ESI Moco Passive Monitor Controller

MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors. \"Fully passive\" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4\" TRS connectors, one with both unbalanced RCA and unbalanced 1/8\" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4\" TRS plus unbalanced 1/8\" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out! Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.
Features

• 2x mono balanced 1/4\" TRS input (input A)
• 2x mono unbalanced RCA input (input B)
• 1x stereo unbalanced 1/8\" mini jack input (input B)
• 2x mono balanced XLR output (output A)
• 2x mono balanced / unbalanced 1/4\" TRS output (output B)
• 1x stereo unbalanced 1/8\" mini jack output (output B)
• selected high quality potentiometer for passive volume control
• A/B input selection switch
• L/R switch to swap left & right audio channels
• independent A and B buttons to enable and disable the outputs
• mono downmix button (mixes left to right channel and right to left channel)
• mute button to mute output signal instantly

MC7.1 - Surround Monitor Controller

MULTIPLE SOURCE STUDIO MONITOR CONTROLLER FOR 7.1/5.1 SURROUND & STEREO APPLICATIONS.

The Drawmer MC7.1 Surround Monitor Controller is a combined 7.1/5.1 and stereo monitor controller. Designed to provide all the mix checking features required for surround recordings without compromising on those used in stereo monitoring. It has the same pristine & transparent design as others from the Drawmer monitor controller pedigree, with a rugged desk top "wedge" form factor as used in the popular MC3.1. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all encompassing orchestral piece, be it in 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc., one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. 

Boasting two sets of balanced 7.1 Inputs, a 7.1 through, 1 Balanced Stereo Input and a convenient front panel Aux Input, with Balanced 7.1 Speaker outs and an independent Stereo main out with its own sub woofer option, there are no shortage of connectivity options. The Drawmer MC7.1 is capable of supporting any speaker seup, from mono, to stereo, various modes of surround, or 8 independent channels, depending on input type and speaker positioning.

The MC7.1 is a powerful Surround Monitor Controller in its own right, but is also perfect for controlling and checking your stereo mixes. This is one area where other surround monitoring controllers fall short. All studios, whether dedicated to film audio post production, or small home studio will at at some time (if not most of the time) work in stereo as well as surround. Aside from the surround capabilities, the MC7.1 contains the same comprehensive set of stereo "mix check" functions that are presented on the MC3.1 and which can of course be applied to the stereo input channel or any of the surround channels when these are routed to stereo.

The ability to "mix down" the surround mix to the FL and FR speakers OR the independent Stereo main speakers combined with the comprehensive cut or solo matrix means any combination of the surround channels can be listened to in the front mains. Want to focus in on the rear channels? Simply mix down to the front stereo speakers then solo them out of the mix! Whilst soloing out the centre or LFE channels give a central mono representation across the fronts or stereo mains!

Speaker level matching with switchable Mono/Sub output, the popular Low/Mid/High band solo feature, Internal Talkback Mic with footswitch control, and External Talkback Mic input are all brought over from the MC3.1, completing the rich array of features available on the MC7.1.

• Pristine, ultra low noise & transparent circuit design gives you an accurate representation of your mix whether it be surround or stereo.
• There are a total of 20 input sources. These include two separate 7.1 inputs (one via balanced jacks and one via 25 pin D-sub) with a through output to send to a multitrack recorder, for example. A Stereo input via Neutrik combijacks, and a Top panel 3.5mm AUX Input & Level Control for connecting MP3 players, smartphones or tablets etc.
• 3x Sets of Speaker Outputs. One 7.1 (or 8 Speakers in any configuration), one Stereo Left/Right pair, and one Mono/Sub. Each can be switched individually & simultaneously or give A/B comparisons. All eleven outputs have level trims to provide precise channel matching and ease of calibration.
• Each of the eight 7.1 speakers can be cut or soloed individually.
• 7.1 channels can be mixed down to 5.1, Stereo and Mono, though any configuration of up to 8 monitors should be possible depending on the source and the speaker layout.
• Stereo outputs (including those mixed down from surround) can be monitored via the main stereo speaker outputs or the FL and FR from the surround speakers.
• When in stereo operation comprehensive Mix Checking facilities Including Low, Mid, High Solo; Dim; L/R Mute; Phase Reverse and more, help check every aspect of your Mix & Provide Ultimate Control.
• Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has excellent channel matching and smooth feel.
• 2x Headphone Amplifiers with Individual Level Control.
• Built In Talkback with Level Control, Internal or External Microphone, Switching via Desktop or Footswitch, & Internal Routing to Headphones and also a Mono Output Jack.
• The MC7.1 is all analogue so won’t need to be rebooted due to software crashes, and doesn’t require firmware updates.
• Desktop 'wedge' form factor with a rugged steel chassis and a Kensington security slot for added protection.

The CMC7 is a compact 8 channel / 7.1 / 5.1 surround volume controller and cost-effective alternative to the more complex and feature rich MC7.1. In order to maintain it's compact proportions and to keep the product budget friendly the CMC7 does away with controls that can often be found within your workstation software and concentrates on essential features such as ease of use and the quality of the signal path, ensuring that the audio is transparent and accurate across all channels and operation intuitive. 

Whether it is producing audio for film or television, or transporting the listener directly into the venue of an all-encompassing orchestral piece, one thing is sure, the number of users that wish to listen to audio within a surround setting has been growing and will continue to do so. There has been an ever-increasing number of surround products coming to market, not only blue ray players and home cinema but also on mobile and media devices. For example, Apple devices have been capable of reproducing 7.1 surround since iOS 9.3. Therefore, it is likely that at some point every artist and engineer will consider trying surround sound, or fear being left behind. The budget friendly CMC7 allows you to do this without the large financial outlay that other setups will produce.

Coming from the same stable as the MC2.1, MC3.1 and MC7.1 you can be sure of the same high quality for the Drawmer CMC7 Surround Monitor Controller. The circuit is just as transparent and accurate. It's controls have the same quality feel and operation and the huge volume knob provides excellent channel matching, and smooth feel.

You hear exactly what you've recorded!

Surround Sound

The 8 inputs and outputs are provided via two balanced 25 pin d-sub connectors wired to the Tascam standard making connecting easy. It allows for 8 independent channels, 5.1, 7.1, quadraphonic, DTS®, Dolby Digital EX,THX Surround EX™, DTS-HD™, Dolby Atmos®, etc, the setup is up to the user.

With the Stereo Mix switch active the surround mix can be bounced down to a 2.1 signal in the front left and right monitors and sub-woofer, to test the quality of the recording when in stereo. In addition, it has a professional quality stereo headphone output with a separate amplifier and level control, that provides private mix checking, a DIM switch reduces output by 20dB and a MUTE switch is also available to cut the output completely.

Precision

The circuit design of the CMC7 ensures that the channel matching of all 8 channels is consistent throughout the full range of the volume control. Other manufaturers of surround controllers use multi-ganged potentiometers to achieve the levels of the 8 channels, this is especially true of passive surround controllers, this simplifies the circuit but leads to discrepancies in the level of each channel, especially at the lower and upper volumes, where accurate channel matching can vary wildly.

Compact

The CMC7 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC7 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.

Tough & Secure

Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC7 is built to last. In addition, a Kensington security slot provides protection from thieves.

Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.

• Ultra low noise and transparent circuit design.
• All 8 inputs and outputs are via 2 tascam standard 25 Pin D-Sub connectors making connection to interfaces and speakers simple and intuitive.
• Mix down switch enables you to check the Surround as a Stereo mix with an independent Sub switch controlling the LFE/Sub.
• Timed relay protection on all speaker outputs to prevent power up/down bangs.
• A large volume knob incorporating excellent channel matching and smooth feel.
• An independent Headphone Amplifier with Individual Level Control with jack on the rear.
• Kensington security slot (also called a K-Slot or Kensington lock).
• Very low profile desktop enclosure with a footprint of just 18x16cm.
• Stylish and Rugged Enclosure will withstand the knocks of the studio.

49 Key Controller exclusive for Radias R Module

INPUT x2 (Volume/Expression SW)

OUTPUT x2 (Volume/Expression)

TUNER OUT (Signal from Input 1 only)

Volume: Input Impedance > 50k ohm,

Output Impedance

Minimum Volume 0%–50%

Expression: Minimum Volume (100k ohm, 0%–100%)

Dimensions: 4.5(W) x 11.8(D) x 2.7(H)in.

Weight 3 lbs.

The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered.

- High quality? passive volume attenuator
- Great monitor switching device
- 2 x Input channels, 2 x Output channels
- Combo, RCA, & 3.5mm input connectors
- XLR outputs (balanced or unbalanced depends on the inputs selected)
- Mono/Stereo summing switch
- System mute function
- Built in headphone amplifier
- Quality components and rugged construction
- Desktop or Rack-mountable installation
- External 16Vac power supply (Supplied. Only required for operation of headphone amplifier)

• Type: passive
• Number of channels: 2
• Number of inputs: 2
• Input connections: XLR Combo / 3.5mm stereo jack
• Input type: balanced/unbalanced
• Maximum input level: +20 dBu
• Input impedance: 10 kohms balanced/ 5 kohms unbalanced
• Number of outputs: 2
• Output connections: XLR/m, 3.5 mm stereo jack
• Output type: balanced/unbalanced
• Max output level: +20 dBu
• Output impedance: 600 ohms
• Frequency response: 10Hz - 40 kHz +/- 1 dB
• THD: 0,001 %
• Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
• Controls: Attenuation, Mute, Mono
• Housing material: sheet steel/wood
• Housing surface: powder-coated
• Width: 164 mm
• Height: 62 mm
• Depth: 85 mm