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Recommended For:
- Brass
- Drums
- Percussions
- Woodwinds
Features:
- Miniature condenser clip-on microphone for wind instruments, drums, and percussions
- Miniature gooseneck for accurate microphone alignment
- Including wireless direct adapter for easy use with AKG pocket transmitters
- Detachable microphone cable
- Transducer shock mount for high mechanical-noise rejection
Standard Accessories:
- A400 adapter
- Microphone bag
- W44 Windscreen
Specs:
- Polar pattern cardioid
- Frequency range 60 Hz to 20 kHz
- Sensitivity 5 mV/Pa (-46 dBV)
- Max. SPL 130/132 dB SPL (for 1 %/3 % THD)
- Equivalent noise level 31 dB(A)
- Signal/noise ratio (A-weighted) 63 dB
- Impedance = 2000 ohms
- Current consumption
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Features:
- Miniature cardioid condenser clamp-on microphone with shock mounted capsule
- Ideal for miking drums and percussions
- Including wireless direct adapter for easy use with AKG pocket transmitters
- Detachable microphone cable
- Integrated gooseneck
- Continuously adjustable vise type clamp
Recommended For:
- Drums
- Brass
- Recording
- Percussions
Standard Accessories:
- A400 adapter
- H518 Drum bracket
- Microphone bag
- W44 Windscreen
Specs:
- Polar pattern cardioid
- Frequency range 60 Hz to 20 kHz
- Sensitivity 5 mV/Pa (-46 dBV)
- Max. SPL 130/132 dB SPL (for 1%/3% THD)
- Equivalent noise level 31 dB(A)
- Signal/noise ratio (A-weighted) 63 dB
- Impedance = 2000 ohms
- Current consumption
| Polar pattern Cardioid
Frequency range 70 to 18,000 Hz
Max. SPL 125 dB (for 1% THD)
Equivalent noise level 73 dB
Impedance =2,000 ohms
Supply voltage 9 to 52 V phantom power to IEC 61938 (DPA adapter integrated)
Powering |
The CMX200 is a 360° revolving gooseneck microphone, designed to be used for conferences, sound reinforcements, translations and studio applications. It has a high sensitive condenser element with a unidirectional cardioid polar pattern which ensures an excellent sound quality and reduces the feedback to a strict minimum, even when exposed to vigorous, hard sound.
Thanks to its flat frequency characteristic, the CMX200 ensures a permanent high-fidelity sound, true to the userʼs voice and intonation. The dark grey color and slimline design permit a discreet blending with every possible interior or background.
- Model Name / Type: CMX20055 / Gooseneck Microphone
- Polar Pattern: Cardioid
- Impedance: 250 ohms
- Frequency Response: 50 Hz - 16 kHz
- Sensitivity: - 45 +/- 3 dB
- Dynamic Range: 113 dB
- Phantom Power 15 - 52 V DC
- Diameter: 19 mm
- Length: 600 mm
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The evolution e 908 instrument microphone is available in four variants:
as e 908 D for drums and percussion
as e 908 B for wind instruments, congas, and drums with free-floating suspension system
as e 908 B ew for the wireless miking of saxophones using an evolution wireless instrument transmitter
as e 908 T ew for the wireless miking of trumpets using an evolution wireless instrument transmitter
Pick-up pattern : cardioid
Frequency response : 40 ... 20 000 Hz
Sensitivity in free field, no load : (1kHz) 4 mV/Pa, 0,56mV/Pa (e 908T-ew)
Equivalent noise level : e908B-ew = 30 dB(A); e908B & e908D = 35 dB(A), e908T-ew = 39 dB (A)
Max. Sound pressure level (aktiv) : 147 dB
Nominal impedance : 100 Ohm (e908B & e908D)
Min. terminating impedance : 2000 Ohm (e908B & e908D)
Phantom powering : 12 - 48 V / 3 mA (e908B & e908D)
Weight : ca. 140 g
Dimensions : Ø 47 x 193 mm
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- Hypercardioid polar pattern
- 38 cm long
- 95° pickup angle
- For acoustically difficult environments
- Connects easily via XLR connector
The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance, or where several talkers are grouped side by side. Two different lengths are available. The .exible joint ensures optimum alignment of the gooseneck to any talker position. Several options are available for installation, i.e., stand, tabletop installation, and lockable.
Choosing polar patterns
Selecting the correct polar pattern for installed sound is difficult since it depends on a variety of factors. Of course the acoustics of the room play a key role. For highly reverberant rooms such as worship centers, a hypercardioid polar pattern will be the best choice to avoid high levels of unwanted noise. Correct placement of the loudspeakers is also essential. If the speakers project right at the capsule, a hypercardioid will be your best bet. The most difficult task, however, is trying to judge how the talkers will behave. For talkers who are inexperienced or move around a lot, be sure to choose a cardioid polar pattern for reliable pickup; talkers at a greater distance from the mic will be served best by a hypercardioid.
The microphone shall be a hypercardioid gooseneck microphone. Its pickup angle shall be 95 degrees; frequency range 50 Hz to 19 kHz; sensitivity 12 mV/Pa; max. SPL 125 dB; electrical impedance
| Polar pattern |
Hypercardioid |
| Frequency range |
50 to 19,000 Hz |
| Sensitivity |
12 mV/PA = -38 dBV re 1 V/Pa |
| Max. SPL |
125 dB (for 1% THD) |
| Equivalent noise level |
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| Signal/noise ratio (A-weighted) |
>73 dB |
| Impedance |
=2,000 ohms |
| Supply voltage |
English: 9 to 52 V phantom power to IEC 61938 (DPA adapter integrated) |
| Powering |
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| Connector |
3-pin male XLR |
| Finish |
matte black |
| Dimensions |
CGN 99 H/S: 13.5 x 380 mm (0.5 x 15 in.);
CGN 99 H/L: 13.5 x 580 mm (0.5 x 23 in.) |
| Net weight |
CGN 99 H/S: 480 g (17 oz.);
CGN 99 H/L: 500 g (17.7 oz.) |
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