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- Dual 500W Mackie designed Class-D, Fast Recovery power amplifiers
- 32-bit RMFX+ processor featuring 24 sane, useable reverbs, choruses, and tap delay for live applications
- 8 premium Mackie mic preamps with 48V phantom power and TRS inserts (ch 1-6)
- New Single In-line Compression (SIC) provides increased presence and punch for vocals and instruments
- 2 stereo inputs with dual RCA and dual 1/4-inch line inputs for flexible connectivity
- Mackie's Musical 3-Band Active channel EQ (80hz, 2.5kHz, 12kHz)
- 2 built-in DI boxes for direct instrument connections
- Separate Monitor and FX auxiliary sends
- 12 segment LEDs for the Main and Monitor outputs
- Dual 7-Band graphic EQ on the Mains and Monitor outputs for tuning rooms and monitor mixes
- 3-Mode Amplifier for ultra-flexible routing, switchable as Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 & Mon 2
- Precision Passive EQ for enhanced clarity and LF response with Mackie passive loudspeakers
- Rugged metal handles built into the sides of the mixer case for easy transport from gig to gig.
- Classic Mackie rounded front chassis design. If the PPM rolls on its face during transport the controls are recessed and protected
- Ultra-Lightweight and portable (xx lbs/ xx kg)
Output at 8 ohms stereo: 150 watts per channel Dimensions and Weight in PackagingBase ItemShipping Weight: 34 lbs Shipping Dimensions: 23 x 17 x 16 in | Κατέβασε
ΟΔΗΓΙΕΣ ΧΡΗΣΗΣ
EUROPOWER PMP6000 1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System
- Ultra-compact 2 x 800-Watt stereo powered mixer (1600 Watt bridged mode)
- Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
- Ultra-compact design at nearly half the weight of conventional powered mixers
- 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output
- 2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
- Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
- 12 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
- Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
- Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
- Voice Canceller function removes singerʼs voice from recordings for karaoke applications
- Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
- Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
- Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input
- Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
- Adjustable stereo 2-Track input for connecting external line sources
- Multi-functional stereo Preamp outputs for added flexibility
- Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
What is Class-D Technology?
Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps donʼt need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.
When used in conjunction with switching-mode power supplies, which donʼt require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.
Massive Mono or Stunning Stereo
Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share
face time.
Small, Simple, Superb Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, itʼs easier than ever to lend exceptional sound quality to all kinds of public performances.
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The Phonic Powerpod Series are powered mixers in a compact and durable design. The Powerpod 415RW has four Mic/Line input channels and a built-in 150 Watt amplifier, as well as onboard USB module for recording and playback and Bluetooth Module for wireless audio streaming. The 2-band EQ on every channel gives you maximum control over your mix, and the Powerpod 415 RW's built-in variable digital delay allows users to better tweak their mix. Powerpod Series Powered Mixers are great all-in-one mixer/amplifiers for bands, traveling musicians, school auditoriums, houses of worship and clubs.
Features:
- Built-in 150W output power
- 4 Mic/Line input channels
- USB recorder and playback device for capturing all performances with ease
- Bluetooth audio streaming
- Variable digital delay with time and repeat control
- Main insert point via 1/4" TRS jack
- Super musical 2-band EQ on mono channels
| Μic Input: | 1-6 | | Power 4Ω: | 100W - 200W | | Console Layout: | Vertical |
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This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.
Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D 2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.
The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.
Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
| PowerMate 1000
SPECIFICATIONS
Order No.
F01U131113 (DC-PM1000-3-UNIV)
Channels (Mono + Stereo)
6 + 4
Auxiliaries (MON, FX, AUX)
2 Pre, 2 Post, 2 Pre/Post switchable
Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel
into 2.66 Ohms
2 x 1350 W
into 4 Ohms
2 x 1000 W
into 8 Ohms
2 x 600 W
Rated Output Power,THD=0.1%, Single Channel
into 4 Ohms
2 x 900 W
into 8 Ohms
2 x 450 W
Maximum Output Voltage of power amplifier, no load
74 Vrms
THD at 1kHz, MBW=80kHz
MIC input to Master A L/R output, +16 dBu, typical
< 0.005%
POWER AMP INPUTS to Speaker L/R output
< 0.075%
DIM 30, power amplifier, 60Hz, 7kHz
< 0.05%
IMD-SMPTE, power amplifier, 60Hz, 7 kHz
< 0.015% CMRR, MIC input, 1 kHz > 80 dB
Equivalent Input Noise, MIC Input, A-weighted, 150 Ω
-130 dBu
Signal/Noise-Ratio, power amplifier, A-weighted, 4 Ohms
105 dB
Output Stage Topology, amplifier
Class D
Equalization
LO Shelving
+/- 15 dB / 60 Hz
MID Peaking, mono inputs
+/- 15 dB / 100 Hz .. 8 kHz
MID Peaking, stereo inputs
+/- 12 dB / 2.4 kHz
HI Shelving
+/- 15 dB / 12 kHz
Master EQ, 11-band (63, 125, 250, 400, 1k, 1.6k, 2.5k, 4k, 6.3k, 12k Hz)
+/- 10 dB / Q = 1.5-2.5
Filter
LO-CUT, mono inputs
f=80 Hz, 18 dB/oct
VOICE FILTER, mono inputs
FEEDBACK FILTER, MON1/2
70 Hz .. 7 kHz, Notch, -9 dB
Speaker Processing
LPN, switchable
Display
High Contrast OLED
Effects | The Phonic Powerpod 1082 R powered mixer is a versatile front of house PA mixer built into a compact and durable molded cabinet. Each Powerpod 1082 R has a built-in stereo amplifier which is bridgeable and patchable. Super Hi-Z inputs allow for the addition of guitars and other instruments. A USB recorder is also incorporated into the unit, allowing the main mix to be captured onto any standard USB storage device. The units also offer high definition digital effects with 16 preset programs, each with it's own user-definable parameter. The 3-band EQ on every channel and dual multi-band graphic EQ with selectable In/Out switches give you maximum control over your mix.
Features:
- 2 x 400W / 4 ohms stereo power amplifier for Main L/R or Mono/Monitor
- DFX, our 32/40-bit digital multi-effect processor with 16 programs plus parameter control
- 9 balanced Mic inputs and 12 Line inputs
- Two super Hi-Z inputs specially optimized for direct instrument inputs
- 3-band EQ on channels 1 through 9
- Dual multi-band graphic equalizers with in/out switches for Main L/R and Monitor or Main L/R
- Rumble filter for Mic inputs
- Pad control on channels 1-6
- Monitor and effect sends on each input channel
- +48V phantom power for mic inputs 1 through 6
- Two built-in limiters
- Rec out with trim control for record level matching
- Mains power switchable between 115 VAC and 230 VAC
- USB record/playback module records WAV files to removable flash drive and plays back MP3/WMA files
- USB recorder and playback device for capturing all performances with ease
| Μic Input: |
9-12 |
| Power 4Ω: |
500W > |
| Console Layout: |
Vertical |
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