AKG D 112 MKII DYNAMIC Microphone FOR KICK BASS OR BASS AND TROMPONES

211.00 incl. GR VAT

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Cardioid Polar Pattern Specialized for Bass Guitar/Drum Response Maintained to 20 Hz Very Low THD Built-In Windscreen Built-In Swivel Mount The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\’s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass […]

 

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  • Cardioid Polar Pattern
  • Specialized for Bass Guitar/Drum
  • Response Maintained to 20 Hz
  • Very Low THD
  • Built-In Windscreen
  • Built-In Swivel Mount

The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\’s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass guitars in the studio. The microphone has been designed with a low resonance frequency and can handle very high transient signals with low distortion. It has a large dynamic range with a high signal-to-noise ratio and the capacity to input high sound levels without distorting. High frequency response has been tailored to keep both bass drum and bass guitar clearly distinguishable in the mix. A built-in windscreen makes the D112 also suitable for high SPL instruments such as the trombone and tuba.

Cardioid-pattern microphoneBuilt-in swivel mountResponse tailored for bass guitar and bass drum pickup, both in the studio and on-stageResponse maintained down to 20 HzBuilt-in windscreen

General Specifications

Capsule Dynamic microphone capsule
Polar Pattern Cardioid
Audio frequency bandwidth 20 – 17000 Hz
Max. SPL for 0.5 % THD > 160 dB (calculated)
Electrical impedance 210 Ohms
Recommended load impedance ≥ 2000 Ohms
Sensitivity 1.8 mV/Pa (-55 dBV)
Temperature Range -10 °C to +60 °C (14 °F – 140 °F)

Dimensions

Length 115 mm (4.53 in.)
Height 126 mm (4.96 in.)
Diameter 70 mm
Net Weight mic only 300 g (10.6 oz.)

Audio Output

Type Balanced XLR
Gender Male
Contacts 3-pin

Application

Pro Studio Yes
Project Studio Yes
Live Instrument Yes

Instrument

Drums / Percussion Yes
Guitar Amps / Bass Amps Yes

Weight 1.00 kg

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Quick Comparison

AKG D 112 MKII DYNAMIC Microphone FOR KICK BASS OR BASS AND TROMPONES removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeAKG C 414-XLII/ST Matched Pair removeShure DMK57-52 - Drum Mic Kit removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE remove
NameAKG D 112 MKII DYNAMIC Microphone FOR KICK BASS OR BASS AND TROMPONES removeELECTRO VOICE PL33 Kick-Drum Microphone, Dynamic, Supercardioid removeSHURE PGA52-XLR - Kick Drum Microphone 30Hz to 13kHz removeAKG C 414-XLII/ST Matched Pair removeShure DMK57-52 - Drum Mic Kit removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE remove
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SKUD 112 MKII001808PGA52-XLRC 414-XLII STDMK57-52H10SE00105
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Price 211.00 incl. GR VAT 110.00 incl. GR VAT 165.12 incl. GR VAT 2,100.00 incl. GR VAT 627.00 incl. GR VAT 189.00 incl. GR VAT
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Description
Content
  • Cardioid Polar Pattern
  • Specialized for Bass Guitar/Drum
  • Response Maintained to 20 Hz
  • Very Low THD
  • Built-In Windscreen
  • Built-In Swivel Mount

The AKG D112 MKII Pro Dynamic Bass Microphone is a descendant of AKG\'s D112 and earlier D12 dynamic microphone, and is widely known for its ability to handle high-level signals from bass drums and bass guitars in the studio. The microphone has been designed with a low resonance frequency and can handle very high transient signals with low distortion. It has a large dynamic range with a high signal-to-noise ratio and the capacity to input high sound levels without distorting. High frequency response has been tailored to keep both bass drum and bass guitar clearly distinguishable in the mix. A built-in windscreen makes the D112 also suitable for high SPL instruments such as the trombone and tuba.

Cardioid-pattern microphoneBuilt-in swivel mountResponse tailored for bass guitar and bass drum pickup, both in the studio and on-stageResponse maintained down to 20 HzBuilt-in windscreen General Specifications Capsule Dynamic microphone capsule Polar Pattern Cardioid Audio frequency bandwidth 20 - 17000 Hz Max. SPL for 0.5 % THD > 160 dB (calculated) Electrical impedance 210 Ohms Recommended load impedance ≥ 2000 Ohms Sensitivity 1.8 mV/Pa (-55 dBV) Temperature Range -10 °C to +60 °C (14 °F - 140 °F) Dimensions Length 115 mm (4.53 in.) Height 126 mm (4.96 in.) Diameter 70 mm Net Weight mic only 300 g (10.6 oz.) Audio Output Type Balanced XLR Gender Male Contacts 3-pin Application Pro Studio Yes Project Studio Yes Live Instrument Yes Instrument Drums / Percussion Yes Guitar Amps / Bass Amps Yes

Audio Frequency Response    20 Hz - 10,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Element    Dynamic
Finish    Textured Satin Black
Impedance, Low-Z balanced    150 Ω
Mic Type    Instrumental
Open Circuit Voltage    0.63 mV/Pascal
Polar Pattern    Supercardioid
Power Requirement    Passive
Shipping Weight    23.7 oz (672 g)
Wired/Wireless    Wired
Weight Net    12.84 oz (364 g)

OVERVIEW

Cardioid dynamic kick drum mic with swivel mount and cable.

The PGA52 is a professional quality kick drum microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.

Additional design highlights include a swivel joint featuring a quick-release latch similar to bicycle component-locking technology for extremely quick and easy positioning.

FEATURES
  • Mountable microphone featuring swivel joint with quick-release latch for kick drum
  • Dynamic cartridge (does not require phantom power) with cardioid polar pattern
  • Tailored cartridge design for low-frequency clarity, including on bass amps
  • Includes PGA52, zipper pouch and user guide
  • XLR to XLR mic cable included

Complete With Stereo Bar, Windshield's and Cradle'

The C 414 B-XL II/ST is especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama.

The kit comes complete in an all-metal 'Soundtool' Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens, an H50 stereo bar and an individually-measured chart showing the response curve of the microphone. See www.dv247.com Alternative Products and Related Products on this page for your options.

The C 414B-XLII has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.

Whats the difference between the C 414B-XLII and the C 414 B XLS? The main difference between the two current C414 models lies in their frequency responses. The C 414B-XLII has a series of presence rises between 2.5 KHz and 9 KHz. This will make any recording with this microphone brighter or more sibilant than the original sound. This upper mid range boost is quite helpful on vocals and certain instruments such as classical acoustic guitars using nylon or natural strings. The C 414B XLS, see www.dv247.com Alternative Products on this page, has a very flat response that will not color the original sound which is important especially in instrumental recordings. It more suited for general use.

The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid wide cardioid, hyper cardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6, -12 and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414B-XLII has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6 dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A.

The C 414B-XLII has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems.

Features:

  • High sensitivity and extremely low self noise
  • Five switchable polar patterns for placement and application flexibility
  • Two-color LEDs provide quick visual indication of selected polar pattern and output overload
  • Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration
  • Supplied with Hard Shell road case with 2 x AKG H-85 shock mounts, 2 x W414X external windscreens and an H50 stereo bar
  • High sound pressure level capability, 140 - 158dB, and wide dynamic range
  • Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage
  • Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication
  • All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions

Specifications:

  • Type: 1" large diaphragm pressure gradient microphone
  • Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight
  • Frequency Range: 20 to 20,000 Hz
  • Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB
  • Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB)
  • Preattenuation Pad: -6, -12,-18 dB, switchable
  • Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
  • Impedance: = 2,200 ohms
  • Supply voltage: 48 V phantom power to DIN/IEC
  • Current consumption: Approximately 4.5 mA
  • Dynamic range: 134 dB minimum
  • Environment Temperature range: -10° C to +60° C (14° F to 140° F)
  • Relative humidity: 95% (+20° C/68° F), 85% (+60° C/140° F)
  • Connector: 3-pin XLR to IEC
  • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
  • Net weight 300 g (10.6 oz.)

 

The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a complete core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52 microphone, three A56D drum-mounting systems, and a lightweight and durable carrying case.

  • The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure's cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.

  • Perfect for the kick drum, the supercardioid Beta 52? derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52 is additionally designed with an integral locking stand mount for quick-and-easy set up.

  • A key element of the kit, Shure's A56D universal drum mounting system can be used to position microphones virtually anywhere -- on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
  • The supercardioid e 906 instrument microphone was especially designed for
    guitar amplifiers, but it is also an excellent choice for percussion and brass
    instruments.

    Features
    Lively, full sound
    Very fast attack
    Flat shape of microphone body perfect for guitar amps 
    Three adjustable sound characteristics (bright, normal, smooth)
    Hum compensating coil
    Rugged metal body
    Delivery Includes
    e 906 microphone
    MZQ 100 clamp
    Pouch
    User manual

    Technical Data
    Pick-up pattern  supercardioid 
    Frequency response  40...18000 Hz 
    Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
    Nominal impedance  350 Ohm 
    Min. terminating impedance  1000 Ohm 
    Dimensions  55 x 34 x 134 mm 
    Weight  140 g 

    Weight1.00 kg0.35 kg0.80 kg2.00 kg2.00 kg0.32 kg
    DimensionsN/AN/AN/AN/AN/AN/A
    Additional information
    Weight 1.00 kg
    Weight 0.35 kg
    Weight 0.80 kg
    Weight 2.00 kg
    Weight 2.00 kg
    Weight 0.32 kg