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MoCo is a fully passive monitor controller that helps you to provide perfect control over the playback volume of your studio monitors.
\"Fully passive\" means that there are no active components involved, that could in any way alter the audio signal - keeping the maximum sound quality level for your studio monitors. MoCo provides two separate stereo inputs (one with balanced 1/4\" TRS connectors, one with both unbalanced RCA and unbalanced 1/8\" TRS connectors) and two separate stereo outputs (one with balanced XLR connectors, one with balanced / unbalanced 1/4\" TRS plus unbalanced 1/8\" TRS connectors). MoCo does not change your signals from unbalanced to balanced: what goes in, goes out!
Via one switch you can select the input signal and with separate buttons, each output can be enabled. Also there is a switch that changes the monitor signal to mono and you can mute the playback audio signal quickly at the touch of a button. A quick swap of the left and right audio signal channels is also possible. And of course, the stylish big knob in the center of MoCo controls the actual playback volume.
Features
- 2x mono balanced 1/4\" TRS input (input A)
- 2x mono unbalanced RCA input (input B)
- 1x stereo unbalanced 1/8\" mini jack input (input B)
- 2x mono balanced XLR output (output A)
- 2x mono balanced / unbalanced 1/4\" TRS output (output B)
- 1x stereo unbalanced 1/8\" mini jack output (output B)
- selected high quality potentiometer for passive volume control
- A/B input selection switch
- L/R switch to swap left & right audio channels
- independent A and B buttons to enable and disable the outputs
- mono downmix button (mixes left to right channel and right to left channel)
- mute button to mute output signal instantly
| CMC3 - Monitor Controller
FULLY FEATURED MONITOR CONTROLLER FOR STUDIOS OF ALL SIZES. PRECISE, COMPACT & AFFORDABLE.
The CMC3 Compact Monitor Controller consolidates the feature sets of Drawmer's 3 most popular monitor controllers: Whilst retaining the famed accurate, and transparent audio quality of the MC2.1, it has the precision and control of the MC3.1 and the low profile, compact design of the CMC2. It is equally at home in a serious home studio as in a professional recording facility.
There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? There are far to many monitor controllers available that do in one way or another - Drawmer monitor controllers do not flavour, colour, warm, improve or brighten the signal, the active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear.
Accurate & Transparent
With the same Drawmer pedigree as the MC2.1, the CMC3 circuit is just as transparent and accurate. It has been designed to remove the limitations that a passive circuit brings, such as the ability to increase the volume for quiet passages and improved mix checking, without adding the artifacts that lesser quality active circuits introduce.
You hear exactly what you've recorded!
Precision
The CMC3 supports 3 sets of stereo monitors, plus a dedicated mono speaker/sub-woofer output, each can be switched individually and simultaneously and in any order, especially useful for A/B comparisons. You can listen to multiple speakers with the same sub-woofer, or turn the sub-woofer off altogether.
The volume control utilizes a parallelled custom quad pot for excellent channel matching and smooth feel, as does the secondary preset volume control on the front. This provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls.
Multiple Connections
The CMC3 is very well connected with 4 stereo inputs in total: 1x SPDIF digital input (24 bit/192kHz), using the same DAC chipset as our established MC3.1 monitor controller, 2 stereo balanced jack inputs, plus a 3.5mm jack with variable level control for your Smartphone/MP3 Player.
In addition, it has a 2 professional quality headphone outputs with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC3 does through the speakers. Talkback is also included with internal or external microphone, level control and audio routing to a dedicated mono output jack & headphones.
Advanced Mix Checking
The comprehensive mix checking facilities of the CMC3 include dim, mono, phase reverse, left and right cut as well as an easy access mute switch, allowing you to check the quality of your recordings: tune into your mix to hear any unwanted artefacts, test the effectiveness of the stereo mix, check for phase cancellation, listen to the stereo difference. Features that many monitor controllers lack.
Compact
The CMC3 packs a lot of features into a small unit. The whole package is presented in a very low profile desktop enclosure of just 3.5cm high with a footprint of 27x16cm (10.5”x6.5”x1.4”).
Tough & Secure
Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC3 is built to last. In addition, a Kensington security slot provides protection from thieves.
Features:
- Ultra low noise and transparent circuit design.
- Source switches can be active in any combination. 4 Inputs in Total - 1x Digital SPDIF (192 kHz / 24 Bit) & 2 on balanced analogue 1/4" jacks & 1 3.5mm Front Panel Aux jack for your Smartphone/MP3.
- 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
- Timed relay protection on all speaker outputs to prevent power up/down bangs.
- Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel.
- 2x Headphone Amplifiers with Individual Level Controls with easy access to the jacks on the front.
- Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc.
- Built In Talkback with Level Control, Internal or External Microphone, and Internal Routing to a Mono Output Jack & Headphones.
- Comprehensive Mix Checking facilities Include Dim, Phase Reverse and Mono, Left and Right Cut as well as an easy access Mute switch.
- Kensington security slot (also called a K-Slot or Kensington lock).
- Very low profile desktop enclosure with a footprint of just 18x16cm.
- Stylish and Rugged Enclosure will withstand the knocks of the studio.
- Designed and manufactured by Drawmer in the UK.
| Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
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- Latency-free analogue signal path
- Customisable
- Level indicator L/R with +4, +10 and +18 dBu calibration options
- Correlation meter for verifying mono-compatibility
- Two headphone outputs with volume controllers and main cue selector switches
- Three analogue inputs, one S/PDIF input
- Three loudspeaker outputs with volume controllers for level calibration
- Mono summed output for subwoofer or mono monitor
- Main and cue direct outputs
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button.
The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\'s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style.
Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount.
Product type
Other Studio and Recording Equipment
Channels
3 x switchable balanced outputs, 1 x CUE output, 1 x main output
Inputs
3 + SPDIF
Input connectors
3.5 mm TRS , 6.3 mm jack , RCA , SPDIF
Input type
balanced/unbalanced (depending on TS/TRS connection)
Max. input level
20 dBu
Input impedance
(balanced) 10.000 Ohm(s) , (unbalanced) 5.000 Ohm(s)
Outputs
7 x stereo
Output connectors
TRS balanced (1 - 3) , TRS unbalanced (CUE, MAIN, headphones 1 & 2)
Output impedance
600 Ohm(s)
Frequency response
12 - 90000 Hz
Total Harmonic Distortion (THD)
0.002 % (BW 20 - 20,000 Hz)
Signal-to-noise ratio (SNR)
102 dB (a-weighted) @ + 4 dBu
Dynamic range (DR AES17)
115 dB
CMRR
> 55 dB
Max. attenuation
(Attenuator + Mute) 111 dB , (Attenuator) 86 dB
Controls
attenuation , Audio DIM , input selector , mono , mute , output selector , PFL source , Talkback
Housing material
sheet steel , wood
Cabinet surface
Powder coated
Width
254 mm
Height
84 mm
Depth
215 mm
Weight
1,512 kg | Mackie Big Knob Studio Plus Monitor Controller and Interface
- Four Sources and Three Monitor Pairs
- Classic Big Knob Volume Control
- Independent Trim on All Sources
- Mono, Mute, and Dim Functions
The Mackie Big Knob Studio Plus is a monitor controller and interface that allows you to choose between four input sources and three monitor pairs. It can be used for project and professional studios and is designed to increase your workflow for recording and mixing applications.
Featuring independent trim on all sources and monitor outs, the Big Knob Studio Plus has mono, mute, and dim functions along with a flexible 2x4 USB recording interface. It is built with two combo XLR-1/4" Onyx mic inputs with phantom power for condenser microphones. Recording and playback is at 24-bit / 192 kHz resolution and the cue mix allows for controlled blending of direct inputs with other signals for zero-latency recordings. Choice of recording paths provides flexibility for applications like podcasting and more.
Additionally, other features include flexible source connections, a convenient 3.5mm input for your smartphone, dual headphone outputs with independent level control, a built-in talkback mic and external mic input, a footswitch input, and 16-segment input metering.
Finally, with its sturdy and built-like-a-tank design, the interface is compatible with all major DAWs on both Mac and Windows platforms. The Big Knob Studio Plus features a download for ProTools | First and Waveform software and The Musician's Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer's serial number on the website.
Professional Source and Monitor Selection
- Choose between four sources and three monitor pairs
- Classic Big Knob volume control
- Independent trim on all sources and monitor outs
- Mono, mute, and dim functions
Flexible 2x4 USB Recording Interface
- Two boutique-quality Onyx mic preamps including phantom power for condenser microphones
- High-resolution 24-bit / 192 kHz recording and playback
- Cue mix allows controlled blending of direct inputs with other signals for zero-latency recording
Comprehensive Feature Set for Professional Studios
Flexible source connections including convenient 3.5mm input for your smartphone
Dual headphone outs with independent level control
Built-in talkback mic and external talkback mic input for easy communication with artists
16-segment high-resolution input source metering
Professional Production Content
- Content
- Pro Tools | First and Waveform OEM professional software and plugin packages included
- The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
- Included Software from Avid, including Pro Tools | First
- An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
- In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
- Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
- Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
- BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
- Black Op Distortion: Add rich distortion based on a classic distortion pedal
- Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
- Black Spring Reverb: Get the twang and space of a vintage amplifier
- C1 Chorus: Emulates a classic chorus pedal
- DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
- Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
- Flanger: Create esoteric sounds with this homage to vintage and modern flangers
- Graphic EQ: Sculpt frequencies with ease
- Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
- Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
- In-Tune: Keep your instruments in tune with this digital tuner
- Orange Phaser: Create interesting effects with this phase shifter based on a classic design
- Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
- Sci-Fi: Add analog synth-type ring and frequency modulation
- Studio Reverb: Create natural-sounding reverb and ambient effects
- Tape Echo: Add vintage analog delay and chorus effects
- Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
- Vari-Fi: Create the effect of audio changing tape speed
- Vibe Phaser: Add phase-shift and rotary speaker effects
- White Boost: Boost gain without coloring tone
| Inputs |
2 x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Inputs
4 x 1/4" TRS Balanced/Unbalanced Line Inputs
2 x 1/4" TRS Balanced/Unbalanced Cue Input
1 x 1/8" / 3.5 mm TRS Unbalanced Stereo Input
1 x 3-Pin XLR Talkback Mic Input |
| Outputs |
2 x 1/4" TRS Balanced/Unbalanced 2-Track Line Outputs
6 x 1/4" TRS Balanced/Unbalanced Monitor Outputs
2 x 1/4" TRS Balanced/Unbalanced Monitor/Line Outputs
2 x 1/4" TRS Unbalanced Headphone Outputs |
| Footswitch Input |
1 x 1/4" TRS |
| USB I/O |
1 x USB 2.0 Type-B |
| Resolution |
24-Bit / 192 kHz |
| Frequency Response |
20 Hz to 20 kHz (±0.5 dB, Unity Gain, +4 dBu Input) |
| Noise |
Mic Inputs to Outputs: < -125 dBu RMS, A-Weighted (150 Ohms Terminated, 22 kHz Bandwidth)
Line Inputs to Outputs: < -90 dBu RMS, Unweighted (150 Ohms Terminated, 22 kHz Bandwidth) |
| THD + N |
<0.01% Unweighted (Unity Gain, 1 kHz at +4 dBu Input, 80 kHz Bandwidth) |
| Crosstalk |
< -60 dB at 1 kHz (Unity Gain, -1 dBFS Input) |
| Attenuation |
Muted: -60 dB
Dim: -20 dB |
| Maximum Input Level |
+22 dBu |
| Maximum Output Level |
+22 dBu |
| Power Requirements |
100 to 240 VAC, 50/60 Hz, 0.75 A via Universal Power Supply |
| Dimensions (W x D x H) |
6.8 x 11.9 x 3.2" / 17.3 x 30.2 x 8.1 cm |
| Weight |
4.6 lb / 2.1 kg |
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Sold in pairs, each PreSonus ISPD-4 isolation pad can be divided into halves and configured in several ways so you can use them with virtually any near-field studio monitors. For small, vertically placed speakers, use half of an isolator per side or employ the full pad, whichever works best. Place two half-pads side-by-side to accommodate larger speakers or horizontal placement.
The speakers shown on the photographs are sold separetely. |
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