Mackie DL32S Digital Rack Mixer

• 32 Onyx+™ recallable mic preamps
• 10 fully-assignable XLR outputs plus headphone output
• Industry-leading Master Fader control app
• 32x32 USB recording
• Ditch the snake – Place it anywhere on stage or in a rack

Wireless mixing

• Complete control via iOS, Android, Mac, or PC
• No set FOH position – mix from anywhere
• Supports up to 20 separate devices at once
• Multiple engineers can work from a single mixer

Powerful processing and signal processing

• 32 input channels with 4-band PEQ + HPF, gate, compression and RTA/Spectrograph
• 32 stereo-linkable input channels
• 15 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/Spectrograph
• 8 stereo-linkable aux sends
• 6 stereo-linkable subgroups
• Main L/R bus
• 6 VCAs and 6 mute groups
• 4 stereo FX processors featuring great built-in FX like reverbs, delays, choruses, flangers, and many more with dedicated sends and returns
• Full I/O routing with A/B sources per channel
• Assignable oscillator including pink/white noise and sine waves
• Modern and Vintage options for comp/gate and EQ

Multi-track recording & playback

• 32x32 USB 2.0 audio interface for Mac or PC
• Record the show for later mixdown
• Play intermission music, backing tracks and more directly into a dedicated stereo return channel
• Perform a virtual sound check
• Amazing low-cost, high channel count studio recording solution
• Utilize Mac or PC audio plug-ins in a live environment

Master fader control app

• Intuitive and easy to master
• Fast navigation with view groups and overview
• Quick setup with tons of factory and user-definable presets
• Access Limiting allows flexible customization of the user interface and prevents unwanted adjustments from other users
• Quickly access channel processing, signal routing, and a massive suite of great sounding effects with presets to get you started
• Export presets, shows and complete system backups via Dropbox, email and more
• Complete offline operation
• Easy and frequent updates
• Available on iOS, Android, macOS, and Windows

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

• Technical Specifications
• Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
• THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
• Noise Measured RMS, 22Hz to 22kHz Bandwidth
• Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
• Mix Output, 40 inputs routed to mix..
• Group & Centre Outputs..
• Aux Outputs (GB2 Groups only)..
• Matrix Outputs..
• Crosstalk Input Channel Mute..
• (@1kHz, typical) Input Fader cut-off..
• Pan isolation..
• Mix route isolation..
• Group route isolation..
• Adjacent channel crosstalk..
• Group to Mix..
• Aux Send pots offness (typical)..
• Matrix Send pots offness (typical)
• CMRR Typical @ 1kHz.. 80dB
• Input & Output Mono & Stereo Mic Inputs.. +15dBu
• Max Levels Mono & Stereo Line Inputs.. +30dBu
• Stereo Returns & Insert Returns.. +20dBu
• Any output.. +20dBu
• Nominal Operating Level.. 0dBu
• Headphone Power.. 2 x 250mW into 200Ω
• Input & Output Mic Inputs.. 2kΩ
• Impedances Line Inputs and Stereo Returns.. 10kΩ
• Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
• Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
• Insert sends.. 75Ω
• Recommended Headphone Impedance.. 100 - 600Ω
• High pass filter (Mono input).. 100Hz, 18dB per octave
• EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
• Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
• Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
• LF.. 80Hz, +/-15dB, 2nd order shelving
• EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
• Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
• Lo-Mid.. 450Hz, +/-15dB, Q=0.8
• LF.. 80Hz, +/-15dB, 2nd order shelving
• Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
• Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
• Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
• + Meterpod with 3 VU meters (L/R/C)
• Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
• (indicates monitor source level)
• Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
• Power consumption.. Less than 150W
• Operating conditions Temperature range.. -10ºC to +30ºC
• Relative humidity.. 0% to 80%

• Features
• * 19” Rackmountable console
  
• * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
  
• * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
  
• * Rotatable connector pod for top or rear cable entry
  
• * 8 (GB2R-16) or 10 (GB2R-12.2) busses
  
• * 2 full feature stereo inputs (GB2R-12.2 version)
  
• * GB30 Mic preamp and precision EQ on inputs
  
• * Switchable +48V phantom power on every mic input
  
• * 100Hz Hi-pass filter
  
• * Direct outputs on every channel
  
• * 100mm faders
  
• * Stereo Mix Output and separate Mono Sum output
  
• * Record output
  
• * Internal Universal switched mode PSU

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

• 26 inputs
• 16 mono microphone channels
• 4 stereo returns
• 4-bus architecture, with sub-group routable to mix
• Built-in 24 bit Lexicon digital effects processor
• 32 FX settings
• Tap Tempo
• 3 FX parameter adjust rotaries
• User FX settings store function
• Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
• Inserts on all mono channels
• Inserts on stereo mix output
• Classic Soundcraft 3-band EQ with swept mid-band
• Stereo 18dB/octave 100Hz high-pass filter
• Dual global +48V phantom power split channels 1-8 and 9-16
• Channel Mute control
• 10-segment tri-coloured metering
• Two sub-group outputs
• Separate mono sum output
• Integral universal power supply

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

The Soundcraft GB2 16 is the latest addition to the Soundcraft GB Series, featuring 4 group busses configured as 2 stereo subgroups and an integral 6 x 2 matrix.

Intended for installed-sound and Audio-Visual applications the Soundcraft GB2 16 comes with 16 mono inputs and 2 stereo inputs as standard. Each input features the high-performance GB30 Mic Pre and GB30 Equaliser designs of the GB4 and GB8, along with 6 Aux buses.

Soundcraftʼs legendary 4-band EQ has also been improved further with the addition of elements derived from Soundcraftʼs highly successful MH Series consoles. This new design delivers the sound of the classic ʽBritish EQʼ enhanced even further with more focused HF and LF shelving sections

Four Subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.

The GB2 16 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the LINE input to the local channel overrides the Mic inputs.

Soundcraft GB2 16 main features include:

• Frequency Response Mic/Line Input to any output, 20Hz - 20kHz