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- One-inch large-diaphragm, true condenser cardioid transducer
- Rugged all-metal body
- Roadworthy construction
- Switchable 20 dB preattenuation pad
- Switchable bass cut filter
- Legendary AKG sound quality
- Designed and engineered by AKG in Vienna, Austria
- Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case. |
| Type |
1" Large Diaphragm True Condenser |
| Polar pattern |
cardioid |
| Frequency range |
20 to 20,000 Hz |
| Sensitivity |
18 mV/Pa (-35 dBV) |
| Max. SPL |
135 dB/155 dB (0/-20 dB) for 0.5% THD |
| Equivalent noise level |
16 dB-A (IEC 60268-4) |
| Signal/noise ratio (A-weighted) |
78 dB |
| Preattenuation pad |
0 dB, -20 dB |
| Bass filter |
12 dB/octave at 300 Hz |
| Impedance |
=1000 ohms |
| Current consumption |
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| AKG C214 – large 1” diaphragm microphone with cardioid polar pattern, frequency response: 20Hz-20kHz, 20dB pad, requires phantom power (12-52V), XLR connector. Includes clip, case and windshield. Dimensions: 160 x 55mm. Weight: 280g, optional microphone holder SA61
The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect.
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII
for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise
for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter
for close-up recording and reduction of proximity effect
Integrated suspension
to reduce mechanical noise and vibration from stage
Roadworthy design
all-metal die-cast body with shock- and scratch-resistant finish | Behringer C-1 Studio Condenser Microphone
Behringer C-1 Studio Condenser Microphone
The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
- Professional large-diaphragm condenser microphone for unsurpassed audio quality
- Ideal as main and support microphone for studio and live applications
- Exceptionally flat frequency response and ultra-high sound resolution
- Cardioid pickup pattern for outstanding sound source separation and feedback rejection
- Ultra low-noise transformerless FET input circuitry
- LED indicates phantom power operation
- Gold-plated 3-pin XLR output connector for perfect signal transmission
- Ultra-rugged construction with die-cast body
- Swivel stand mount and carrying case included
| Operating Principle |
Pressure Gradient |
| Capsule |
Condenser |
| Diaphragm |
0.63" / 16.0 mm |
| Polar Pattern |
Cardioid |
Performance
| Frequency Range |
40 Hz to 20 kHz |
| Maximum SPL |
136 dB SPL |
| Impedance |
100 Ohms |
| Load Impedance |
1000 Ohms |
| Sensitivity |
-33 dB |
| THD |
1% |
Connectivity
| Output Connectors (Analog) |
1 x XLR 3-Pin |
Power
| Operating Voltage |
36 to 52 V |
| Operating Current Consumption |
2.5 µA |
Physical
0.93 lb / 0.42 kg
| Dimensions |
ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm |
| Weight |
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The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The CK-7 uses high grade Polystyrene and Metalized Polypropylene capacitors in the audio path. This represents a commitment to quality, as these normally are the type of "upgrade" components that are implemented by microphone modders/hot-rodders! Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility...It exudes class visually as well as sonically.
Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. The versatile CK-7 mic is able to produce professional results with a clean sonic character. The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results. The 3 patterns allow the CK-7 to be used in a variety of situations.
The cardioid pattern is generally best used on vocals and single instruments. The omni mode works well in incorporating some room sound into the track. The figure 8 pattern allows 2 vocalists to use the mic at the same time from opposite sides. The CK-7 has separate -10 dB pad & 80 Hz LF roll off switches....The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. The 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from "muddying up" the track.
Applications.
studio vocals, acoustic guitar, mandolin, drum overheads, piano, room mic
Specifications
Type: True Condenser
Polar Pattern(s): Cardioid , Omni , Figure 8
Capsule: Dual-sided 35mm center-terminated gold-sputter Mylar (6 micron)
Frequency Response: 20-20,000 Hz +/- 3dB
Output Impedance: |
NT2000 - ?Explore, Control, Create?? Seamlessly Variable Dual 1? Condenser Microphone.
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar
Patterns, Filter and Pad located conveniently on the microphone body. The NT2000?s state of
the art surface-mount electronics combined with the new Australian designed and manufactured
HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB
with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.
The NT2000 is supplied with the SM2 Shock Mount, together in a durable custom carry case.
SPECIFICATIONS:
Acoustic principle:
Externally polarised 25 mm (1?) dual diaphragm condenser
Directional pattern: Multipattern
Frequency range: 20Hz - 20KHz
Output impedance: 200 ohms
Signal noise ratio din iec 651: 87 dB (1kHz rel 1Pa)
Equvalent noise: 7 dBA SPL (per IEC651, IEC268-15)
Maximum spl:
147 dB (@ 1% THD into 1K ohm) 157dB (@ 1% THD into 1K ohm) with pad set to maximum
Sensitivity:
-36 db re 1 Volt/Pasca (16 mv @94db SPL) +/- 2 dB
Dynamic range din iec 651: 140 dB (per IEC651, IEC268-15)
Power supply voltage: Phantom P48
Weight without battery: 831 gm
Weight with battery: 2.6 kg
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| Acoustical operating principle | Pressure gradient transducer | | Directional pattern | Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each | | Frequency range | 20 Hz ... 20 kHz | | Sensitivity at 1 kHz into 1 kohm | 34/47/62 mV/Pa* | | Rated impedance | 50 ohms | | Rated load impedance | 1000 ohms | | Equivalent SPL CCIR 468-3 | 28/25/23 dB* | | Equivalent SPL DIN/IEC 651 | 16/13/11 dB-A* | | S/N ratio CCIR 468-3 | 66/69/71 dB* | | S/N ratio DIN/IEC 651 | 78/81/83 dB* | | Typical SPL (tube characteristic) | K | | Maximum output voltage | 18 dBu | | Dynamic range of the microphone amplifier cardioid DIN/IEC 651 for | 101 (121) dB | | Powering | Power supply N 149 | | Matching connectors | Microphone DIN 8F, Power supply XLR 3F | | Weight | 730 g | | Diameter | 70 mm | | Length | 201 mm |
* Omnidirectional / cardioid / figure-8
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