MIDAS VENICE 160 8MONO-4 STEREO CH. MIXING DESK

Discontinued

4,248.47 incl. GR VAT

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Venice is Midas\’ first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional […]

 

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Venice is Midas\’ first truly compact console built in direct response to customer demand.
It does exactly what was asked in that it provides a high quality alternative in a huge number
of applications where previously Midas was not an option. These range from smaller conference
or live band applications, to effects returns or additional inputs in a large multi-console application,
or indeed as part of a small complete mobile system. It also provides the perfect feature set
for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact
and light enough to fit on even the most cramped performance area. As usual, Midas has
paid attention to the details that set their consoles apart taking care to provide high quality mic
preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple
but intuitive outputs make the overall configuration of the console extremely quick and easy to use.

VENICE 160 SPECS
Inputs (12) XLR mic, (8) ?” TRS line (4 stereo pair), (4) ?” effects returns, (2) RCA tape return (L/R)
Outputs (8) ?” direct, (4) impedance balanced ?” subgroup, (2) XLR monitor, (2) impedance balanced
?” effects, (2) XLR aux, (2) XLR master, (2) XLR master B, (2) stereo headphone, (2) impedance
balanced ?” stereo speaker, (2) RCA tape send (L/R)
Inserts (8) ?” TRS mono channel, (4) ?” TRS subgroup, (2) ?” TRS master
Mono Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12kHz (shelving);
high mid ±15 dB, continuously variable 400 Hz-8 kHz Q factor 1.4 (1.4 Oct); low mid ±15 dB,
continuously variable 100 Hz-2 kHz Q factor 1.4 (1.4 Oct);bass ±15dB @ 80 Hz (shelving)
Stereo Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12 kHz (shelving);
high mid ±15 dB @ 3 kHz Q factor 1.4 (1.4 Oct.); low mid ±15 dB @ 300 Hz Q factor 1.4 (1.4 Oct.);
bass ±15 dB @ 80 Hz (shelving)
Buses (4) subgroup, (2) monitor (prefader), (2) effects (postfader), (2) aux switchable pre/postfader,
(2) master L/R, (1) mono PFL, (2) stereo AFL
Distortion at 1 kHz Mic to insert (+30 dB gain, +20 dBu output) typ. 0.0007%; mic to master (+30 dB
gain, +20 dBu output)

Weight 45.00 kg

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MIDAS VENICE 160 8MONO-4 STEREO CH. MIXING DESK removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT LX7 MK II 32 CH - livemixer 32 mono- 2stereo inputs removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT LX7 24CH MKII MIXING DESK remove
NameMIDAS VENICE 160 8MONO-4 STEREO CH. MIXING DESK removeBEHRINGER Xenyx 502 Premium 5-Input 2-Bus Mixer removeSOUNDCRAFT LX7 MK II 32 CH - livemixer 32 mono- 2stereo inputs removeSOUNDCRAFT GB2R 12 channel rackmount MIXING CONSOLE removeSOUNDCRAFT GB4 LIVE 32MONO + 2STEREO MIXING CONSOLE removeSOUNDCRAFT LX7 24CH MKII MIXING DESK remove
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SKUVENICE 160E005126SPIRIT LX7 32CH MKIIGB2R 12CHGB4 32CHSPIRIT LX7 24CH MKII
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Description
ContentVenice is Midas\' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use. VENICE 160 SPECS Inputs (12) XLR mic, (8) ?" TRS line (4 stereo pair), (4) ?" effects returns, (2) RCA tape return (L/R) Outputs (8) ?" direct, (4) impedance balanced ?" subgroup, (2) XLR monitor, (2) impedance balanced ?" effects, (2) XLR aux, (2) XLR master, (2) XLR master B, (2) stereo headphone, (2) impedance balanced ?" stereo speaker, (2) RCA tape send (L/R) Inserts (8) ?" TRS mono channel, (4) ?" TRS subgroup, (2) ?" TRS master Mono Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12kHz (shelving); high mid ±15 dB, continuously variable 400 Hz-8 kHz Q factor 1.4 (1.4 Oct); low mid ±15 dB, continuously variable 100 Hz-2 kHz Q factor 1.4 (1.4 Oct);bass ±15dB @ 80 Hz (shelving) Stereo Channel EQ Highpass filter 2nd order Butterworth, 80 Hz; treble ±15 dB @ 12 kHz (shelving); high mid ±15 dB @ 3 kHz Q factor 1.4 (1.4 Oct.); low mid ±15 dB @ 300 Hz Q factor 1.4 (1.4 Oct.); bass ±15 dB @ 80 Hz (shelving) Buses (4) subgroup, (2) monitor (prefader), (2) effects (postfader), (2) aux switchable pre/postfader, (2) master L/R, (1) mono PFL, (2) stereo AFL Distortion at 1 kHz Mic to insert (+30 dB gain, +20 dBu output) typ. 0.0007%; mic to master (+30 dB gain, +20 dBu output)
  • Premium ultra low-noise, high headroom analog mixer
  • State-of-the-art XENYX Mic Preamp comparable to stand-alone boutique preamps
  • Neo-classic "British" 2-band EQ for warm and musical sound
  • Main mix, stereo CD/tape plus separate headphone outputs
  • CD/tape inputs assignable to headphone output or main mix outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

SOUNDCRAFT-SPIRIT
LX-7 32 II

Soundcraft Spirit LX-7 32 II, livemixer 32 mono-, 2stereoinputs, 2 st.-returns, 4 subgroups, 3 master, 6aux., built-in-powersupply, 4 band EQ with 2 param. mids

Dimensions: 16.51H x 50.29D x 105.9W
Weight: 25.45kgs

The highly-acclaimed and successful Soundcraft GB Series has gained another new member, the Soundcraft GB2R.

This 19” rack-mountable mixer is designed specifically for smaller installations in churches and performance venues, or for small portable PA systems. It will also find friends in Broadcast where its high quality and feature set will be very appealing.

Available in two variants, the GB2R offers either 16 mono inputs to a stereo mix output, or a 12.2 version with 12 mono inputs, two full-feature stereo inputs and 2 group busses, each model having 6 auxiliary sends.

As always with Soundcraft consoles, emphasis has been placed on operational simplicity, clear and intuitive layout and the highest possible audio performance. The Soundcraft GB2R inherits both the GB30 Mic preamplifier and GB30 Equaliser designs from the GB4 and GB8.

For ease of installation, the connector section is contained in a rotatable pod, allowing cable access from the top of the mixer if sat on a table-top, or from the rear when mounted in a 19” rack.

On the stereo inputs on the 12.2 model, connectors are provided for both Mic and Line inputs. With Mic signals routed to the local channel, the Line inputs are available as stereo returns to the main mix bus. Two stereo returns and a 2-track (for example CD replay) input are provided, which means that the GB2R-12.2 model can offer up to 26 inputs to mix in a mixer just 19” (485mm) wide.

Every input has a pre/post switchable direct output for recording or effects sends, while an internal universal voltage PSU avoids external power supply connections.

The whole GB Series carries the high quality hallmark with which Soundcraft is synonymous, with engineering and design as youʼd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability and ruggedness under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcbʼs, fitted to the steel chassis front panel with individually-nutted potentiometers.

  • Technical Specifications
  • Frequency Response Mic/Line Input to any output, 20Hz - 20kHz..
  • THD + N Mic sens. -30dBu, +20dBu at all outputs @1kHz..
  • Noise Measured RMS, 22Hz to 22kHz Bandwidth
  • Mic E.I.N. @ unity gain,150Ω source impedance.. -128dBu
  • Mix Output, 40 inputs routed to mix..
  • Group & Centre Outputs..
  • Aux Outputs (GB2 Groups only)..
  • Matrix Outputs..
  • Crosstalk Input Channel Mute..
  • (@1kHz, typical) Input Fader cut-off..
  • Pan isolation..
  • Mix route isolation..
  • Group route isolation..
  • Adjacent channel crosstalk..
  • Group to Mix..
  • Aux Send pots offness (typical)..
  • Matrix Send pots offness (typical)
  • CMRR Typical @ 1kHz.. 80dB
  • Input & Output Mono & Stereo Mic Inputs.. +15dBu
  • Max Levels Mono & Stereo Line Inputs.. +30dBu
  • Stereo Returns & Insert Returns.. +20dBu
  • Any output.. +20dBu
  • Nominal Operating Level.. 0dBu
  • Headphone Power.. 2 x 250mW into 200Ω
  • Input & Output Mic Inputs.. 2kΩ
  • Impedances Line Inputs and Stereo Returns.. 10kΩ
  • Input channels Insert Return.. 5kΩ with EQ in, otherwise 3kΩ
  • Mix, Group, Aux, Matrix & Direct outputs.. 150Ω
  • Insert sends.. 75Ω
  • Recommended Headphone Impedance.. 100 - 600Ω
  • High pass filter (Mono input).. 100Hz, 18dB per octave
  • EQ (Mono input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 550Hz-13kHz, +/-15dB, Q=1.5
  • Lo-Mid.. 80Hz-1.9kHz, +/-15dB, Q=1.5
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • EQ (Stereo input) HF.. 13kHz, +/-15dB, 2nd order shelving
  • Hi-Mid.. 2.5kHz, +/-15dB, Q=0.8
  • Lo-Mid.. 450Hz, +/-15dB, Q=0.8
  • LF.. 80Hz, +/-15dB, 2nd order shelving
  • Metering Input channels (GB4/GB8).. Single tri-colour 4-segment LED bargraph
  • Outputs (GB4).. 7 tri-colour 12-segment LED bargraphs
  • Outputs (GB8).. 11 tri-colour 12-segment LED bargraphs,
  • + Meterpod with 3 VU meters (L/R/C)
  • Outputs (GB2/GB2R).. 2 tri-coloured 12-segment LED bargraphs,
  • (indicates monitor source level)
  • Power consumption AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input
  • Power consumption.. Less than 150W
  • Operating conditions Temperature range.. -10ºC to +30ºC
  • Relative humidity.. 0% to 80%
  • Features
  • * 19” Rackmountable console
  • * 16 channel version, with 16 mono inputs, Stereo Mix and Mono Sum Outputs and 6 Aux Outputs. - Total Inputs to Mix: 22
  • * 12.2 channel version, with 12 mono inputs and 2 stereo inputs, 1 Stereo Sub Group Output, Mix and Mono Sum Outputs, and 6 Aux Outputs - Total Inputs to Mix: 26 (when Mics used on stereo input)
  • * Rotatable connector pod for top or rear cable entry
  • * 8 (GB2R-16) or 10 (GB2R-12.2) busses
  • * 2 full feature stereo inputs (GB2R-12.2 version)
  • * GB30 Mic preamp and precision EQ on inputs
  • * Switchable +48V phantom power on every mic input
  • * 100Hz Hi-pass filter
  • * Direct outputs on every channel
  • * 100mm faders
  • * Stereo Mix Output and separate Mono Sum output
  • * Record output
  • * Internal Universal switched mode PSU


Κονσόλα ήχου με νέας γενιάς προενισχυτές GB30, σχεδιασμένη για διπλή χρήση σαν front of house ή stage monitor. Διαθέτει 32 mono εισόδους (mic) με EQ 4 περιοχών (παραμετρικό για mid&low mid), 2 stereo εισόδους με EQ 4 περιοχών, 4 group, 8 AUX, με δυνατότητα εναλλαγής (SWAP) μεταξύ AUX 1-4 & group. Διαθέτει επίσης 4 mute groups, matrix 7x5, direct εξόδους σε κάθε mono είσοδο, ενδεικτικά στάθμης με 12-LED και REC out με limiter. Εσωτερικό τροφοδοτικό με link out για δεύτερο εξωτερικό. Βάρος 32kg. Κατάλληλη για μόνιμες εγκαταστάσεις, θέατρα, live p.a.

The LX7 combines the essential Soundcraft live mixer qualities
with basic recording-oriented features, in a compact frame that's
light enough for one person to carry yet easy to configure and use.
This makes it especially suitable for multi-purpose use in venues
such as small halls and community centres, while its direct channel
outputs make the LX7 an ideal choice for bands who need a live desk
that can double up in the studio.

Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24,
32 or 40 inputs - with no less than 7 separate bus outputs including
mix, 4 groups and a dedicated mono bus for centre speaker clusters,
side or rear fills. The output count rises to 29 with the inclusion of direct
outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps,
providing 60dB of gain range and 22dBu of headroom. Each input
also includes 4 band EQ with two swept mid frequency controls.
In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter,
allow effective audio control in difficult venues whilst the six auxiliary sends
are pre-post switchable in pairs from each channel, providing a maximum of
4 pre-fader and six post-fader. This makes LX7 equally applicable
for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries
for keyboards or stereo recording devices - as well as two FX returns. All four
groups are routable to mix and include 12 segment bargraph metering for
accurate monitoring and inserts. Six auxiliary masters on rotary controls also
included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and
the mix. Global phantom power and a two track return for pre-show music are
also present. A "two-track" to mix switch allows the engineer to play CD's over
the main PA whilst back-stage set-up is going on, with one press of a button.
The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply,
professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Applications:

    * Gigging Bands
    * Small installations
    * Small venues
    * Theatres
    * Houses of Worship
    * Live and studio recording

 
    * 100mm faders
    * +48V phantom power
    * 16, 24 or 32 channel frame sizes
    * Up to 40 inputs (including stereo inputs and returns)
    * 18dB/octave high-pass filter
    * 6 aux sends, 4 of them pre/post switchable
    * Group and mix inserts
    * 12-segment LED metering
    * Integral PSU

Weight45.00 kg0.55 kg25.45 kg5.00 kg32.00 kg21.80 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 45.00 kg
Weight 0.55 kg
Weight 25.45 kg
Weight 5.00 kg
Weight 32.00 kg
Weight 21.80 kg