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Features: Eight channel / four way split per channel Channels linkable up to 1 in, 32 out Ultra low noise design 'SilentSwitch' Phantom Power switching ?20 dB pad switch 0 to +40 dB Gain available via rear switches Headphone monitoring and PFL metering Electronically Balanced Inputs and Outputs (standard) Transformer balanced Outputs option Intuitive, 'user friendly' layout Flawless audio performance
EC-2 Superb Audio Quality Active microphone and line signal splitting has a number of benefits over using passive splitters: primarily these are improved sound quality, noise figures comparable to the best microphone inputs, and increased resistance to RFI. About the MSX 32 With these benefits in mind, the ARX MSX 32 Active Microphone/Line Splitter has been developed to deliver the performance required by the increasing complexity of today?s standards of audio production. The MSX 32 consists of eight channels of actively buffered ultra low noise Microphone/Line Splitter. Each of these channels has four electronically Balanced splits ? two outputs on the rear panel for Main and Monitor, plus two more output splits on the front panel. All splits have the option of transformer balancing if so specified.Each channel has a ?20 dB pad switch plus silently switchable 48V Phantom power with indicator LED. A PFL switch and 6 LED metering enables each channel to be easily checked with headphones for signal monitoring, and also for line tracing when troubleshooting. Gain through the MSX 32 can be set individually by the small DIP switches on the rear of each channel, from 0dB through to +40 dB in 10 dB stepsA ?Link? switch links each channel to the previous one, providing an ultimate maximum of 32 Outputs from a single input. An indicator LED shows when this is active. A Clip LED indicates imminent signal overload through the channel, and a numbered marker panel on the front provides a space where individual channel connections can be noted. Number stickers are provided to give each channel an individual number for up to 40 channels when multiple MSX32s are being used.Internally, powerful RF input filtering removes both common mode and differential interference at ultrasonic frequencies and above. High CMRR is achieved by the use of precision components throughout. Advanced user options include internally jumper linking Inputs to Main outputs, and Ground lifting Output Pins 1 as required. Internal Power Supply The MSX 32?s internal toroidal transformer based power supply is triple shielded to get the maximum benefit from the ultra low noise design of the splitter circuitry. An illuminated power switch on the front panel provides visual confirmation of AC power connection to the unit.The headphone output and the 6 LED PFL metering are both mounted on the right hand side of the front panel. Rear panel connectors enable this function to be linked when using multiple MSX 32 units. To sum up, this feature packed two RU device is the answer wherever transparent signal buffering and routing is required.
T E C H N I C A L S P E C I F I C A T I O N S Signal / Noise Ratio -94dB Distortion .008% 20Hz - 20KHz Gain through unit Switchable 0, +10, +20, +30, +40 dB Maximum Output +24dB Pad Switch ?20dB attenuation Phantom Power +48VDC slow turn on/turn off Output Impedance 100 Ohms Electronically Balanced (Optional Transformer balancing available) Clip LED 1dB before clipping Headphone Output 2 watts/8 ohms AC Mains Input Fused IEC socket AC Power 100-120V AC 2 amp 220-240V AC 1 amp Transformer Type Low noise shielded toroidal Size 2 RU - 19?W x 3½?H x 8?D, 482 x 89 x 200 mm Weight E model - 15 lbs (7 Kg) |
About the DI6s It's a fact of audio life that a lot of equipment that has to be connected to professional audio systems isn't impedance or level compatible. Interfaces Unlimited Tape/cassette/DVD/CD decks, audio for video, drum machines, synthesizers, bass guitars, computers; at some stage all these need linking up to Balanced inputs, whether the application is Live sound, Studio or Broadcast. To solve these problems, we've developed the DI-6s:
Six active D.I. (Direct Injection) boxes, plus a 6 into 1 Line Mixer, plus a 1 to 6 Splitter, All of this in a compact, all steel 1 RU package.
A Pro Audio Toolbox This unique and flexible audio toolbox allows Six independent unbalanced audio sources to easily and quietly interface with Balanced pro audio systems, either to individual channels or summed down to one Master output. But that's not all. By pressing a single switch on the rear panel the DI6s will change from being Direct Boxes and a Mixer to being a 6 way Splitter (line distribution amplifier). Now it will split an incoming signal to 6 individual outputs or zones. On the front panel, each channel has 2 IN/OUT jacks, a level control from infinity (off) through 0dB to +15dB gain, and a Clip indicator LED.The Master section has a Master volume control and status LEDs indicating whether the unit is in DI or Splitter mode. In addition, as on all ARX single rack unit equipment, each channel has a numbered marker panel ('scribble strip') you can write on for easy confirmation of channel assigns. Balanced Outputs On the rear, each channel has an XLR Balanced output, with associated Ground lift switch and status LED, to isolate the chassis and electronic grounds. The Master section has both Balanced XLR and Unbalanced Jack outputs. In addition there is a Balanced XLR input with a switch to put the unit in either DI or Splitter mode. Universal AC Power AC power range is a universal 100 to 120V or 220 to 240V AC, and is connected to the unit via a removable power lead and standard 3 pin IEC connector, with built-in fuse and voltage change switch. With so many handy functions, plus a true 'user friendly' layout, it's no wonder people call the DI-6s 'A total Audio Patching System in 1 RU!' You'll never compromise on Quality when you choose ARX
Features Unique Pro Audio problem solver Six Direct boxes, Splitter and Line Mixer in one unit Multi mode unit: Six in, Six out; Six in, One out; One in, Six out Individual Output Ground lift switches Up to +15dB Gain available per channel Balanced XLR Outputs; High Impedance Jack Ins and Outs Flawless performance in any audio environment
T E C H N I C A L S P E C I F I C A T I O N S
Channels 1 - 6 High Z Input Impedance 2.2 Meg Ohm Max Channel Gain 15dB Clip LED Illuminates 1dB prior to clip Direct Output Impedance 300 ohms Balanced Max Input Level +20dB Max Output Level +21dB Signal to Noise -96dB(unity gain) Frequency Response 20Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Master Section Output Impedance 300 Ohms Balanced Max Output Level +21dB Signal to Noise -90dB (unity gain) Frequency Response 10Hz to 20KHz, ±0.5dB Distortion < 0.004%, 1KHz, +4dB Output Connector 3 pin XLR Splitter Section Maximum Level + 20dB Input Impedance 20 KOhms, Balanced Input Connector XLR Frequency Response 10Hz?20KHz ±0.5dB AC Power 100-120, 220-240 V AC, 8 VA Size 19?W x 6?D x 1??H, 482 x 155 x 44mm Weight 2.2 Kg (5 lbs)
Front Panel Controls Hi Impedance (Hi Z) insulated jack Input and Output connectors Level control with up to +15dB of Gain available Clip LED indicator Marker panels for labelling DI assigns Master Level controls Rear Panel Balanced XLR Outputs Individual Audio Ground Lift switches and status LEDs XLR and jack Master Outputs XLR Input for splitter Splitter/DI + Mixer mode switch AC input connector, with voltage switch and fuse. | Bring a more professional sound to your mix
Adding a dbx® 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.
dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.
Features
- Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
- New gate timing algorithms ensure the smoothest release characteristics
- Program-adaptive expander/gates
- Great sounding dynamics control for any type of program material
- Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup
- Stereo or dual-mono operation
- Balanced inputs and outputs on 1/4" TRS and XLR connectors
- Side Chain insert
- Classic dbx® "Auto" mode
Specifications
Input Connectors |
1/4" TRS and female XLR (pin 2 hot) |
Input Type |
Electronically balanced/unbalanced, RF filtered |
Input Impedance |
40kΩ balanced/unbalanced |
Max Input |
>+22dBu Balanced or Unbalanced |
Output Connectors |
1/4" TRS, female XLR (pin 2 hot) |
Output Type |
Impedance-balanced/unbalanced, RF filtered |
Output Impedance |
+4dBu: 100Ω balanced, 50Ω unbalanced; -10dBu: 1kΩ balanced, 500Ω unbalanced |
Max Output |
>+21dBu balanced/unbalanced into 2kΩ or greater; >+18dBm balanced/unbalanced (into 600Ω) |
Sidechain |
1/4" TRS Phone, Normalled: Ring = Output (send); tip = Input (return) |
Sidechain Impedance |
Tip = >10kΩ (Input), Ring = 2kΩ (Output) |
Sidechain Max Input Level |
Tip = >+22dBu (Input) |
Sidechain Max Output Level |
Ring = >+20dBu (Output) |
Compressor Threshold Range |
-40dBu to +20dBu |
Compressor Threshold Characteristic |
Selectable OverEasy® or hard knee |
Compressor Ratio |
1:1 to Infinity:1 |
Compressor Attack Time |
Scalable Program-Dependent AutoDynamic™ |
Compressor Release Time |
Scalable Program-Dependent AutoDynamic™ |
Expander/Gate Threshold Range |
-60dBu to +15dBu |
Expander/Gate Ratio |
1:1 to 4:1 |
Expander/Gate Attack Time |
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| The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs. All audio connections are balanced XLR. The built in power supply and single high 19″ rack mount format allows for easy installation and reliable operation.
- 5 Zone mixer / distributor
- Adjusts volume of multiple amplifiers or active monitors separately
- Stereo/mono switch + clip and 5 segment LED on each zone
- Connectors: 4x line in XLR (2x L/R), 10x XLR Out (5x L/R)
- Dimensions: 482 x 152 x 44.5 mm (19"/1U)
- Weight: 2.4 kg
XLR-F balanced (x4) |
XLR-M balanced (x10) |
47k Ω |
200 Ω |
.05% Typical |
> 90dB typical |
+20dBu |
+24dBu balanced |
+6DB |
USA – 105 to 125 VAC / 50-60Hz, 15 W typical |
1.75″H x 19″W x 7.25.0″D (44.5mm x 483mm x 184mm) |
5.34 lbs (2.42 kg) |
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DBX 2215 Dual 15-Band Graphic Equalizer with Noise Reduction
It's amazing. One little button. So much effect. dbx? Type III? Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see.
But hey, Roger wasn't about to stop there. PeakPlus? Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing.
20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!!
SPECIFICATIONS:
INPUT
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Connectors:
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1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip
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Type:
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Electronically balanced/unbalanced, RF filtered
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Impedance:
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Balanced 40k ohm, unbalanced 20k ohm
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Max Input Level:
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>+21dBu balanced or unbalanced
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CMRR:
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>40dB, typically >55dB at 1kHz
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OUTPUTS
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Connectors:
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1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip
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Type:
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Impedance-balanaced/unbalanced, RF filtered
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Impedance:
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Balanced 200 ohm, unbalanced 100 ohm
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Max Output Level:
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>+21dBu balanced/unbalanced into 2k or greater
>+18dBm balanced/unbalanced (into 600)
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SYSTEM PERFORMANCE
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Bandwidth:
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20Hz to 20kHz, +/-0.5dB
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Frequency Response:
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50kHz, +0.5/-3dB
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Noise Reduction In:
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(+/-6 and +/-15dB range):
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Signal-to-Noise:
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>102dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>120dB, unweighted
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Noise Reduction Out:
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(+/-6dB range):
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Signal-to-Noise:
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>94dB, unweighted, ref: +4dBu, 22kHz measurment bandwidth
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Dynamic Range:
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>112dB, unweighted
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Noise Reduction Out:
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(+/-15dB range):
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Signal-to-Noise:
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>90dB, unweighted, ref: +4dBu, 22kHz measurement bandwidth
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Dynamic Range:
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>108dB, unweighted
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THD + Noise:
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Palmer GA MKII Grand Audition MKII
- 24 switchable balanced line outputs
- Intuitive browser-based control software
- Individual level control on each output
- Mono and stereo modes
- Multiple channel selection
- High-quality analogue signal path
- Instant channel switching with no noise or interference
- XLR line inputs and built-in USB media player
- Up to three devices cascadable
When tasting wine, it is important that a comparison is as neutral as possible. The same applies to selecting loudspeakers.To accurately judge sound characteristics, it is essential to listen to different loudspeakers under the same conditions.
Comfortable loudspeaker routing with variable level control for an uncompromising comparison on the sales floor, along with multi-monitor and multi-room applications, are just some of the ways the GrandAudition MK2 can be effectively put to use.
GrandAudition MK2 lets you connect 16 individual loudspeakers or eight loudspeaker pairs and up to eight subwoofers - all with balanced line-level XLR connectors and housed in two 19\" rack units. Depending on how you want to use GrandAudition MK2, the outputs can be selected either individually or as stereo pairs via an intuitive browser-based app or from the unit itself.
Thereby you can choose to just switch between loudspeakers or freely configure any output combination you want, making it not only the ideal solution for a loudspeaker presentation, but also an excellent choice as a central-control-unit for trade fairs, in laboratories and for multi-room sound distribution.
Source material is supplied from a mixer, CD player or digital audio workstation through two balanced XLR inputs - with volume control, of course. But that\'s not all. GrandAudition MK2 is also equipped with a built-in USB media player on which reference titles can be accessed in WAV, AIF, FLAC, MP3 and OGG data formats.
Highlight of GrandAudition MK2
The browser-based remote can be controlled on a tablet or laptop, offering maximum operating convenience. Ethernet and WLAN-capable devices can be used for complete configuration and control of the unit, including channel naming, media player, and other practical functions.
The ability to individually adjust the level for each output and its quick and noiseless switching mechanism, makes it possible to accurately compare loudspeakers and help you reliably guide your customers to select the right loudspeaker. Routing applications that use different levels for each output can also be set up, and a fully analogue signal path with the highest quality is also of course guaranteed with Palmer.
If necessary, you can cascade units to triple the impressive number of 16 channels plus 8 outputs and thus manage even the largest routing scenarios for monitors, such as in presentation areas. You can also use the subwoofer outputs to connect additional loudspeakers without experiencing any technical drawbacks.
In addition to powered loudspeakers, passive loudspeakers can be incorporated with power amps. Signals can also be distributed over multiple line outputs for other applications, for example, by connecting as many as 24 headphone amplifiers to one source signal - an invaluable aid in conference technology and at trade fairs. And to top it all off, GrandAudition MK2 performs remarkably well in measuring laboratories.
In short, GrandAudition MK2, with its clearly arranged features and ease of use, offers comfortable loudspeaker routing with professional sound neutrality.
Product type
Switches
Type
Analog
Signal processing
Analog
Ethernet Functions
Yes
Inputs
2 x balanced
Outputs
24 + 2 balanced
Controls Front panel
1 x Encoder pushbutton , 24 x pushbutton
Display elements front side
2 x signal source LED (XLR / Player , Dual-color signal/clip LED , LED ring for main/channel volume with 0dB and mute LED indicator
Front Panel connectores
2 x XLR 3 pin female , 24 x male XLR socket
Controls Element Back Panel
mains voltage selector , Power On/Off , reset
Connections rear side
2 x XLR , 2 x XLR 3 pin female , 3-pole IEC mains connection (mains socket) , Micro-USB for service purposes , RJ45 (Ethernet) , USB stick
Operating voltage
100 V AC - 240 V AC, 50 - 60 Hz
Fuse
T 630 mA 250V
Power consumption
65 W
Ambient temperature ( in operation )
0 - 40 °C
Installation Height
19\" / 2 U
Dimensions (W x H x D)
482,6 x 89,4 x 282,3 mm
Housing material
Metal
Cabinet surface
Powder-coated
Weight
5,7 kg
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