Live sound Podcasting Home recording Vocals Musical instruments Perception 120 General-purpose cardioid recording microphone Extended frequency response Roadworthy construction Switchable 20 dB preattenuation pad Switchable bass cut filter Designed and engineered by AKG in Vienna, Austria The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent […]
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\’s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\” Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
Weight
0.50 kg
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Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\" Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Pressure gradient transducer with with one-diaphragm capsule
Transformerless circuitry
Extremely low noise: 7 dB-A
Includes swivel mount
Straightforward handling for homerecording and professional studios
High-quality professional equipment for limited budgets
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
23 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR1)
17.5 dB
Equivalent noise level, A-weighted1)
7 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
76.5 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
87 dB
Maximum SPL for THD 0.5%2)
138 dB
Maximum output voltage
13 dBu
Dynamic range of the microphone amplifier (A-weighted)
131 dB
Supply voltage (P48, IEC 61938)
48 V ± 4 V
Current consumption (P48, IEC 61938)
3 mA
Matching connector
XLR3F
Weight
approx. 450 g
Diameter
60 mm
Length
132 mm
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
13 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent noise level, CCIR1)
23 dB
Equivalent noise level, A-weighted1)
12 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
71 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
82 dB
Maximum SPL for THD
110 dB
Maximum SPL for THD
129 dB
Maximum output voltage for THD
-1 dBu
Dyn. range of the mic. amplifier /A-weighted, 0.5 %2))
98 dB
Dyn. range of the mic. amplifier /A-weighted, 5 %2))
117 dB
Supply voltage (P48, IEC 61938)
48 V ± 4 V
Current consumption (P48, IEC 61938)
3.2 mA
Matching connector
XLR 3F
Weight
825 g
Diameter
78 mm
Length
165 mm
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal
NT2-A - ?The Legend Continues? Multi Pattern 1? Condenser Microphone.
The new NT2-A carries on the tradition forged by the now legendary R?DE NT2.
A professional large capsule (1?) studio microphone incorporating three-position
pick-up patterns, pad and high pass filter switches conveniently located on the
mic body.
At the heart of the NT2-A is the Australian designed and manufactured HF1 dual
diaphragm capsule. The frequency and transient response of this new transducer
has been voiced to complement today?s modern recording techniques, and yet still
evoke the silky smooth character of the legendary microphones of the 50?s and 60?s.
These features provide the flexibility and superlative audio characteristics that make
the NT2-A one of the most versatile condenser mics available.
The NT2-A?s variable controls allow switching between Omni, Figure 8, and Cardioid
polar patterns. The three position high-pass filter provides a flat response or an 80Hz
and 40Hz high pass filter to be selected. Finally the microphones Pad can be switched
between 0 dB, -5dB and -10dB. The NT2-A comes in a soft pouch with an M2 stand mount.
SPECIFICATIONS:
Features:
The Australian designed and manufactured HF1 1? edge terminated, gold sputtered, dual
5 um diaphragm capsule. 3-position variable polar pattern: Omni, Cardioid & Figure 8; all
controlled on the mic. 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz. 3-position
variable pad: 0 dB, -5 dB or -10 dB. Ultra low noise, transformerless SMT circuitry. Wide
dynamic range. High strength heat-treated steel mesh head. Durable satin nickel finish.
Internal capsule shock mounting. Supplied complete with soft pouch and clip. Designed
and manufactured in Sydney, Australia.
Operation power:
The NT2-A is designed to operate from phantom power to the P48 standard. The NT2-A will
operate between 44V and 52V applied with positive polarity to pin 2 and pin 3 of the output
XLR connector.
Operation output impedance:
The NT2-A will operate satisfactorily into a load impedance as low as 1 kΩ. If a load below this
is used, the output signal level will be reduced. The NT2-A output is balanced between pin 2 (hot)
and pin 3 (cold). Pin 1 is ground.
Acoustic principle: Externally polarized 25 mm (1?) dual diaphragm.
Directional pattern: Multi-pattern
Frequency range: 20 Hz ~ 20 000 Hz
Output impedance: 200 Ω
Signal noise ratio din iec 651:
87 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1 kΩ); 157 dB (@ 1% THD into 1 kΩ) - pad at maximum
Sensitivity: -36 dB re 1 Volt/Pascal; (16 mV @ 94 dB SPL) +/-2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: 48 Volts (P48)
Output connection:
3 pin XLR, balanced output between; pin 2(+) and pin 3(-); Pin 1 ground
Weight with battery: 860 grm
The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.
Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.
The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.
Applications.
studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic
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