GUITAR RIG KONTROL is the supreme all-in-one tool for guitar and bass, pairing the Guitar Rig 4 Pro software with an ultra-flexible piece of hardware: Plug into the Rig Kontrol, and you are ready to go. The on-board studio-quality soundcard preserves all details of your instrument and playing style, while the software provides an incredible […]
GUITAR RIG KONTROL is the supreme all-in-one tool for guitar and bass, pairing the Guitar Rig 4 Pro software with an ultra-flexible piece of hardware: Plug into the Rig Kontrol, and you are ready to go. The on-board studio-quality soundcard preserves all details of your instrument and playing style, while the software provides an incredible collection of perfectly modeled classic amps, cabinets, mics and effects – all arranged in a super-simple drag-and-drop rack format. Any style, any time – the perfect solution for professional studio and live setups.
GUITAR RIG KONTROL arrives with stylish black Rig Kontrol 3 for even greater synergy between player and software. With eight switches and a sturdy pedal, the real-time control of any parameter within GUITAR RIG 4 is no different than using pedal effects. Integrated into the Rig Kontrol 3 is a hi-end audio interface featuring crystal-clear 192 kHz, 24 bit-quality analog-to-digital converters, meaning GUITAR RIG KONTROL sounds pristine, and yet is tough and robust enough to thrive in any studio or on any stage. In addition, Rig Kontrol is now also a universal MIDI controller and can be used with any MIDI-compatible software or hardware. Connect it to your DAW or other software / hardware effects and put the world of music production at your feet!
Rig Kontrol 3 foot controller with Audio/MIDI interface
Instrument input and stereo line/headphone output
14 supreme-sounding guitar and bass amps
Brand new Control Room module offers carefully tweaked professional mikings for unparalleled studio tones.
New Matched Cabinets (version 4) offers a harmonized speaker setup for every single amp
48 perfectly modelled guitar effects including distortions, flangers, choruses, tremolos, wah-wahs, pitch shifting, delays and reverbs plus premium features like the loop machine and powerful modifiers.
Improved preset browser with extensive search functions and KORE 2 format compatibility
More than 250 brand new, high-quality presets for all genres
True stereo processing for all components
Cabinets & mics module with 17 guitar and six bass cabinets, four rotary speakers and nine microphones
Integrated tuner, metronome and two tapedeck modules for easy recording
Dedicated “Live View” for performing on stage
All Guitar Rig 4 software versions are fully expandable with upcoming Guitar Rig Expansion Packs
Rig Kontrol foot pedal now works as MIDI interface and MIDI controller (also for 3rd party applications)
System Requirements
Windows® XP (SP2, 32bit) / Vista® (32/64 Bit), Windows 7® (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 1 GB RAM
Mac OS® X 10.5 or higher, Intel® Core™ Duo 1.66 GHz, 1 GB RAM
This product runs in demo mode after installation and must be activated before full functionality is available.
Supported Drivers
Mac OS X: Core Audio™, Windows: ASIO® (recommended), DirectSound™
Supported Platforms
Mac OS X: stand-alone, VST®, Audio Units™, RTAS® (Pro Tools 7/8)
Windows: stand-alone, VST®, RTAS® (Pro Tools 7/8)
Dimensions
Dimensions: 360 x 237 x 102 mm (14.1 x 9.3 x 4 inches)
Weight: 2.6 kg (5.7 lbs)
Weight
2.60 kg
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GUITAR RIG KONTROL is the supreme all-in-one tool for guitar and bass, pairing the Guitar Rig 4 Pro software with an ultra-flexible piece of hardware: Plug into the Rig Kontrol, and you are ready to go. The on-board studio-quality soundcard preserves all details of your instrument and playing style, while the software provides an incredible collection of perfectly modeled classic amps, cabinets, mics and effects - all arranged in a super-simple drag-and-drop rack format. Any style, any time - the perfect solution for professional studio and live setups.
GUITAR RIG KONTROL arrives with stylish black Rig Kontrol 3 for even greater synergy between player and software. With eight switches and a sturdy pedal, the real-time control of any parameter within GUITAR RIG 4 is no different than using pedal effects. Integrated into the Rig Kontrol 3 is a hi-end audio interface featuring crystal-clear 192 kHz, 24 bit-quality analog-to-digital converters, meaning GUITAR RIG KONTROL sounds pristine, and yet is tough and robust enough to thrive in any studio or on any stage. In addition, Rig Kontrol is now also a universal MIDI controller and can be used with any MIDI-compatible software or hardware. Connect it to your DAW or other software / hardware effects and put the world of music production at your feet!
Rig Kontrol 3 foot controller with Audio/MIDI interface
Instrument input and stereo line/headphone output
14 supreme-sounding guitar and bass amps
Brand new Control Room module offers carefully tweaked professional mikings for unparalleled studio tones.
New Matched Cabinets (version 4) offers a harmonized speaker setup for every single amp
48 perfectly modelled guitar effects including distortions, flangers, choruses, tremolos, wah-wahs, pitch shifting, delays and reverbs plus premium features like the loop machine and powerful modifiers.
Improved preset browser with extensive search functions and KORE 2 format compatibility
More than 250 brand new, high-quality presets for all genres
True stereo processing for all components
Cabinets & mics module with 17 guitar and six bass cabinets, four rotary speakers and nine microphones
Integrated tuner, metronome and two tapedeck modules for easy recording
Dedicated "Live View" for performing on stage
All Guitar Rig 4 software versions are fully expandable with upcoming Guitar Rig Expansion Packs
Rig Kontrol foot pedal now works as MIDI interface and MIDI controller (also for 3rd party applications)
System Requirements
Windows® XP (SP2, 32bit) / Vista® (32/64 Bit), Windows 7® (32/64 Bit), Pentium® or Athlon XP 1.4 GHz, 1 GB RAM
Mac OS® X 10.5 or higher, Intel® Core™ Duo 1.66 GHz, 1 GB RAM
This product runs in demo mode after installation and must be activated before full functionality is available.
Supported Drivers
Mac OS X: Core Audio™, Windows: ASIO® (recommended), DirectSound™
Supported Platforms
Mac OS X: stand-alone, VST®, Audio Units™, RTAS® (Pro Tools 7/8)
Windows: stand-alone, VST®, RTAS® (Pro Tools 7/8)
Dimensions
Dimensions: 360 x 237 x 102 mm (14.1 x 9.3 x 4 inches)
Weight: 2.6 kg (5.7 lbs)
* 8-track Digital Portastudio with CD Burner * Records to SD/SDHC Card media * Import audio tracks from CD * Built-in stereo condenser microphone * Two XLR microphone inputs with phantom power * 1/4" stereo line inputs * Switchable instrument-level input for guitar/bass direct recording * Multi-band mastering effects * 2-band EQ per track * Internal reverb processor with dedicated send per track * Chromatic Tuner and Metronome * Track editing, autopunch and bounce features * Optional RC-3F footswitch offers three switches for punch-in and transport operation * Compact and lightweight * Dimensions: 11.4" W x 2.1" H x 8.2" D * Weight: 4lbs
Record to SD/SDHC card (Up to 32GB)
Simultaneously record up to 4 tracks
Record Mode：MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
Recording format：44.1/48/96kHz 16/24bit (WAV/BWF)
TASCAM original HDDA microphone preamps
Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
Two XLR/TRS inputs support +4dBu line level input and phantom power (24 or 48VDC on XLRF)
Plug-in power and high-output mic input supported on inputs 3-4
CAMERA OUT connector for output from the DR-60D's mixer (adjustable gain)
CAMERA IN connector for sound monitoring from the camera
Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
50mW/ch headphone output
Tripod mounting socket (bottom) and DSLR mounting screw attachment (top)
Handles protect the screen and can be used to attach a shoulder strap
Soft-Touch Rubber Keys for silent operation
HOLD switch to prevent accidental operation
QUICK button feature for easy access to various functions
128x64 pixel LCD with backlight
USB 2.0 connection for high-speed transferring of files
Mini USB cable included
Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
Can extend battery life with BP-6AA battery pack (sold separately)
Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
Internal mixer: PAN and LEVEL controls
Low cut filter(40/80/120Hz)
Limiter (1/L and 2/R can be selected for link-operation)
Delay function for microphone distance adjustment (up to 150ms)
M-S decode function
Slate tone generator (AUTO/MANUAL)
Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
Selectable slate tone generation. 3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated
File name format can be set to use a user-defined word or date
Dual-recording function allows two files to be recorded simultaneously at different levels
Auto-record function can automatically start and stop recording at set level
Pre-recording function allows the unit to record a 2 second sound buffer before recording is activated
Self-timer function for solo recording
New file starts recording automatically without interruption when maximum file size is reached
Track incrementing function allows a recording to be split by creating a new file when desired
Jump back and play function
Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
Resume function to memorize the playback position before the unit is turned off
MARK function up to 99 points per audio track
DIVIDE function
SPECIFICATIONS
Recording media
SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV
44.1/48/96kHz, 16/24bit
BWF
44.1/48/96kHz, 16/24bit
Number of channels
4channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector
XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4“)TRS standard jack
Set to "MIC / MIC+PHANTOM“
Input impedance
2k ohms
Phantom power
48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level
0dBu
Minimum input level
-72dBu
MIC input gain
TRIM MAX
LOW
+11dB
MID
+36dB
HIGH
+52dB
Set to "LINE“
Input impedance
10k ohms or more
Standard input level
+4dBu
Maximum input level
+24dBu
3-4 connector
Connector
3.5mm (1/8“) stereo mini jack (this connector can be supplied plug-in power)
Input impedance
10k ohms
Maximum input level
+10dBV
Minimum input level
-50dBV
MIC input gain
TRIM MAX
LOW
+3dB
HIGH
+26dB
CAMERA IN connector
Connector
3.5mm (1/8“) stereo mini jack
Input impedance
10k ohms
Standard input level
-10dBV
Maximum input level
+6dBV
Analog audio output
CAMERA OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-50dBV
Maximum output level
-30dBV
LINE OUT connector
Connector
3.5mm (1/8“) stereo mini jack
Output impedance
200 ohms
Standard output level
-10dBV
Maximum output level
+10dBV
PHONES connector
Connector
3.5mm (1/8“) stereo mini jack
Maximum output level
50mW + 50mW
USB
Connector
Mini-B type
Format
USB2.0 HIGH SPEED mass storage class
REMOTE
Connector
2.5mm TRS jack
Power
Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption
5.4W
Continuous operation time
2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA)
About 2:30 min (Phantom on)
About 4:30 min (Phantom off)
NI-MH batteries (eneloop)
About 3:15 min (Phantom on)
About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 3:45 min (Phantom on)
About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA)
About 5:30 min (Phantom on)
About 10:30 min (Phantom off)
NI-MH batteries (eneloop)
About 7:30 min (Phantom on)
About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro)
About 9:30 min (Phantom on)
About 14:30 min (Phantom off)
Dimensions
133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight
510g (not including batteries)
Operating temperature
0˚C to 40˚C
Standard accessories
USB cable, warranty card, Owner's manual
Computer compatibility
Windows
OS
Windows XP, Windows Vista, Windows 7, Windows 8
CPU
Pentium 300MHz or more
RAM
128MB or more
USB
recommended: USB2.0
Macintosh
OS
Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8)
CPU
Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB
recommended: USB2.0
Audio performance
Frequency response
20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion
0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio
92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise
-120dBu or more
Recording duration
The table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.
File format(recording setting)
SD/SDHC card capacity(hours:mintes)
1GB
2GB
4GB
8GB
WAV/BWF 16bit(STEREO)
44.1kHz
1:41
3:22
6:44
13:28
48kHz
1:33
3:06
6:12
12:24
96kHz
0:46
1:33
3:06
6:12
WAV/BWF 24bit(STEREO)
44.1kHz
1:07
2:15
4:30
9:00
48kHz
1:02
2:04
4:08
8:16
96kHz
0:31
1:02
2:04
4:08
The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
If recorded in mono in WAV files, the maximum recording time will be double the figures above.
For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.
The HD-R1 Solid State Recorder is a two-channel, single rack-mount recording and playback device created with the sound contractor in mind.
Utilizing the highly reliable Compact Flash Card the HD-R1 records 44.1 to 96kHz, 16/24 bit PCM or MP3 files. The ability to control the HD-R1 remotely is provided via RS-232, Parallel, and RJ45 100Mbit Ethernet. File transfer can be accomplished via Ethernet and/or USB (type "A" connector).
To further enhance the HD-R1's feature set, Mic preamps (w/20dB pad) and Phantom Power (rear-panel selectable) have been included. The HD-R1 offers a variety of contractor-friendly I/O options; such as, Unbalanced (RCA), Balanced (XLR and Euroblock), and S/PDIF Digital (Coaxial and Optical).
And of course... the traditional source device features are Power-on-Play, Front Panel Rotary Input Level Controls, Headphone Jack with level control, and a variety of Playback Modes.
* 1U Rack-mount Solid-State Recorder
* Compact Flash Card
* USB host interface for USB Flash Cards
* Audio data formats: PCM (16/24 bit), MP3
* Sampling rates supported: 44.1, 48, 88.2, 96kHz
* Mic/Line XLR (with 20dB pad) balanced I/O
* Phantom Power (rear panel switch and front LED indicator)
* Euroblock terminal (Input and Output)
* Unbalanced RCA (Input and Output)
* Front panel rotary input level controls
* RS-232 interface for control
* RJ45 100Mbit/s Ethernet interface for file transfer and control
* 25-pin parallel remote control interface
* 16 Direct Play via D=SUb25 pin parallel interface
* Power on play (front panel selectable)
* S/PDIF Digital In/Out (Coaxial and Optical)
* Headphone Jack w/level control
* Input through and Auto Fade function
* Input monitoring / mixing of live stereo input along with playback
* Program Play, Folder Play, Shuffle Play, Interval Play modes, etc...
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.%20Pushing%20the%20limits%20of%20V.A.S.T.%20synthesis%20for%20both%20realistic%20and%20experimental%20electronic%20sounds,%20KORE%2064™%20adds%20over%20300%20new%20programs,%20including%20stunning%20new%20Synths,%20Electric%20Guitars,%20Horns,%20Drums%20and%20Percussion.%20With%20KORE%2064™%20installed,%20the%20PC3/K%20built-in%20program%20library%20now%20totals%20over%201400%20presets!br%20%20%20%20/p%20%20%20%20p%20%20%20br%20%20%20%20/p%20%20%20%20p%20%20 %20New%20Setups:br%20%20br%20%20 %2050%20new%20setups%20featuring%20the%20KORE%2064™%20sounds.br%20%20 %20Over%20200%20new%20drum%20grooves%20in%20multiple%20styles.br%20%20 %20New%20Dance%20and%20Hip%20Hop%20setups%20for%20triggering%20and%20controlling%20beats%20in%20real%20time.br%20%20br%20%20 %20New%20Synths:br%20%20br%20%20 %20New%20samples%20modeled%20after%20the%20Oberheim%20SEM,%20ARP%20Chroma,%20TX802,%20CZ1,%20and%20dozens%20of%20legacy%20waveforms%20from%20the%20K%20series.br%20%20 %20Over%20100%20new%20synth%20programs.br%20%20 %20Sounds%20for%20popular%20electronic%20music%20styles%20like%20House,%20Trance,%20Dubstep,%20Drum&Bass,%20Glitch,%20Electro%20Hip%20Hop,%20and%20more.br%20%20 %20More%20real%20time%20controls,%20beat-synced%20modulations%20and%20envelope%20control%20transform%20sounds%20without%20hitting%20the%20edit%20button.br%20%20 %20Atmospheric%20and%20cycling%20pads%20voiced%20for%20performing,%20producing,%20and%20scoring.br%20%20br%20%20 %20New%20Guitars:br%20%20br%20%20 %20New%20samples%20modeled%20after%20the%20Gibson%20Les%20Paul%20and%20Fender%20Stratocaster.br%20%20 %20Palm%20muted%20and%20sustained%20articulations%20playable%20in%20a%20picked%20or%20legato%20style.br%20%20 %20Instant-shredder%20arpeggiator%20patterns,%20whammy%20bar%20effects,%20and%20realistic%20feedback%20emulations.br%20%20 %20Preset%20sounds%20from%20Rock,%20Country,%20Rock-a-Billy,%20Metal,%20Funk,%20and%20more.br%20%20br%20%20 %20New%20Brass/Woodwinds:br%20%20br%20%20 %20New%20alto%20sax,%20tenor%20sax,%20baritone%20sax,%20trumpet,%20and%20trombone%20samples.br%20%20 %20New%20programs%20include%20solo%20instruments%20and%20custom%20sections%20with%20many%20combinations%20of%20the%20different%20instruments.br%20%20 %20Articulate%20with%20pressure%20on%20several%20new%20programs.br%20%20 %20Sections%20cover%20styles%20from%20Big%20Band,%20Soul,%20Funk,%20Latin,%20R&B,%20Hip%20Hop,%20Rock%20and%20more.br%20%20br%20%20 %20New%20Drumsbr%20%20br%20%20 %20Drums%20from%20Yamaha,%20Ludwig,%20Pearl,%20DW,%20Rogers,%20and%20Gretsch%20recorded%20as%20full%20kits.br%20%20 %20Full%20cymbal%20arrays%20recorded%20with%20Zildjian,%20Paiste,%20and%20Sabian%20cymbals.br%20%20 %2072%20new%20Drum%20Kits%20and%2062%20percussion%20instruments%20and%20templates.br%20%20 %2010%20times%20the%20samples%20and%2030%20times%20the%20data%20of%20the%20existing%20PC3/PC3K%20Drums.br%20%20 %20All%20drum%20kits%20have%20mixer%20functioning%20on%20the%20sliders%20to%20change%20the%20level%20the%20kick,%20snare,%20toms,%20hats,%20and%20percussion%20independently.br%20%20 %20Unsurpassed%20realism%20and%20playability%20for%20sampled%20drums.br%20%20 %20Full%20complement%20of%20Electronic%20and%20Processed%20Drum%20samples.br%20%20 %20Scratches,%20hits%20and%20Industrial%20Sounds.br%20%20 %20Wide%20variety%20of%20traditional%20and%20processed%20Percussion%20sounds.br%20%20br%20%20Download%20the%20full%20preset%20Objects%20List%20under%20the%20Downloads%20sectionbr%20%20br%20%20User%20Installable.br%20%20br%20%20Requires: %20PC3K%20OS%20v2.20%20or%20betterbr%20%20 %20PC3%20OS%20v2.20%20or%20betterbr%20%20br%20%20All%20specifications%20subject%20to%20change%20without%20notice.br%20%20%20%20/p/tdtdpThe%20APH-2n%20optional%20accessory%20pack%20includes%20seven%20tools%20for%20use%20with%20the%20H2n.%20The%20remote%20control%20can%20be%20used%20to%20start,%20stop%20and%20pause%20recordings%20as%20well%20as%20to%20add%20marks.%20The%20other%20accessories%20in%20the%20pack%20are%20a%20windscreen%20that%20reduces%20wind%20and%20breath%20noise,%20a%20mic%20clip%20adapter%20for%20use%20with%20a%20mic%20stand,%20a%20tabletop%20tripod%20with%20extendable%20legs,%20a%20padded-shell%20case,%20an%20AC%20adapter%20and%20a%20USB%20cable./p/tdtdTASCAM's%20award%20winning%20DR-60D%20is%20the%20new%20audio%20recording%20solution%20for%20on-set%20filmmakers%20and%20videographers%20using%20DSLR's.%20For%20years,%20filmmakersProSound%20Network%20Best%20of%20Show%20have%20been%20trying%20different%20methods%20for%20recording%20audio,%20using%20bulky%20recorders%20designed%20for%20music%20and%20trying%20to%20transform%20the%20inferior%20audio%20technology%20built-into%20DSLR's.%20Now%20TASCAM%20has%20designed%20an%20answer%20that%20pros%20and%20amateurs%20alike%20have%20been%20waiting%20for.The%20DR-60D%20is%20a%20brand%20new%204-track%20solid-state%20recorder%20utilizing%20TASCAM's%20decades%20of%20experience.%20The%20recorder%20utilizes%20high-grade%20HDDA%20pre-amps,%20legendary%20AD%20converters,%20and%20a%20durable%20but%20lightweight%20structure%20and%20shape.%20This%20device%20will%20fit%20snuggly%20under%20any%20camera%20or%20into%20any%20rig,%20and%20record%20up%20to%2096kHz/24-bit%20high%20quality%20audio%20straight%20to%20SD/SDHC%20media.%20Filmmakers%20have%20at%20their%20disposal%20two%201/4“-XLR%20Locking%20Combo%20MIC/LINE%20Inputs,%203.5mm%20Stereo%20MIC%20Input,%20Camera%20In,%20Camera%20Out,%20Line%20Out%20and%20Headphone%20Out.%20Both%201/4“-XLR%20Combo%20Inputs%20supply%20+48V%20Phantom%20Power%20and%20the%203.5mm%20Input%20supplies%20Plug-In%20Power%20for%20microphones%20requiring%20a%20bias%20voltage.The%20DR-60D%20is%20incredibly%20easy%20to%20use,%20employing%20TASCAM's%20very%20popular%20user%20interface%20and%20external%20controls%20for%20every%20major%20operation.%20The%20body%20structure,%20soft-touch%20keys%20and%20dials%20are%20designed%20specifically%20to%20help%20eliminate%20handling%20noise.%20The%20multiple%20record%20modes%20include,%204-Channel%20Record,%20Auto%20Record%20and%20TASCAM's%20Dual%20Record "DP-08")
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