EWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL

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EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most […]

 

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EWI PDI-100 PARA ACOUSTIC DI Box
 
This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups. 
The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists. 
 
The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.
 
This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4″ jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

Weight 0.50 kg

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Quick Comparison

EWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removePRESONUS HP-60 Headphone Amplifier 6 Channels removeFOCUSRITE ISA ONE Microphone Pre-amplifier removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeGOLDEN AGE PRE73 DLX Microphone preamp remove
NameEWI PDI-100 Para Acoustic DI Box PREAMP TONE CONTROL removePRESONUS HP-60 Headphone Amplifier 6 Channels removeFOCUSRITE ISA ONE Microphone Pre-amplifier removeAUDAC AUCPR12 Two-zone 10-channel stereo Preamplifier removeARX E-PRE ULTRA COMPACT MIC PREAMP FOR HD RECORDING removeGOLDEN AGE PRE73 DLX Microphone preamp remove
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SKUPDI-100APA2018-00893ISA ONEAUCPR12E-PREPRE-73 DLX
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Description
Content EWI PDI-100 PARA ACOUSTIC DI Box   This is a medium grade professional application Para Acoustic Active DI, which will work well on instruments with passive pickups or active pickups.  The construction is reasonably rugged and the components are well suited for the application yielding results that are typically acceptable for all but the most discerning artists.    The on-board tone and volume controls give the operator a lot of choices in shaping their sound prior to sending the signal to the mix console.  This allows an artist to use this device in-place of or in addition to a traditional stage amp for their instrument.  This is an excellent choice for IEM bands, or bands that like to keep their stage volume low.   This item is typically used to split the instrument signal going to a stage amp so a feed can be sent also to the mix board, or be used as a stand-alone instrument pre-amp.  It is equipped with a ¼” jack for input, a 1/4" jack for output to a stage amp, one XLR jack for the send to the board and a TRS jack for inserting an FX device.Since this is an active D.I. box, it needs to be powered which can be done either with Phantom Power from the mix board, or with the supplied internal 9v battery.  The battery is fairly easy to change by removing one screw in the bottom of the case.

The PreSonus HP60 is the most flexible and advanced headphone amplifier system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent,
loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each
channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input. Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channelʼs external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:
-Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
-Two sets of stereo inputs (A and B) with balanced TRS connectors
-Stereo external input point on each channel for "more me” with trim control
-Mix control between inputs A and B
-Talkback with external XLR microphone with control
-Direct stereo line output on each channel

Input A

(2) ¼” TRS balanced 10 Ohms

Input B

(2) ¼” TRS balanced 10 Ohms

External input

TRS stereo unbalanced 10 Ohms

Headphone amplifier output power

150 mW RMS (60 Ohms) per channel

Audio outputs

¼” TRS stereo unbalanced per channel

Master controls

Talk button, Talkback volume, Input A, Input B

Channel controls

Headphone level, Mix A/B control, External input level, Mono, Mute

External talkback

XLR with TS external control jack

Power

IEC 110V-240V internal switching

ISA OneClassic Single-channel Microphone Pre-amplifier with Independent D.I. Key Features ISA Series Transformer-based Pre-amplifier Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone pre-amplifier at its lowest cost to date. Flexible Independent D.I. Channel ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC. Switchable Impedance Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone. Optional Stereo 192kHz ADC This optional card embodies cutting-edge conversion technology, incorporating Focusrite analogue circuitry to deliver the best A-D performance in its class (Dynamic range of 119dB). Rugged Custom Flight Case Built to protect your ISA One from the rigors of the road. Rugged plywood construction with a solid polypropylene exterior and reinforced corners. Headphone Output with Volume Control ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit. Dedicated Insert Point Allows you to place extra processing between the pre-amplifi er or D.I. and the optional converter, such as an EQ or compressor. Specifications Analogue Channel Inputs
  • XLR Mic input
  • One XLR and one TRS line input
  • XLR Instrument input TRS Jack
  • External ADC input TRS Jack
  • TRS jack return
Analogue Channel Outputs
  • TRS jack send
  • XLR balanced line output
  • XLR DI output
  • TS jack DI through
Analogue Channel Additional I/O
  • TRS Jack cue mix left input
  • TRS Jack cue mix right input
  • 1/4” TRS Jack headphones output
Mic Input Response
Gain range 0dB to 60dB in 10dB steps + 20 dB of variable gain
Input Impedance Switched Impedance setting Equivalent Input Impedance at 1kHz Low = 600 Ohms ISA110 = 1400 Ohms Med = 2400 Ohms High = 6800 Ohms
EIN (Equivalent Input Noise) -126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz/22kHz band-pass filter
Noise Noise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu
Signal-to-Noise Ratio 106 dB relative to max headroom (9dBu)
Total Harmonic Distortion + Noise Measured at medium gain (30dB) with a 1kHz -20dBu input signal and with a 22Hz/22kHz band-pass filter
Frequency Response At minimum gain (0 dB) -0.5dB down at 10Hz and -3dB down at 125kHz
At maximum gain (60dB) -3dB down at 16Hz and -3dB down 118kHz
CMRR (Common Mode Rejection Ratio) 98dB (Channel 1, 1kHz, maximum gain with +24 dBu input)
Crosstalk Channel to Channel With 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA
Line Input Response
Gain range -20dB to +10dB in 10dB steps + 20 dB of variable gain
Input Impedance 10 kΩ from 10 Hz to 200 kHz
Noise Noise at main output with gain at unity (0 dB) measured with 50 Ω source impedance and a 22Hz - 22 kHz band pass filter -96 dBu
Signal-to-Noise Ratio Measured with a 22 Hz-22 kHz band pass filter 120 dB relative to max headroom (24 dBu) 118dB relative to 0dBFS (+22dBu)
Total Harmonic Distortion + Noise Measured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter 0.0001%
Frequency Response At unity gain (0 dB) -0.3dB down at 10Hz and -3dB down at 200kHz
Instrument Input Response
Gain range 10dB to 40dB continuously variable
Input Impedance High = greater than 1M Low =greater than 300k
Noise Measured with 22 Hz-22 kHz band pass filter Minimum gain (+10 dB): -92 dBu Maximum gain (+40dB): -62dBu
THD At minimum gain (+10)
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
Meters
Moving Coil (MC) Meter factory calibrated to 0VU = +4dBu with 1kHz sinewave. With the VU Cal button pressed the meter can be adjusted on the rear panel to allow 0VU to equal +10dBu to +26dBu with the centre detent being equal to +22dBu.
Peak LED Meters Calibrated in the detent position for 0dBFS = +22dBu, calibration is adjustable on the rear panel to allow 0dBFS to equal +10dBu to +26dBu
Routing for MC and Peak1 meter is after the HPF, pre insert send or switched post insert return. Peak2 is always pre ADC channel 2, which can be fed by external input or Instrument input.
LED Levels As follows, when peak calibration is set to center detent on the rear panel. (This is when using the internal ADC). 0 = +22dBu -2 = +20dBu -6 = +16dBu -12 = +10dBu -18 = +4dBu -42 = -20dBu
Frequency Response At minimum gain (+10 dB) -10dB input: 10Hz-100kHz +/- 0.6dB
At maximum gain (+40 dB) -40dB input: -2.5dB down at 10Hz and 0dB at 100kHz
High-Pass Filter
Roll-Off 18 dB per octave (3 pole filter)
Frequency Fixed 75Hz measured at the 3dB down point
Weight and Dimensions
W x D x H 220mm (W) x 104mm (H) x 254 - 290mm (D - top to bottom) 8.66" (W) x 4.1" (H) x 10" - 11.4" (D - top to bottom)
Weight 3.9 kg 8.6 lbs

The CPR12 is an easy to use, flexible and multifunctional 10 channel pre-amplifier. Six of these input channels are selectable between Mic / Line level and equipped with a 3 band tone control. The first two can be switched to priority and phantom power. The other four channels are direct line inputs.

Every input channel has its own gain and fader volume control with PFL button which makes it possible to pre-listen each input or output channel with the built-in pre-listening speaker, and can be routed to one or both output channels. This makes the CPR12 a full two-zone system.

Other present features are a priority input, a recording output, separate sub-out channels and the 24 V DC emergency power connection. This last feature makes it possible to power the CPR12 with emergency power when the main power is shut down. In this case, the priority input will automatically mute all input signals, and a evacuation message will be announced. The steel 19" housing has a height of 2 HE.


  • 10 audio input sources
  • 6 Mic / Line inputs with 3 band EQ
  • 4 Direct Line Inputs
  • Fader volume control
  • Two output zones
  • Built-in pre-listening speaker
  • Priority input for emergency situations
  • + 15 V DC Phantom power
  • Works on 24 V DC emergency power
Specifications
  • Model Name / Type: CPR12 / 10 channel 2 zone pre-amplifier
  • THD+N:
  • Signal/Noise: > 90 dB
  • Frequency Response: 20 Hz - 20 kHz
  • Phantom Power: + 15 V DC
  • Emergency Power: + 24 V DC
  • Power Supply: 100 - 240 V AC / 50 - 60 Hz
  • Dimensions (W x H x D): 420 x 88 x 320 mm

Features
Superlative sound
Studio quality mic preamp
Total control - Input Gain, EQ contour, Output Gain,
Overload indicator
Multiple output connectors
XLR/jack combo input 
Switchable 48 V DC Phantom Power for condenser Mics
Compact, computer friendly package
Needs no external power supply
 
ARX is proud to introduce the e-pre - the ultimate microphone pre-amp for
hard disk recording, designed by audio professionals, not computer engineers.
The all-new e-pre is so much a part of your system that it fits right into a spare
5?" slot in your computer case! It's the perfect tool for all your day-to-day
recording requirements. No equipment racks to plug in, no masses of cabling to
connect - the e-pre is ready and waiting when you need it.
The e-pre is a studio quality microphone pre-amp using the same internal components
as high end mixing consoles, built into a compact, computer friendly package.
It has controls for:
Input Gain - fully variable from 10dB through to 60dB to suit all types of microphones,
plus switchable 48 V Phantom Power to enable condenser microphones to deliver
their best.
A Contour control for EQ sweetening, providing fast, easy access to a whole range
of useful EQ curves
Output level control - fully variable to match the e-pre's output to the input of the sound
card. From -10dB consumer cards through to +4dB for professional sound cards, the
e-pre can handle it.
Multiple output connectors match up with any kind of sound card, including mini jacks,
standard jack, RCA (phono) plugs, and even a connector to link to the internal CD ROM
audio input of your sound card (if fitted).
We've even fitted a 12 VDC input connector on the rear to enable the e-pre to run from an
external power supply if required (eg for use with notebook computers or stand-alone use).

Any way you look at it, the e-pre by ARX is the total professional microphone pre-amp for
all your hard disk recording needs

e-pre Benefits
Professional Balanced XLR mic input
True 48v phantom power
Runs into the Line input of ANY sound card - uses the card you've already paid for
High headroom = clean recordings
Smart EQ
Compatible with non-computer audio equipment
Professional performance and specs in a user friendly package
 

T E C H N I C A L  S P E C I F I C A T I O N S
Input Impedance
Mic 2 K Ohms Balanced; XLR type Pin 1 Audio Ground, Pin 2 +, Pin 3-
Line 25 K Ohms Balanced, ?" TRS jack Tip +, Ring , Sleeve Audio Ground
Phantom Power Voltage Switchable +48 V DC on XLR Pins 2 and 3
Max Input Level Mic +15 dB, Line +20 dB
Input Gain 10 dB Minimum, variable to 60 dB Maximum
Output Level -10 dB variable through 0 dB to +4 dB
Overload Indicator Measured at all Gain points throughout the circuitry
Output Noise -90 dB Unweighted, -97 dB 'A' weighted
(Measured with Gain nominal 20 dB, Output level -10 dB)
Frequency Response 20 - 20 KHz ± 0.25 dB
Distortion
100 Hz 0.0085%
1 KHz 0.008%
10 KHz 0.0083%
(Measured with Mic Gain 20 dB, Output 0 dB)
Power Requirements 12 V DC from either computer supply or external supply
(external power supply not included in e-pre package)
Size 148mmW x 42mmH x 150mm D (5?“W x 1?H x 6“D)
Weight Under 1 Kilo (2.2 lbs)
 

The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.
This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.

The circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.

FEATURES

- Vintage Style electronics. No intergrated circuits in the signal path.
- Maximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.
- Gain range on the Line input: -20 to + 10 dB.
- Switchable impedance on the mic input, 1200 or 300 Ohms, will change the tone of most mics.
- Switchable phantom power and absolute phase.
- A high-impedance instrument input for any sound module, electric guitar or bass.
- A simple but effective 4-step LED output level meter.
- The output level controls makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.
- Combo XLR/TRS input jacks and separate output XLR and TRS jacks for flexible connections.
- Insert jack for inserting EQ´s and other units.
- External high power power supply to avoid interaction with the audio circuits and transformers.
- A solid build quality that will last many years of normal use.

The PRE-73 DLX has a number of improvement and new features compared to the PRE-73 MKII:
- Tantalum capacitors in the signal path.
- Selectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.
- Output Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.
- The circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.
- The Insert jack can be switched in/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.
- Switchable 600 ohm Output Termination and Ground Lift on the back panel.
- Selectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.
- The DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.
- Relays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.
- Revised gain switch for added headroom.
- Circuit board star grounding scheme.
- Revised power supply with separate regulators for the audio circuits and relay and LED circuits.

Weight0.50 kg2.00 kg4.00 kg6.80 kg1.00 kg3.60 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 0.50 kg
Weight 2.00 kg
Weight 4.00 kg
Weight 6.80 kg
Weight 1.00 kg
Weight 3.60 kg