ESI Moco Passive Monitor Controller

MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors. \"Fully passive\" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4\" TRS connectors, one with both unbalanced RCA and unbalanced 1/8\" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4\" TRS plus unbalanced 1/8\" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out! Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.
Features

• 2x mono balanced 1/4\" TRS input (input A)
• 2x mono unbalanced RCA input (input B)
• 1x stereo unbalanced 1/8\" mini jack input (input B)
• 2x mono balanced XLR output (output A)
• 2x mono balanced / unbalanced 1/4\" TRS output (output B)
• 1x stereo unbalanced 1/8\" mini jack output (output B)
• selected high quality potentiometer for passive volume control
• A/B input selection switch
• L/R switch to swap left & right audio channels
• independent A and B buttons to enable and disable the outputs
• mono downmix button (mixes left to right channel and right to left channel)
• mute button to mute output signal instantly

MC7.1 - Surround Monitor Controller

MULTIPLE SOURCE STUDIO MONITOR CONTROLLER FOR 7.1/5.1 SURROUND & STEREO APPLICATIONS.

The Drawmer MC7.1 Surround Monitor Controller is a combined 7.1/5.1 and stereo monitor controller. Designed to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine & transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top "wedge" form factor as used in the popular MC3.1. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. 

Boasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.

The MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo "mix check" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.

The ability to "mix down" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels? Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!

Speaker level matching with switchable Mono/Sub output, the popular Low/Mid/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.

• Pristine, ultra low noise & transparent circuit design gives you an accurate representation of your mix whether it be surround or stereo.
• There are a total of 20 input sources. These include two separate 7.1 inputs (one via balanced jacks and one via 25 pin D-sub) with a through output to send to a multitrack recorder, for example. A Stereo input via Neutrik combijacks, and a Top panel 3.5mm AUX Input & Level Control for connecting MP3 players, smartphones or tablets etc.
• 3x Sets of Speaker Outputs. One 7.1 (or 8 Speakers in any configuration), one Stereo Left/Right pair, and one Mono/Sub. Each can be switched individually & simultaneously or give A/B comparisons. All eleven outputs have level trims to provide precise channel matching and ease of calibration.
• Each of the eight 7.1 speakers can be cut or soloed individually.
• 7.1 channels can be mixed down to 5.1, Stereo and Mono, though any configuration of up to 8 monitors should be possible depending on the source and the speaker layout.
• Stereo outputs (including those mixed down from surround) can be monitored via the main stereo speaker outputs or the FL and FR from the surround speakers.
• When in stereo operation comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
• Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has excellent channel matching and smooth feel.
• 2x Headphone Amplifiers with Individual Level Control.
• Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, & Internal Routing to Headphones and also a Mono Output Jack.
• The MC7.1 is all analogue so won’t need to be rebooted due to software crashes, and doesn’t require firmware updates.
• Desktop 'wedge' form factor with a rugged steel chassis and a Kensington security slot for added protection.

• Absorber panels made of high-density-foam
• Optimizes the acoustic performance of your speakers
• 3 different inclination angles
• Suitable for near-field monitors

• Color: anthracite
• Size: M
• Dimensions: 250 x 320 mm
• Weight: 250 g

• 2 x Shock Stop M

• Damping of vibrations and resonances of studio and hi-fi loudspeakers
• Correction of the inclination of studio and hi-fi loudspeakers
• Height adjustment of studio and hi-fi loudspeakers

49 Key Controller exclusive for Radias R Module

INPUT x2 (Volume/Expression SW)

OUTPUT x2 (Volume/Expression)

TUNER OUT (Signal from Input 1 only)

Volume: Input Impedance > 50k ohm,

Output Impedance

Minimum Volume 0%–50%

Expression: Minimum Volume (100k ohm, 0%–100%)

Dimensions: 4.5(W) x 11.8(D) x 2.7(H)in.

Weight 3 lbs.

Product details
MonkeyTree is the natural home for our species. The
Monkeys feel well while standing relaxed and decoupled
from the ground.
Our Monkeys love Heavy Metal - thats why we made the
Monkey Tree out of massive Material to guarantee a solid
stand.

One set contents 1 Pair of MonkeyTree

Weight: 12,1kgs / 26.7lb
Max. Load: 70kgs / 154lb
Dimensions (Plate): L240 x W165 x H793 mm
L9.44 x W6.5 x H31.22 in
The MonkeyTree is available with two different pipe-lengths. Please select between 750mm (29.53in) and 1000mm (39.37in)!

The MonkeyTree fits to Turbo 4, Turbo 5, Turbo 6 and Turbo 8.

MC3.1 - Monitor Controller

Hear the music - not the equipment!

Building on the success of the MC2.1, the MC3.1 Monitor Controller is just as accurate and transparent and of the same build quality. It can still faithfully reproduce what has been recorded without colouring the sound, but comes with a much expanded feature set, including more inputs, better control, extended channel routing and a desk top \'wedge\' form factor.

Additions include a combined digital AES/SPDIF (24 bit/192kHz) input, giving a total of 5 individually switchable sources, including a front panel auxilary input with level control for the easy connection of your mp3 player, smartphone or tablet. Full cue mix facilities, with level control, provide separate source selection for main or cue outputs and the two headphone amplifiers, so the artist can listen to a completely different mix to the engineer, for example. A dedicated cue mix output is also available.

A secondary preset volume control on the front provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.

The MC3.1 incorporates three stereo balanced speaker outputs, plus a dedicated mono speaker/sub-woofer output each with individual left/right trims under the unit to provide complete control over level matching. Furthermore each can be switched individually and simultaneously and in any order. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.

Other improvements include additional mix checking capabilities, which now incorporate low, mid, high solo switches to hear how the lows bleed into the mid, or the stereo width of each, for example, and also the ability to swap the left and right channels. The talkback has been expanded to include an external mic in addition to the internal, and footswitch operation.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

• Ultra low noise and transparent circuit design.
• Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total - 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
• 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.
• Timed relay protection on all speaker outputs to prevent power up/down bangs.
• Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
• 2x Headphone Amplifiers with Individual Level Controls & Switching between Main & Cue Inputs so the Artist can listen to a Different Mix to the Engineer.
• Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
• Cue Level Control adjusts the volume for the Artist\'s Monitors.
• Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, a Mono Output Jack & Internal Routing to Headphone and Cue Outputs.
• Comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
• Desktop \'wedge\' form factor.
• Kensington security slot (also called a K-Slot or Kensington lock).
• Rugged steel chasis and stylish brushed aluminium cover.