| Content | The MR12 from Midas is a 12-input, portable, rackmountable mixer for iPad and Android tablets. It can be used for both live and studio environments in applications for live stage, theater, houses of worship, rehearsals, and more. It features four Midas mic preamps and an integrated Wi-Fi module for wireless control, giving you the ability to move around and manipulate all parameters of your mix. Furthermore, it has USB connectivity for file storage and future system updates. The built-in USB connector makes it easy to store files or record and play back uncompressed stereo WAV files of your mix. You can then dial-in a monitoring mix with effects and zero latency while sending your stereo mix and the keyboard player\'s MIDI notes to your DAW for recording.
The MR12 has additional features including the MIDI in/out jack for controlling the mixer via MIDI equipment, using Mackie control protocol via a live-performance controller. This mixer also comes with several Midas effects, such as a Leisure compressor and leveling amplifier, mid/sides Fair compressor, a 5-band Combinator compressor, modulation delay, Sub Octaver, and an Edison EX1 that enables simple manipulation of the stereo field. Finally, the MR12 includes Sound Maxer and a dimensional chorus effect, which can help you to restore natural sheen and clarity to the original audio signal. Whether you\'re recording in the studio, or you want to capture intimate live performances, it\'s never been easier to record professional-sounding tracks with clarity.
- iPad / Android tablet-controlled, 12-input digital mixer for studio and live applications
- 4 high-quality MIDAS PRO microphone preamplifiers
- Built-in, tri-mode Wi-Fi router for direct operation—no need for external routers
- Dugan-style auto-mixing automatically manages microphone gain-sharing
- USB connector for uncompressed stereo WAV recording and playback
- 4 digital signal-processing effects engines
- Rack ears and protection bumpers included for flexible rack and onstage applications
- 6 aux buses and main LR with inserts, full dynamics processing, and 6-band parametric or 31-band graphic EQ
- 2 TRS aux outputs and 2 XLR main outputs, plus a headphone connector
- 40-bit, floating-point digital signal processing
- Free iOS, Android, and Windows/Mac/Linux apps available for remote operation via Ethernet, LAN, or Wi-Fi
- MIDI in/out ports allow for controlling the mixer via MIDI equipment
- Future firmware updates, including new FX "plug-ins," downloadable free of charge
- Auto-ranging, universal-switch-mode power supply
- Limited 3-year warranty
| Connectors |
| Mic Inputs |
Programmable Mic Preamps (Designed by Midas Pro): 4 XLR/TRS combo jacks, balanced |
| Line Inputs |
8 x 1/4" / 6.35 mm TRS, balanced |
| Main Outputs |
2 x XLR, balanced |
| AUX Outputs |
2 x 1/4" / 6.35 mm TRS, balanced |
| Headphone Out |
1 x 1/4" / 6.35 mm TRS, balanced |
| MIDI |
In: 5-pin DIN
Out: 5-pin DIN |
| Ethernet |
1 x RJ45 |
| USB Port |
Type-A |
| Input/Output Characteristics |
| Microphone Characteristics |
Preamp Design: Midas Pro
THD + Noise: 0.005%, unweighted (noise, unity gain, 0 dBu, 1 kHz)
Phantom Power: 48 V (switchable per input)
EIN Noise: -125 dBu, 22 Hz - 22 kHz unweighted (at +60 dB gain, 150R source)
CMRR, XLR (1 kHz @ Unity Gain): Typically 65 dB
CMRR, XLR, (1 kHz @ +60 dB Gain): Typically 90 dB |
| Input / Output |
Frequency Range: 20 Hz - 20 kHz (at 48 kHz sample rate, +/- 0.5 dB)
Dynamic Range: 107 dB, 22 Hz - 22 kHz unweighted (analog in to analog out)
A/D Dynamic Range: 110 dB, 22 Hz - 22 kHz unweighted (preamp to converter)
D/A Dynamic Range: 111 dB, 22 Hz - 22 kHz unweighted (converter and output)
Cross Talk Rejection: 90 dB (at 1 kHz, adjacent channels)
Mic/Line 1-16 Input Impedance 10 kOhm (XLR jack, unbalance / balanced)
Non Clip Maximum Input Level: +23.5 dBu (XLR)
Hi-Z Input Impedance: 1 MOhm / 2 MOhm (TRS jack, unbalance / balanced)
Line Input 5-10 impedance: 20 kOhm / 40 kOhm (TRS jack, unbalance / balanced)
Non Clip Maximum Input Level: TRS +21 dBu |
| Analog Output Characteristics |
Output Impedance (XLR/TRS): 50 Ohms
Maximum Output Level (XLR/TRS): +21 dBu
Phones Output Impedance: 50 Ohms
Maximum Phones Output Level: +21 dBu
Noise at Unity Gain: -86 dBu, 22 Hz - 22 kHz unweighted (1 input assigned, XLR and TRS)
Noise when Muted (XLR and TRS): -90 dBu, 22 Hz - 22 kHz unweighted |
| USB |
Stereo USB Return Channel: 1 (Type-A) |
| Wireless LAN |
| WLAN |
Antenna: External, SMA connector, 50 Ohms
Access Point (Number of Clients): 4 maximum
IEEE 802.11 b/g Standard: 2.4 GHz
Frequency Range: 2412-2462 MHz
WLAN Channels: 1-11 (Wi-Fi Client, Access Point)
Max Output Power: 19 dBm (802.11 b) / 18 dBm (802.11 g) |
| General Specifications |
| Power |
Power Supply: Switch-mode, Autorange 100-240 V, (50/60 Hz) Power Consumption: 30 W |
| Temperature |
41 to 104°F / 5 to 40°C |
| Dimensions |
13.1 x 5.9 x 3.7" / 332.7 x 149.9 x 94.0 mm |
| Weight |
6.4 lb / 2.9 kg |
| Channels |
Number of Processing Channels: 16 input channels
Stereo USB Return Channel: 1
Stereo FX Return Channels: 4
Aux Buses: 6
Main: 2 (L,R) |
| Effects Engine |
Internal Effects Engines: 4 true stereo |
| Signal Processing |
40-bit floating point |
| AD/DA Conversion |
24-bit @ 44.1 / 48 kHz, 115 dB dynamic range |
| Latency |
Analog I/O Latency: 0.8 ms |
|
19-inch Digital Production Console for Professionals in the Studio or On the Road
Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades.
When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement.
Outline | Mixing capability | Mixing channels | 48 | | GROUP | 8 | | AUX | 8 | | MAIN | Stereo | | Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | | Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | | On-board processors | 4x SPX multi effectors | | I/O | Mic inputs | 16 | | Phantom power | +48V DC; ON/OFF per channel | | Line inputs | 4x Omni in | | AD converter | 24-bit; 128-time over sampling | | Line outputs | 12x Omni output | | DA converter | 24-bit; 128-time over sampling | | Digital I/O | 2x 2tr in/out | | Expansion slots | 2x Mini-YGDAI (16-in/16-out) | | Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | General specifications | Internal processing | 32bit, Accumulator: 58bit | | Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz | | External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | | Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | | Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | | Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | | Dynamic range | DA: 110dB; AD+DA: 106dB | | Hum & noise level | Equivalent input noise | -128dBu | | Residual output noise | -86dBu | | Crosstalk | -80dB | | Power requirements | AC100V, 120V, 220-240V 50/60 Hz | | Power consumption | 135W | | Dimensions | W | 436mm; 17-3/16in | | H | 200mm; 7-7/8in | | D | 585mm; 23-1/16in | | Net weight | 20kg; 44.1lbs | | Accessories | Owner's Manual, Studio Manager Installation Guide, AC power cord | |
Features
- 16 acclaimed AnaLOGIQTM recallable preamps
- 16 on-board Mic / Line Inputs (XLR / TRS)
- Expandable up to 38 inputs via dSNAKETM
- 3 Stereo Inputs (TRS)
- 32 Mono + 3 Stereo Input Channels
- 12 on-board Mix Outputs (XLR)
- 4 Stereo Groups
- 2 Stereo Matrix Outs
- AES Digital Out
- 4 DCA Groups
- 4 Mute Groups
- Qu-Pad iPad App for all live mixing controls
- Qu-You iPhone App for personal monitoring
- Qu-Drive direct Multitrack Recording / Playback on USB drives
- 15 Soft Keys
- 16 Custom Select keys
- Qu-Control custom screen to suit application
- 4 FX Engines
- 4 FX Sends / Returns
- 32×32 USB Audio Interface
- 5” Touchscreen
- iLive FX Library
- Compatible with ME Personal Mixing System
- Trim, polarity, HPF, gate, insert / ducker, 4-band PEQ, compressor and delay on all Inputs
- Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs
- Built-in Signal Generator
- RTA with Peak Band indication
|
GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ʽn drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixerʽs local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.
GLD-112 connects to a range of plug ʽn play I/O racks to ʽbuildʼ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&Hʼs dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.
GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heathʼs ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLDʼs extensive soft-patching.
The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 28 faders, 4 layers, 112 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines* with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compatible Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- 14 assignable SoftKeys for scene recall, DCA mutes and more
|
GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug nʼ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).
At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLiveʼs acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
- Compact digital mixer with scalable, remote I/O
- Systems from 4 to 44 mics
- Easy to use, quick to access, analogue style interface
- dSNAKE Cat5 digital snake—up to 120m cable length
- 8.4 inch colour touchscreen for graphical view and setup
- 20 faders, 4 layers, 80 channel strips in a freely customizable layout
- 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
- 8 stereo RackFX engines with dedicated ʽshortʼ returns with 4-band PEQ
- Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
- Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
- LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
- 16 DCAs / mute groups
- Built-in Talkback, RTA and Signal Generator
- I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
- MIDI In/Out and Ethernet Network port
- AviomTM Pro16 compliant Monitor port on main AudioRack
- High end 1dB step recallable mic/line preamps
- User definable channel names and colours
- Engineerʼs mono Wedge and stereo IEM strips
- Input, output and insert soft patchbays
- Quick copy, paste and reset of mixes and parameters
- Libraries, Scenes and Show memories with USB transfer
- Get started quickly with Template Shows
- Dimensions: (W x D x H) 730 x 577 x 159mm
- Weight: 16kg
|
The X32 Compact 40-Channel, 25-Bus Digital Mixing Console from Behringer provides a wealth of features in a compact design, ideal for professional live and recording applications. The mixer features 16 fully programmable MIDAS-designed mic preamps. The Main LCR (left, center, right) channels, 16 mix busses, and 6 independent matrix mix busses all have 6-band parametric EQs and integrated dynamics processing for excellent sonic tailoring capabilities.
The mixer has 16 analog XLR outputs, as well as 6 balanced line-level 1/4" Aux inputs and outputs, and two 1/4" headphone jacks. The talkback section allows you to communicate with the integrated mic or an external mic. The mixer also has a pair of AES50 ports that feature Klark Teknik SuperMAC networking capability for use with 48-channel digital snakes for ultra-low jitter and latency. The system also has an integrated expansion port that ships with a 32 x 32 XUF FireWire/USB audio card installed.
The built-in Virtual FX offers 8 true-stereo FX slots that deliver high-end simulations of popular processors, such as Lexicon 480L and PCM70, EMT250 and Quantec QRS, etc. The integrated high-power 40-bit floating-point DSP system delivers "unlimited" dynamic range, no internal overload, and near-zero latency between inputs and outputs for top-quality performance. The mixer also has 6 mute groups and 8 DCA groups.
The intuitive interface offers ease-of-use with a dedicated channel strip section that has direct-access controls. There is also a high-resolution 7" color TFT display with associated controls and individual RGB backlit graphic LCDs on every channel. The unit has 17 motorized 100mm faders for extensive user-definable control.
The system has a USB flash connector to provide file storage for uncompressed recordings, show presets, and system updates. There are also connections that support the P-16 personal monitoring system, AES/EBU stereo digital outputs, and MIDI. Adjustable line delays are available on all of the physical inputs and outputs.
Other features of the X32 Compact include networked remote control or show setups with the included remote editor software via USB and Ethernet ports. You can even conveniently handle the scene management duties of complex productions. All of these features are packed into a compact and durable enclosure to ensure a long life of professional use.
Free Control Software Applications
Behringer iPad and iPhone apps for professional remote operation are free downloads on the Apple App Store. All of the X32's features can be managed concurrently from various locations and instances of the XiQ, XiControl, and XControl apps.
Versatile and Expandable
The X32 Compact can act as the nucleus of a flexible and expandable audio system. The built-in 32 x 32 USB recording interface, 8 stereo effects engines, zero-latency monitoring and 100% total recall deliver the tools to handle a wide variety of projects.
| Number of Analog Input Channels |
40 |
| Number of Mic Preamps |
16 |
| Max I/O Capacity |
150 x Input / 160 x Output (with Optional Hardware) |
| Mix Routing |
1 x Main LRC
16 x Bus
6 x Matrix
8 x Aux Send
8 x FX Return |
| Presets |
100 x Scene |
| Display |
Main Display:
7" / 177.8 mm LCD Touchscreen
Channel Display:
LCD (Backlit) |
| Display Resolution/Color |
Main Display:
800 x 480 / 6-Bit Color
Channel Display:
128 x 64 / RGB Color |
| Meters |
3 x 24-Segment LED |
Signal Processing
| Internal Effects |
8 x Stereo
16 x Mono |
Digital Audio
| Sample Rates |
44.1 / 48 kHz |
| Bit Depth |
AD/DA Conversion:
24-Bit |
| DSP |
40-Bit Floating Point |
| Converter Dynamic Range |
A/D:
109 dB
D/A:
108 dB |
| Latency |
0.8 ms (Console Input to Main Output)
1.1 ms (Stagebox Input to Stagebox Output) |
Performance
| Frequency Response |
10 Hz to 22 kHz |
| Max Input Level |
1/4" TRS Input:
+16 dBu
Mic Input:
+23 dBu |
| Output Level |
1/4" TRS Output:
+4 dBu (Nominal)
+16 dBu (Max)
Headphone Output:
+25 dBm (Stereo)
XLR Output:
+4 dBu (Nominal)
+21 dBu (Max) |
| Analog Dynamic Range |
Input to Output:
106 dB |
| I/O Impedance |
1/4" Input:
40 Kilohms (Balanced)
20 Kilohms (Unbalanced)
Headphone Output:
40 Ohms
Mic Input:
5 Kilohms (Unbalanced)
10 Kilohms (Balanced)
XLR Output:
75 Ohms (Balanced/Unbalanced)
1/4" TRS Output:
300 Ohms (Balanced)
150 Ohms (Unbalanced) |
| Crosstalk |
Adjacent Channels:
100 dB at 1 kHz |
| CMRR |
> 70 dB at +20 dB Gain
> 80 dB at +40 dB Gain |
| EIN |
-128 dBu (Input Shorted) |
| Noise Floor |
-87 dBu A-Weighted |
| THD+N |
< 0.006% at +20 dB Gain (A-Weighted) |
Connectivity
| Analog Inputs |
1 x XLR Talkback Input
16 x XLR Balanced Mic/Line Input
6 x 1/4" TRS Aux Input
1 x 2RCA Line/Aux Input |
| Analog Outputs |
2 x 1/4" TRS Balanced Monitor Output
2 x 1/4" TRS Headphone Output
6 x 1/4" TRS Aux Output
1 x 2RCA Aux/Line Output
8 x XLR Balanced Line Output |
| Phantom Power |
+48 V (Selectable on Individual Inputs) |
| Digital I/O |
1 x RJ45 (Control)
1 x RJ45 Ultranet (Control)
1 x XLR AES3 Output
2 x etherCON AES50/SuperMAC |
| MIDI I/O |
1 x MIDI 5-Pin In
1 x MIDI 5-Pin Out |
| USB |
1 x USB Type-A (USB 2.0, Audio Playback, External Memory) |
| Expansion Ports |
1 x 32 x 32 I/O Card |
Power
| AC Input Power |
100 to 240 VAC, 50 / 60 Hz |
| Power Consumption |
120 W |
Physical
| Dimensions |
8.5 x 24.6 x 20" / 215 x 625 x 510 mm |
| Weight |
33.9 lb / 15.4 kg |
|
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