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The Nano Patch+ really comes into its own when connected between your computer audio interface/soundcard master outputs and a pair of active (powered) monitor speakers. One of the benefits of passive volume attenuation is that you no longer have to control volumes with your softwareʼs master volume fader. Reducing levels from your software only reduces the audio bit depth. It is much more appropriate to keep your software masters at unity and attenuate the audio to your active monitors with a passive controller like the Nano Patch+. This way you can maintain maximum audio resolution and attenuate your monitoring volume with the confidence that the sonic integrity of your audio is not compromised.
No active circuitry, buffers, transistors, batteries, or power supply of any kind can interfere with the main passive output of the Nano Patch+. It simply delivers attenuated signal. Pure, simple transparent.
- Super compact 2 channel analog passive volume control
- Rotary volume attenuation control
- Mute button
- Completely transparent operation
- No power required
- 2 x combo inputs (balanced and unbalanced)
- 2 x TRS outputs (balanced and unbalanced)
- 1 x Mini jack I/O
- available in black and silver
- No signal conversion from unbalanced to balanced! | Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
| Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
- Type: passive
- Number of channels: 2
- Number of inputs: 2
- Input connections: XLR Combo / 3.5mm stereo jack
- Input type: balanced/unbalanced
- Maximum input level: +20 dBu
- Input impedance: 10 kohms balanced/ 5 kohms unbalanced
- Number of outputs: 2
- Output connections: XLR/m, 3.5 mm stereo jack
- Output type: balanced/unbalanced
- Max output level: +20 dBu
- Output impedance: 600 ohms
- Frequency response: 10Hz - 40 kHz +/- 1 dB
- THD: 0,001 %
- Max. attenuation: 85 dB (attenuator), 112 dB (attenuator + mute)
- Controls: Attenuation, Mute, Mono
- Housing material: sheet steel/wood
- Housing surface: powder-coated
- Width: 164 mm
- Height: 62 mm
- Depth: 85 mm
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Sold in pairs, each PreSonus ISPD-4 isolation pad can be divided into halves and configured in several ways so you can use them with virtually any near-field studio monitors. For small, vertically placed speakers, use half of an isolator per side or employ the full pad, whichever works best. Place two half-pads side-by-side to accommodate larger speakers or horizontal placement.
The speakers shown on the photographs are sold separetely. |
MC1.1 - Monitor PreAmp Fall in love with your vinyl again! Hot on the heels of the Drawmer MC2.1 well known for its functionality and transparency comes its new sibling the MC1.1 Monitor Preamp, offering the same fantastic sound but with a revised feature set more suitable for a less complex post production booth or home use where multiple speaker setups are not permissible or even required, and with the addition of a new RIAA phono stage the MC1.1 is a great solution for your precious turntable setup. The front panel is dominated by the two large, independent volume controls for the main line outs and the headphone amplifier, both incorporate a paralleled custom quad pot for excellent channel matching and the smoothest possible action. There are also individual switches for each input source and output section making an elegantly simple yet functional user interface. Features: - Ultra low noise and transparent circuit design.
- Linear power supply with low hum toroidal transformer and internal voltage selector switch.
- 3 Input Sources - Balanced XLR, MP3 Player 3.5mm Jack & Switchable Line/Phono (RIAA MM) RCA.
- Two switchable output stages, Balanced XLR and RCA.
- Mono Sub woofer output available simultaneous to balanced outs.
- Parallelled custom quad pots on main and headphone level controls for excellent channel matching and smooth feel.
- Independent volume controls for the main outputs and headphone section.
- Rugged steel chasis and stylish brushed aluminium cover.
- Can be stacked and is rack mountable (with the MCB 2U mounting kit).
- Dimensions: L 272mm x W 215mm x H 81mm. Weight: 2.5kg.
- Designed and manufactured by Drawmer in the UK.
| CMC2 - Compact Monitor Controller
COMPACT, ACCURATE & AFFORDABLE.
The CMC2 is a compact monitor controller that has been designed to provide the same top quality audio, transparency and accuracy of Drawmer's other monitor controllers, such as the MC2.1 and MC3.1, whilst retaining all the necessary features that the smaller project studio would require without the cost of the advanced features that would seldomly be used.
Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.
Accurate & Transparent
With the same Drawmer pedigree as the MC2.1, the CMC2 circuit is just as transparent and accurate. It's switches and paralleled custom-quad knobs have excellent channel matching, a smooth feel.
You hear exactly what you've recorded!
Multiple Connections
The CMC2 is very well connected: with 2 Stereo balanced jack inputs, plus a 3.5mm jack for your Smartphone/MP3 Player, with variable level control. It supports 2 sets of stereo monitors plus a sub-woofer, each with individual switches so you can activate them in any order, especially useful for A/B comparisons.
In addition, it has a professional quality headphone output with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC2 does through the speakers.
Key Mix check features such as Phase Reverse, Mono, Dim & Mute are also included, to enable you to examine the quality of your recordings with ease.
Compact
The CMC2 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC2 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.
Tough & Secure
Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC2 is built to last. In addition, a Kensington security slot provides protection from thieves.
Features:
- Ultra low noise and transparent circuit design.
- Source switches can be active in any combination. 3 Inputs in Total - Two on ¼” balanced jacks and One 3.5mm Front Panel Aux for your Smartphone/Mp3 Player.
- 2x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
- Timed relay protection on all speaker outputs to prevent power up/down bangs.
- A large volume knob incorporating a parallelled custom quad pot for excellent channel matching and smooth feel.
- A Headphone Amplifier with Individual Level Controls with easy access to the jack on the front.
- Front Panel 3.5mm AUX Input with Level Control for connecting MP3 player, smartphone or tablet etc.
- Mix Checking facilities Include Dim, Phase Reverse and Mono, as well as an easy access Mute switch.
- Kensington security slot (also called a K-Slot or Kensington lock).
- Very low profile desktop enclosure with a footprint of just 18x16cm.
- Stylish and Rugged Enclosure will withstand the knocks of the studio.
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