| Content | The MPM-1000 from Marantz Professional is a cardioid condenser microphone with a pure-aluminum-plated, 18mm-diameter diaphragm capsule that captures audio in high-quality critical recording applications. It can be used by engineers, musicians, and producers in environments such as recording studios, for live stage, in project studios, and more.
The microphone is great for recording closely spaced subjects by maintaining a good degree of isolation, and is also an excellent choice for recording live performances when sound comes from many directions. The tightly defined pattern preserves excellent isolation and prevents unwanted feedback. The package comes complete with windscreen, shockmount, tripod stand, and an XLR cable.
Sound Field
|
Mono |
| Transducer |
Condenser |
| Diaphragm |
0.71\" (18 mm) |
| Polar Pattern |
Cardioid |
| Frequency Range |
20 Hz to 20 kHz |
| Signal to Noise Ratio |
77 dB |
| Maximum SPL |
136 dB SPL |
| Impedance |
200 ohms +/- 30% @ 1 kHz |
| Load Impedance |
1000 ohms% @1 kHz |
| Sensitivity |
-38 dB |
| Power Requirements |
48 V |
| Output Connectors |
3-pin XLR |
| The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-
condenser microphone design.Intended for recording acoustic instruments,
drum overheads, cymbals and live performances, the compact externally
polarized mic employs a .5? capsule, an active J-FET impedance converter
with bipolar output buffer.
Finished in durable satin nickel, the NT5 is intended for either single or stereo
X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case
with windshields and mounts.
SPECIFICATIONS:
Acoustic principle: Externally polarised single diaphragm
Directional pattern: Cardioid
Frequency range: 20Hz - 20kHz
Output impedance: 100?
Signal noise ratio din iec 651: 78dB
Equvalent noise: Maximum spl: 143 dB @ 1% THD into 1k_
Sensitivity:
-38 dB re 1v/Pa ± 2 dB equivalent to 12mV/Pa where 1 Pa = 94dBSPL
Power supply voltage: P48 Supply (38V?52V), P24 Supply (20V-26V)
Current consumption: 4 mA, 2 mA,
Weight: 100g |
Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
One of the world's great studio microphones, the SM81 provides precise, detailed sound reproduction, is excellent for studio recording, and is rugged enough for live sound reinforcement.
- A standard for acoustic instruments, including guitar and cymbals
- Selectable, low-frequency response -- either flat, 6dB/octave roll-off, or 18 dB/octave roll-off
- Built-in, switchable 10 dB attenuator for use in high SPL situations
- Phantom power only
- Windscreen included
- Low noise and high output clipping
- Cardioid condenser
- Frequency response: 20 to 20,000 Hz
| NT3 - Versatile & Dependable
Stylish and modern, the NT3 is a studio and location workhorse. With both
48V phantom and internal 9V battery operation, this R?DE is at home anywhere.
Intended for studio, stage and location work, this versatile handheld or stand
mounted microphone incorporates a true externally polarized condenser (hyper-
cardioid polar response) transducer with an internal capsule shock mounting
system, and an ultra-low noise electronic circuit that has a high immunity to R.F.
interference. Incorporating a rugged welded and heat-treated mesh head and all
metal body. The NT3 is supplied in a zip pouch with a windshield, stand mount
and thread adaptor.
SPECIFICATIONS:
Acoustic principle: Externally polarised 19mm (3/4“) condenser
Directional pattern: Hypercardioid
Frequency range: 20Hz-20 kHz
Output impedance: 200?
Signal noise ratio din iec 651: > 77dB (per IEC268-15)
Equvalent noise: 123dB (per IEC268-15)
Power supply voltage: P48, P24, P12 phantom 9V battery
Weight without battery: 371g
Weight with battery: 680g |
C 568 B
Compact, short shotgun microphone
Integrated, switchable bass cut filter minimizes mechanical noise
Operates on phantom power
High directivity and wide frequency response in a relatively short shotgun make this
microphone a perfect tool for theater, sound reinforcement, and film/TV applications.
Due to its compact and lightweight design, the C 568 B is ideal for camera mount
applications. Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz
the acoustic interference tube introduces increasing directivity. A switchable 12 dB/
octave 120 Hz bass cut filter effectively suppresses rumble and wind noise. The rugged,
all-metal body contains the built-in preamp. Phantom powering (9?52 V) required; foam
windscreen and stand adapter included.
SPECIFICATIONS:
Polar pattern hypercardioid/directional
Frequency range 20 to 20,000 Hz
Sensitivity 11 mV/Pa (-39 dBV)
Max. SPL 128 dB
Equivalent noise level (CCIR 468-3) 29 dB
Equivalent noise level 18 dB-A
Signal/noise ratio 76 dB
Bass filter 12 dB/octave at 120 Hz
Impedance 600 ohms
Recommended load impedance >2000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption |
The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.
The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.
The VP88 can operate on phantom power or an internal 6V battery. The VP88 is supplied with a multi-connector "Y-splitter" cable, foam windscreen, swivel stand adapter, 6-volt battery, and zippered carrying/storage bag. Optional accessories include an isolation mount, a 7.6 m (25 ft) microphone extension cable, a phantom power supply, and a 4.3 m (14 ft) microphone stand.
- Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
- Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
- Mono compatibility ideal for broadcast applications
- 40 to 20,000 Hz frequency response
- Low noise and distortion
- Wide dynamic range
- Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise and stand vibration
- Operates on phantom power or a 6V camera battery
- LED power indicator
- Internal shock mount for reduced stand vibration and handling noise
- Built-in "pop" screen
- Includes windscreen, swivel adapter, and Y-cable
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