| Content | DJ mixer with Player
- 3 input channels, switchable 2 x phono/line and 1 x USB/line
- MP3 player for external USB storage media up to 32 GB, e.g. USB flash drives or portable players
- All input channels with gain control, 3-band equalizer and cue button
- DJ microphone input with talkover selector, level control and 3-band equalizer
- Pre-fader listening (CUE) to the input channels and the master output via adjustable headphones output, with cue mix control
- Crossfader for crossfading between the phono/line channels
- 5-digit stereo LED level meter, switchable between master and PFL signal
- Additional recording output
- Operation via supplied power unit
- Power supply: 230 V AC, 50 Hz ~
- Power consumption: 4 W
- USB port: USB type A
- Available storage media: USB devices up to 32 GB (FAT32)
- Playback format: MP3, WAV
- Inputs: Line/phono: 2 x stereo RCA, Line: stereo RCA, DJ microphone: 6.3 mm jack, unbal.
- Outputs: Master: stereo RCA, Record: stereo RCA, Headphones: 6.3 mm stereo jack (min. 32 ohms)
- Frequency range: 20-20000 Hz
- S/N ratio: >75 dB
- Distortion:
| • Bluetooth playback
• Talk over function
• VU channel indication
• MP3 / Phone input selector
Core Beat is the little brother of the Core MIX-3 USB. It has 6 Line inputs, a microphone input and a Bluetooth playback module. The Bluetooth playback module makes it possible to mix your connected players with wireless devices such as a smartphones or tablets. It also has an input that can be switched between line and MP3 level. The MP3 level adjusts the input sensitivity into the correct level for MP3 players, smartphones or tablets. Now you can playback your MP3 devices directly without signal loss. It's built with high quality components to get the best performance and has a separate fader board for easy maintenance The Core Beat has all functionality you need to get your DJ career started. It is equipped with VU indication on each channel, selectable cross-fader curves, a talk over, outputs for both master and booth and with -26dB tone control you will cut any beat you like. Let the Beat rock!
Specifications Inputs channels: 1 x Microphone, combo XLR/Jack
6 x Line, RCA
1 x Bluetooth
Output channels: 1 x Record, RCA
1 x Booth, RCA
1 x Master unbalanced, RCA
1 x Headphones, TRS 6.3mm Jack
Channel EQ range: -26dB / +12dB
Microphone EQ range: -12dB / +12dB
Frequency response: 20Hz -20Khz
Mic S/N Ratio: > 80dB
Line S/N Ratio: > 85dB
Dimensions: 247 x 331 x 84 (WxDxH)
Power input: AC15V/750mA (Adapter included)
Power consumption: 8W
Weight: 4,1 Kg |
- 5 MIC (JACK ¼”) / stereo LINE (RCA) input channel mixer
- Input signal pushbutton selector (MIC/LINE) on back panel
- PFL on all inputs for headphone monitoring
- Independent internal assignable phantom power for all MIC inputs
- Channel 1 features integrated TALKOVER on MIC input. Additional front panel MIC connector (JACK ¼”)
- Direct MIX input allows straight forward connection of further mixers
- Triple tone control (accessible only with screwdriver)
- 2 stereo OUTPUTS (XLR3 / RCA) with independent volume control
- 3 LED OUTPUT level meter
- 2 additional stereo REC outputs (REC1, REC2)
- Mono mode pushbutton
- Full remote MUTE control (EUROBLOCK) allows connection with fire detection systems
The SAM mixer series has been specially designed for all public address and communication systems requiring a minimum risk of unwanted external manipulation.
Frequently used controls are easily accessible. Specific adjustments remain only accessible by the installer for precise and permanent settings.
SAM SERIES are very easy to use, even for non-technical users. All this is packed into a compact, 1 unit high, 19'' rack unit.
SAM series general KEY features
- Universal 1 RU, 19” installation mixers
- Excellent frequency response
- Balanced MIC and stereo LINE inputs and main outputs
- Reliable proprietary power supply
- Ideal for any application requiring a trouble free mixer
| DIGITAL PRO MIXER DDM4000 Ultimate 5-Channel Digital DJ Mixer with Sampler, 4 FX Sections, Dual BPM Counter and MIDI
- 32-bit digital DJ mixer with beat-synchronized sampler, 4 multi-FX sections, 2 patented* BPM counters, digital crossfader and MIDI
- 4 Phono/Line stereo channels allowing max. 8 signal sources to be connected simultaneously
- 2 Microphone inputs with Gain, EQ, Talk function and FX
- 4 stereo channels with Gain, programmable parametric 3-band EQ with Kill function, fader curve control and flexible crossfader assignment
- Sophisticated sampler with beat-controlled loop function, real-time pitch control, sampler FX and crossfader start option
- 2 freely assignable and BPM-synchronized, high-quality FX engines (Bitcrusher, Resonator, Reverb, Flanger, etc.)
- Ultra-fast, accurate and patented* BPM counters for automatic BPM synchronization of sampler, FX, crossfader and external drum machines, etc. via MIDI
- Digital crossfader with flexible curve adjustment, reverse button and automatic, BPM-synchronized crossfading
- Dual-mode crossfader with innovative frequency-selective crossfading
- Dedicated Headphone section includes PFL Mix/Split and Bass/Snare boost functions
- Recall your last mixer setting at the push of a button
- Digital S/PDIF output for direct recording of your performance
- Rack mount brackets included for ultimate flexibility
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
- * U.S. Patent No.: 6812394 / German Patent No.: 102 23 735
| Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. | Channels (Mono + Stereo) 12 + 4
Auxiliaries (MON, FX, AUX) 2 Pre, 2 Post, 2 Pre/Post switchable
Maximum Midband Output Power,1 kHz, THD=1%, Dual Channel into 4 Ohms 2 x 1000 W
Power Requirements (SMPS with auto range mains input) 100 V .. 240 V AC, 50 Hz .. 60 Hz
Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W
Dimensions (W x H x D), mm with lid 663.5 x 164.5 x 498.5
Net Weight, with lid 17.0 kg
MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively.
With its extended buss structure, the PowerMate-3 offers very flexible configuration options. In all, 6 AUX busses are available:
2 (FX) are assiged to the two effects sends;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. Three-band tone controls are provided and a Balance control replaces the PAN control found in the mono channel strips.
Master
In the Master Section, too, the PowerMate is lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation.
The Master B signal is available pre or post Master L/R fader and can be mono-summed if desired. The Master signal is also available on the REC Send cinch (RCA) output with level control. The level meters of the PowerMate comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the PowerMate and a PC or Mac.
Four channels can be transmitted in either direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the menu.
For the use of the PowerMate with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included free-of-charge on the supplied DVD.
PC-MIDI-Interface
The PowerMate also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
Professional Effects, OLED Display and Processing Menus
The PowerMate has two integrated stereo multi-effects processors that work independently of one another, each offering 100 effects algorithms optimized for live performance, the most important parameters of which are editable. Linear 24-bit AD/DA converters and 48-bit double-precision processing guarantee the finest studio quality based on state-of-the-art technology.
The 100 program locations of each device are packed with high-quality reverbs, halls and plates that deliver professional results in live performance on stage as well as in both studio and home recording environments. Other presets include Echo/Reverb and Chorus/Reverb combinations, a variety of delay, flanger, chorus and doubling algorithms, as well as special reverb and delay programs. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key.
Edited effects programs can be stored in the 20 User memories, assigned names, and later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menüs
For the basic settings, configuration, use of the effects and special functions, a wide variety of editing options can be selected from a multitude of menus.
Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus.
LPN-Processing
Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter.
Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange.
Speaker Protection
This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability.
Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. Once the maximum permissible power handling of the connected loudspeaker cabinet has been selected from the menu—the actual peak dynamic power handling capacity in audio applications of almost all loudspeaker cabinets is many times this nominal value—the speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly.
For peak levels of short duration, the full output of the power amplifier remains available, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability.
Professional Class-D High-Performance Power Amplifiers
The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient Class-D technology.
What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms), comparatively little dissipation is generated within the device, and the power consumption is thereby dramatically reduced—by more than 55% compared with conventional power amplifiers! The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems.
The audio performance is on the highest professional level, as is shown by the PowerMateʼs exemplary figures for freedom from distortion, slew rate, and freedom from intermodulation.
The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which makes it possible to use the PowerMate virtually anywhere in the world without reconfiguration. Voltage surge protection is also integrated, whilst a ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on.
The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise.
The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks; furthermore, the PowerMate is equipped with a processor-controlled thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers.
Innovative Solution for Protection and Transportation
The PowerMate 1000 and 1600 are supplied with a very robust plastic lid with an integrated handle—a highly innovative solution that offers optimal protection for the device as well as greater carrying comfort.
For the larger PowerMate 2200, due to its greater size, a flight-case solution is recommended (available as a further option is a dust cover: the DC-PM2200-COVER).
3 years warranty of Greek distributor |
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