| Content |
Bass Station II is an analogue mono-synth based on the classic original Bass Station but re-worked for the 21st century. It has two filters, two oscillators plus a third sub-oscillator, patch save and a fully analogue effects section. Add a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.
Specifications Synth engine Oscillators - Osc 1
- Osc 2
- Sub Osc (3)
- Noise generator
Osc 1 & 2
Select between waveforms:
- sine
- triangle
- sawtooth
- square/variable pulse width
Features
- Sync 1 & 2
- Detune
- Octave range
- Pitch bend
- Pitch modulation from Mod Envelope and/or LFO 1
- Pulse width modulation from Mod Envelope and/or LFO 2
Sub Osc (3) which is tracked to Osc 1
Select independently between waveforms:
Features
- All modulation and tuning tracked to Osc 1
- Independent octave select
Mixer - Osc 1 level
- Osc 2 level
- Sub Osc level
- Noise generator level
- Ring modulation depth
- External signal level
Filter
Two filter types
- Acid type (diode ladder filter design)
- Classic type (derived from original Bass Station)
Features
- Cutoff
- Resonance
- Overdrive
- Filter frequency to Mod Envelope depth
- Filter frequency to LFO 2 depth
Select 'Classic' filter between:
- Low pass
- Band pass
- High pass
- 12dB slope
- 24dB slope
Envelopes
Two ADSR Envelopes (Attack/Decay/Sustain/Release)
- Amp Envelope
- Mod Envelope
- Combined control of both Envelopes
Select triggering mode between:
- Single trigger (holds envelope state when new note is played)
- Multi trigger (re-triggers with every new note played)
- Autoglide (engages portamento)
There is also a VCA limiter
LFO
Two LFOs each selectable between:
- Triangle
- Sawtooth
- Square
- Sample and hold
- Both LFOs independently adjustable between rate and delay time
- Key sync LFO 1 & 2
- LFO slew on LFO 1& 2 (low pass filter on the LFO waveform)
Effects - Distortion send
- Oscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)
Step Sequencer/Arpeggiator
Arpeggiator
- Up to 32 different patterns
- Select between 1-4 octave range
- Swing function
- Select direction:
- up
- down
- up / down 1
- up / down 2
- As played
- Random
- Latch (hold the arpeggiator)
Step Sequencer
- Up to four sequences
- Assign one of 32 preset rhythms or create your own
- insert rests or legato (slide)
- Sequencer re-trigger function
Portamento - Adjust glide time
- Single trigger or re-trigger modes
- Integrate into step sequencer and arpeggiator
Hardware & controller assignment - 25 note synth-action keyboard
- Aftertouch can be assigned to modulate:
- Filter frequency
- LFO 1to Osc pitch
- Osc 2 speed
- Pitch wheel
- Modulation wheel can be assigned to:
- LFO 2 to filter frequency
- LFO 1 to Osc pitch
- Osc 2 pitch
- Octave up/ down buttons
- 64 factory presets
- 64 slots for user patches (and patch dump facility for storing more)
- Master volume dial
Inputs and Outputs - USB MIDI (for connecting & powering Bass Station II via host computer)
- Mono output on 1/4" TRS jack
- Headphone output on 1/4" TRS jack
- External input on 1/4" TRS jack
- Sustain pedal input on 1/4" TS jack
- MIDI IN / MIDI OUT ports on 5 pin din
- DC power input
- Switch between power off / DC powered / bus powered
Dimensions - 18" wide x 10.75" deep x 3" tall
|
Synth engine
• Up to 18 note polyphony (dynamic voicing)
• Mono-Timbral
Per patch:
• 3x oscillators
• 1x noise generator
• 2x ring modulators
Waveforms include:
• Square, sine, tri, sawtooth, pulse, 9x saw:pulse combinations.
• 20x digital waveforms
• 36x wavetables
Filtertypes:
2x filters per patch
• low pass no resonance 6dB per octave
• low pass 12dB
• low pass 18dB
• low pass 24dB
• band pass 6:6
• band pass 6:12
• band pass 12:6
• band pass 6:18
• band pass 18:6
• band pass 12:12
• high pass no resonance 6dB per octave
• high pass 12dB
• high pass 18dB
• high pass 24dB
Sources:
20 modulation slots per patch
• 6x envelope generators
• 3x LFOs.
• Aftertouch
• Velocity
• Key scaling/track
• Mod wheel
• Expression pedal
Total of 66 Destinations including:
• Oscillator pitch, pulse width, wavetable index, level and sync
• Filter cutoff, resonance, envelope settings
• Effects parameters and send levels
• Recursive modulation (modulating modulation sources themselves)
5 Effects slots per patch
• Distortion – up to 2 instances
• Compressor – up to 2 instances
• Chorus/Phase – up to 4 instances
• Delay – up to 2 instances
• Reverb – up to 2 instances
• Gator
• EQ
•12 band vocoder
• Arpeggiator – 33 patterns
• Chord function – lock up to 10 notes
• Patch storage up to 512 on hardware (ships with 300 factory patches)
Hardware
• 144 character LCD
• 8x detented touch sensitive encoders
• 1x large smooth encoder (with back-lit filter lock buttons)
• 1x large patch select/speed dial encoder
• 2x volume & monitor mix dials
• 39 LED lit/indicated buttons
• Pitch wheel (LED lit)
• Modulation wheel (LED lit)
• 37 note keyboard with velocity and aftertouch
• XLR dynamic mic input
• 2x ¼” jack inputs
• 2x ¼” jack outputs
• 2x ¼” jack aux outputs
• 1x ¼” jack headphone output
• SPDIF digital output on RCA connector
• Expression pedal on ¼” jack input
• Sustain pedal on ¼” jack input
• MIDI in/out/thru
• 12 volt power input
• USB port (UltraNova can be powered via USB)
• Kensington Lock port
|
In Tyros5 Yamaha has created the ultimate performance keyboard, with outstanding sounds, enhanced DSP effects, and accompaniment Styles so real it's like being backed by the worldʼs finest musicians. The Tyros5 brings a level of authenticity like no instrument before it.
Whether sketching composition ideas, carefully crafting the perfect arrangement or delivering a memorable performance, the Tyros5 is your perfect companion.
Ensemble Voice is an amazing new feature that reproduces true 'divisi' playing in a section. In the past, a Voice like Brass Quartet would use a sample of four players, which sounded great. However, if you played two notes you'd get eight players, which could sound great but isn't the most realistic. Tyros5 Ensemble Voices always get the same number of players because Tyros5 has the musical knowledge of a professional music arranger. Play two notes with a Brass Quartet Ensemble Voice, and Tyros5 will send the trumpets to the top notes and the trombones to the lower notes; it's an incredibly realistic sound.
Ensemble Voices also utilize parameters which enliven the performance to reproduce the subtle variations in timing heard in a real ensemble. This provides an authentic sound that sounds as if a group of actual performers were playing and allows you to enjoy playing like an instrumental quartet with ease.
Keyboard Type Organ (FSX), Initial Touch/Aftertouch Number of Keys 76 Keys Sensitivity Hard1, Hard2, Medium, Soft1, Soft2 Number of Voices 1279 Voices + 480 XG Voices + 37 Drum/SFX Kits Number of Preset Songs 16 Number of preset Chords 539 Display Type TFT VGA 7.5 inch LCD Display Size 640 x 480 dots USB Capability Yes Mono/Poly Yes Metronome Yes MIDI Yes Polyphony 128 Tone Generating Technology AWM Stereo Sampling Recorder Capability Yes Pitch Bend Yes Effects Reverb, Chorus, DSP, Master Compressor, Master EQ Modulation Yes Style Creator Yes Transpose /Tuning Yes USB Audio Recorder Yes Headphones Output Yes Microphone Input Yes Inputs/ Outputs Headphones, Microphone, MIDI, AUX IN, LINE OUT, RGB OUT, USB Dimensions (W x H x D) 1347mmx142mmx450mm Weight 16g Color Silver Accessories Manual, Aναλόγιο, USB Wireless LAN Adaptor
|
Info
Music production station. 24 notes polyphony, 16 parts, degmatolipsia in 48.0Khz, 409 oscillators, 16 different filter types, 32 master and 38 insert effects. Sequencer with 64 steps in each part. 16 dynamically backlit pads, ability to save files in format Ableton. Audio L / R outputs, MIDI IN / OUT, Micro USB 2, card slot SD. Weight 1,6 Kg.
| Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synthesis and the classic wavetables it now sports a whopping 60 megabytes of sample memory.
Just imagine to add a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.
Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.
All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.
And although it comes for an unbeatable price tag, we add something very special. It comes:
From Waldorf with Love!
Features:
- 60 Megabyte sample memory
- Class compliant USB MIDI for PC,Mac and Linux
- 16 part multimode
- maximum 25 voices polyphony
- highest quality standard keybed with 49 weighted keys and aftertouch
- Internal power supply
- Pitchbend and modulation wheel
- Virtual analog, wavetable, and sample based oscillators
- MIDI in/out
- Sturdy metal case
- Stainless steel rotary encoders
- Backlit 128x64 pixel LCD
- Over 1000 sounds
- 3 oscillators, 2 filters per voice
- Selectable drive curves
- Frequency modulation for oscillators and filters
- Three LFO, four envelopes per voice
- Extensive modulation capabilities
- Complex arpeggiator
- Powerful effects section
- weight: apprx 8,-- kgs
- weight in carton: apprx 9,5 kgs
| Info
The ARP Odyssey has been downsized to 86% of the original ARP Odyssey. Carefully selected parts are used in the familiar slider section, providing an operating feel that's even smoother than the original. The keyboard uses a 37-note slim keyboard that features lighter weight and excellent playability. While making the instrument more compact and easier to use, we have also paid attention to ensuring that the mini-keyboard is uncompromisingly "playable." Although the keyboard has 37 keys, the transpose function lets it cover a broad range of seven octaves.
|
Reviews
There are no reviews yet.