The Mackie ProFX22v3 is a 22-channel mixing console featuring 17 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, houses of worship, rehearsal studios, and more. The integrated 2×4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with […]
The Mackie ProFX22v3 is a 22-channel mixing console featuring 17 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, houses of worship, rehearsal studios, and more. The integrated 2×4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.
Channels 1-2 offer combo XLR-1/4″ mic/line connections and a Hi-Z switch (for guitar and bass), while channels 3-20 offer XLR or 1/4″ inputs. Channels 1-12 provide single-knob compressors, while channels 1-14 include inserts. Channels 15/16, 17/18, and 19/20 offer two 1/4″ line inputs each (L and R for stereo), while channel 21/22 uses a 3.5mm stereo input. Channels 1-22 feature gain controls, a 3-band EQ, three aux sends for monitors, a dedicated FX send, pan, mute, and level faders. Engaging channel 21/22\’s USB 3-4 switch will override the 3.5mm input and enable the USB return from a computer.
Each channel strip includes button selectors for Main L/R, Sub 1-2, Sub 3-4, and PFL SOLO. The master section offers dedicated faders for Main, Sub 1-2, Sub 3-4, and FX. Main output connectors include both XLR and 1/4“, while sub and control room outputs use 1/4″ connectors. A dedicated 1/4″ TRS headphone output includes its own independent level control. Other features include an input / USB 1-2 blend control, a dedicated FX output, an FX level fader, and an FX mute, which can also be controlled via the 1/4″ footswitch input.
The ProFX22v3 features a download for ProTools I First and Waveform software and The Musician\’s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\’s serial number on the website. The Mackie ProFX22v3 includes a USB cable and an IEC cable for powering the unit.
Features
Professional Sound Quality
Equipped with 17 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
Essential Mixing Tools
3-band EQ on all channels
Channels 15–20 feature mic inputs and stereo 1/4″ line inputs for maximum versatility
Hi-Z switches allow you to connect guitars, basses, and other instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 3.5mm input on channel 21/22
Aux/Monitor outputs with dedicated per-channel send controls
Stereo Subgroup output busses with per-channel assignments
Headphone output with separate level and blend control
Insert jack on channels 1–14
Pre-fader solo on all channels
Footswitch input for FX Mute
Single-knob compression helps keep your input levels in check
24-Bit / 192 kHz 2×4 USB Recording Interface
2×4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
Perfect for live performance recording, music playback, live streaming, and more
Latency-Free Monitoring
Easily blend between monitoring your computer’s output and a direct feed from the mixer
Professional Production Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The Musician Collection for ProTools | First includes 23 plugins including 304E EQ, 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe, Phaser, and White Boost
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Signature Rugged Design
Mackie built-like-a-tank design
Solid steel chassis protects your investment
Tough ABS side protection
Included Software with Avid Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
You also get Tracktion\’s Waveform OEM and the DAW Essentials Collection.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Re-create the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Mackie PROFX22V3 Specs
Equivalent Input Noise
150-Ohm Source Impedance, 20 Hz to 20 kHz: Mic In to Insert Send Out, Max Gain -128 dBu
Residual Output Noise
All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu All Outputs, Master Levels Unity, One Channel Level Unity: -85 dBu
Frequency Response
Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N
22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output):
Weight
10.00 kg
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The Mackie ProFX22v3 is a 22-channel mixing console featuring 17 Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, houses of worship, rehearsal studios, and more. The integrated 2x4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.
Channels 1-2 offer combo XLR-1/4" mic/line connections and a Hi-Z switch (for guitar and bass), while channels 3-20 offer XLR or 1/4" inputs. Channels 1-12 provide single-knob compressors, while channels 1-14 include inserts. Channels 15/16, 17/18, and 19/20 offer two 1/4" line inputs each (L and R for stereo), while channel 21/22 uses a 3.5mm stereo input. Channels 1-22 feature gain controls, a 3-band EQ, three aux sends for monitors, a dedicated FX send, pan, mute, and level faders. Engaging channel 21/22\'s USB 3-4 switch will override the 3.5mm input and enable the USB return from a computer.
Each channel strip includes button selectors for Main L/R, Sub 1-2, Sub 3-4, and PFL SOLO. The master section offers dedicated faders for Main, Sub 1-2, Sub 3-4, and FX. Main output connectors include both XLR and 1/4“, while sub and control room outputs use 1/4" connectors. A dedicated 1/4" TRS headphone output includes its own independent level control. Other features include an input / USB 1-2 blend control, a dedicated FX output, an FX level fader, and an FX mute, which can also be controlled via the 1/4" footswitch input.
The ProFX22v3 features a download for ProTools I First and Waveform software and The Musician\'s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\'s serial number on the website. The Mackie ProFX22v3 includes a USB cable and an IEC cable for powering the unit.
Features
Professional Sound Quality
Equipped with 17 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
Essential Mixing Tools
3-band EQ on all channels
Channels 15–20 feature mic inputs and stereo 1/4" line inputs for maximum versatility
Hi-Z switches allow you to connect guitars, basses, and other instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 3.5mm input on channel 21/22
Aux/Monitor outputs with dedicated per-channel send controls
Stereo Subgroup output busses with per-channel assignments
Headphone output with separate level and blend control
Insert jack on channels 1–14
Pre-fader solo on all channels
Footswitch input for FX Mute
Single-knob compression helps keep your input levels in check
24-Bit / 192 kHz 2x4 USB Recording Interface
2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
Perfect for live performance recording, music playback, live streaming, and more
Latency-Free Monitoring
Easily blend between monitoring your computer’s output and a direct feed from the mixer
Professional Production Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The Musician Collection for ProTools | First includes 23 plugins including 304E EQ, 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe, Phaser, and White Boost
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Signature Rugged Design
Mackie built-like-a-tank design
Solid steel chassis protects your investment
Tough ABS side protection
Included Software with Avid Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
You also get Tracktion\'s Waveform OEM and the DAW Essentials Collection.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Re-create the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Mackie PROFX22V3 Specs
Equivalent Input Noise
150-Ohm Source Impedance, 20 Hz to 20 kHz: Mic In to Insert Send Out, Max Gain -128 dBu
Residual Output Noise
All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu All Outputs, Master Levels Unity, One Channel Level Unity: -85 dBu
Frequency Response
Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N
22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output):
Low-cost high-performance mixers
Soundcraft have unveiled another addition to the rapidly growing new Soundcraft family, the multi-format low-cost EPM mixers.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company�s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.
Other Features:
Frame sizes 12+2
2 configurable auxiliary buses
XLR-type and Ό� metal jack connector sockets
RCA phono stereo playback inputs and record outputs
3-band EQ with a swept mid on mono inputs
2-band EQ on stereo inputs
TRS insert sockets and inserts on all mono inputs and mix output
Ten-segment LED output metering
Intuitive and comprehensive solo system
Headphone output
Easily rack mountable
The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.
This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.
Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.
As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.
For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.
On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.
Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.
The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.
Technical Specifications
Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
High pass filter (Mono input).. 100Hz, 18dB per octave
EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
LF.. 80Hz, +/-15dB, 2nd order shelving
EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
Lo-Mid.. 450Hz, +/-15dB, Q=0.8
LF.. 80Hz, +/-15dB, 2nd order shelving
Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
+ Meterpod with 3 VU meters (L/R/C)
Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
(indicates monitor source level)
Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
Power consumption.. Less than 150W
Operating conditions Temperature range.. -10ºC to +30ºC
Relative humidity.. 0% to 80%
Features
* 19” Rackmountable console
* 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
* 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
* Rotatable connector pod for top or rear cable entry
* 8 (GB2R-16) or 10 (GB2R-12.2) busses
* 2 full feature stereo inputs (GB2R-12.2 version)
* GB30 Mic preamp and precision EQ on inputs
* Switchable +48V phantom power on every mic input
* 100Hz Hi-pass filter
* Direct outputs on every channel
* 100mm faders
* Stereo Mix Output and separate Mono Sum output
* Record output
* Internal Universal switched mode PSU
The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
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