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- 1,000 Watts RMS, 1500 Watts peak
- Subwoofer line output
- Monitor send
- Digital effects
- 8 Combination XLR/1/4 inputs
- Input pads
- Analog record output capability
- Front panel effects defeat
- FLS? exclusive feedback detection circuit
- Footswitchable effects defeat
- Dual 9-Band Main/Mon Graphic EQ
- Individual signal and clip detection LEDs
- Effect to monitor return
- Individual signal and clip detection LEDs
- Bluetooth? capability
- Four twist lock outputs
- Footswitchable master mic mute
- Optional rack mount kit available
- MidMorph? EQ
- KOSMOS? bass enhancement
- USB MP3 Player
- Selectable Main/Main or Main/Monitor power amp modes
- 3-Band EQ per channel
- Product Dimensions: 39.37 cm x 23.81 cm x 19.69 cm
- Weight Packed: 7.3 kg
- Width Packed: 34.29 cm
- Height Packed: 48.26 cm
- Depth Packed: 30.48 cm
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This innovative product comes in a very modern and user-friendly design. It combines finest analogue input circuitry and operating surface with the advantages of its digital master and amplifier section making for a new dimension of flexibility in its class. The acoustical performance meets everything that you have come to expect from a quality Dynacord product.
Its feature package includes: 5 MIC/LINE input channels with compressor / limiter and talk-over function, 3 Stereo Inputs including Jack, RCA and USB connectors, onboard player for MP3 or WAV audio files, high quality effects section with 32 editable presets, 3 Master outputs with 7-band EQ each and flexible signal routing options, delay line for Master-B (150 msec / 50m), headphones control, LPN speaker processing, class-D 2 x 450W RMS respectively 2 x 600W / 4 Ohms IHF-A power, micro-controlled power supply (100V – 240V), Direct-Drive option for 100V speaker lines, comprehensive protection package, live and install connectivity, optional rack mount kit.
The input structure of the PM 502, along with the entire feature package and connectivity, positions this mixer at the heart of many installations ranging from Bistros, small clubs, lounges, boutiques, hotel bars and lobbies to churches, mosques and a wide range of similar applications. Further the PM 502 is an extremely versatile tool for a multitude of live applications. It will be the ideal choice for entertainers, DJs and small bands looking for a compact and light-weight solution for live applications or rehearsal venues. The onboard MP3-Player on the front, allows the user to easily play pre-recorded music from a USB stick or a hard drive. The digital USB interface on the rear also allows for basic recording.
Channels (mono + stereo)
5 + 3
Microphone inputs
5 x XLR/Jack socket
Auxiliaries (FX, AUX)
1 Post, 1 Pre
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
640 W
into 8 Ω
350 W
Max. dual channel output power, dynamic headroom, IHF-A
-
into 4 Ω
2 x 600 W
into 8 Ω
2 x 340 W
Max. single channel output power, continuous, 1 kHz, THD = 1%
-
into 4 Ω
500 W
into 8 Ω
280 W
Max. midband output power, 1 kHz, THD = 1%, dual channel
-
into 4 Ω
2 x 450 W
into 8 Ω
2 x 270 W
Rated output power, 20-20000 Hz, THD
-
into 4 Ω
2 x 400 W
into 8 Ω
2 x 240 W
Max. output power, Direct Drive mode (bridge configuration), continuous, 1 kHz, THD = 1%
-
into 12 Ω
680 W
Maximum output voltage, power amplifier, 1 kHz, no load
-
Dual channel mode
52 Vrms
Direct Drive mode
100 Vrms
THD, at 1 kHz, MBW = 22 kHz
-
MIC input to master A L/R outputs, +10 dBu, typical
MIC iput to speaker output
DIM 30, MIC input to speaker output, 3.15 kHz, 15 kHz
IMD-SMPTE, MIC input to speaker outputs, 60 Hz, 7 kHz
Frequency response, -3 dB, ref. 1 kHz
-
Any input to any Mixer output
15–22000 Hz
Any input to Speaker output
20–22000 Hz
Microphone mute switch attenuation
-
Amplifier Ch1/Ch2
Channel to channel
Microphone mute switch attenuation
> 100 dB
Channel VOL and FX/AUX send attenuation
> 85 dB
CMRR, MIC input, 1 kHz
> 80 dB
Input sensitivity, all level controls in max. position
-
MIC
-65 dBu (435 μV)
LINE (mono)
-45 dBu (4.35 mV)
LINE (stereo)
-27 dBu (34.6 mV)
CD (stereo)
-27 dBu (34.6 mV)
All other outputs (impedance balanced)
-
MIC inputs, GAIN at min. position
+11 dBu
Mono line inputs, GAIN at min. position
+30 dBu
Stereo line inputs
+26 dBu
PHONES output
+21 dBu
MASTER A, B, AUX outputs
+11 dBu
Input impedances
-
MIC
2 kΩ
CD
10 kΩ
All other inputs
> 15 kΩ
Output impedances
-
PHONES
47 Ω
All other outputs (impedance balanced)
150 Ω
MASTER VOLUME down
-129 dBu
Noise, channel inputs to MASTER A L/R outputs, MBW = 22 kHz, Aweighted
-
MASTER VOLUME down
-99 dBu
MASTER VOLUME center, all channel volume down
-90 dBu
MASTER VOLUME center, all channel volume center
-85 dBu
Signal-to-noise ratio, power amplifier, A-weighted, 450 W, 4 Ω
104 dB
Output stage topology, amplifier
Class D
Equalization
-
Low shelving filter
±15 dB / 60 Hz
Mid peak filter
±12 dB / 2.4 kHz
High shelving filter
±15 dB / 12 kHz
Master EQ 7-band (63, 160, 400, 1k, 2.5k, 6k, 12k Hz)
±10 dB / Q = 1.5
Filter
-
Low-cut filter, microphone processing (switchable)
80 Hz, 18 dB/oct. or 150 Hz, 12 dB/oct.
Low-cut filter, amplifier (engaged in Direct Drive mode)
50 Hz or 70 Hz, 18 dB/oct.
Speaker processing
LPN, switchable
Delay MASTER B, selectable
0–145 ms (0–50 m)
Effects
-
Type
Stereo 24/48-bit multi effects processor
Effect presets
32 factory presets, user editable
Remote control
Footswitch
Display
128 x 64 pixels, LCD
Audio player (USB at front panel)
-
Switching mode power supply (μC controlled)
FAT 32
Supported audio file formats
MP3, WAV
Interface
USB2.0, female type A
USB power supply, max. rated current (short circuit proof)
5 V, 500 mA
Digital audio interface (USB at rear panel)
-
Channels
2 in, 2 out
AD/DA conversion
16-bit, delta-sigma
Sampling rate
32/44.1/48 kHz
PC interface
USB2.0, female type B
Protection
-
MASTER A, B, AUX outputs
Adjustable peak limiters, -10 – +11 dBu
Amplifier
Audio limiters, high temperature, DC, HF, short circuit, peak current limiters, turn-on delay, back EMF
Switching mode power supply (μC controlled)
Inrush current limiters, mains over/undervoltage, mains over current, high temperature
Cooling
Continuous speed controlled fan
Phantom power, switchable
48 V DC
AC power input
100–240 V AC, 50–60 Hz
Power consumption, at 1/8 maximum output power, 4 Ω
180 W
Safety class
I
Operating temperature
5° to 40° C (40° to 105° F)
Product dimensions (Width x Height x Depth)
395 x 244 x 241 mm Rack-mount: 483 x 223 x 310.3 mm (7 HU)
Net weight
4.9 kg
Shipping weight
6.4 kg
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The Phonic Powerpod Series are powered mixers in a compact and durable design. The Powerpod 415RW has four Mic/Line input channels and a built-in 150 Watt amplifier, as well as onboard USB module for recording and playback and Bluetooth Module for wireless audio streaming. The 2-band EQ on every channel gives you maximum control over your mix, and the Powerpod 415 RW's built-in variable digital delay allows users to better tweak their mix. Powerpod Series Powered Mixers are great all-in-one mixer/amplifiers for bands, traveling musicians, school auditoriums, houses of worship and clubs.
Features:
- Built-in 150W output power
- 4 Mic/Line input channels
- USB recorder and playback device for capturing all performances with ease
- Bluetooth audio streaming
- Variable digital delay with time and repeat control
- Main insert point via 1/4" TRS jack
- Super musical 2-band EQ on mono channels
| Μic Input: | 1-6 | | Power 4Ω: | 100W - 200W | | Console Layout: | Vertical |
| Since 1984 the SCLAT mixing desks have been rocking thousands of class venues around the world, serving the most demanding technicians, the most creative pro-Djs and the most exciting dance floors.
Behind the renowned experience of ECLER Laboratories, the SCLAT 200vs keeps combining all the requirements technicians demand regarding features and operating safety together with the inventive functionality Professional DJs demand from a high-end mixing desk.
Designed to optimize the best high-end club P.A.s, featured to fit any studio recording standard, built to withstand the most demanding mobile touring set-ups, the SCLAT 200vs is probably the best quality Audio Mixing Desk presently available in the Industry.
Superior effects processor
Remix live...
Built-in processor with double DSP featuring 2 manual filters and 10 effects with BPM synchronization. Includes a DRY/WET crossfader taking your effects control to the next level: activate and deactivate, fade in to the level of your choice… Allows routing every single channel to the module independently. Features control of TIME and PARAMETER and a friendly user selectable panel. Effects consists of LFO Filter, Low Pass Filter, High Pass Filter, Delay, Reverb, Flanger, Phaser, Vocoder, Pitch Shifter, Echo Reverb, Filtered Echo and Flanger Echo.
Midi out
Control you favorite devices...
The module includes a MIDI output and features start and stop commands to activate and deactivate your devices and a clock to adjust the tempo.
Edi:lab software
Expand your creativity...
The built-in effect processor is reprogramable in real-time with the edi:lab software (included). The user can load a new effect set-up in the SCLAT mixer and play it stand-alone without any need of the computer. An effect library is available in the edi:lab software in order to save the different user set-ups. | * 6 Dual stereo inputs, 2 with mic inputs
* RIAA preamps for up to 4 turntables
* Input selectors with 2 colour indicators
* Smooth action level controls
* 2 Stereo aux sends with pre/post switching
* 4 band EQ - high definition of frequency bands, with ʽinfinite killʼ on HF and LF; wide Q for cut, narrow Q for boost
* MIDI output from VCF 1+2, crossfader, LFO 2 (MIDI clock), dedicated data control and start/stop button
* Large ʽlight-pipeʼ illuminated cue switches
* 9 led 3 colour channel ʽbulls eyeʼ LED meters
* Crossfader and Filter assign switches
* Either smooth travel 60mm VCA faders or rotary VCA faders (Linear or Rotary versions)
* Active Penny & Giles VCA crossfader allowing contour to be set from smooth to scratch mix
* Cue/Mix monitor balance control
* 2 Independent mix outputs
* 2 Rotary master level controls
* Dual stereo analogue VCF effects
* 3 Filter modes combine for more effects
* Independent frequency sweep controls
* Resonance control for subtle or wild effects
* Filter LFO Depth and tempo controls
* Illuminated Filter switches punch effect in or out
* Powerful headphones monitor with auto cue
* Headphones split cue and Aux 1 & 2 monitoring
* Stereo music only booth monitor output
* Booth mono and mute switching
* 9 led 3 colour main ʽbulls eyeʼ LED meters
* Balanced +4dBu XLR stereo Mix 1 output
* Impedance balanced Line stereo Mix 2 output
* Pre-fade recording output
Technical Data
Outputs:
2 Independent mix outputs
Mix 1:Balanced 0dBu XLR stereo Mix 1
Mix 2:Impedance balanced Line stereo Mix 2 output
Booth monitor: Stereo music only
MIDI output from VCF 1+2
2 Headphone (6,3 mm/ 3,5 mm) | Versatile all purpose 8 channel laptop and 19” rack installation mixer, COMPACT 8 inherits and enhances the shockproof and flexible technology of COMPACT5 unit in a revolutionary design for a mixer of its characteristics. Specially developed for applications requiring a large number of microphone and stereo signals.
Easy of use, suitable for both non technical and experimented users, COMPACT 8 gathers all what can be expected from an installation pro audio mixer.
* Universal 8 channel laptop and 19” installation rack mixer
* 3 Phono inputs
* 7 Stereo Line RCA inputs plus AUX in front panel
* 8 microphone COMBO connector inputs
* 2 independent outputs (XLR3 and RCA)
* Additional REC output
* ±15 dB 3 band tone control featuring mids 300Hz-6kHz semi-parametric equalization
* Headphones output for PFL and MIX monitoring
* New extra bright 12 position VU-meter
* Assignable talkover with EFFICIENCY and TIME adjustments
* 60 mm high quality faders
* 4 RU
* 5.2 kg
* A/V presentations
* Entertainment music playback
* Meeting and seminar rooms
* Education Centres
* Pubs and disco bars
* Mobile outdoor applications |
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