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The Mackie ProFX6v3 is a 6-channel mixing console featuring two Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, home recording, and content creators. The integrated 2x4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.
Channels 1-2 offer combo XLR-1/4" mic/line connections and feature Hi-Z (for guitar and bass), low-cut filters (100 Hz), gain controls, 2-band EQ, stereo linking, level faders, and FX send. Channels 3-4 offer two 1/4" inputs and feature a level control, while channels 5-6 use a 3.5mm stereo input with level fader. Engaging channel 5-6\'s USB3-4 switch will override the 3.5" input and enables the USB return from a computer. The master output is controlled with a dedicated level knob and features XLR and 1/4" connectors, while the dedicated 1/4" TRS headphone output includes an independent level control. Other features include Input-USB 1-2 blend control, FX mute, and FX to main.
The ProFX6v3 ships with ProTools | First software, Waveform OEM, the DAW Essentials Collection, and The Musician Collection. This plug-in package including 23 high-quality plugins like: BBD Delay, Level Lite, 304E EQ, and 304C Compressor. The Mackie ProFX6v3 includes a USB cable and power supply.
Features
- Professional Sound Quality
- Equipped with 2 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
- All-new GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
- Essential Mixing Tools
- 2-band EQ (80 Hz and 12 kHz) on channels 1/2
- Hi-Z switches allows direct connection of guitars, basses, and other instruments
- 100 Hz low-cut filter and 48V phantom power on all mic channels
- Line inputs on channel 3/4
- Stereo 1/8" input on channel 5/6
- Headphone output with separate level and blend control
- 24-Bit / 192 kHz 2x4 USB Recording Interface
- 2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
- Perfect for live performance recording, music playback, live streaming, and more
- Latency-Free Monitoring
- Easily blend between monitoring your computer’s output and a direct feed from the mixer
- Professional Production Content
- Pro Tools | First and Waveform OEM professional software and plugin packages included
- The Musician Collection for ProTools | First includes 23 plugins including 304 EQ, 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe, Phaser, and White Boost
- The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
- Signature Rugged Design
- Mackie built-like-a-tank design
- Solid steel chassis protects your investment
- Tough ABS side protection
Included software
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. Now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
You also get Waveform OEM and the DAWS Essential Collection from Tracktion.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
- Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
- Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
- BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
- Black Op Distortion: Add rich distortion based on a classic distortion pedal
- Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
- Black Spring Reverb: Get the twang and space of a vintage amplifier
- C1 Chorus: Emulates a classic chorus pedal
- DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
- Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
- Flanger: Create esoteric sounds with this homage to vintage and modern flangers
- Graphic EQ: Sculpt frequencies with ease
- Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
- Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
- In-Tune: Keep your instruments in tune with this digital tuner
- Orange Phaser: Create interesting effects with this phase shifter based on a classic design
- Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
- Sci-Fi: Add analog synth-type ring and frequency modulation
- Studio Reverb: Create natural-sounding reverb and ambient effects
- Tape Echo: Add vintage analog delay and chorus effects
- Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
- Vari-Fi: Create the effect of audio changing tape speed
- Vibe Phaser: Add phase-shift and rotary speaker effects
- White Boost: Boost gain without coloring tone
Mackie PROFX6V3 Specs
Equivalent Input Noise |
150-Ohm Source Impedance, 20 Hz to 20 kHz: Mic In to Insert Send Out, Max Gain -126 dBu |
Residual Output Noise |
All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu All Outputs, Master Levels Unity, One Channel Level Unity: -80 dBu |
Frequency Response |
Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz |
THD+N |
22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output): < .03% |
Attenuation and Crosstalk |
Adjacent Inputs at 1 kHz: -90 dB Inputs to Outputs at 1 kHz: -80 dB Fader Off at 1 kHz: -75 dB Mute Switch / Break Switch Mute at 1 kHz: -90 dB |
Common Mode Rejection Ratio |
Mic In to Main Out, Max Gain, 1 kHz: 70 dB |
Maximum Level |
All Inputs: +22 dB Main Out XLR: +28 dBu All other Outputs: +22 dBu |
Impedance |
Mic In: 3.8 Kilohms Channel Insert Return: 10 Kilohms All Other Inputs: ≥ 20 Kilohms Phones Output: 25 Ohms All Other Outputs: 120 Ohms Unbalanced, 240 Ohms Balanced |
Equalization |
Low ±15 dB at 80 Hz High ±15 dB at 12 kHz Low-Cut Filter 18 dB/octave at 100 Hz |
Maximum Voltage Gain |
Mic Input Channel to: 1/4" Main Output: 80 dB XLR Main Output: 86 dB FX Send: 90 dB USB Output: 70 dB
Mono Line Input Channel to: 1/4" Main Output: 40 dB XLR Main Output: 66 dB FX Send: 70 dB USB Output: 50 dB
Stereo Line Input Channel to: 1/4" Main Output: 20 dB XLR Main Output: 26 dB USB Output: 10 dB
1/8" Input to: 1/4" Main Output: 40 dB XLR Main Output: 46 dB USB Output: 10 dB |
Digital Effects |
Number of Presets: 16 |
Meters |
Main L/R Mix Two Columns of 8 Segments Each: OL, +14, +8, +4, 0 (0 dBu), -4, -12, -24 |
USB |
Format: USB 2.0 I/O: 1 Stereo Input, 2 Stereo Outputs A/D/A: 24-Bit / 44.1, 48, 96, 192 kHz |
Phantom Power |
48 VDC to All Mic Channels Simultaneously |
AC Power Requirements |
Universal AC Power Supply: 100 - 240 VAC, 50 - 60 Hz Power Supply: 12 VDC at 2A Class I Hard-Wired Wall Mount Adapter |
Dimensions |
2.9 x 7.5 x 8.4" / 7.1 x 19.0 x 21.3 cm |
Weight |
2.6 lb / 1.2 kg |
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Live 4-Bus Mixing Console
32 Input Channels (24 mono)
XLR Mic: 24 mono channels + 4 stereo channels
Frequency Response: 20Hz – 20kHz
Weight: 39.70 lbs (18.1kg)
Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
4 Stereo Line Inputs
24 Inserts
Large Illuminated Mute Switches
Stereo inserts
4 Groups with inserts
3-Band EQ with sweepable mids
6 Aux sends
Dual DSP with 100 digital multi-effects
2 Stereo aux return
USB I/O (from aux sends or main mix)
Input gain trim on each channel
24 dB Low cut filter at 75Hz
100mm faders
PFL switches
AFL switches
Phantom power switch (+ 48V)
Mono Out & LPF with sub-woofer containing variable frequency control
2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
Talkback mic input
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The Soundcraft GB-2 (2-bus) 24 Channel Console is designed for installed sound and A/V applications that donʼt require all the sophisticated functionality of the GB4 and GB8.
However the Soundcraft GB-2 24 Channel Console is a genuine GB Series console in every respect, with sound quality assured by GB30 Mic Pre and Equaliser designs, and reliability by the same rugged build quality that has made the GB4 and GB8 so dependable in demanding professional applications.
Along with six Aux busses and an integral 6 x 2 matrix, four subgroups are provided as two stereo pairs, with a unique facility for adjusting the width of the stereo signal across the stereo mix. The channel pan settings are retained on the group outputs, while the degree of stereo separation to the mix bus is independently adjustable from full stereo through to mono.
The GB2 also features two stereo input channels, with separate mic and line inputs. In normal use, the mic inputs are routed to the local channel and the line inputs act as a stereo return to the mix bus. Selecting the line input to the local channel overrides the mic inputs.
The Soundcraft GB-2 (2-bus) 24 Channel Console Main Features Include:
- 24 channel frame size
- 12 busses
- 2 full feature stereo channels
- 2 stereo returns (on stereo channels)
- 6 Aux sends
- 4 sub groups (paired)
- 6x2 output matrix
- GB30 mic preamp and precision equalisation circuitry
- Direct outputs on every channel
- Talkback facility
- 100mm faders
- Switchable 48V phantom powering on every channel
- 100Hz high pass filter
- 12-segment LED metering
- Record output
- Width: 1013mm (39.88“)
- Weight: 25kg (55.1lbs)
| Low-cost high-performance mixers
Key Features
- 6 Mono & 2 Stereo Input Channels
- 6x GB30 Microphone Preamplifiers
- Recording and Live Sound Audio Console
- Compact Mobile Enclosure
The Soundcraft EPM Series provides a straight-forward, yet professional alternative to complex audio mixers. Constructed in a 6-, 8- or 12-channel chassis, the EPM mixers are well-suited for recording and sound reinforcement applications.
The EPM 6 features 6 mono and 2 stereo input channels providing the flexibility needed to accommodate the recording studio, venue or touring musician. All mono inputs feature 1/4" phone line and balanced XLR microphone inputs. The famed GB30 microphone preamps provide the quiet, detailed signal synonymous with Soundcraft\'s large FOH consoles. The stereo inputs provide L/R 1/4" phone connections and are ideal for connecting stereo devices such as keyboards, returning effects, etc.
The EQ section features a sweepable mid-range on all mono channels and provides smooth frequency contouring. Inserts on all mono channels and stereo output enable signal routing to external signal processors. The compact profile, rich sound quality and flexibility of the EPM Series provides everything necessary for use in project recording, video editing, night clubs, bars, meeting halls, houses-of-worship, and more.
6 Mono and 2 Stereo Channels
The EPM 6 features 6 mono microphone and line input channels, 2 stereo inputs feature L/R 1/4" phone connections
Comprehensive Controls
The comprehensive layout is designed to attract users who require a straight-forward mixing environment
GB30 Microphone Preamplifiers
All 12 mono inputs feature Soundcraft\'s GB30 microphone preamps for quiet, clean large-format FOH console quality
Compact and Professional
The EPM Series consoles pack a professional feature set in a compact, mobile enclosure
Total # Of Inputs |
6x Mono
2x Stereo |
Mic/Line Inputs |
6x Line Mono: 1/4" TRS Phone
2x Line Stereo: L/R 1/4" TRS Phone
6x Microphone: 3-pin XLR |
Stereo Line Inputs |
2x Stereo: L/R 1/4" TRS Phone |
In-Line Inputs/Returns |
No |
AUX Sends |
2x Aux Sends |
AUX Returns |
No dedicated returns |
Inserts |
1/4" TRS Phone - Mono Inputs, Main Stereo Output |
BUS (Group) Outputs |
Stereo Output Only |
2 Trk Master I/O |
Mix L/R: Stereo Paired L/R RCA Phono |
ALT I/O |
No |
Monitor Outputs |
Monitor: L/R Stereo Paired 1/4" TRS Phone |
EQ Section |
Mono Inputs +/- 15 dB
Lo: 80 Hz
Mid: 150 Hz - 3.5 kHz (swept)
Hi: 12 kHz
Q: 1.5
Stereo Inputs +/-15 dB
Lo: 80 Hz
Mid: 720 Hz
Hi: 12 kHz |
Solo/Mute |
All Input Channels |
Channel Level Control |
100 mm Faders |
Trim/Gain Control |
Rotary Potentiometers |
Phantom Power |
+48 V Phantom |
Metering |
10-Segment L/R Peak LEDs
+48 V Phantom Power LED
PFL Active LED
Power Indicator LED |
Frequency Response |
20 Hz to 20 kHz +/-1.5 dB |
Dynamic Range |
Not specified by manufacturer |
Signal-to-Noise Ratio |
Noise (22 Hz - 22 kHz measurement bandwidth)
Mic EIN @ max gain, 150 ohms source impedance -127 dBu
Mix @ max, faders to down |
Total Harmonic Distortion (THD) |
Mic sensitivity 30 dB, +14 dBu @ mix output: |
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The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.
LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.
LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.
In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.
LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.
Applications:
* Gigging Bands
* Small installations
* Small venues
* Theatres
* Houses of Worship
* Live and studio recording
* 100mm faders
* +48V phantom power
* 16, 24 or 32 channel frame sizes
* Up to 40 inputs (including stereo inputs and returns)
* 18dB/octave high-pass filter
* 6 aux sends, 4 of them pre/post switchable
* Group and mix inserts
* 12-segment LED metering
* Integral PSU
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