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Put a Mackie DL16S in your rack, and you can mix from anywhere. All you need is an iPad and Mackie\'s Master Fader control app. 16 great-sounding Onyx+ mic preamps and onboard FX ensure a great-sounding performance. The DL16S also functions as a 16-in/16-out USB interface, so you can record the show then mix it later in the studio. You can also play back a full multitrack recording for a virtual sound check. The DL16S supports up to 20 iPads at once, so multiple engineers can work from one mixer. And with built-in Wi-Fi networking and instant recall of every setting, setup is a snap. The DL16S gets you into your mix like never before.
Control everything from anywhere with wireless mixing
Leave that bulky snake at home! Because you can control the Mackie DL16S with your iPad, you can place it anywhere. Even if the DL16S is onstage, you can walk around the venue to fine-tune your mix. It\'s a great way to ensure optimal sound quality for every member of your audience. And because the DL16S supports up to 20 iPads at once, multiple engineers can work from one DL16S. You can even set up personal mixes for each performer that are tweakable via any iOS device. Back in the day, you would have needed miles of cable and a pile of submixers to pull off this much signal routing. But with the DL16S in your rack, all you need is an iPad and your fingers!
All your connections are covered
With the Mackie DL16S in your live rig, you\'ll never run short of I/O. Providing you with 16 stereo-linkable input channels, 8 fully assignable XLR outputs, and 16 great-sounding Onyx+ mic preamps, the DL16S has your I/O needs covered. On top of that, you also get 13 output buses, 6 stereo-linkable aux sends, 6 stereo-linkable subgroups, a Main L/R bus, and a headphone output. And best of all, the DL16S gives you total recall of your settings!
Integrated USB 2.0 audio interface
One of the Mackie DL16S\'s most useful features is multitrack recording and playback. Use the DL16S as an audio interface to record straight to your DAW. Play intermission music, backing tracks, and more. Play back your full multitrack recording for a virtual sound check. You can also use your DAW\'s audio plug-ins in a live environment. The DL16S is a value-packed, high-channel-count studio recording solution.
- Type: Digital Stage Box Mixer
- Channels: 16 input channels, 32 mixing channels
- Inputs - Mic Preamps: 8 x XLR, 6 x XLR-1/4" combo, 2 x XLR-1/4" combo (mic/line/Hi-Z)
- Outputs - Main: 2 x XLR (L/R, assignable), 6 x XLR (assignable)
- Aux Sends: 6 x Stereo Sends
- Busses/Groups: 6 x Stereo Sub Groups, 13 x Output Busses, 6 x Mute Groups
- Data I/O: 1 x RJ45 (external control)
- USB: 1 x Type B
- Computer Connectivity: USB (16 x 16), Wi-Fi
- Headphones: 1 x 1/4"
- EQ Bands: 4-band Parametric EQ, Highpass Filter
- Effects: 4 x Stereo FX Processors, Reverb, Delay, Chorus, Flange
- Signal Processing: Gate, Compressor
- Software: Master Fader Control App
| Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
- Frame sizes 12+2
- 2 configurable auxiliary buses
- XLR-type and Ό� metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 2-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs and mix output
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
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The Soundcraft GB-2 (2-bus) 32 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 32 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 32 Channel Console Main Features Include:
- 32 channel frame size
- 12 busses
- 2 full feature stereo channels
- 2 stereo returns (on stereo channels)
- 6 Aux sends
- 4 sub groups (paired)
- 6x2 output matrix
- GB30 mic preamp and precision equalisation circuitry
- Direct outputs on every channel
- Talkback facility
- 100mm faders
- Switchable 48V phantom powering on every channel
- 100Hz high pass filter
- 12-segment LED metering
- Record output
- Width: 1247mm (49.09“)
- Weight: 30kg (66.1lbs)
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The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.
Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.
Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections
Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.
Soundcraft GB2 16 main features include:
- Frequency Response Mic/Line Input to any output, 20Hz - 20kHz
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Soundcraft EFX
(EFX8, EFX12)
The Soundcraft EFX™ Series combines all the features of the popular Soundcraft EPM™ mixer with a built-in 24-bit, digital Lexicon® effects processor, expanding the Soundcraft low-cost, multipurpose compact range.
The Soundcraft EFX mixer uses the same AudioDNA® processor featured in many of the Digitech® and Lexicon outboard equipment including the highly respected Lexicon MX400 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.
The Effects section fits neatly into the mixers compact framework which is available in 8 or 12 mono input variants, both with 2 stereo channels and an effects send on each channel. There are 32 effects to choose from with a tap tempo function, 3 effects parameter controls and a user effects setting store facility. An effects channel level clip LED and Mute function gives the user even more flexibility.
The emphasis with the Soundcraft EFX is very firmly on quality build and audio performance, with an easy to understand control surface in line with the Soundcraft professional range. The Soundcraft EFX uses the highly-transparent GB30 Mic amp (designed by Graham Blyth for the companyʼs 30th anniversary, and also used on the larger LX7ii and GB Series professional consoles).The Soundcraft EFX also offers all the features of the Soundcraft EPM most notably a configurable aux send, XLR and ¼" metal jack connector sockets, RCA phono stereo playback inputs and record outputs, 3-band EQ with a swept mid on the mono inputs, 3-band EQ on the 2 stereo inputs, TRS insert sockets, inserts on all mono inputs, ten-segment LED output metering and a headphone
Key Features: - 8+2 channel frame sizes
- Built-in 24 bit Lexicon digital effects processor
- 32 FX settings
- Tap Tempo and FX setting store function
- 1 FX send on each channel
- 1 configurable auxiliary bus
- XLR-type and ¼” metal jack connector sockets
- RCA phono stereo playback inputs and record outputs
- 3-band EQ with a swept mid on mono inputs
- 3-band EQ on stereo inputs
- TRS insert sockets and inserts on all mono inputs
- Ten-segment LED output metering
- Intuitive and comprehensive solo system
- Headphone output
- Easily rack mountable
The Soundcraft EFX will find itself in many applications including live music, recording, houses of worship and multi-speaker installations. |
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