Mackie DL32S Digital Rack Mixer

1,355.00 incl. GR VAT

Available on backorder

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32 Onyx+™ recallable mic preamps 10 fully-assignable XLR outputs plus headphone output Industry-leading Master Fader control app 32×32 USB recording Ditch the snake – Place it anywhere on stage or in a rack Wireless mixing Complete control via iOS, Android, Mac, or PC No set FOH position – mix from anywhere Supports up to 20 separate […]

 

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  • 32 Onyx+™ recallable mic preamps
  • 10 fully-assignable XLR outputs plus headphone output
  • Industry-leading Master Fader control app
  • 32×32 USB recording
  • Ditch the snake – Place it anywhere on stage or in a rack

Wireless mixing

  • Complete control via iOS, Android, Mac, or PC
  • No set FOH position – mix from anywhere
  • Supports up to 20 separate devices at once
  • Multiple engineers can work from a single mixer

Powerful processing and signal processing

  • 32 input channels with 4-band PEQ + HPF, gate, compression and RTA/Spectrograph
  • 32 stereo-linkable input channels
  • 15 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/Spectrograph
  • 8 stereo-linkable aux sends
  • 6 stereo-linkable subgroups
  • Main L/R bus
  • 6 VCAs and 6 mute groups
  • 4 stereo FX processors featuring great built-in FX like reverbs, delays, choruses, flangers, and many more with dedicated sends and returns
  • Full I/O routing with A/B sources per channel
  • Assignable oscillator including pink/white noise and sine waves
  • Modern and Vintage options for comp/gate and EQ

Multi-track recording & playback

  • 32×32 USB 2.0 audio interface for Mac or PC
  • Record the show for later mixdown
  • Play intermission music, backing tracks and more directly into a dedicated stereo return channel
  • Perform a virtual sound check
  • Amazing low-cost, high channel count studio recording solution
  • Utilize Mac or PC audio plug-ins in a live environment

Master fader control app

  • Intuitive and easy to master
  • Fast navigation with view groups and overview
  • Quick setup with tons of factory and user-definable presets
  • Access Limiting allows flexible customization of the user interface and prevents unwanted adjustments from other users
  • Quickly access channel processing, signal routing, and a massive suite of great sounding effects with presets to get you started
  • Export presets, shows and complete system backups via Dropbox, email and more
  • Complete offline operation
  • Easy and frequent updates
  • Available on iOS, Android, macOS, and Windows
Weight 13.20 kg

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Quick Comparison

Mackie DL32S Digital Rack Mixer removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeMACKIE MCU Extended PRO 8 channel expansion remove
NameMackie DL32S Digital Rack Mixer removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) removeSOUNDCRAFT EFX-12 Mixing Desk 12CH mono & 2CH stereo removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT SPIRIT FOLIO FX16 II Stereo Mixer with Lexicon Effects removeMACKIE MCU Extended PRO 8 channel expansion remove
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SKU149.229E002849SPIRIT EFX12E005126SPIRIT FOLIO FX16 II149.049
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Price 1,355.00 incl. GR VAT 2,398.00 incl. GR VAT 547.00 incl. GR VAT 46.00 incl. GR VAT 832.99 incl. GR VAT 953.99 incl. GR VAT
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Description
Content
  • 32 Onyx+™ recallable mic preamps
  • 10 fully-assignable XLR outputs plus headphone output
  • Industry-leading Master Fader control app
  • 32x32 USB recording
  • Ditch the snake – Place it anywhere on stage or in a rack

Wireless mixing

  • Complete control via iOS, Android, Mac, or PC
  • No set FOH position – mix from anywhere
  • Supports up to 20 separate devices at once
  • Multiple engineers can work from a single mixer

Powerful processing and signal processing

  • 32 input channels with 4-band PEQ + HPF, gate, compression and RTA/Spectrograph
  • 32 stereo-linkable input channels
  • 15 output busses with 4-band PEQ + HPF/LPF, 31-band GEQ, comp/limiter, alignment delay and RTA/Spectrograph
  • 8 stereo-linkable aux sends
  • 6 stereo-linkable subgroups
  • Main L/R bus
  • 6 VCAs and 6 mute groups
  • 4 stereo FX processors featuring great built-in FX like reverbs, delays, choruses, flangers, and many more with dedicated sends and returns
  • Full I/O routing with A/B sources per channel
  • Assignable oscillator including pink/white noise and sine waves
  • Modern and Vintage options for comp/gate and EQ

Multi-track recording & playback

  • 32x32 USB 2.0 audio interface for Mac or PC
  • Record the show for later mixdown
  • Play intermission music, backing tracks and more directly into a dedicated stereo return channel
  • Perform a virtual sound check
  • Amazing low-cost, high channel count studio recording solution
  • Utilize Mac or PC audio plug-ins in a live environment

Master fader control app

  • Intuitive and easy to master
  • Fast navigation with view groups and overview
  • Quick setup with tons of factory and user-definable presets
  • Access Limiting allows flexible customization of the user interface and prevents unwanted adjustments from other users
  • Quickly access channel processing, signal routing, and a massive suite of great sounding effects with presets to get you started
  • Export presets, shows and complete system backups via Dropbox, email and more
  • Complete offline operation
  • Easy and frequent updates
  • Available on iOS, Android, macOS, and Windows

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Key Features:
  • 12+2 channel frame sizes
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo and FX setting store function
  • 1 FX send on each channel
  • 1 configurable auxiliary bus
  • XLR-type and Ό� metal jack connector sockets
  • RCA phono stereo playback inputs and record outputs
  • 3-band EQ with a swept mid on mono inputs
  • 3-band EQ on stereo inputs
  • TRS insert sockets and inserts on all mono inputs
  • Ten-segment LED output metering
  • Intuitive and comprehensive solo system
  • Headphone output
  • Easily rack mountable
  • Premium ultra low-noise, high headroom analog mixer
  • State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
  • Neo-classic "British" 2-band EQ for warm and musical sound
  • Main mix, stereo CD/tape plus separate headphone outputs
  • CD/tape inputs assignable to headphone output or main mix outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

Soundcraft FX16ii - rebirth of a classic

The Soundcraft FX16ii mixer uses the same AudioDNA processor featured in many of the Digitech and Lexicon outboard equipment including the highly respected Lexicon MX500 processor. With over 35 years experience, the Lexicon name is synonymous with the best reverb and processing in the business, ensuring the finest quality effects not usually found in a console at this price level.

The Soundcraft FX16ii offers a combination of powerful live and recording features; each channel has a Direct Output which is individually switch-able pre or post fader to enable use with 16-track recording systems. The Lexicon effects work just as well in the live as well as the recording environment with a tap tempo function, 3 parameter controls, user effects settings store ability, effects clip LED and 32 powerful and editable effects to choose from.

The use of the latest PCB surface mount technology means that the Soundcraft FX16ii fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via Soundcraft FX16ii's rotating connector pod which allows cables to be connected conveniently behind the rack and save rack space.

Soundcraft FX16ii main features include:

  • 26 inputs
  • 16 mono microphone channels
  • 4 stereo returns
  • 4-bus architecture, with sub-group routable to mix
  • Built-in 24 bit Lexicon digital effects processor
  • 32 FX settings
  • Tap Tempo
  • 3 FX parameter adjust rotaries
  • User FX settings store function
  • Direct outputs for multi-track recording individually switch-able for pre-post-fade operation
  • Inserts on all mono channels
  • Inserts on stereo mix output
  • Classic Soundcraft 3-band EQ with swept mid-band
  • Stereo 18dB/octave 100Hz high-pass filter
  • Dual global +48V phantom power split channels 1-8 and 9-16
  • Channel Mute control
  • 10-segment tri-coloured metering
  • Two sub-group outputs
  • Separate mono sum output
  • Integral universal power supply

Expand Your MCU with More Faders !

The Mackie Control Extender Pro is a control surface extender that expands your Mackie Control Universal Pro unit with the addition of eight motorized, touch-sensitive Penny + Giles faders, plus V-Pot rotary encoders and push-buttons on every channel strip. The Mackie Control Extender Pro module attaches seamlessly to the Control Universal Pro unit, integrating with all the main control surface's functions and commands without the need for any external hardware. You can expand your MCU's ability to control your DAW even further with the addition of the Mackie Control Extender Pro.

The Mackie Control Extender Pro features the same 100mm touch-sensitive optical Penny + Giles motorized faders as the MCU Pro control surface. These smooth faders give you the tactile, responsive feel of an analog console while accurately commanding your state-of-the-art DAW software.

Each of the Mackie Control Extender Pro's eight channels features a multi-function V-Pot for fast and accurate control of panning, effects levels, and more. Also included on each channel strip are mute, solo, pan, send level, and record arm functions, as well as a full meter display.

The Mackie Control Extender Pro is literally the "right hand man" of the Mackie Control Universal Pro control surface. Once connected, it's seamlessly integrated into the system, so all parameters, automation, and other control commands are communicated in concert with the rest of the system - no external hardware required!


Features:

  • Eight-Fader Control Surface Extension for MCU Pro
  • Proprietary Mackie communication protocol for seamless software integration by DAW makers
  • 100mm touch-sensitive optical Penny + Giles motorized faders
  • Multi-function V-Pots for fast control of panning, effects levels and more
  • Channel mute, solo, pan, send level and record arm functions
  • Full meter display with track names and parameters
  • Weight13.20 kg13.00 kg3.50 kg0.55 kg5.00 kg20.00 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 13.20 kg
    Weight 13.00 kg
    Weight 3.50 kg
    Weight 0.55 kg
    Weight 5.00 kg
    Weight 20.00 kg