DBX 530 PARAMENTRIC EQ MODULE

346.00 incl. GR VAT

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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, […]

 

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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.

The dbx 530\’s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\’s ?On? switch.

Load up your 500 Series rack with dbx 530 Parametric EQs­­ and cut your way through mixes like an audio surgeon!

Weight 1.00 kg

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DBX 530 PARAMENTRIC EQ MODULE removeXANTECH VDA51 DIGITAL TO ANALOG CONVERTER removeBSS Z-BLU101 Signal Processor removeAPOGEE SIOC Electronics Symphony I/O Chassis removeKRAMER FC-4208 Balanced/Unbalanced Audio Transcoder removeWORK WDR 24 Wireless digital audio receiver remove
NameDBX 530 PARAMENTRIC EQ MODULE removeXANTECH VDA51 DIGITAL TO ANALOG CONVERTER removeBSS Z-BLU101 Signal Processor removeAPOGEE SIOC Electronics Symphony I/O Chassis removeKRAMER FC-4208 Balanced/Unbalanced Audio Transcoder removeWORK WDR 24 Wireless digital audio receiver remove
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SKUDBX 530VDA51Z-BLU101SIOCFC-4208WDR 24
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Description
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The dbx 530 Parametric EQ offers a unique degree of equalization flexibility in the popular 500 Series format. Based upon the classic dbx 905, the dbx 530 is an uncompromising equalizer offering true, fully parametric operation of all three filter bands! dbx has a much-heralded history with modular processors dating back to our 900 Series, and the dbx 530 continues that tradition.

The dbx 530\'s overlapping bands each offer control of frequency bandwidth (Q) and up to 15dB of reciprocal cut or boost to provide exact, complimentary filter action for the most demanding of equalization needs. For problem situations requiring the removal of spurious signals, each of the bands can be independently switched into ?infinite notch? mode without affecting the operation of others. In situations where a shelving equalizer will produce better results than a peaking one, the 530’s high and low bands can be independently switched from peaking to shelving operation. You can also make instant affected/bypassed comparisons using the 530\'s ?On? switch.

Load up your 500 Series rack with dbx 530 Parametric EQs­­ and cut your way through mixes like an audio surgeon!

SPECIFICATIONS
Input: Coaxial RCA digital audio, PCM stereo or Dolby Digital
Output: Left and Right RCA analog
Frequency Response: 20Hz to 20kHz, (+/- 0.5 dB)
THD: 0.025%
Power Requirement: Input: 100V~240V AC, Output: 5V DC (use Xantech supplied power supply only)
Dimensions (W x H x D):
Unit: 4-3/4” x 1” x 1-15/16” (119 x 25 x 48 mm)
Single pack carton: 7-1/4” x 3-1/2” x 6-1/2” (185 x 85 x 165 mm)
Weight:
Unit: 0.25 lbs (0.12 kg)
Single pack carton: 0.85 lbs (0.40 kg)

The Soundweb London BLU-101 offers a fixed configuration of 12 analog inputs and 8 analog outputs, configurable signal processing, AEC processing, and a high bandwidth, fault tolerant digital audio bus.

The BLU-101 has open architecture which is fully configurable through HiQnet™ London Architect. A rich palette of processing and logic objects and a "drag and drop” method of configuration provide a simple and familiar design environment.

The BLU-101 contains dedicated AEC processing for up to 12 independent AEC algorithms. The AEC algorithm can be applied to signals coming from the local analog inputs or from the digital audio bus. 12 individual AEC references (one per algorithm) allow the user to provide a solution for multiple conferencing spaces using a single device.

Automatic Gain Control (AGC) and Noise Cancellation (NC) are also provided per AEC algorithm. AGC ensures that microphone levels remain at an optimum level, and NC removes steady state noise (such as from a projector fan or air conditioning device) from the signal path.

This processor features a low latency, fault tolerant digital audio bus of 48 channels which uses standard Category 5e cabling giving a distance of 100m between compatible devices. Fiber media converters can be used to increase the distance between devices to over 40km.

The BLU-101 is compatible with the entire Soundweb London family and its 48 channel digital audio bus represents channels 1-48 of the larger 256 channel digital audio bus when integrated with the BLU-800, BLU-320, BLU-160, BLU-120, BLU-BIB and BLU-BOB devices.

Analog Inputs provide software configurable gain in 6dB steps up to +48dB per channel and software selectable Phantom Power per channel.

Phantom Power, Signal Present and Clip information per channel is easily accessible, without the requirement for a PC, from clear front panel LED indication. A bi-directional locate function allows devices to be identified both from and within HiQnet London Architect.

12 Control Inputs and 6 Logic Outputs allow the BLU-101 to be integrated with GPIO compatible devices. The Soundweb London Interface Kit, comprehensive documentation which details how Soundweb London systems can be integrated with third party control systems, is included within the installation of HiQnet London Architect.

The BLU-101 and the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

Key Features:
• 12 Analog Inputs (with 48v Phantom Power per Channel)
• 8 Analog Outputs
• Configurable Signal Processing
• 12 Channels of AEC Processing with Auto Gain Control and Noise Cancellation
• Rich Palette of Processing and Logic Objects
• 48 Channel, Low Latency, Fault Tolerant Digital Audio Bus
• Clear Front Panel LED Indication
• Bi-Directional Locate Functionality
• 12 Control Inputs and 6 Logic Outputs for GPIO Integration
• Soundweb London Interface Kit for Third Party Control System Integration (Documentation)
• HiQnet Device
• Configuration, Control and Monitoring from HiQnet London Architect

The Symphony I/O Chassis from Apogee provides two I/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I/O. Elegant and easy to use, the front panel of Symphony I/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).

The rear panel provides access to the two I/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I/O connectors and termination, LoopSynch I/O connectors, and a quiet digitally-controlled fan to keep everything running cool.

The Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.

The optional five I/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I/O.

Two input/output module slots Ethernet connector USB 2.0 connector Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card Wordclock I/O and LoopSync I/O Wordclock termination switch Sixteen, 10-segment meters Two multi-function encoder knobs OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection Two 1/4" headphone outputs 7-segment sample rate display Clock source display Meter source display High-performance, temperature controlled fan  Connectors     2 x 1/4" TRS phone Headphone
2 x Symphony I/O PC-32 Ports
1 x Ethernet
1 x USB
2 x BNC Wordclock I/O
2 x BNC LoopSync I/O
Headphones     THD+N: -105dB @ 19dBu
Dynamic Range: 119dB, A-weighted
Output Impedance: 30Ω
Power Requirements     90~240VAC, 50/60Hz, 150W
System Requirements     Mac OS X 10.5.8 and above
Dimensions (WxDxH)     19 x 11.5 x 3.5" (483 x 292 x 89mm) 

INPUT:    4 balanced +4dBu/50kΩ on female XLR connectors; 4 unbalanced 1Vpp/50kΩ on RCA connectors.
OUTPUT:    4 unbalanced 1Vpp/49Ω on RCA connectors; 4 balanced +4dBu/49Ω on male XLR connectors.
MAX. OUTPUT:    18Vpp.
BANDWIDTH (-3dB):    30kHz.
S/N RATIO:    Better than 89dB.
THD:    Less than 0.02%.
POWER SOURCE:    115-230V AC, 50/60Hz, 3.7VA.
DIMENSIONS:    19" x 7" x 1U W, D, H, rack mountable.
WEIGHT:    2.4kg (5.3lbs) approx.
ACCESSORIES:    Power cord.

WDR 24 is a wireless receiver in the operating free band ISM 2.4 GHz, which has been designed to work with the transmitter WDT 24, creating a digital audio wireless system. The transmitter WDT 24 can work with one receiver, or with up to 10 receivers WDR 24, covering a distance of more than 30 metres in open places.
  • Wireless Digital Audio Receiver System
  • Operating Band ISM 2.4GHz (free band).
  • One transmitter WDT 24 paired with one receiver WDR 24, or one transmitter WDT 24 paired with up to ten receivers WDR 24.
  • GFSK digital modulation/demodulation.
  • External antenna can help to increase the transmission distance.
  • Intelligent Frequency Hoping can help to avoid interference effectively and to ensure the channel quality.
  • Automatic mute in bad channel quality conditions or high error code rate.
  • Transmission distance higher than 30 meters in open places.
  • Up to three transmitters WDT 24 in a zone
  • Balanced XLR and unbalanced ¼\'\' jack outputs
  • Working mode: stereo or mono
Power Supply AC 9V-500 mA 50/60 Hz
Frequency 2404-2476MHz
Channel 25
Modulation/Demodulation GFSK
Receive Sensitivity (WDR 24) -84dBm (min.)
Transmitted Power (WDT 24) 6 dBm
Output Level (WDR 24) +13dBu (BAL max.)
Input Level (WDT 24) +5dBu (max.)
Bandwidth >=1.8 MHz
Frequency Response 20Hz - 20kHz, +3dB / -3dB
S/N >80 dB
Dynamic Range @ 1 kHz >90 dB
Crosstalk @ 1kHz >90 dB
THD
Weight1.00 kg0.40 kg4.10 kg2.50 kg2.40 kg450.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 0.40 kg
Weight 4.10 kg
Weight 2.50 kg
Weight 2.40 kg
Weight 450.00 kg