mixing desk so you can communicate with the monitor mixer or the band in private.
• Two different sound configurations. Suppose you sometimes want a different effect or sound on your microphone, for example, a "telephone effect" or more Hall. Run both outputs of the PEABO to two channels of the mixing desk - now you can configure these differently and toggle between the two channels onstage whenever you want.
• You can also use the PEABO to address two different rooms or zones selectively.

• Switch your vocal mic between the FOH mixer and the monitor mixer - this will allow you to talk exclusively to the band or the monitor mixing engineer.
• Sound variation. Send the two outputs of the DMS to two channels of the FOH mixer, adjust the channels differently (for example, adjust the EQ to get a telephone effect). This will allow you to switch between two microphone sounds on stage at your own leisure.
• You can use the DMS to switch the microphone between two different rooms/zones