AKG PERCEPTION 220 CONDENSER MICROPHONE

180.00 incl. GR VAT

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One-inch large-diaphragm, true condenser cardioid transducer Rugged all-metal body Roadworthy construction Switchable 20 dB preattenuation pad Switchable bass cut filter Legendary AKG sound quality Designed and engineered by AKG in Vienna, Austria Comes with spider-type shock mount and aluminium carrying case The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent […]

 

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  • One-inch large-diaphragm, true condenser cardioid transducer
  • Rugged all-metal body
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary AKG sound quality
  • Designed and engineered by AKG in Vienna, Austria
  • Comes with spider-type shock mount and aluminium carrying case

The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.

Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.

Type 1″ Large Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 18 mV/Pa (-35 dBV)
Max. SPL 135 dB/155 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance =1000 ohms
Current consumption
Weight 1.00 kg

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Quick Comparison

AKG PERCEPTION 220 CONDENSER MICROPHONE removeAKG C 3000B Condenser cardioid microphone removeBEHRINGER C1 Studio Condenser Microphone removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE remove
NameAKG PERCEPTION 220 CONDENSER MICROPHONE removeAKG C 3000B Condenser cardioid microphone removeBEHRINGER C1 Studio Condenser Microphone removeSHURE KSM44A/SL - Large Dual-Diaphragm Microphone 20Hx to 20kHz removeAKG C414-XLS - Large Diaphragm Condenser Microphone with Five P removeRODE K2 VARIABLE PATTERN CONDENSER VALVE MICROPHONE remove
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SKUPERCEPTION 220C 3000BE005249KSM44SLC414-XLSH11RD00006
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Price 180.00 incl. GR VAT 209.99 incl. GR VAT 57.00 incl. GR VAT 938.00 incl. GR VAT1,116.00 incl. GR VAT 749.00 incl. GR VAT
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Description
Content
  • One-inch large-diaphragm, true condenser cardioid transducer
  • Rugged all-metal body
  • Roadworthy construction
  • Switchable 20 dB preattenuation pad
  • Switchable bass cut filter
  • Legendary AKG sound quality
  • Designed and engineered by AKG in Vienna, Austria
  • Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day. Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.
Type 1" Large Diaphragm True Condenser
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 18 mV/Pa (-35 dBV)
Max. SPL 135 dB/155 dB (0/-20 dB) for 0.5% THD
Equivalent noise level 16 dB-A (IEC 60268-4)
Signal/noise ratio (A-weighted) 78 dB
Preattenuation pad 0 dB, -20 dB
Bass filter 12 dB/octave at 300 Hz
Impedance =1000 ohms
Current consumption
 
  • Polar pattern: Cardioid
  • Switchable -10dB PAD
  • Frequency response: 20 - 20,000 Hz
  • Max. SPL: 140/150 dB (THD = 0.5%)
  • Electrical impedance: 200 Ohm
  • Requires phantom power
  • Diameter: 53 mm
  • Length: 162 mm
  • Net weight: 320 g
  • Colour: Black
  • Incl. shock mount
  • Highly affordable AKG large-diaphragm microphone technology
  • Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost. Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem. An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern cardioid
Frequency range 20 to 20,000 Hz
Sensitivity 25 mV/Pa (-32 dBV)
Max. SPL 140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3) 25 dB
Equivalent noise level 14 dB-A
Signal/noise ratio (A-weighted) 80 dB
Preattenuation pad 10 dB, switchable
Bass filter 6 dB/octave below 500 Hz
Impedance 200 ohms
Recommended load impedance >1000 ohms
Supply voltage 9 to 52 V phantom power to DIN 45596
Current consumption
Connector 3-pin XLR
Finish silver gray
Net weight 320 g / 11.3 oz.
Shipping weight 950 g / 2.1 lbs.
Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
Behringer C-1 Studio Condenser Microphone   Behringer C-1 Studio Condenser Microphone The C-1 Studio Condenser Microphone from Behringer offers a cardioid pickup pattern for maximum sound source separation and feedback rejection. This low noise microphone is suitable for a wide range of recording scenarios, including project, professional, and home studio applications. There is a pressure gradient transducer and a shock-mounted large diaphragm capsule for open, transparent sound with high-quality transient response. It is constructed of a die-cast metal body for durability and features an LED light to indicate when the microphone is receiving phantom power. The C-1 includes a swivel mount and custom case.
  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
  • LED indicates phantom power operation
  • Gold-plated 3-pin XLR output connector for perfect signal transmission
  • Ultra-rugged construction with die-cast body
  • Swivel stand mount and carrying case included
Operating Principle Pressure Gradient
Capsule Condenser
Diaphragm 0.63" / 16.0 mm
Polar Pattern Cardioid
Performance
Frequency Range 40 Hz to 20 kHz
Maximum SPL 136 dB SPL
Impedance 100 Ohms
Load Impedance 1000 Ohms
Sensitivity -33 dB
THD 1%
Connectivity
Output Connectors (Analog) 1 x XLR 3-Pin
Power
Operating Voltage 36 to 52 V
Operating Current Consumption 2.5 µA
Physical 0.93 lb / 0.42 kg
Dimensions ø: 2.13 x L: 7.09" / ø: 54 x L: 180 mm
Weight
 

KSM44A Multi-Pattern Dual Diaphragm Microphone Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).

Features

  • Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides  transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.  
  • Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
  • Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
  • Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
  • Premium electronic components and gold-plated internal and external connectors
  • Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
  • Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
  • 3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
  • Integrated three-stage "pop” protection grille reduces plosives and other breath noise

    Type Condenser (externally biased)
    Frequency Response 20 to 20,000 Hz
    Polar Pattern Cardioid, Omnidirectional, Bidirectional
    lmpedance 50 ohms
    Phantom power required? 11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum


The C 414 B/XLS has been carefully designed to maintain the legendary sonic character of the C 414 family while integrating new features and performance enhancements made possible by new technology. The C 414B/XLS is designed to deliver accurate pickup of all acoustic instruments and voices. The microphone's 5 pickup patterns are easily selectable via an electronic switch with LED indication and offer the selection of omnidirectional, cardioid, wide cardioid, hypercardioid and figure-eight patterns. The pickup pattern selector switch utilizes a dual-color LED indicator that provides visual indication of the pattern selected and also changes from green to red to indicate if the microphone's output electronics are being overloaded. The pattern selector can also be used to "lock" the microphone's switch settings by pressing and holding it for 3 seconds. On the rear of the microphone, an electronic switch allows the selection of -6 dB, -12 dB and -18 dB pre-attenuation levels which are accomplished by changing the polarization voltage to the capsule. The C 414 B/XLS has switchable bass cut filters of 12 dB-per-octave at 40 Hz and 80 Hz, and a 6-dB-per-octave filter at 160 Hz for control of proximity effect. On-axis sensitivity for all patterns is 23 mV/Pa and its self-noise is an extremely low 6 dB-A. The C 414 B/XLS has a transformerless output and all-metal chassis, making it immune to electrical interference and RF from digital equipment, video monitors and wireless systems. It comes complete in an all-metal road case with the AKG H-85 shock mount, a PF80 external two-stage pop filter, a W414X external windscreen and an individually-measured chart showing the response curve of the microphone. It is also available in factory-matched stereo pairs packaged with a H50 stereo bar instead of the external pop filter. The C 414B/XLS is built in Vienna, Austria and comes with a three-year limited parts and labor warranty. Features High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high relability even in extremely humid conditions Optional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors Specifications Type: 1" large diaphragm pressure gradient microphone Polar Patterns: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Frequency Range: 20 to 20,000 Hz Sensitivity: 23 mV/Pa (-33 dBV) +/-0.5 dB Max. SPL: 140/146/152/158 dB SPL (at 0/-6/-12/-18 dB) Preattenuation Pad: -6, -12,-18 dB, switchable Bass Cut Filter Scope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Power Requirements: 48 V phantom power to DIN/IEC Connector: 3-pin XLR Dimensions: 2" x 1.5" x 6.3“ Net Weight: 10.6 oz Shipping Weight: 5 lbs (2.27 kg)

K2 - ?It cant be done?? Precision Variable Pattern Dual 1? Condenser Valve Microphone.
 
The R?DE K2 is the result of designing and building 1000?s of valve microphones. The
K2?s HF-1 capsule is the pinnacle of transducer technology. The sound quality combines
modern high-end specifications with the character and subtleties of the legendary 50?s mics.
Infinitely variable control of the K2?s polar patterns provides the freedom and flexibility to
excel in any recording situation. The K2 is another example of R?DE?s commitment to
building quality studio microphones to meet the exacting standards demanded by today?s
professionals.At the 2004 Frankfurt Music Messa, 56 of the most prestgious music industry
magazines voted the K2 the ?Best Studio Microphone of 2004?.

SPECIFICATIONS:
Features:
? New large capsule with gold sputtered diaphragm. ? Ultra low noise.
? Wide dynamic range. ? Class ?A? valve circuitry. ? Hand-selected and
graded 6922 twin-triode valve. ? Dedicated Power Supply. ? High strength
welded and heat-treated steel mesh head. ? Durable satin nickel finish.
? Internal capsule shock mounting. ? High level of RF rejection. ? Supplied
complete with SM2 Shock Mount and RC2 Custom Carry Case.
? Continuously variable polar patterns. From omni, through cardiod to
figure 8, controlled at the power supply.
Operation power:
The K2 is designed to operate from a dedicated power supply (110 - 120 V/220 - 240 V, 50/60 Hz)
Acoustic principle: Externally polarized 25 mm(1?) condenser.
Directional pattern:
Continuously variable multi pattern -Omni, through Cardioid to figure 8.
Frequency range:  20 Hz - 20 kHz
Output impedance:
Valve impedence converter with bipolar output buffer.
Signal noise ratio din iec 651:
 > 81 dB (1kHz relative to 1 Pa; per IEC651,IEC268-15).
Equvalent noise:  10 dBA SPL (per IEC651, IEC268-15).
Maximum spl: 162 dB (@ 1% THD into 1k).
Sensitivity:
 -36 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB.
Power supply voltage:
Dedicated Power Supply(110 - 120 V/220 - 240 V, 50/60 Hz).
Weight:  815 gms
Dimensions width:  208.5 mm
Dimensions depth:  55 mm
Dimensions height:  55 mm
Maximum output voltage:  > +30 dBu (@ 1% THD into 1 k).

Weight1.00 kg1.00 kg0.50 kg1.00 kg2.27 kg2.00 kg
DimensionsN/AN/AN/AN/AN/AN/A
Additional information
Weight 1.00 kg
Weight 1.00 kg
Weight 0.50 kg
Weight 1.00 kg
Weight 2.27 kg
Weight 2.00 kg