MACKIE PROFX6V3 Sound mixer with 6 channels and USB

207.00 incl. GR VAT

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The Mackie ProFX6v3 is a 6-channel mixing console featuring two Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, home recording, and content creators. The integrated 2×4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring.  […]

 

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The Mackie ProFX6v3 is a 6-channel mixing console featuring two Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, home recording, and content creators. The integrated 2×4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring. 

Channels 1-2 offer combo XLR-1/4″ mic/line connections and feature Hi-Z (for guitar and bass), low-cut filters (100 Hz), gain controls, 2-band EQ, stereo linking, level faders, and FX send. Channels 3-4 offer two 1/4″ inputs and feature a level control, while channels 5-6 use a 3.5mm stereo input with level fader. Engaging channel 5-6\’s USB3-4 switch will override the 3.5″ input and enables the USB return from a computer.  The master output is controlled with a dedicated level knob and features XLR and 1/4″ connectors, while the dedicated 1/4″ TRS headphone output includes an independent level control. Other features include Input-USB 1-2 blend control, FX mute, and FX to main.

The ProFX6v3 ships with ProTools | First software, Waveform OEM, the DAW Essentials Collection, and The Musician Collection. This plug-in package including 23 high-quality plugins like: BBD Delay, Level Lite, 304E EQ, and 304C Compressor. The Mackie ProFX6v3 includes a USB cable and power supply.

Features

  • Professional Sound Quality
    • Equipped with 2 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
    • All-new GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
  • Essential Mixing Tools
    • 2-band EQ (80 Hz and 12 kHz) on channels 1/2
    • Hi-Z switches allows direct connection of guitars, basses, and other instruments
    • 100 Hz low-cut filter and 48V phantom power on all mic channels
    • Line inputs on channel 3/4
    • Stereo 1/8″ input on channel 5/6
    • Headphone output with separate level and blend control
  • 24-Bit / 192 kHz 2×4 USB Recording Interface
    • 2×4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
    • Perfect for live performance recording, music playback, live streaming, and more
  • Latency-Free Monitoring
    • Easily blend between monitoring your computer’s output and a direct feed from the mixer
  • Professional Production Content
    • Pro Tools | First and Waveform OEM professional software and plugin packages included
    • The Musician Collection for ProTools | First includes 23 plugins including 304 EQ, 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe, Phaser, and White Boost
    • The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
  • Signature Rugged Design
    • Mackie built-like-a-tank design
    • Solid steel chassis protects your investment
    • Tough ABS side protection

Included software

An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. Now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems. 

You also get Waveform OEM and the DAWS Essential Collection from Tracktion.

In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:

  • Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
  • Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
  • BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
  • Black Op Distortion: Add rich distortion based on a classic distortion pedal
  • Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
  • Black Spring Reverb: Get the twang and space of a vintage amplifier
  • C1 Chorus: Emulates a classic chorus pedal
  • DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
  • Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
  • Flanger: Create esoteric sounds with this homage to vintage and modern flangers
  • Graphic EQ: Sculpt frequencies with ease
  • Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
  • Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
  • In-Tune: Keep your instruments in tune with this digital tuner
  • Orange Phaser: Create interesting effects with this phase shifter based on a classic design
  • Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
  • Sci-Fi: Add analog synth-type ring and frequency modulation
  • Studio Reverb: Create natural-sounding reverb and ambient effects
  • Tape Echo: Add vintage analog delay and chorus effects
  • Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
  • Vari-Fi: Create the effect of audio changing tape speed
  • Vibe Phaser: Add phase-shift and rotary speaker effects
  • White Boost: Boost gain without coloring tone

Mackie PROFX6V3 Specs

Equivalent Input Noise 150-Ohm Source Impedance, 20 Hz to 20 kHz:
Mic In to Insert Send Out, Max Gain -126 dBu
Residual Output Noise All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu
All Outputs, Master Levels Unity, One Channel Level Unity: -80 dBu
Frequency Response Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N 22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output): < .03%
Attenuation and Crosstalk Adjacent Inputs at 1 kHz: -90 dB
Inputs to Outputs at 1 kHz: -80 dB
Fader Off at 1 kHz: -75 dB
Mute Switch / Break Switch Mute at 1 kHz: -90 dB
Common Mode Rejection Ratio Mic In to Main Out, Max Gain, 1 kHz: 70 dB
Maximum Level All Inputs: +22 dB
Main Out XLR: +28 dBu
All other Outputs: +22 dBu
Impedance Mic In: 3.8 Kilohms
Channel Insert Return: 10 Kilohms
All Other Inputs: ≥ 20 Kilohms
Phones Output: 25 Ohms
All Other Outputs: 120 Ohms Unbalanced, 240 Ohms Balanced
Equalization Low ±15 dB at 80 Hz
High ±15 dB at 12 kHz
Low-Cut Filter 18 dB/octave at 100 Hz
Maximum Voltage Gain Mic Input Channel to:
1/4″ Main Output: 80 dB
XLR Main Output: 86 dB
FX Send: 90 dB
USB Output: 70 dB

Mono Line Input Channel to:
1/4″ Main Output: 40 dB
XLR Main Output: 66 dB
FX Send: 70 dB
USB Output: 50 dB

Stereo Line Input Channel to:
1/4″ Main Output: 20 dB
XLR Main Output: 26 dB
USB Output: 10 dB

1/8″ Input to:
1/4″ Main Output: 40 dB
XLR Main Output: 46 dB
USB Output: 10 dB

Digital Effects Number of Presets: 16
Meters Main L/R Mix
Two Columns of 8 Segments Each: OL, +14, +8, +4, 0 (0 dBu), -4, -12, -24
USB Format: USB 2.0
I/O: 1 Stereo Input, 2 Stereo Outputs
A/D/A: 24-Bit / 44.1, 48, 96, 192 kHz
Phantom Power 48 VDC to All Mic Channels Simultaneously
AC Power Requirements Universal AC Power Supply: 100 – 240 VAC, 50 – 60 Hz
Power Supply: 12 VDC at 2A Class I Hard-Wired Wall Mount Adapter
Dimensions 2.9 x 7.5 x 8.4″ / 7.1 x 19.0 x 21.3 cm
Weight 2.6 lb / 1.2 kg
Weight 1.50 kg

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MACKIE PROFX6V3 Sound mixer with 6 channels and USB removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT GB4 LIVE 24MONO + 2STEREO MIXING CONSOLE removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE remove
NameMACKIE PROFX6V3 Sound mixer with 6 channels and USB removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeDYNACORD CMS 2200-3 Sound Desk 22 Channels removeSOUNDCRAFT GB4 LIVE 24MONO + 2STEREO MIXING CONSOLE removeDYNACORD CMS 1600-3 Mixing Desk 16 Channels (12 mono, 4 stereo) removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE remove
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SKU149.511GB4 32CHE003071GB4 24CHE002849GB2R 12CH
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Description
Content

The Mackie ProFX6v3 is a 6-channel mixing console featuring two Onyx microphone preamps with 60 dB of headroom and a built-in effects engine with 24 built-in FX, making it well suited for live sound, home recording, and content creators. The integrated 2x4 USB audio interface offers high-quality 24-bit / 192 kHz recording and playback with zero-latency monitoring. 

Channels 1-2 offer combo XLR-1/4" mic/line connections and feature Hi-Z (for guitar and bass), low-cut filters (100 Hz), gain controls, 2-band EQ, stereo linking, level faders, and FX send. Channels 3-4 offer two 1/4" inputs and feature a level control, while channels 5-6 use a 3.5mm stereo input with level fader. Engaging channel 5-6\'s USB3-4 switch will override the 3.5" input and enables the USB return from a computer.  The master output is controlled with a dedicated level knob and features XLR and 1/4" connectors, while the dedicated 1/4" TRS headphone output includes an independent level control. Other features include Input-USB 1-2 blend control, FX mute, and FX to main.

The ProFX6v3 ships with ProTools | First software, Waveform OEM, the DAW Essentials Collection, and The Musician Collection. This plug-in package including 23 high-quality plugins like: BBD Delay, Level Lite, 304E EQ, and 304C Compressor. The Mackie ProFX6v3 includes a USB cable and power supply.

Features
  • Professional Sound Quality
    • Equipped with 2 Onyx Mic Pres offering up to 60 dB of gain and ultralow noise performance
    • All-new GigFX Effects Engine with 24 different FX options, from reverbs to delays and more
  • Essential Mixing Tools
    • 2-band EQ (80 Hz and 12 kHz) on channels 1/2
    • Hi-Z switches allows direct connection of guitars, basses, and other instruments
    • 100 Hz low-cut filter and 48V phantom power on all mic channels
    • Line inputs on channel 3/4
    • Stereo 1/8" input on channel 5/6
    • Headphone output with separate level and blend control
  • 24-Bit / 192 kHz 2x4 USB Recording Interface
    • 2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer
    • Perfect for live performance recording, music playback, live streaming, and more
  • Latency-Free Monitoring
    • Easily blend between monitoring your computer’s output and a direct feed from the mixer
  • Professional Production Content
    • Pro Tools | First and Waveform OEM professional software and plugin packages included
    • The Musician Collection for ProTools | First includes 23 plugins including 304 EQ, 304C Compressor, BBD Delay, Black Op Distortion, Black Shiny Wah, Black Spring Reverb, C1 Chorus, DC Distortion, Eleven Lite, Flanger, Graphic EQ, Gray Compressor, Green JRC Overdrive, In-Tune, Orange Phaser, Roto Speaker, Sci-Fi, Studio Reverb, Tape Echo, Tri Knob Fuzz, Vari-Fi, Vibe, Phaser, and White Boost
    • The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
  • Signature Rugged Design
    • Mackie built-like-a-tank design
    • Solid steel chassis protects your investment
    • Tough ABS side protection
Included software An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. Now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems. 

You also get Waveform OEM and the DAWS Essential Collection from Tracktion.

In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:

  • Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
  • Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
  • BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
  • Black Op Distortion: Add rich distortion based on a classic distortion pedal
  • Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
  • Black Spring Reverb: Get the twang and space of a vintage amplifier
  • C1 Chorus: Emulates a classic chorus pedal
  • DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
  • Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
  • Flanger: Create esoteric sounds with this homage to vintage and modern flangers
  • Graphic EQ: Sculpt frequencies with ease
  • Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
  • Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
  • In-Tune: Keep your instruments in tune with this digital tuner
  • Orange Phaser: Create interesting effects with this phase shifter based on a classic design
  • Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
  • Sci-Fi: Add analog synth-type ring and frequency modulation
  • Studio Reverb: Create natural-sounding reverb and ambient effects
  • Tape Echo: Add vintage analog delay and chorus effects
  • Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
  • Vari-Fi: Create the effect of audio changing tape speed
  • Vibe Phaser: Add phase-shift and rotary speaker effects
  • White Boost: Boost gain without coloring tone
Mackie PROFX6V3 Specs
Equivalent Input Noise 150-Ohm Source Impedance, 20 Hz to 20 kHz:
Mic In to Insert Send Out, Max Gain -126 dBu
Residual Output Noise All Outputs, Master Levels Off, All Channel Levels Off: -95 dBu
All Outputs, Master Levels Unity, One Channel Level Unity: -80 dBu
Frequency Response Mic Input to Any Output (Gain at Unity, +0 dB / -1 dB): 20 Hz to 30 kHz
THD+N 22 Hz to 80 kHz Bandwidth: Mic In to Main Out (+4 dBu Output): < .03%
Attenuation and Crosstalk Adjacent Inputs at 1 kHz: -90 dB
Inputs to Outputs at 1 kHz: -80 dB
Fader Off at 1 kHz: -75 dB
Mute Switch / Break Switch Mute at 1 kHz: -90 dB
Common Mode Rejection Ratio Mic In to Main Out, Max Gain, 1 kHz: 70 dB
Maximum Level All Inputs: +22 dB
Main Out XLR: +28 dBu
All other Outputs: +22 dBu
Impedance Mic In: 3.8 Kilohms
Channel Insert Return: 10 Kilohms
All Other Inputs: ≥ 20 Kilohms
Phones Output: 25 Ohms
All Other Outputs: 120 Ohms Unbalanced, 240 Ohms Balanced
Equalization Low ±15 dB at 80 Hz
High ±15 dB at 12 kHz
Low-Cut Filter 18 dB/octave at 100 Hz
Maximum Voltage Gain Mic Input Channel to:
1/4" Main Output: 80 dB
XLR Main Output: 86 dB
FX Send: 90 dB
USB Output: 70 dB

Mono Line Input Channel to:
1/4" Main Output: 40 dB
XLR Main Output: 66 dB
FX Send: 70 dB
USB Output: 50 dB

Stereo Line Input Channel to:
1/4" Main Output: 20 dB
XLR Main Output: 26 dB
USB Output: 10 dB

1/8" Input to:
1/4" Main Output: 40 dB
XLR Main Output: 46 dB
USB Output: 10 dB
Digital Effects Number of Presets: 16
Meters Main L/R Mix
Two Columns of 8 Segments Each: OL, +14, +8, +4, 0 (0 dBu), -4, -12, -24
USB Format: USB 2.0
I/O: 1 Stereo Input, 2 Stereo Outputs
A/D/A: 24-Bit / 44.1, 48, 96, 192 kHz
Phantom Power 48 VDC to All Mic Channels Simultaneously
AC Power Requirements Universal AC Power Supply: 100 - 240 VAC, 50 - 60 Hz
Power Supply: 12 VDC at 2A Class I Hard-Wired Wall Mount Adapter
Dimensions 2.9 x 7.5 x 8.4" / 7.1 x 19.0 x 21.3 cm
Weight 2.6 lb / 1.2 kg

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 24 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 27kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE  
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The CMS3 has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories offered by each device, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from the clearly arranged menus.
Innovative Solution for Protection and Transportation
Optionally available for the CMS 1000 and 1600 is a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
Accessories
For rack installation of the CMS 1000 (or table installation of the models 1600 and 2200), the mounting kit RMK 1000-3 is available.
Other accessories include the gooseneck light DC-LITLITE-4P and the DC-FS11 ON/OFF footswitch for the effects units.

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

  • Technical Specifications
  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
  • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
  • Noise Measured RMS, 22Hz to 22kHz Bandwidth
  • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
  • Mix Output, 40 inputs routed to mix..
  • Group & Centre Outputs..
  • Aux Outputs (GB2 Groups only)..
  • Matrix Outputs..
  • Crosstalk Input Channel Mute..
  • (@1kHz, typical) Input Fader cut-off..
  • Pan isolation..
  • Mix route isolation..
  • Group route isolation..
  • Adjacent channel crosstalk..
  • Group to Mix..
  • Aux Send pots offness (typical)..
  • Matrix Send pots offness (typical)
  • CMRR Typical @ 1kHz.. 80dB
  • Input & Output Mono & Stereo Mic Inputs.. +15dBu
  • Max Levels Mono & Stereo Line Inputs.. +30dBu
  • Stereo Returns & Insert Returns.. +20dBu
  • Any output.. +20dBu
  • Nominal Operating Level.. 0dBu
  • Headphone Power.. 2 x 250mW into 200Ω
  • Input & Output Mic Inputs.. 2kΩ
  • Impedances Line Inputs and Stereo Returns.. 10kΩ
  • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
  • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
  • Insert sends.. 75Ω
  • Recommended Headphone Impedance.. 100 - 600Ω
  • High pass filter (Mono input).. 100Hz, 18dB per octave
  • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
  • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
  • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
  • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
  • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
  • + Meterpod with 3 VU meters (L/R/C)
  • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
  • (indicates monitor source level)
  • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
  • Power consumption.. Less than 150W
  • Operating conditions Temperature range.. -10ºC to +30ºC
  • Relative humidity.. 0% to 80%
  • Features
  • * 19” Rackmountable console
  • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
  • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
  • * Rotatable connector pod for top or rear cable entry
  • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
  • * 2 full feature stereo inputs (GB2R-12.2 version)
  • * GB30 Mic preamp and precision EQ on inputs
  • * Switchable +48V phantom power on every mic input
  • * 100Hz Hi-pass filter
  • * Direct outputs on every channel
  • * 100mm faders
  • * Stereo Mix Output and separate Mono Sum output
  • * Record output
  • * Internal Universal switched mode PSU


Weight1.50 kg32.00 kg12.00 kg27.00 kg13.00 kg5.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.50 kg
Weight 32.00 kg
Weight 12.00 kg
Weight 27.00 kg
Weight 13.00 kg
Weight 5.00 kg