First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top […]
First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop.
KOMPLETE AUDIO 1
2 inputs: 1x XLR mic in with 48V phantom power, 1x jack input with individual gain control
Outputs: Stereo RCA out
VU-meter for adjusting levels
Direct monitoring for blending audio playback while recording
Big volume knob
Headphone out with high power output and volume control
USB 2.0 bus powered
Audio quality: Premium quality at 192 kHz and 24 bit
Included software: Ableton Live 10 Lite, MASCHINE Essentials, MONARK, REPLIKA, PHASIS, SOLID BUS COMP, and KOMPLETE START
Weight
0.60 kg
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First up is the imaginatively named Komplete Audio 1. It has 1 XLR microphone input and 1 regular jack input for instrument or line level. Outputs are on RCA phono for connecting to your hi-fi speakers and a headphone output with its own level control. It’s got some sweet VU LED meters on the top and a lovely big volume knob like the Audio 6 before it. It has direct monitoring and an input/host mix knob so you can hear playback while recording. Simple, elegant, USB powered, good quality recording and playback for your computer or laptop.
KOMPLETE AUDIO 1
2 inputs: 1x XLR mic in with 48V phantom power, 1x jack input with individual gain control
Outputs: Stereo RCA out
VU-meter for adjusting levels
Direct monitoring for blending audio playback while recording
Big volume knob
Headphone out with high power output and volume control
USB 2.0 bus powered
Audio quality: Premium quality at 192 kHz and 24 bit
Included software: Ableton Live 10 Lite, MASCHINE Essentials, MONARK, REPLIKA, PHASIS, SOLID BUS COMP, and KOMPLETE START
8 channels of premium 24-bit 192K AD/DA conversion
4 digitally controlled 75db microphone preamps
2 fully balanced inserts on mic pre channels
4 Hi-Z instrument inputs capable of handling high level instruments
2 individual, controllable and assignable high level headphone outputs
2, 6 or 8 channel monitor outputs
8 channels of ADAT I/O
FireWire 400 I/O, compatible with OS X Core Audio (no driver required)
2 channels of SPDIF I/O
“Soft Limit” for maximum digital input level without overs
“UV22HR” for superior dither of 24 bit resolution down to 16-bit
Advanced, dual-stage "Intelliclock”
Complete integration and control with Appleʼs Logic Pro Software
Compatibility with any CoreAudio software applications
Apogeeʼs Maestro Software for advanced control and routing outside of Logic Pro
he U46XL is a powerful multi-purpose 4-in 6-out multi-channel audio interface designed for various recording applications at home or on the road. The U46XL is the successor of to ESI Audio's famous U46DJ interface.
As its predecessor, it provides 2 stereo line inputs, a microphone input with +48V phantom power and a headphone output. A main difference is the improved analog circuitry improving the audio quality as well as the professional microphone preamplifier with XLR input. This makes the U46XL the perfect solution to record signals from dynamic or condenser microphones on the road or in your studio.
The unit also features an instrument input (Hi-Z), typically to connect a guitar directly to it. Two totally separate stereo line input on the backside provide 4 simultaneously usable input channels at one time. There are also 6 independent individual outputs on the backside, perfect for multi-channel playback applications like to provide individual outputs for software synthesizers, to provide independent playback channels for DJ software or to provide surround playback capability via a 5.1 setup. A separate mix output with professional TRS outputs could be used to connect U46XL to professional stereo studio monitors.
A cool feature is the DirectWIRE support in the driver, allowing you to record signals from one application to another internally. U46XL works with this driver based on our EWDM technology under Windows XP and Windows Vista/7, however U46XL is also Mac OS X compatible.
U46XL ships with Cubase LE 4 from Steinberg for Mac and PC to start recording on a professional level right out of the box.
Front-panel control — access any setting in your entire UltraLite-mk3 Hybrid mix directly from the front panel.
“Reverb return" stream — allows users to record or mix UltraLite-mk3 Hybrid reverb output separately in their DAW. Effects can also be applied when the UltraLite-mk3 Hybrid is operating stand-alone (without a computer) as a complete stand-alone mixer.
Stand-alone operation — program your mixes at the studio and then bring the UltraLite-mk3 Hybrid to your gig — no computer needed. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Do it on site using the back-lit LCD and front-panel controls.
Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear — with no latency.
Two combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with phantom power, pad and plenty of gain.
Eight 24-bit 192kHz analog inputs and outputs on balanced/unbalanced 1/4" TRS jacks
Precision Digital Trim™ — Digitally controlled analog trim on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs) provides accurate adjustements in 1 dB increments. Fine-tune the balance of your analog inputs and then save/recall trim configurations.
Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the UltraLite-mk3 Hybrid is resolved to an external clock source via SMPTE time code.
Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
Expandable — add additional interfaces for more I/O as your needs grow.
Separate TRS main outs with front panel volume control.
Stereo 24-bit 96kHz S/PDIF in/out.
Includes drivers for Mac & PC, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
100% compatible with all host-based effects processing in today's popular audio programs.
Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
Plug-and-play operation with your Mac or PC via FireWire or USB2.
Front panel volume control for monitoring. Stereo, Quad, 6.1, 7.1 and user-defined surround monitoring setups available.
Front panel headphone jack with volume control.
Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 9.5 x 7 x 1.75 inches (24.13 x 17.78 x 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits one half of a standard 19 inch (48.26 cm) rack at 1U high.
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