| Content | Omni-directional microphone for free-field measurement. With a highly reliable circuit and a 1/4" pre-polarized condenser capsule, it boasts high stability, low distortion and low noise in performance. Its excellent flat frequency response makes it ideal for sonic analysis systems and recording.
Features:
- Flat response, excellent electro-acoustical characteristics
- Ideal for room analysis systems, measurement, testing and recording
- Standard 1/2" measurement diameter
- Type: Back-electret condenser mic
- Pickup Pattern: Omni-directional
- Frequency Response: 20~ 20000Hz
- Sensitivity: -37dBV/Pa (14mV/Pa)
- Rated Impedance: 200 ohm
- Max. SPL: 132dB
- Signal-to-noise Ratio: >70 dB
- Power Supply: 9~52V Phantom power
- Current Consumption: 2mA
- Connector: 3-pin XLR gold-plated
- Weight: 150g (5.3 oz)
- Weight Unpacked: 1.17 lb(0.53 kg)
- Weight Packed: 1.17 lb(0.53 kg)
- Width Packed: 4.75“(12.065 cm)
- Depth Packed: 12“(30.48 cm)
- Height Packed: 3“(7.62 cm)
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Legendary among harmonica players for its classic blues harp sound, the 520D's tradition is carried on by the 520DX "Green Bullet" and has a contoured size and shape that fits perfectly between harmonica and hands. - New volume control knob allows musicians to adjust the volume to fit each musical situation
- New rugged, dynamic cartridge with improved response
- High-impedance, omnidirectional
- Supplied with 1/4 inch connector
- Frequency response: 100 to 5,000 Hz
| Omni-directional, flat frequency, measurement microphone. |
- Electret measuring microphone for measuring systems and audio recordings
- Designed for measuring PA systems, speakers and room acoustics
- Perfect complement to any real-time analyzer
- Flat frequency response for high precision
- Sturdy all-metal construction and narrow design
- Polar pattern: Omnidirectional
| Type: |
Microphone for measurements |
| Capsule type: |
Condenser |
| Polar pattern: |
Omnidirectional |
| Frequency range: |
20 - 20000 Hz |
| S/N ratio: |
>76 dB |
| Sensitivity: |
-37 dB |
| Max. SPL: |
134 dB |
| Phantom power: |
9-52 V DC |
| Impedance: |
200 Ohm |
| Connections: |
Microphone via 3-pin XLR |
| Switch: |
Without |
| Material: |
Aluminum |
| Color: |
Black |
| Dimensions: |
Length: 19,2 cm
Diameter: Ø 13 cm |
| Weight: |
100 g |
| The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
Features
- A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications
- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar? diaphragm for superior transient response
- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
- Premium electronic components, including gold-plated internal and external connectors
- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect
Performance Characteristics
- Extended frequency response
- Low self noise
- Exceptional reproduction of low-frequency sounds
- Can withstand high sound pressure levels (SPL)
- High output level
- No crossover distortion
- Uniform polar response
- Superior common mode rejection and suppression of radio frequency interference
APPLICATIONS
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
- Acoustic instruments -- such as piano, guitar, drums, percussion, strings
- Wind instruments -- brass and woodwind
- Low frequency instruments -- such as double bass, electric bass, kick drum
- Overhead miking -- drums or percussion
- Ensembles -- choral or orchestral
- Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
Suggested Applications
Acoustic Guitar
Acoustic Bass
Cymbals
Brass/Woodwinds
Orchestra
Ensemble Vocals
Piano
Strings
Room Ambience
Live Recording |
NEW Wider mounting base capable of accommodating a larger range of microphone stands. Even works with the LP Claw.
Specifically engineered for drum and instrument applications, the Beta 56A's compact, pivoting design makes it the ideal choice for these applications.
Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.
- Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
- Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound
- Compact design reduces stage clutters
- Hardened steel mesh grille resists wear and abuse
- Neodymium magnet for high signal-to-noise ratio output
- Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
- Frequency response: 50 to 16,000 Hz
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