Latency-free analogue signal path Customisable Level indicator L/R with +4, +10 and +18 dBu calibration options Correlation meter for verifying mono-compatibility Two headphone outputs with volume controllers and main cue selector switches Three analogue inputs, one S/PDIF input Three loudspeaker outputs with volume controllers for level calibration Mono summed output for subwoofer or mono monitor […]
Level indicator L/R with +4, +10 and +18 dBu calibration options
Correlation meter for verifying mono-compatibility
Two headphone outputs with volume controllers and main cue selector switches
Three analogue inputs, one S/PDIF input
Three loudspeaker outputs with volume controllers for level calibration
Mono summed output for subwoofer or mono monitor
Main and cue direct outputs
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button.
The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\’s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style.
Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount.
Product type
Other Studio and Recording Equipment
Channels
3 x switchable balanced outputs, 1 x CUE output, 1 x main output
Inputs
3 + SPDIF
Input connectors
3.5 mm TRS , 6.3 mm jack , RCA , SPDIF
Input type
balanced/unbalanced (depending on TS/TRS connection)
Level indicator L/R with +4, +10 and +18 dBu calibration options
Correlation meter for verifying mono-compatibility
Two headphone outputs with volume controllers and main cue selector switches
Three analogue inputs, one S/PDIF input
Three loudspeaker outputs with volume controllers for level calibration
Mono summed output for subwoofer or mono monitor
Main and cue direct outputs
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button.
The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal\'s left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style.
Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount.
Product type
Other Studio and Recording Equipment
Channels
3 x switchable balanced outputs, 1 x CUE output, 1 x main output
Inputs
3 + SPDIF
Input connectors
3.5 mm TRS , 6.3 mm jack , RCA , SPDIF
Input type
balanced/unbalanced (depending on TS/TRS connection)
Max. input level
20 dBu
Input impedance
(balanced) 10.000 Ohm(s) , (unbalanced) 5.000 Ohm(s)
Outputs
7 x stereo
Output connectors
TRS balanced (1 - 3) , TRS unbalanced (CUE, MAIN, headphones 1 & 2)
Output impedance
600 Ohm(s)
Frequency response
12 - 90000 Hz
Total Harmonic Distortion (THD)
0.002 % (BW 20 - 20,000 Hz)
Signal-to-noise ratio (SNR)
102 dB (a-weighted) @ + 4 dBu
Dynamic range (DR AES17)
115 dB
CMRR
> 55 dB
Max. attenuation
(Attenuator + Mute) 111 dB , (Attenuator) 86 dB
Controls
attenuation , Audio DIM , input selector , mono , mute , output selector , PFL source , Talkback
Housing material
sheet steel , wood
Cabinet surface
Powder coated
Width
254 mm
Height
84 mm
Depth
215 mm
Weight
1,512 kg
CMC2 - Compact Monitor Controller
COMPACT, ACCURATE & AFFORDABLE.
The CMC2 is a compact monitor controller that has been designed to provide the same top quality audio, transparency and accuracy of Drawmer's other monitor controllers, such as the MC2.1 and MC3.1, whilst retaining all the necessary features that the smaller project studio would require without the cost of the advanced features that would seldomly be used.
Can you trust the audio that your current monitor controller is providing? Is it colouring the sound? For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. The active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller.
Accurate & Transparent
With the same Drawmer pedigree as the MC2.1, the CMC2 circuit is just as transparent and accurate. It's switches and paralleled custom-quad knobs have excellent channel matching, a smooth feel.
You hear exactly what you've recorded!
Multiple Connections
The CMC2 is very well connected: with 2 Stereo balanced jack inputs, plus a 3.5mm jack for your Smartphone/MP3 Player, with variable level control. It supports 2 sets of stereo monitors plus a sub-woofer, each with individual switches so you can activate them in any order, especially useful for A/B comparisons.
In addition, it has a professional quality headphone output with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC2 does through the speakers.
Key Mix check features such as Phase Reverse, Mono, Dim & Mute are also included, to enable you to examine the quality of your recordings with ease.
Compact
The CMC2 packs a lot of features into a small package. With a footprint of just 18x16cm and a very low profile the CMC2 won't hog your desk space like some other controllers do. And if your on the move it's small enough to pop into a bag to take anywhere.
Tough & Secure
Whilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC2 is built to last. In addition, a Kensington security slot provides protection from thieves.
Features:
Ultra low noise and transparent circuit design.
Source switches can be active in any combination. 3 Inputs in Total - Two on ¼” balanced jacks and One 3.5mm Front Panel Aux for your Smartphone/Mp3 Player.
2x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons.
Timed relay protection on all speaker outputs to prevent power up/down bangs.
A large volume knob incorporating a parallelled custom quad pot for excellent channel matching and smooth feel.
A Headphone Amplifier with Individual Level Controls with easy access to the jack on the front.
Front Panel 3.5mm AUX Input with Level Control for connecting MP3 player, smartphone or tablet etc.
Mix Checking facilities Include Dim, Phase Reverse and Mono, as well as an easy access Mute switch.
Kensington security slot (also called a K-Slot or Kensington lock).
Very low profile desktop enclosure with a footprint of just 18x16cm.
Stylish and Rugged Enclosure will withstand the knocks of the studio.
The Mackie Big Knob Passive is a monitor controller that allows you to choose between two audio sources and two monitor pairs. It can be used for project and professional studios and is designed to increase your workflow for recording and mixing applications.
It features mono, mute, and dim functions and delivers pristine audio quality. Built with the classic Big Knob volume control, it is designed with a passive audio path, which requires no power supply. The Big Knob Passive studio monitor controller is sturdy and has a built-like-a-tank design.
The Big Knob Passive features a download for ProTools | First and Waveform software and The Musician\'s Collection plug-in package including 23 high-quality plugins with BBD Delay, Level Lite, 304E EQ, and 304C Compressor. To authorize the software, simply input the mixer\'s serial number on the website.
Choose between two sources and two monitor pairs
Classic Big Knob volume control
Mono, mute, and dim functions
Flexible source connections including convenient 3.5mm input for your smartphone
1/4\" inputs and outputs support balanced or unbalanced connections
Passive design requires no power source
Content
Pro Tools | First and Waveform OEM professional software and plugin packages included
The DAW Essentials Bundle for Waveform OEM includes 16 powerful plugins like Equalizer, Compressor, Reverber8, and Limiter
Included Software from Avid, including Pro Tools | First
An industry standard for decades, Pro Tools | First is easy enough for beginners yet sophisticated enough for experienced musicians. Get many of the same tools used by your favorite artists and recording studios. And now you can collaborate online with anyone, anywhere, and create at the speed of your imagination. Available for macOS and Windows operating systems.
In addition to the powerful plug-ins within Pro Tools | First, this mixer comes with the exclusive Mackie Musician Collection featuring 23 fantastic plug-ins, including:
Avid 304E EQ: Add musical warmth with a treble and bass equalizer with sweepable mid control
Avid 304C Compressor: Tweak the clarity, balance, and rhythmic feel of music with this optical-modeled compressor
BBD Delay: Create delay, chorus, and vibrato effects based on a classic guitar pedal
Black Op Distortion: Add rich distortion based on a classic distortion pedal
Black Shiny Wah: Achieve the famous classic tones of a respected wah wah pedal
Black Spring Reverb: Get the twang and space of a vintage amplifier
C1 Chorus: Emulates a classic chorus pedal
DC Distortion: Dial up a range of overdriven tones with this Avid custom distortion effect
Eleven Lite: Get the sound of popular guitar amps and speaker cabinets
Flanger: Create esoteric sounds with this homage to vintage and modern flangers
Graphic EQ: Sculpt frequencies with ease
Gray Compressor: Add warmth to tracks based on a vintage Ross compressor
Green JRC Overdrive: Get the coveted sounds of a classic IC overdrive pedal
In-Tune: Keep your instruments in tune with this digital tuner
Orange Phaser: Create interesting effects with this phase shifter based on a classic design
Roto Speaker: Recreate the sounds of a Leslie rotary speaker cabinet
Sci-Fi: Add analog synth-type ring and frequency modulation
Studio Reverb: Create natural-sounding reverb and ambient effects
Tape Echo: Add vintage analog delay and chorus effects
Tri Knob Fuzz: Get the Hendrix tone with this fuzz box based on one of the first fuzz pedals
Vari-Fi: Create the effect of audio changing tape speed
Vibe Phaser: Add phase-shift and rotary speaker effects
White Boost: Boost gain without coloring tone
Inputs
4 x 1/4\" TRS Balanced/Unbalanced Line Inputs 1 x 1/8\" / 3.5 mm TRS Unbalanced Stereo Input
Outputs
4 x 1/4\" TRS Balanced/Unbalanced Monitor Outputs
Mono/Mute/Dim
Yes
Frequency Response
10 Hz to 30 kHz (±1 dB, 0 dBu Input)
THD + N
The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. A great way to passively attenuate stereo signals from soundcards, CD players, pre-amps, and mixers, the M-Patch 2 front panel rotary controls allow precise level adjustments for two input sources. Featuring balanced combo XLR/TRS input jacks and XLR outputs, RCA & 3.5mm jack inputs, mono/stereo summing switch, Mute switch, A/B output pairs, and a built in stereo headphone amplifier, the M-Patch 2 has all bases covered.
- High quality? passive volume attenuator
- Great monitor switching device
- 2 x Input channels, 2 x Output channels
- Combo, RCA, & 3.5mm input connectors
- XLR outputs (balanced or unbalanced depends on the inputs selected)
- Mono/Stereo summing switch
- System mute function
- Built in headphone amplifier
- Quality components and rugged construction
- Desktop or Rack-mountable installation
- External 16Vac power supply (Supplied. Only required for operation of headphone amplifier)
Palmer Monicon, and the volume is right!
With Palmer Monicon, your monitor volume is always under control. The passive mini-mixer with the oversized control is inserted between the stereo output of the notebook, PC or interface and an active monitor system and thus permits convenient and precise volume control of the monitors from the workstation. The passive circuitry with only a few components has absolutely no affect on the sound. Mute and mono buttons make it possible to mute the outputs and merge the stereo output signal into a mono master signal.
The inputs and outputs of the controller are equipped with XLR connectors and the 3.5mm stereo TRS sockets usually found on computers. Combo input sockets also permit connection with 6.3 mm TRS plugs. Thus the Palmer Monicon is compatible with both professional and consumer equipment. Genuine wood sides make the practical studio tool in its massive powder-coated sheet steel housing an elegant looking "little helper" that is a typical Palmer product.
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