AKG C 519 ML Miniature Condenser Clip-On Microphone

Recommended For:

• Brass
• Drums
• Percussions
• Woodwinds

Features:

• Miniature condenser clip-on microphone for wind instruments, drums, and percussions
• Miniature gooseneck for accurate microphone alignment
• Including wireless direct adapter for easy use with AKG pocket transmitters
• Detachable microphone cable
• Transducer shock mount for high mechanical-noise rejection

Standard Accessories:

• A400 adapter
• Microphone bag
• W44 Windscreen

Specs:

• Polar pattern cardioid
• Frequency range 60 Hz to 20 kHz
• Sensitivity 5 mV/Pa (-46 dBV)
• Max. SPL 130/132 dB SPL (for 1 %/3 % THD)
• Equivalent noise level 31 dB(A)
• Signal/noise ratio (A-weighted) 63 dB
• Impedance = 2000 ohms
• Current consumption

• Mini condenser microphone with clip-on mount and flexible gooseneck
  
• Polar pattern: cardioid
  
• Frequency range: 60 Hz to 20 kHz
  
• Sensitivity: 5 mV/Pa (-46 dBV)
  
• Max. SPL: 130/132 dB SPL (for 1 %/3 % THD)
  
• Equivalent noise level: 31 dB(A)
  
• Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters
  
• Connector: 3-pin XLR
  
• Cable: 1.5 m (5 ft.)
  
• Finish: Matte black
  
• Adapter plate included for easy attachment to PT 400 and PT 40.

The CMX200 is a 360° revolving gooseneck microphone, designed to be used for conferences, sound reinforcements, translations and studio applications. It has a high sensitive condenser element with a unidirectional cardioid polar pattern which ensures an excellent sound quality and reduces the feedback to a strict minimum, even when exposed to vigorous, hard sound.

Thanks to its flat frequency characteristic, the CMX200 ensures a permanent high-fidelity sound, true to the userʼs voice and intonation. The dark grey color and slimline design permit a discreet blending with every possible interior or background.

• Model Name / Type: CMX20055 / Gooseneck Microphone
• Polar Pattern: Cardioid
• Impedance: 250 ohms
• Frequency Response: 50 Hz - 16 kHz
• Sensitivity: - 45 +/- 3 dB
• Dynamic Range: 113 dB
• Phantom Power 15 - 52 V DC
• Diameter: 19 mm
• Length: 600 mm

The evolution e 908 instrument microphone is available in four variants:
as e 908 D for drums and percussion
as e 908 B for wind instruments, congas, and drums with free-floating suspension system
as e 908 B ew for the wireless miking of saxophones using an evolution wireless instrument transmitter
as e 908 T ew for the wireless miking of trumpets using an evolution wireless instrument transmitter

• Pick-up pattern : cardioid
• Frequency response : 40 ... 20 000 Hz
• Sensitivity in free field, no load : (1kHz) 4 mV/Pa, 0,56mV/Pa (e 908T-ew)
• Equivalent noise level : e908B-ew = 30 dB(A); e908B & e908D = 35 dB(A), e908T-ew = 39 dB (A)
• Max. Sound pressure level (aktiv) : 147 dB
• Nominal impedance : 100 Ohm (e908B & e908D)
• Min. terminating impedance : 2000 Ohm (e908B & e908D)
• Phantom powering : 12 - 48 V / 3 mA (e908B & e908D)
• Weight : ca. 140 g
• Dimensions : Ø 47 x 193 mm

• Cardioid polar pattern
• 10 m (33 ft.) cable
• 125° pickup angle
• Especially suited for choir recordings
• Integrated spring steel clamp for optimum alignment

The new CHM 99 Condenser Hanging Microphone provides both ease of use and a high level of functionality. There is hardly any more affordable and simpler solution for recording choirs at worship centers. Suspended from the ceiling or a beam, the hanging microphone is aligned and then fixed in the correct position. Now use the spring steel clamp to adjust the correct angle, and off you go!
The CHM 99 is available in white or black.

XY stereo recording

Using two CHM 99 hanging microphones in an XY configuration (coincident pair) is a good way to make stereo recordings, particularly of choirs. However, sound source locations are defined only by intensity differences. Adjusting the angle between the microphones determines the width and depth of the stereo image.

ORTF stereo recording

Developed by the French Broadcasting Authority, this technique differs from the XY technique by recording not only intensity differences, but also delay differences. The capsules are aligned at an angle of precisely 110° and 170 mm / 6.7 in. apart.

• Miniature cardioid condenser clamp-on microphone with shock mounted capsule, ideal for miking drums and percussions plus brass
• For use with the B 29 L battery power supply, MPA V L phantom power adapter, or PT 40 or PT 400 transmitters (AKG WMS bodypack transmitters)
• Includes an AKG W 44 Windscreen, an AKG A 518 stabilizer knee, a 5-ft. (1.5-m) plug-in connecting cable with 3-pin mini XLR connector, an A 400 adapter for attaching a PT 40 or PT 400 bodypack transmitter and a protective case
• Integrated gooseneck
• Continuously adjustable vice type clamp
• Type: pre-polarized condenser microphone
• Polar pattern: Cardioid
• Frequency range: 60 Hz to 20,000 Hz
• Sensitivity at 1 kHz: 5 mV/Pa (-46 dBV re 1 V/Pa)
• Impedance: = 200 ohms
• Recommended load impedance: = 2000 ohms
• Max. SPL for 1%/3% THD: 130/132 dB SPL
• Equivalent noise level: 31 dB(A) to DIN 45412
• Cable length / Connector: 1.5 m (5 ft.) / 3-pin mini XLR
• Finish: Matte black
• Size (microphone only): length: 200 mm (7.9 in.), max. width: 47 mm (1.9 in.)
• Net weight (microphone and cable): C 518 M: 220 g (7.8 oz.), C 518 ML: 110 g (3.9 oz.)
• Shipping weight: C 518 M: 450 g (15.9 oz.), C 518 ML: 330 g (11.7 oz.)