NPG CB-410 Instrument Microphone 48V

47.11 incl. GR VAT

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Type: Black Electret Condenser Polar Pattern: Uni-Directional Frequency: 50Hz-16KHz Sensitivity: -45dB Output Impedance: 250 Ohm Mixer Phantom Power: +48V Ideal for wind & string  musical instruments

 

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Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string  musical instruments

Weight 1.00 kg

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Quick Comparison

NPG CB-410 Instrument Microphone 48V removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeELECTRO VOICE PL37 OVERHEAD CONDENSER CARDIOID MICROPHONE removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE remove
NameNPG CB-410 Instrument Microphone 48V removeSHURE KSM-137SL - Cardioid Instrument Microphone 20Hz to 20kHz removeBEYERDYNAMIC M 88 TG Dynamic Microphone (Hypercardioid) removeELECTRO VOICE PL37 OVERHEAD CONDENSER CARDIOID MICROPHONE removeSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz removeSENNHEISER E-906 SUPER-CARDIOID DYNAMIC MICROPHONE remove
Imagebeyerdynamaic m 88 tg dynamic hyperdioid microphoneSHURE BETA-57A - Instrument Microphone 50Hz to 16kHz
SKUCB-410KSM137/SLM-88 TG001810BETA57AH10SE00105
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Price 47.11 incl. GR VAT 396.80 incl. GR VAT 419.99 incl. GR VAT 88.00 incl. GR VAT 175.00 incl. GR VAT 189.00 incl. GR VAT
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Description
  • Legendary, universal all purpose microphone classic
  • Perfectly suitable for stage and studio
  • Unbelievably rich sound
  • Made in germany
Content
Type: Black Electret Condenser
Polar Pattern: Uni-Directional
Frequency: 50Hz-16KHz
Sensitivity: -45dB
Output Impedance: 250 Ohm
Mixer Phantom Power: +48V
Ideal for wind & string  musical instruments

The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Features

  • A highly consistent cardioid polar pattern
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
  • Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics

  • Extended frequency response
  • Low self noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level
  • No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference

APPLICATIONS

Some typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed.

  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind
  • Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums

Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

Suggested Applications

Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording

Technical Data

Transducer Type: Dynamic
Polar Pattern: Hypercardioid
Microphone Frequency Response: 30 - 20.000 Hz
Connection Type: XLR 3-pin

Made in Germany

Like all members of the M series, the M 88 TG is handcrafted in Germany. The materials and the precise craftsmanship that go into the microphone ultimately create a world-class product, a level of quality that turns an ordinary microphone purchase into a long-term investment.

 
Perfect for heavy bass Sources
The M 88 TG excels on the kick drum, saxophone and percussions, the result of a balanced sound profile and deep bass tones. It is a must-have for every microphone collection. And why shouldn’t it be when you consider its features? It is both insensitive to high sound pressure levels and feedback resistant thanks to its nearly perfect hypercardioid!  
Flexible tool iN The studio

The M 88 TG excels in the studio with the help of its multifaceted flexibility. No matter whether the job involves vocals, horns, guitar amplifiers or drums – the microphone is the perfect choice for the widest range of sources. It is all the result of its exceptionally broad frequency response and rich sound.

Audio Frequency Response    50 Hz - 16,000 Hz
Case Material    Die cast zinc
Connector Type    3-pin XLR
Dynamic Range    107 dB
Element    Condenser (self-biased)
Finish    Textured Satin Black
Impedance, Low-Z balanced    200 Ω
Maximum SPL (1% THD)    132 dB
Mic Type    Instrumental
Open Circuit Voltage    6 mV/Pascal
Polar Pattern    Cardioid
Power Requirement    11 to 52 VDC, 4 mA
Wired/Wireless    Wired
Weight Net    6.21 oz (176 g)

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. The Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
  • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
  • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
  • Neodymium magnet for high signal-to-noise ratio output
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Frequency response: 50 to 16,000 Hz
Suggested Applications Guitar Amp Bass Amp Acoustic Guitar Brass/Saxophone Snare Drums Rack/Floor Toms Congas Woodwinds Lead Vocals

The supercardioid e 906 instrument microphone was especially designed for
guitar amplifiers, but it is also an excellent choice for percussion and brass
instruments.

Features
Lively, full sound
Very fast attack
Flat shape of microphone body perfect for guitar amps 
Three adjustable sound characteristics (bright, normal, smooth)
Hum compensating coil
Rugged metal body
Delivery Includes
e 906 microphone
MZQ 100 clamp
Pouch
User manual

Technical Data
Pick-up pattern  supercardioid 
Frequency response  40...18000 Hz 
Sensitivity in free field, no load (1kHz)  2,2 mV/Pa 
Nominal impedance  350 Ohm 
Min. terminating impedance  1000 Ohm 
Dimensions  55 x 34 x 134 mm 
Weight  140 g 

Weight1.00 kg0.50 kg0.600 kg0.18 kg0.50 kg0.32 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.50 kg
Weight 0.600 kg
Weight 0.18 kg
Weight 0.50 kg
Weight 0.32 kg