ESI M4U eX Midi Interface 8-Channel USB 3.0 MIDI

Features

• USB 3.0 MIDI interface
• 100% class compliant, works without the installation of a driver
• USB bus powered
• 8 MIDI ports, 4 on the front and 4 on the back
• automatic input and output detection, each port works as a MIDI input or MIDI output
• standalone operation possible
• can be used as MIDI Thru box in standalone mode to send one MIDI signal to 7 outputs
• can be used as MIDI merger in standalone mode to merge 7 MIDI signals to a single output
• 3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
• multiple units can be used with one computer at a time
• downwards compatible to USB 2.0 with a USB 2.0 legacy mode
• dimensions roughly 17.5cm x 12.0cm x 4.5cm

PCR-300: USB MIDI Keyboard Controller Setting New Standards in Portable MIDI Control Features

Introducing the next generation of EDIROLʼs popular MIDI keyboard controllers. In addition to providing more physical controls than previous models, the PCR-300 also offers new innovative and intuitive controls. This controller is solidly built, and optimized for both music production and live performance.

• 32 velocity-sensitive keys, now with aftertouch
• 50 fully assignable controls, and editor software (Mac & PC)
• 18 velocity pads
• New, unique crossfader feature
• High-quality keyboard mechanism, and durable, stable body
• “Dynamic Mapping” — intelligent assignment of controls
• Convenient location of connections on side panel
• USB bus-powered
• MIDI merge
• “Cakewalk Production Plus Pack” included (SONAR LE, Project 5 LE, and Dimension LE)

The PC-80 is the easiest and most cost-effective way to put together your home studio or music lab. This 61-note keyboard offers power, flexibility, and a highly-expressive key mechanism. Unlike many compact USB keyboards, the PC-80 is designed to genuinely feel like a musical instrument. Each key is felt-lined and spring-loaded using a recently developed key mechanism that represents Rolandʼs 30 years of experience in the field. Never before has there been a USB MIDI Keyboard Controller built with the quality and technology of the PC-80. The PC-80 has built-in audio capabilities, and comes complete with a standalone GM2 software synth. This allows the PC-80 to function as a complete synth, all through one USB connection to the computer. Through this one connection, the PC-80 can draw power, send and receive MIDI, and send and receive audio.

• 61 full-size, velocity-sensitive keys
• High-quality keyboard mechanism
• Split or Layer mode
• Octave-Shift buttons
• 12 selectable velocity curves
• 3-digit, 7-segment LED and rotary encoder
• Pitch-bender/modulation lever
• Expression & Sustain pedal ports
• USB-Bus powered
• AC adaptor included
• MIDI out port
• 24-bit/96kHz audio capability
• CoreAudio, WDM, ASIO 2.0, and OS-standard driver support
• Powerful low-latency driver performance
• Zero-latency Direct Monitoring
• Audio input (L/R)
• 2W + 2W built-in stereo amplifier and speaker
• 2 x 1/4" headphone ports
• Bass Enhancer
• Subwoofer output
• Software Synthesizer button provided
• Mac OSX and Windows XP/2000 support
• Up to 18-part multi-instrument playback: 2 parts for playing PC-80 and 16 parts for SMF playback
• Up to 256-voice polyphony: 128 for playing PC-80, 128 for SMF playback
• Built-in reverb, chorus/delay, and EQ
• SMF player/metronome functions

Edirol announced the PCR-1 at Winter NAMM, a new combo device that integrates a USB bus powered 24-bit/96kHz audio interface into a 25-key MIDI keyboard controller. The PCR-1 measures a mere 1-3/16" thick, weighs under 3 pounds & offers a wide variety of audio & MIDI features.

Edirol has devised a new technology known as "S.L.I.M." (Short-stroke Low-profile Impact Mechanism) which allows a compact MIDI keyboard to maintain reasonable playability.

This 25-Key MIDI Keyboard Controller offers full 128-step velocity sensitivity and the same control map support as its larger PCR siblings. The assignable controls can be assigned to send any MIDI message. Also, like the other PCRs, it offers 16 on-board Memory locations for saving control maps for your favorite software applications.

The audio features include stereo RCA input/outputs as well as a stereo mini headphone connection which doubles as an optical digital S/PDIF Port. The PCR-1 offers support for Mac & PC with WDM, ASIO, & Core Audio drivers.

BPM unites drum machine-style operation with advanced virtual instrument technology to give you the ultimate rhythm programming experience. Combine kits, patterns, and loops with instrument sounds, advanced mixing, and DSP effects to realize your rhythmic vision. Browse a massive library of over 19 GB of rhythm sounds. They sound massive, too, thanks to renowned mastering engineer Chris Gehringer at Sterling Sound, NYC. Mix and match thousands of patterns, kits, loops, and hits inspired by dozens of musical styles.

BPM 1.5 adds Beat Box Anthology: authentic sounds from every classic, iconic drum machine that ever mattered during the 70s, 80s, and 90s. You get 80 legendary models (10,000 samples) from the likes of Oberheim, Dynacord, Simmons, Alesis, Korg, Roland, Yamaha, Akai, and others. With enhanced MIDI control features, BPM 1.5 lets you choose your favorite pad controller, MIDI keyboard, or other controller for the ultimate personalized tactile rhythm programming experience. With hundreds of compatible models to choose from, it’s your call.

Co-producer on Michael Jackson\'s Dangerous album and many other multi-platinum releases, Teddy Riley is one of the most successful R&B producers of all time and is widely recognized as the father of New Jack Swing. Teddy uses BPM in his daily work, most recently on the posthumous Michael Jackson album Michael.

• 19 GB sound and loops library
• Drag and drop import of MIDI and audio data as well as loops
• Independent step sequencer per bank (4 banks)
• Time stretching algorithm for tempo adjustment
• Effects such as equalizer, compressor/gate, filter, delay, reverb, phaser, chorus, drive, distortion, resource-saving folding reverb
• Supported formats: Standalone, VST, audio units, MAS and RTAS
• For Win XP / Vista / Mac OSX
• Beat Box Anthology included

monotron DELAY key features:

    Space Delay with Time and Feedback controls offers analog-style echoes

    New Pitch LFO with selectable Waveshape, Rate, and Intensity controls

    VCF with Cutoff Control

    Wide-range ribbon controller keyboard

    Original Analog (VCF) Filter taken from the classic MS-10 & MS-20

    Aux input jack lets you apply filter and delay to any audio source

    Built-in speaker and battery power for Go Anywhere Analog sound

    Headphone jack for private use


Classic Analog Synth / Space Delay Combination
A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The monotron DELAY is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter, and LFO, it also provides a Space Delay that's indispensable for swooping, cosmic sounds. The monotron DELAY even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo.  As with the filter, the delay effect can be added to any external sound via the Aux In jack.  This fat and warm delay will add an authentic edge to your analog sounds!

Dual-Waveform LFO
The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes – a new square wave plus the traditional triangle wave. Both the Rate (Speed) and the Intensity (Depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

Wide-Range Ribbon Keyboard
The monotron DELAY's ribbon controller keyboard features a wide, four-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the monotron DELAY a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron DELAY ideal for delivering a striking visual impact in nearly any club environment.