FLS Feedback Locating System Master Mute for channels 1-7 Footswitchable effects defeat Combination XLR and 1/4 input jacks RCA, 1/8″ Media input Selectable 9-Band Graphic EQ with FLS Selectable Main or Monitor dual power section RCA Record outputs LED Meter bridge Digital effects parameter control Power amp sub-sonic filtering On-board 24- bit digital effects with […]
* 6 Dual stereo inputs, 2 with mic inputs
* RIAA preamps for up to 4 turntables
* Input selectors with 2 colour indicators
* Smooth action level controls
* 2 Stereo aux sends with pre/post switching
* 4 band EQ - high definition of frequency bands, with ʽinfinite killʼ on HF and LF; wide Q for cut, narrow Q for boost
* MIDI output from VCF 1+2, crossfader, LFO 2 (MIDI clock), dedicated data control and start/stop button
* Large ʽlight-pipeʼ illuminated cue switches
* 9 led 3 colour channel ʽbulls eyeʼ LED meters
* Crossfader and Filter assign switches
* Either smooth travel 60mm VCA faders or rotary VCA faders (Linear or Rotary versions)
* Active Penny & Giles VCA crossfader allowing contour to be set from smooth to scratch mix
* Cue/Mix monitor balance control
* 2 Independent mix outputs
* 2 Rotary master level controls
* Dual stereo analogue VCF effects
* 3 Filter modes combine for more effects
* Independent frequency sweep controls
* Resonance control for subtle or wild effects
* Filter LFO Depth and tempo controls
* Illuminated Filter switches punch effect in or out
* Powerful headphones monitor with auto cue
* Headphones split cue and Aux 1 & 2 monitoring
* Stereo music only booth monitor output
* Booth mono and mute switching
* 9 led 3 colour main ʽbulls eyeʼ LED meters
* Balanced +4dBu XLR stereo Mix 1 output
* Impedance balanced Line stereo Mix 2 output
* Pre-fade recording output
Technical Data
Outputs:
2 Independent mix outputs
Mix 1:Balanced 0dBu XLR stereo Mix 1
Mix 2:Impedance balanced Line stereo Mix 2 output
Booth monitor: Stereo music only
MIDI output from VCF 1+2
2 Headphone (6,3 mm/ 3,5 mm)
DYNACORD POWERMATE 600-3 COMPACT POWER MIXER.2X340W-4ohms Original 3 years warranty of Greek distributor
This extremely compact powered mixer is the youngest member of the PowerMate3 family. With a total output of 2,000 watts, it is far and away the most powerful compact mixer on the world market, yet it weighs only 9kg! With its very lavish feature set and exemplary versatility it is the ideal choice for all professional applications in which few channels yet very high audio quality are required.
Performance without compromises: intuitively operated mixing section; 2 editable digital effects devices with 100 presets each and 20 user memories each; professional 4xIN / 4xOUT digital interface (USB) for the connection of a PC or Mac; stereo equalizer in the master section; large, contrast-rich OLED display; and a class-D high-performance power amplifier delivering 2 x 1,000 watts RMS into 4 ohms. Exclusively high-quality brand components have been used; all faders and potentiometers are supplied by ALPS.
In the mixer section, a total of 8 channel strips are available: 4 MIC / LINE channels, 2 MIC / Stereo USB channels ('Super Channels') and 2 stereo LINE channels.
The MIC / LINE channels offer extremely low-noise and low-hum electronically balanced XLR microphone inputs with an extremely low distortion factor (typ. < 0.002%) for the connection of low-impedance microphones. For condenser microphones, phantom power (+48 volts) is centrally switchable. The LINE inputs are also electronically balanced and implemented as jack sockets. In addition to a Gain control, a highly efficient 3-band equalizer, an FX send, an AUX send and a MONitor send as well as either Panorama or Balance controls are available. The four MIC / LINE channels boast, in addition, a switchable 80Hz Lo-Cut filter, whilst the Super Channels 5-6 and 7-8 are supplied by the USB inserts 1-2 and 3-4, in each case in stereo.
The STEREO-LINE channels (9-10 and 11-12) offer electronically balanced jack inputs for the connection of electronic instruments such as keyboards, drum-computers, guitars and basses with active electronics, as well as all other high-level stereo signal sources such as additional mixers, effects devices etc. CD or MP3 players can be connected to the additional cinch (RCA) inputs CD 1-2 and CD 3-4, which are switched in parallel. The tone controls and sends are identical to those of the MIC / LINE channels.
In all input channels, a Signal / Peak LED is provided to assist level control. The SIG LED illuminates at around 30 dB and the PK LED at 6dB beneath the distortion threshold. A MUTE button and a PFL button (in channels 5-12 in stereo) are further features found in all input channels.
The DIGITAL AUDIO INTERFACE supplies two stereo channels, present as USB 1-2 and USB 3-4 in Super Channels 5-6 and 7-8 respectively. This interface is implemented professionally in 24-bit resolution and supports sampling rates up to 96 kHz, thereby satisfying studio requirements. The USB sends are supplied with the Master L and R, AUX and MON signals. The DIGITAL AUDIO INTERFACE can be used for input and output simultaneously. Via the USB 2.0 port of your PC / Mac, four channels can be transmitted simultaneously in each direction. When a USB 1.1 interface is used, two channels can be transmitted simultaneously in each direction. The PowerMate is designed for the level of standard PCs / Macs; the gain level can easily be adjusted, if need be, from the computer connected.
Included in the delivery is a DVD containing the professional recording software Cubase LE and PC / Mac USB drivers.
PC MIDI Interface
The PowerMate also makes available a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.
In the PowerMate's Master Section are to be found the Master A L+R sends (on separate faders), an additional Master B send (switchable pre/post and mono/stereo), the stereo effects returns, and the send signals of the AUXiliary and MONitor busses. If the AUX buss is not used to supply FX 2, it can be switched pre or post and thereby used as an additional monitor send or to supply an external effects device.
The 9-band stereo equalizer in the master section allows you to adjust the frequency response to the acoustics of the room.
The REC SEND and USB OUT controls determine the level of the master L+R signal at the Rec Send sockets and in the output channels of the digital USB interface. The control below it allows you to adjust the volume in the headphones.
Two ten-LED meters provide an overview of the power amplifier level. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master buss in dBu.
The STANDBY switch mutes all outputs. For the playback of things like interval music, the DEVICE SETUP menu allows you to route stereo channel 11-12 for standby operation directly to the power amplifiers.
The PowerMate is equipped with two very high-quality, 24-bit stereo effects processors, FX 1 and FX 2; these function independently and can therefore be mixed. The two effects units are fully identical in design. Each effects section offers 100 presets including high-quality reverb, delay and modulation effects selected by means of the display. When a delay effect is active, the delay time can be synchronized to the beat of the music using the TAP key. The further possibility exists of modifying individual parameters of the presets and storing the results in the 20 user memories provided.
Both effects units are supplied by the FX Send buss. Using the DEVICE SETUP menu, you can, if you wish, configure the AUX send buss to function as an FX 2 send, so that only the FX 1 effects unit is supplied by the FX 1 buss. In this way, the two effects devices can be controlled independently of one another.
The effects can be mixed separately in the master and monitor busses.
The large, high-contrast OLED display is easily read from a wide range of viewing angles—even in very bright surroundings. The operation of the effects units and processing menus is intuitive and made easier still through the use of soft keys and a rotary encoder.
Processing Menus: Particularly valuable in making it possible to adjust the PowerMate perfectly to the selected loudspeaker cabinets, thereby optimizing the audio performance and maximizing the operating safety and reliability of the system, are the LPN Processing and Speaker Protection menus.
LPN processing
Typical small to medium-sized loudspeaker cabinets, for physical reasons that have nothing to do with their make or quality, exhibit distortion in the transient response of the woofer. Since neither graphic nor parametric equalizers can do anything to alleviate this problem, the PowerMate offers a configurable LPN (low-pass notch) filter. Depending upon the size of the loudspeaker cabinet being used and also to adjust to problematic acoustics (such as those of bassy, boom-ridden rooms), the LPN filter can be set to either High or Medium. The result is considerably greater punch (e.g. from the bass drum), an extension downwards of the frequency response, and improved transparency in the bass and midrange.
Speaker Protection
This menu allows you to match perfectly the continuous power output of the PowerMateʼs power amplifiers to the connected loudspeakers in the interests of greater operational safety and reliability.
Through dynamic limiting of the maximum power at the output, loudspeaker damage due to thermal overload can be avoided, without the wide dynamic range of the power amplifiers being sacrificed. For this purpose, the maximum permissible nominal power handling of the connected loudspeaker cabinet can be selected from the menu. Unlike the case with conventional voltage limiters, dynamic peaks of short duration are permitted, as loudspeaker cabinets can as a rule tolerate peak levels many times higher than their nominal sustainable loads (RMS).
The speaker protection supervises permanently the amount of energy being fed to the loudspeakers, only limiting it in the event of a threatened overload, and even then, doing so softly and inaudibly. For peak levels of short duration, the full output of the power amplifier remains available at all times, even when relatively small cabinets are being used. As a result, not only is the maximum dynamic range of the system maintained but also, and at all times, the highest degree of operational safety and reliability.
Professional Digital High-Performance Power Amplifier
The PowerMate is equipped with a professional, extremely powerful, stereo power amplifier that uses modern and highly efficient class-D technology for audio performance of the highest quality.
What this means is that at a nominal output of 2 x 1,000 watts RMS into 4 ohms (or 2 x 1,350 watts RMS into 2.7 ohms) only a comparatively small amount of heat is generated within the device, which therefore consumes considerably less electricity than a conventional power amplifier. The minimal load impedance at the output is 2.7 ohms, making operation with up to three 8-ohm loudspeaker cabinets per channel, connected in parallel, possible with no problems.
The overall power supply is handled by an extremely stable, microprocessor-controlled, switching power supply, bringing massive gains in terms of weight-saving over a conventional toroidal transformer. Another advantage is the automatic mains voltage switching, which ensues that the PowerMate can be used without any problem anywhere in the world. Voltage surge protection is also integrated. A ʽsoft startʼ function prevents the mains fuse tripping when the device is switched on.
The PowerMate is equipped, naturally, with all the protective circuitry familiar from DYNACORD power amplifiers and satisfies even the extreme demands of hard tour use. The power amplifiers are protected against thermal overload, short-circuit, back EMF and no-load operation as well as high-frequencies or DC at the output. Both outputs, here, are supervised independently so that, should a fault occur, only the channel affected is shut down. When the device is powered up, there is a delay before the power outputs are connected, to obviate the risk of noise.
The thermal stability of the PowerMate is assured by two very quiet fans the speed of which is continuously variable. The front-to-rear airflow allows the device to be used in large or small racks. Furthermore, the PowerMate is equipped with an intelligent thermo-limiter, so if ever the threat of overheating does arise, the clip limiter intervenes in a highly musical way, acting only upon the peaks. In this way, a total shutdown of the power amplifiers is effectively prevented, as is any obtrusive fall in the overall volume level. The PROTECT and LIMIT LEDs on the front panel indicate the current operating state of the power amplifiers.
To ensure safe transportation, the PowerMate 6003 is supplied with a solid plastic lid that is held in place simply and securely, without the need for any locking mechanism, by magnets.
Available as an optional accessory, the carrying bag BAG-600PM not only accommodates the PowerMate with its lid but also offers an additional compartment for cables etc.
For rack installation, the RMK-PM600-3 rack-mount kit is available as an option.
Order No. F01U213899 (DC-PM600-3-UNIV)
Channels (Mono + Stereo) 4 + 4
Auxiliarys (MON, FX, AUX) 1 Pre, 1 Post, 1 Pre/Post switchable
Maximum Midband Output Power, 1 kHz, THD = 1%, Dual Channel into 4 Ohms 2 x 1000 W
Power Requirements (SMPS with auto range mains input) 100 V to 240 V AC, 50 Hz to 60 Hz
Power Consumption, at 1/8 maximum output power, 4 Ohms 450 W
Dimensions with lid (W x H x D), mm 438.8 x 161.7 x 362.5
Net Weight, without lid 9.0 kg
complete specifications see download section, Datasheet EDS
User's Manual
The Phonic Powerpod Series are powered mixers in a compact and durable design. The Powerpod 415RW has four Mic/Line input channels and a built-in 150 Watt amplifier, as well as onboard USB module for recording and playback and Bluetooth Module for wireless audio streaming. The 2-band EQ on every channel gives you maximum control over your mix, and the Powerpod 415 RW's built-in variable digital delay allows users to better tweak their mix. Powerpod Series Powered Mixers are great all-in-one mixer/amplifiers for bands, traveling musicians, school auditoriums, houses of worship and clubs.
Features:
Built-in 150W output power
4 Mic/Line input channels
USB recorder and playback device for capturing all performances with ease
Bluetooth audio streaming
Variable digital delay with time and repeat control
Main insert point via 1/4" TRS jack
Super musical 2-band EQ on mono channels
Μic Input:
1-6
Power 4Ω:
100W - 200W
Console Layout:
Vertical
Although the origins of the company date from 1965, ECLER presented its first mixer back in the 70s: the A4, a simple 4 channel mixer oriented to Super 8 film sound edition. The company grew in the 70s with the boom of disco and tourism.
The AC-4 was a high fidelity mixer designed to meet the most demanding sound requirements in discos, theatres, cinemas, recording studios, conference rooms... The electronic circuits and the extreme selection of all components and transistors used, made the AC-4 a professional high quality mixer.
The new AC-6 is a tribute to those old school, simple, robust, reliable and great sounding mixers. The AC6 enables a new generation of DJs to enjoy the unique sound of those legendary mixers.
The PVi 8B+ powered mixer is easy to use and transport, and is designed with the latest Peavey technology. Constructed with a rugged metal structure, wood cabinet, vinyl surface and protective corners, the PVi 8B Plus is the ideal powered mixer. From packaging to quality control, Peavey produce a products of maximum quality and efficiency with the same specifications you see on other, more expensive powered mixers.
350 watts into 4-ohm (2 x 8 ohm) speakers
8 Balanced microphone and line inputs
Tape/CD inputs
Reverb level control on each channel
Line Out for connection to external amplifiers
Monitor output for connection to external amplifiers
Return input for connection of external effects processors
Record Out for taping
RF interference protection on all inputs
Switchable 48 volt phantom power for support of electret microphones
Footswitch jack for enable/disable effects
Effects bus output for connection to external effects processing
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Πολιτική χρήσης
Αυτός ο ιστότοπος χρησιμοποιεί cookies για να βελτιώσει την εμπειρία σας ενώ περιηγείστε στον ιστότοπο. Από αυτά τα cookies, κάποια cookie κατηγοριοποιούνται ως απαραίτητα να αποθηκεύονται στο πρόγραμμα περιήγησης σας, καθώς είναι απαραίτητα για τη λειτουργία βασικών λειτουργιών του ιστότοπου. Χρησιμοποιούμε επίσης cookies τρίτων που μας βοηθούν να αναλύσουμε και να κατανοήσουμε πώς χρησιμοποιείτε αυτόν τον ιστότοπο. Αυτά τα cookies θα αποθηκευτούν στο πρόγραμμα περιήγησης σας μόνο με τη συγκατάθεσή σας. Έχετε επίσης την επιλογή να εξαιρεθείτε από αυτά τα cookies. Ωστόσο, η εξαίρεση από ορισμένα από αυτά τα cookie μπορεί να επηρεάσει την εμπειρία περιήγησης σας.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
Reviews
There are no reviews yet.