MOTU TRACK 16 USB AND FIREWIRE AUDIO INTERFACE

593.78 incl. GR VAT

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Motu Track 16, USB and Firewire Hybrid Audiointerface 24 Bit 192 kHz, 8 analog in- and outputs, Inputs for Microphones (incl. +48V), Guitars and Linesignals, 1x ADAT/S/PDIF in- and output, bal. and unbal. in- and outputs, 2 Headphoneoutputs (3,5mm and 6,3mm), Standalone function (16 In/Outs Digital-Mixer without computer), MIDI in-/out, DSP Mixer with EQ and […]

 

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Motu Track 16, USB and Firewire Hybrid Audiointerface 24 Bit 192 kHz, 8 analog in- and outputs, Inputs for Microphones (incl. +48V), Guitars and Linesignals, 1x ADAT/S/PDIF in- and output, bal. and unbal. in- and outputs, 2 Headphoneoutputs (3,5mm and 6,3mm), Standalone function (16 In/Outs Digital-Mixer without computer), MIDI in-/out, DSP Mixer with EQ and Dynamics on each Channel, 4 x 14 segment LEDs, 10 backlit switches, includes Software for analyzing, SMPTE generation and more, Computer I/O; 1 x FireWire 400 (Type B connector – buspowered)1 x USB 2.0 (no buspower), incl. powersupply, Windows and Mac drivers 32 and 64 Bit, min. requirements: Windows Vista SP2, Mac 10.5.8 (PPC G5 and Intel) 

Weight 2.00 kg

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MOTU TRACK 16 USB AND FIREWIRE AUDIO INTERFACE removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeYAMAHA AUDIOGRAM 6 USB Audio Interface remove
NameMOTU TRACK 16 USB AND FIREWIRE AUDIO INTERFACE removeYAMAHA GO 44 MOBILE FIREWIRE AUDIO INTERFACE removeEDIROL REAC-S8PREAC-U audio/midi sequencer SONAR 8 Producer with REAC Driver Kit removeLEXICON I-ONIX U22 Audio Interface 2in/2out removeMOTU Ultralite-mk3 Hybrid FIREWIRE USB2 AUDIO INTERFACE removeYAMAHA AUDIOGRAM 6 USB Audio Interface remove
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SKUTRACK-16GO44REAC-S8PREAC-UIONIX U22Ultralite-mk3J080.00021
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Motu Track 16, USB and Firewire Hybrid Audiointerface 24 Bit 192 kHz, 8 analog in- and outputs, Inputs for Microphones (incl. +48V), Guitars and Linesignals, 1x ADAT/S/PDIF in- and output, bal. and unbal. in- and outputs, 2 Headphoneoutputs (3,5mm and 6,3mm), Standalone function (16 In/Outs Digital-Mixer without computer), MIDI in-/out, DSP Mixer with EQ and Dynamics on each Channel, 4 x 14 segment LEDs, 10 backlit switches, includes Software for analyzing, SMPTE generation and more, Computer I/O; 1 x FireWire 400 (Type B connector - buspowered)1 x USB 2.0 (no buspower), incl. powersupply, Windows and Mac drivers 32 and 64 Bit, min. requirements: Windows Vista SP2, Mac 10.5.8 (PPC G5 and Intel) 

The Yamaha GO44 is a mobile audio solution that features high quality line
inputs/outputs and worldclass MIDI and audio recording software enabling
professional quality recording to a computer in a very compact package that
can be carried and used virtually anyway.
The Yamaha GO44 boasts up to 24-bit/192kHz resolution on the analog inputs/
outputs - the best in its class - and 24-bit/96kHz on the digital I/O. This pro-level
quality makes the Yamaha GO44 perfect for any type of recording, and allows
you to capture the full details and nuances of the original source - from the
breathiness of a vocal to the delicate finger slides of an acoustic guitar performance.

The Yamaha GO44 features 4-in/4-out multi-channel audio, with two analog phone
jack terminals for both input and output, and special S/P DIF coaxial terminals for
two-channel digital in/out. This device is simple and easy to use, yet provides high-quality
recording capability - perfect not only for those who want to create music, but also
for those who want an audio playback system for their computer that delivers
outstanding sound quality.

The digital outputs on the Yamaha GO44 are compatible with the AC-3 and DTS
surround sound formats. Simply connect a surround compatible amplifier/speaker
setup, and enjoy the powerful sonic experience of surround sound.

Yamaha GO44 Features:
FireWire audio interface
Durable aluminum die cast body
Simple, small and light weight
2 x Balanced Line inputs / outputs
Headphones output on Front Panel
1 MIDI In /1 MIDI Out
S/P DIF In/Out up to 24 bit/96 kHz
24 Bit/192 kHz compatible

The SONAR REAC Recording System when used in conjunction with the RSS V-Mixing System or RSS Digital Snakes provides the most comprehensive live recording, mixing, mastering and delivery product available. This is the next phase in product development of the REAC driver, which Cakewalk engineered for Roland as a way for users to record from their Digital Snake/V-Mixer System directly into SONAR. The SONAR REAC Recording System includes:

* SONAR 8 Producer
* REAC Driver Kit
* Cakewalk Approved Hardware Monitoring Device
* SONAR Templates
* Users Guides

The REAC protocol provides up to 40 channels of audio to be sent via a single CAT5e Ethernet or fiber optic cable. The REAC driver, developed by Cakewalk, allows the REAC output from the RSS V-Mixer or RSS Digital Snake to connect directly into a PC using a single Ethernet cable.

SONAR 8 Producer gives you what you need for recording, composing, editing, mixing, and mastering. Get innovations that matter, from exclusive features to ignite creativity and perfect your tracks, to groundbreaking technologies that always keep you in control, all backed by the industry's leading 64-bit audio quality. And SONAR 8 Producer delivers the go-to production tools you want with the best collection of virtual instruments, mixing, and mastering effects found in any DAW.

With unlimited tracks, amazing creative tools, inspiring virtual instruments, the freedom to work with any audio interface or control surface, and the most complete delivery capability for collaboration with users of other DAWS, award-winning SONAR Producer is your best choice in a digital audio workstation.

SONAR 8 is the only DAW that offers one-of-a-kind music creation tools that actually help in the songwriting process. Whether you are searching for new ideas or looking to add musical parts to existing songs, SONAR 8 can help you break through those creative blocks.

SONAR 8 provides the most comprehensive recording features of any DAW on the market today. It's designed to meet the needs of even the most demanding professional—whether recording a solo performance, a band, or even an orchestra.

Recommended System Requirements:

* Operating System: Windows XP (32 bit), Windows Vista (32 bit or 64 bit)
* Processor Speed: Intel Core 2 Duo 2GHz or higher
* RAM: 3 GB for 40 Channel Recording
* Ethernet Port Speed: Gigabit Ethernet/CAT5e Only
* Graphics: 1280 x 960, 24-bit color or higher
* Audio Hard Drive Size: 30 GB
* Audio Hard Disk Type: RAID 0 with (2) SATA drives
* Audio Interface: SPS/FA-66 FireWire Audio Interface or Cakewalk VS-700 R
* Media Drive: DVD-ROM, DVD+/-R or DVD+/-RW
* Other Hardware: RSS Digital Snake or V-Mixing System, Roland CAT5e Cables (supplied with Digital Snakes), Gigabit Ethernet Switch (optional)
* Other Software: Adobe Acrobat


Features:

USB 2.0 Desktop Recording Studio
44.1kHz to 96kHz sample rates, 24-bit resolution
Pantheon II VST/AU reverb plug-in with 6 legendary Lexicon reverbs
dbx® 60V high-voltage, ultra-low noise microphone preamps
Superior sonic performance
2 analog combi-jacks for mic/line inputs
2 analog 1/4" TRS balanced outputs
Zero latency monitoring
Low latency ASIO drivers
Streamlined monitor form factor puts all recording controls at your fingertips
Separate level meters and gain control per channel
1 side panel 1/4" instrument input
1 side panel headphone output with dedicated volume adjustment
MIDI in and out

Technical Specifications

Microphone Inputs:    Female XLR Pin 2 Hot
Input Impedance:    3kΩ balanced
Phantom Power:    +48 Volts
Maximum gain:    +58 dB
E.I.N. (at max gain):    -125 dBu @ 58dB gain typical (150Ω source) -129 dBu @ 58dB gain typical A-weighted (150Ω source)
Maximum Input Level:    +21 dBu at minimum gain
Frequency Response:    +0/-1 dB, 20Hz - 20kHz
THD+N:    +18 dBu maximum
Impedance:    32Ω Balanced, 16Ω Unbalanced
Headphone Output:    1/4" stereo jack 350mW per channel at 50Ω
MIDI Interface:    5 pin DIN connectors for MIDI in and MIDI out (5 volt signal)
Sample Rate:    44.1, 48, 88.2, or 96 kHz (determined by computer application)
Dynamic Range:    A/D (24 Bit) 108 dB typical, A-weighted, 20Hz - 20kHz
(44.1 kHz sample rate)
D/A (24 Bit) 110 dB typical, A-weighted, 20Hz - 20kHz
A/D/A (24 Bit) 102 dB typical, A-weighted, 20Hz - 20kHz
Power Requirements:    12W 9VAC
Power adaptors available for:
US and Canada: 120 VAC, 60 Hz Adapter: PS0913B - 120
Japan: 100 VAC, 50/60 Hz Adapter: PS0913B - 100
Europe: 230 VAC, 50 Hz Adapter: PS0913B - 230
UK: 240 VAC, 50 Hz Adapter: PS0913B - 240
Australia: 240 VAC, 50 Hz Adapter: PS0913B - 240-AU

  • Hybrid FireWire/USB2 connectivity — connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FX™ — flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output.
  • 10 inputs / 14 outputs — there's no channel sharing in the UltraLite-mk3 Hybrid; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channels.
  • Classic Reverb™ — provides five different room types, three frequency shelves with adjustable crossover points, shelf filtering and reverb lengths up to 60 seconds.
  • Two forms of compression — a standard compressor with conventional threshold/ratio/attack/release/gain controls and the Leveler™, an accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.
  • Modeled EQ — provides 7-band parametric EQ modeled after British analog console EQs, featuring 4 filter styles (gain/Q profiles) to effectively cover a wide range of audio material. LP and HP filters are also supplied with slopes that range from 6 to 36 dB.
  • CueMix FX cross-platform mixing software — attractive graphic mixing, graphic editing of parametric EQ and a convenient tabbed interface for quick access to all features in one window. Also provides full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
  • “Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
  • Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
  • Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
  • Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
  • Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
  • Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Separate TRS main outs with front panel volume control.
  • Stereo 24-bit 96kHz S/PDIF in/out.
  • Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today's popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2.
  • Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
  • Front panel headphone jack with volume control.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.

Computer Based Recording Packages 

Computer-Based Recording Packages For All Players Of Musical Instruments 

The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

Size/Weight
Dimensions Width 170mm (6-3/4“)
Height 59mm (2-3/8“)
Depth 192mm (7-5/8“)
Weight Weight 770g (1.7 lbs.)
General Specifications
Sampling Frequency Rate USB AUDIO 1.1, 16bit/44.1kHz
Effects
Types Dynamic 1-knob Compressor (COMP) x 2
Storage and Connectivity
Connectivity Headphones Stereo Phone connector x 1
Microphone Mic/Hi-Z input x 2
LINE IN Phone connector x 4 (L/MONO x 2, R x 2)
LINE OUT Phone connector x 2 (L, R)
USB TO HOST USB (TO HOST)
Power Supply
Power Supply USB powered
System Requirements
Windows PC Windows-based computer with built-in USB interface Windows-based computer with built-in USB interface
CPU 1 GHz or better Intel Core / Pentium / Celeron processor 750 MHz or better Intel Core / Pentium / Celeron processor
Support OS Windows Vista / Windows XP Professional / XP Home Edition
Memory More than 1 GB More than 128 MB
Macintosh PC Macintosh computer with built-in USB interface
CPU Intel CPU / Macintosh G3 processor 300 MHz or better
Support OS Mac OS X 10.3.3 or higher
Memory More than 128 MB
Accessories
Included Accessories Cable USB Cable
Others CUBASE AI DVD, Owners Manual

 

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Additional information
Weight 2.00 kg
Weight 1.50 kg
Weight 1.00 kg
Weight 2.00 kg
Weight 2.00 kg
Weight 1.50 kg