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For decades, dbx’s patented Subharmonic Synthesis has rattled foundations enhancing the bass in a variety of professional applications including nightclub and DJ mixing, theatre and film sound, music recording, live music performance and broadcasting. dbx’s Subharmonic Synthesis process actually produces a new, Waveform Modeled bass note, exactly an octave below the bass in the original audio.
The dbx 510 answers the call of audio professionals everywhere delivering Subharmonic Synthesis in the convenient design of a 500 Series module. The 510’s two separate bands of subharmonic synthesis provide the best combination of smoothness and control, while the independent Low Frequency Boost circuit is designed to get the most out of high-performance, low frequency speaker systems. Unlike other attempts at bass synthesis, the dbx process produces musical low frequencies that don’t interfere with mid and high-band information, even when the maximum synthesis and boost are applied. The result is a low-end punch that people really feel!
Put some boom in your room with the dbx 510! |
Overview
Dial in YOUR mix exactly as YOU want it, in Real Time.
The PMC16 is a 16 channel personal monitor controller which allows the user to create a custom mix from 16 channels of audio. Designed to be used with the dbx TR1616 or any other BLU link compatible device, the PMC16 allows for monitoring with headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Multiple PMC16s can be daisy chained using CAT5e cable allowing each user to receive 16 channels of high-resolution digital audio and create their own personalized mix to suit their monitoring needs. The PMC16 comprises a 16 channel mixer section with full control of levels, panning, effect send levels, muting, and soloing. Onboard Lexicon© reverb provides the finishing touch. The PMC16ʼs output processing section includes: stereo width control, wedge monitor compensation EQ, high and low master EQ, master level control, and dbx limiting. With a Setup Wizard for ease of configuration, full 16 channel level metering, channel grouping, 16 preset locations for future recall of configurations and mixes, and an intuitive yet powerful user interface, PMC16 gives you the power to dial in YOUR mix exactly as YOU want it, in real time.
Recommended for: Portable, Tour.
Features
- 16 Channel Monitor Mixer with Level, Pan, Mute, Solo, & Reverb Send Control
- 16 Preset Locations for Mix & Configuration Recall
- LCD Display with 16 Channel Metering
- Built-In Lexicon© Reverb
- dbx PeakStopPlus™ Limiting
- Global High & Low EQ
- Global Master Level Control
- Global Stereo Width Control
- BLU Link High Bandwidth, Fault Tolerant Digital Audio Bus
- XLR & 1/4” Stereo or Mono Outputs
- 1/8” & 1/4” Headphone Outputs
- Setup Wizard for Easy Configuration
- Supports 48 kHz & 96 kHz Sampling Rates
- Channel Linking, Grouping, & Multi-Select Capabilities
- Supports up to 60 PMC16s on a Single BLU Link Ring
- Built-In Sturdy Mic Stand Mount
- USB Port for Firmware Updates
| The Soundweb London BLU-DAN offers Dante audio and BLU link. This means that the BLU-DAN can be used to ‘add’ Dante to one or more BLU link devices.
The BLU-DAN is configurable through HiQnet Audio Architect. A rich palette of logic objects and a "drag and drop" method of configuration provide a simple and familiar design environment.
The BLU-DAN features Dante audio. The BLU-DAN is capable of simultaneously transmitting and receiving up to 64 channels of Dante audio (64 x 64). Primary and Secondary ports are provided for fault tolerance. Control is through a separate Ethernet port.
The BLU-DAN also features BLU link, a low latency, fault tolerant digital audio bus of 256 channels, which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.
A bi-directional locate function allows devices to be identified both from and within HiQnet Audio Architect.
The BLU-DAN and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.
- AES67 and Dante Audio with support for Dante Domain Manager
- BLU link – 256 Channel, Low Latency, Fault Tolerant Digital Audio Bus
- ‘Add’ Dante / AES67 to one or more BLU link devices
- Clear Front Panel LED Indication
- Bi-Directional Locate Functionality
- HiQnet Device
- Configuration, Control and Monitoring from HiQnet Audio Architect
- 1RU, Half-Rack Device
- AES67 Compatible
- EN 54-16 Compliant for life safety applications
*The price is without VAT
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SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg) |
Product Features:
16-channel digital stereo mixer to create your personal monitor mix
Ultra-intuitive \"analog\" operation with total recall and 16 presets for custom mixes
State-of-the-art 24-bit D/A converters for premium audio quality
16 Channel Select buttons with dual LEDs for perfect overview
Level and Pan/Spread control per channel with LED meter
3-band EQ per channel with mid-band frequency control
Solo and Mute functions per channel
Global Level and EQ controls plus Panic Mute function
High power and \"drummer proof\" headphones output
Fully adjustable limiter protects your ears and headphones
Additional mono/stereo line output to connect your powered monitor
MIDI IN port for real-time remote control of all channels by external MIDI device such as BEHRINGER BCF2000, BCR2000, etc.
Standard CAT5e connection delivers power and 16 signals to each Personal Mixers
ULTRANET connector to daisy-chain up to forty-eight P16-M mixers for large systems (in conjunction with P16-D)
Ultra-low system latency of less than 1 millisecond
Powered via external power supply (included) or P16-I / P16-D
Mounts easily on a mic stand with the P16-MB mic stand mount (not included)
Extremely rugged construction ensures long life even under the most demanding conditions
Conceived and designed by BEHRINGER Germany
User\'s Manual |
AES, S/PDIF, Optical I/O - Word Clock/Video In - 6 Word Clock Outs
Optional X-Video expansion card to provide master video sync generator
Realtime format conversion between all digital formats
Direct Digital Synthesis (DDS) using Apogee´s C777 Clock Technology up to 192kHz
Adaptive Loop Filtering (ALF) to optimize clock performance and minimize jitter
Three stage Termination Sensing for each word clock output
INPUTS
2 x AES-EBU on XLR 44.1k-192k single-wide and 88.2 k–192k double-wide.
S/PDIF optical on TOS-LINK 44.1-48k
S/PDIF coaxial on RCA 44.1-192k
ADAT 44.1-48k
ADAT/SMUX II for 88.2-96k
ADAT/SMUX IV for 176.4-192k
Word Clock BNC 44.1 –192k
Video
Optional video sync (X-Video card)
OUTPUTS
2 x AES-EBU on XLR single or double wide 44.1-192k
S/PDIF coaxial 44.1-192k
S/PDIF optical on TOS-LINK 44.1-48k
6 x BNC Word Clock 44.1-192k (of which 2 can output 256fs at low sample rates)
ADAT
SMUX II
SMUX IV
Optional video sync (X-Video card)
SPECS
Sample rates: 44.1/48-88.2-96-176-192 . All +/- 10%
Video: PAL/NTSC/60Hz
"SuperClock" (256fs)
Pull up/down 0.1% and 4% from any sample rate
Apogee´s new Ultra Low Jitter C777 clock
Three stage termination indicator (under/correct/over) on each
Word Clock output:
"SureLock" technology for drop out prevention
4 digit numeric true sample rate indication
Universal power: 15 W 90-250 VAC 50-60 HZ
Connection:
Any interface with these digital I/O connections:
Word clock, ADAT/SMUX, S/PDIF, AES
Operating System:
Mac and Windows
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