Live sound Podcasting Home recording Vocals Musical instruments Perception 120 General-purpose cardioid recording microphone Extended frequency response Roadworthy construction Switchable 20 dB preattenuation pad Switchable bass cut filter Designed and engineered by AKG in Vienna, Austria The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent […]
Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\’s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\” Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
Weight
0.50 kg
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Podcasting
Home recording
Vocals
Musical instruments
Perception 120
General-purpose cardioid recording microphone
Extended frequency response
Roadworthy construction
Switchable 20 dB preattenuation pad
Switchable bass cut filter
Designed and engineered by AKG in Vienna, Austria
The Perception 120 is a 2/3-inch diaphragm true condenser microphone that offers solid build quality, outstanding performance, and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter make the Perception 120 an excellent choice for a wide range of recording and live sound applications.
Backed by AKG\'s six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.
Type
2/3\" Diaphragm True Condenser
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
22 mV/Pa (-33 dBV)
Max. SPL
130/150 dB (0/-20 dB) for 0.5% THD
Equivalent noise level
22 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted)
72 dB
Preattenuation pad
0 dB, -20 dB
Bass filter
12 dB/octave at 300 Hz
Impedance
Recommended load impedance
>= 1,000 ohms
Powering
Power requirement
48 V phantom power to DIN/IEC
Connector
3-pin XLR
Finish
metallic blue
Dimensions
53 dia. x 165 mm (2.1 dia. x 6.5 in.)
Net weight
525 g (18.5 oz.)
Shipping weight
955 g (33.7 oz.)
The AVANTONE CK-6 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics…but at a fraction of their cost!
The rugged CK-6 microphone body and capsule assembly are precision machined of Brass. Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.
This Transformerless CLASS A FET Microphone w/ 32mm gold sputtered thin Mylar capsule is designed with circuitry that will yield pleasing professional results comparable to much more expensive designs. It also features -10 dB pad & 80 Hz LF roll off switches for varied recording situations.
The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.
Applications
Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc…
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
Behringer C-3 Dual-Diaphragm Studio Condenser Microphone
Introducing the Professional Condenser Microphone C-3 from BEHRINGER
Our latest dual-diaphragm condenser microphone C-3 is ideal for high-quality studio recording and live applications.
The selectable omnidirectional, cardioid, and figure-eight pickup patterns offer ultimate versatility needed to professionally record vocals and acoustic instruments. The C-3 holds a pressure-gradient transducer with a shock-mounted dual-diaphragm capsule. Its ultra-high sound resolution and flat frequency response rival those of microphones with much higher price tags. It also includes an LED that indicates phantom power operation and a gold-plated XLR output connector to ensure highest signal integrity. The C-3 comes with extensive accessories such as swivel stand and transport case.
The C-3 represents state-of-the-art technology at a price that is simply unheard of.
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
34/47/62 mV/Pa*
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent SPL CCIR 468-3
28/25/23 dB*
Equivalent SPL DIN/IEC 651
16/13/11 dB-A*
S/N ratio CCIR 468-3
66/69/71 dB*
S/N ratio DIN/IEC 651
78/81/83 dB*
Typical SPL (tube characteristic)
K
Maximum output voltage
18 dBu
Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for
101 (121) dB
Powering
Power supply N 149
Matching connectors
Microphone DIN 8F, Power supply XLR 3F
Weight
730 g
Diameter
70 mm
Length
201 mm
* Omnidirectional / cardioid / figure-8
Variable large diaphragm microphone
Pressure-gradient transducer with double membrane capsule
The studio microphone classic
Three directional characteristics: omni, cardioid, figure-8
Switchable low frequency roll-off
Switchable 10 dB pre-attenuation
Ideal as main and as support microphone in the most differing recording situations
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Omnidirectional, cardioid, figure-8 plus
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
20/28/22 mV/Pa1)
Rated impedance
200 ohms
Rated load impedance
1 kohms
Equivalent noise level, CCIR2)
26/23/25 dB1)
Equivalent noise level, A-weighted2)
15/12/14 dB-A1)
Signal-to-noise ratio, CCIR2) (rel. 94 dB SPL)
68/71/69 dB1)
Signal-to-noise ratio, A-weighted2) (rel. 94 dB SPL)
79/82/80 dB1)
Maximum SPL for THD 0.5%3)
117 dB (cardioid)
Maximum SPL for THD 0.5% with preattenuation3)
127 dB
Maximum output voltage
390 mV
Dynamic range of the microphone amplifier (A-weighted)
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