The MR524 Studio Monitor from Mackie is a powered 5″ 2-way reference speaker that is designed for mixing and monitoring in your home or project studio. It features a logarithmic waveguide system that aims to minimize reflections and diffractions for a wider sweet spot, plus a custom-tuned rear port to help ensure an even bass […]
The MR524 Studio Monitor from Mackie is a powered 5″ 2-way reference speaker that is designed for mixing and monitoring in your home or project studio. It features a logarithmic waveguide system that aims to minimize reflections and diffractions for a wider sweet spot, plus a custom-tuned rear port to help ensure an even bass response.
The MR524 is equipped with matched amps and drivers for an optimized 50W Class-A/B bi-amplified system. The speaker can also be optimized to your mixing environment with the adjustable acoustic space filters designed to maintain a flat response in typical placement configurations. Additionally, a high-frequency filter applies a boost or cut to compensate for particularly bright- or dull-sounding rooms.
The MR524 has been designed with flexibility in mind, featuring XLR, TRS and RCA monitor inputs. The speaker has been housed in an all-wood cabinet that has been treated with acoustic absorption material for a tighter response. Additionally, the MRS10 studio subwoofer can be added for a more powerful, extended low end.
Designed for superior mix translation and accuracy for professional results in any studio
Equipped with Mackie’s proven logarithmic waveguide design
Ultra-wide dispersion for enhanced stereo imaging and listening sweet spot
Precise acoustic alignment offers incredibly balanced sound across the entire frequency spectrum
1” silk dome tweeter provides fast transient response for detailed high end and vocal clarity
5” polypropylene woofer delivers responsive, dynamic low frequency response
50-watts of bi-amplified Class A/B amplification
Frequency response: 45 Hz – 20 kHz
Optimize MR monitors for your mixing environment
Adjustable acoustic space filters maintain flat response in typical placement configurations
HF filter applies boost or cut to compensate for particularly dull- or bright-sounding rooms
Professional all-wood cabinet design built to last and look great in any studio
Custom-designed internal bracing adds stiffness for reduced distortion and enhanced low-frequency response
Flexible inputs for simple connection to almost any audio source
Acoustically optimized with sound-tightening acoustic absorption material
Add the optional MRS10 studio subwoofer for powerful, deep low-frequency extension, well suited for electronic music, hip-hop and more
Frequency Response
57 Hz to 20 kHz, (-3 dB)
45 Hz to 20 kHz, (-10 dB)
SPL
102 dB SPL @ 3.3\’ / 1.0 m (+4 dBu into balanced input)
Maximum SPL
108 dB SPL @ 3.3\’ / 1.0 m (per pair)
Transducer
Low Frequency: 5.25″ / 133 mm (polypropylene-coated woofer)
High Frequency: 1.0″ / 25 mm (silk dome tweeter)
The MR524 Studio Monitor from Mackie is a powered 5" 2-way reference speaker that is designed for mixing and monitoring in your home or project studio. It features a logarithmic waveguide system that aims to minimize reflections and diffractions for a wider sweet spot, plus a custom-tuned rear port to help ensure an even bass response.
The MR524 is equipped with matched amps and drivers for an optimized 50W Class-A/B bi-amplified system. The speaker can also be optimized to your mixing environment with the adjustable acoustic space filters designed to maintain a flat response in typical placement configurations. Additionally, a high-frequency filter applies a boost or cut to compensate for particularly bright- or dull-sounding rooms.
The MR524 has been designed with flexibility in mind, featuring XLR, TRS and RCA monitor inputs. The speaker has been housed in an all-wood cabinet that has been treated with acoustic absorption material for a tighter response. Additionally, the MRS10 studio subwoofer can be added for a more powerful, extended low end.
Designed for superior mix translation and accuracy for professional results in any studio
Equipped with Mackie’s proven logarithmic waveguide design
Ultra-wide dispersion for enhanced stereo imaging and listening sweet spot
Precise acoustic alignment offers incredibly balanced sound across the entire frequency spectrum
1” silk dome tweeter provides fast transient response for detailed high end and vocal clarity
5” polypropylene woofer delivers responsive, dynamic low frequency response
50-watts of bi-amplified Class A/B amplification
Frequency response: 45 Hz – 20 kHz
Optimize MR monitors for your mixing environment
Adjustable acoustic space filters maintain flat response in typical placement configurations
HF filter applies boost or cut to compensate for particularly dull- or bright-sounding rooms
Professional all-wood cabinet design built to last and look great in any studio
Custom-designed internal bracing adds stiffness for reduced distortion and enhanced low-frequency response
Flexible inputs for simple connection to almost any audio source
Acoustically optimized with sound-tightening acoustic absorption material
Add the optional MRS10 studio subwoofer for powerful, deep low-frequency extension, well suited for electronic music, hip-hop and more
Frequency Response
57 Hz to 20 kHz, (-3 dB)
45 Hz to 20 kHz, (-10 dB)
SPL
102 dB SPL @ 3.3\' / 1.0 m (+4 dBu into balanced input)
Maximum SPL
108 dB SPL @ 3.3\' / 1.0 m (per pair)
Transducer
Low Frequency: 5.25" / 133 mm (polypropylene-coated woofer)
High Frequency: 1.0" / 25 mm (silk dome tweeter)
Ultra-linear frequency response from 50 Hz to 21 kHz with individual frequency diagrams
Built-in 150- and 75-Watt power amps with enormous power reserve
Ultra high-resolution ferrofluid-cooled tweeter
Long-throw 8 ¾" woofer with special polypropylene diaphragm and deformation-resistant aluminum die-cast chassis
Controlled dispersion characteristics and extremely large "sweet spot” owing to the unique BEHRINGER wave guide technology
Active crossover network with 4th order Linkwitz-Riley filters
Adjustable to a wide range of acoustic conditions and subwoofer operation
Separately controlled limiter for low and high frequency overload protection
Automatic standby mode (defeatable)
Magnetic shielding allows placement near computer monitors
Delivered as "matched pairs” with individual frequency diagrams
Low-vibration and environment-friendly E1 MDF cabinet
Servo-balanced inputs with XLR and ¼” TRS connectors
Conceived and designed by BEHRINGER Germany
* Active studio monitors with USB audio interface
* 4.25-inch magnetically shielded, inverted cone, copolymer woofer
* 1-inch silk dome high frequency driver
* 2 x 20 watts of internal stereo power
* Two combination mic and instrument/line inputs
* Two 1/8-inch stereo headphone outputs with level controls
* Includes Cakewalk® Sonar LE music production software
* Mic and instrument/line gain control with clip LED
* 16-bit 44.1kHz/48kHz
* Stereo RCA and 1/8-inch aux inputs
* 2-position switch for no-latency direct stereo and mono monitoring
* Mix control to balance computer and audio sources
* USB and speaker cable included
Features
Ruler-Flat Response 52Hz to 20kHz, + 1.5 dB
Benefit: Sound true to actual recording
Benefit: Any pair of speakers is a matched pair
Active Technology
2 FR (Fast Recovery) Series Amplifiers; HF 40W; LF 100W
Benefit: Precise dividing slope, correct phase, and low distortion
Benefit: Minimal chance of speaker damage due to overdriving
Servo Loop Woofer Technology
Electronic control and dampening
Benefit: Speaker output is as true to incoming signal as possible
Frequency Response Controls
80Hz low-cut switch; 3-position live/dead switch (-2bdB, Normal and +2dB)
Benefit: Excellent response in a variety of acoustic environments
Wide Sweet Spot
Custom-designed die-cast wave guide
Benefit: User hears the same thing across a wider range of motion
3-Position Acoustic Space Switch
Compensation in bass response for half-space (-2dB) and quarter-space (-4dB) placement
Benefit: As close-to-flat performance as possible regardless of placement in room
Applications
Professional Recording Studios
Home and Project Studios
Film (THX) and Post Production Studios
Home Theater Installations
Acoustic Performance
Free Field Frequency Response: 52Hz - 20Hz
The Genelec 8130A Digital Monitoring System has a 192 kHz/24 bit digital audio interface.
Due to its compact size, integrated construction, excellent dispersion and precise stereo
imaging, the 8130A is ideal for near field monitoring, mobile vans, digital audio workstations,
broadcast and TV control rooms, surround sound systems, home studios, multimedia
applications and also for use with computer soundcards. The Directivity Control Waveguide?
(DCW?) technology provides excellent frequency balance even in difficult acoustic
environments.
The integrated design allows the amplifiers and the drivers to be calibrated as a single unit,
eliminating the effects of component tolerances and ensuring consistent quality.
The all-aluminium Minimum Diffraction Enclosure? (MDE?) and advanced Directivity Control
Waveguide? (DCW?) technologies are carefully matched with advanced amplifier and electronics
circuitry. The low frequency response extends down to 55 Hz (-3 dB) while distortion is extremely
low due to a uniquely new rear reflex port design.
The 8130A has been specially designed to have a sufficient LF extension for most situations.
However if greater SPL's and a lower cutoff frequency are required, it can be complemented
with Genelec 7050B subwoofer.
The 8130A is very easy to set up and use, the only connections required are the mains supply
and the input signal. The female XLR input connector can be fed with either AES/EBU formatted
digital signal or analog line level audio signal. The Genelec 8130A automatically detects analog or
digital signals and directs them to the correct signal paths.
Technical Specifications
Input word length 16 - 24 bits
Input format AES/EBU
Digital input XLR female
Connector type
Input Sampling rate
No de-emphasis 29 - 200 kHz
Input Sampling rate
Using de-emphasis
Peak per pair with music material 108 dB SPL @ 1m
Drivers
Bass 5" magnetically shielded
Midrange -
Treble 3/4" metal dome, magnetically shielded
Crossover frequencies 3 kHz
Free field frequency
response 58 Hz - 20 kHz (± 2 dB)
Amplifier power /ch
Bass 40 W
Midrange -
Treble 40 W
Speaker dimensions (H x W x D)
mm 285 x 189 x 178 mm (Height with Iso-Pod? 299 mm)
inches 11 1/4 x 7 7/16 x 7 1/16" (Height with Iso-Pod? 11 13/16“)
Amplifier dimensions* (H x W x D)
mm Integrated in the speaker cabinet
inches
Speaker weight 5.6 kg (12.3 lb)
PRICE PER UNIT
A revolutionary formula: 2 x 7 = 77
In some set-ups it can be advisable to use a horizontally designed speaker rather than a vertical one. Until now, such monitors were only available within the SX top line.
The brand new A77X, due to its outstanding features, might become a true game changer: Equipped with the same advanced technologies as the A7X, it therefore is very similar to the two-way speaker. The A77X, however, distinguishes itself by much higher, compression-free maximum sound pressure levels and dynamics. Due to its power and radiation characteristics, it also is perfectly suited for both near- and midfield monitoring.
Driver technology
Like all models of the AX series, the A77X features the ADAM proprietary X-ART tweeter. The ʽXʼ stands for ʽeXtended frequency responseʼ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has higher efficiency and higher maximum sound pressure levels.
The two 7” woofers are identical with that of the A7X. With their large voice coils (1.5”) and powerful amplifiers, they are capable of both very high maximum sound pressure levels as well as very deep registers. The woofers do not cover the same frequency bands: while both of them are responsible for the (sub-) bass frequencies up to about 400Hz, only one of them reproduces the midrange. This prevents interferences between the two drivers. For stereo setups the A77X is available in A and B versions in order to guarantee a precise stereo image.
Amplifiers / controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the bass-/midwoofers are driven by a 100W PWM amp each. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.
The rear panel features several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.
Review samples:
“… a refreshing change“ "… if you liked the A7X youʼll like the A77X even more, and if the companyʼs smaller near-fields werenʼt your cup of tea, the A77X are definitely worth another listen. They are not much bigger than a two-driver cabinet design, so should slip into any installation where a near-field speaker will fit, but the extra low/ mid frequency drivers mean that the bass is more naturally extended and the mid-range clearer and more detailed. I like the A77X a lot and they make a refreshing change from the usual mid-priced near-field speakers." AUDIO MEDIA magazine / February 2012
“… wide and spacious soundstage with solid left/right imaging“ "… they are fun and easy to work with, covering all the essential functions required of high-end monitors with aplomb." MusicTech magazine / April 2012
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