A/B, X/Y, and M/S stereo recording Ambience recording Grand piano, woodwind and brass instruments Percussions Drums Classical music recording Studio applications Back-to-back large-diaphragm multi-pattern transducer True condenser technology High sensitivity and 155 dB maximum SPL capability Switchable 20 dB preattenuation pad Switchable bass cut filter Legendary, pristine AKG sound quality Complete with spider-type shock mount […]
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
A/B, X/Y, and M/S stereo recording
Ambience recording
Grand piano, woodwind and brass instruments
Percussions
Drums
Classical music recording
Studio applications
The RODE NT1-A has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability usually only featured by some of the most expensive microphones.
Now available as the \'Complete Vocal Recording Solution\' this NT1-A package now includes everything you need to get truly professional vocal recordings - the world\'s quietest studio microphone, a studio grade pop shield and shock mount, a premium 20\' cable, dust cover, an instructional DVD with recording tips, and of course R DE\'s industry leading ten year warranty.
Large 1" (25mm) capsule with gold plated diaphragm
Cardioid polar pattern
Self noise of only 5dB (A)
Ultra low noise, transformerless surface mount circuitry
KSM44A Multi-Pattern Dual Diaphragm Microphone
Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional).
Features
Prethos® Advanced Preamplifier Technology: Class A, discrete, transformerless preamplifier provides transparency, extremely fast transient response and no crossover distortion. Minimizes harmonic and intermodulation distortions.
Groundbreaking specifications: 4dB of self-noise and max SPL of 131 dB for a total dynamic range of 127 dB – an increase of 7 dB that defines the new standard for cleanly nuanced audio capture
Multiple polar patterns–cardioid, omnidirectional and bidirectional–for maximum flexibility in a wide variety of recording applications
Dual 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass diaphragms provide superior frequency response
Premium electronic components and gold-plated internal and external connectors
Subsonic filter eliminates rumble from mechanical vibration below 17 Hz.
Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs)
3-position switchable low-frequency filter helps reduce unwanted stand vibration noise or counteract proximity effect
Integrated three-stage "pop” protection grille reduces plosives and other breath noise
Type
Condenser (externally biased)
Frequency Response
20 to 20,000 Hz
Polar Pattern
Cardioid, Omnidirectional, Bidirectional
lmpedance
50 ohms
Phantom power required?
11–52 V DC phantom power (IEC-61938) 5.8 mA, maximum
Cardioid polar pattern for multiplicity of vocal and instrument applications
The earlier model C 3000 has had a large fan club in the project studio and home recording worlds for years. For the new C 3000 B, AKG designed a special 1-inch large-diaphragm transducer that closely approximates the vibration performance of top-class studio microphones, but can be made at much lower cost.
Due to its surface area and special capsule tuning, the C 3000 B large-diaphragm transducer produces an exceptionally pleasing, smooth sound. Unlike in the C 3000, the switchable 10-dB preattenuation pad immediately follows the transducer in the signal path, thus increasing the C 3000 B\'s SPL capability by a true 10 dB. Loud sound sources are therefore no problem.
An acoustically optimized cardioid polar pattern makes the C 3000 B an excellent choice for both recording and live sound applications where high gain before feedback is paramount.
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
25 mV/Pa (-32 dBV)
Max. SPL
140/150 dB (k=0,5%)
Equivalent noise level (CCIR 468-3)
25 dB
Equivalent noise level
14 dB-A
Signal/noise ratio (A-weighted)
80 dB
Preattenuation pad
10 dB, switchable
Bass filter
6 dB/octave below 500 Hz
Impedance
200 ohms
Recommended load impedance
>1000 ohms
Supply voltage
9 to 52 V phantom power to DIN 45596
Current consumption
Connector
3-pin XLR
Finish
silver gray
Net weight
320 g / 11.3 oz.
Shipping weight
950 g / 2.1 lbs.
Patent(s)
Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488)
Acoustical operating principle
Pressure gradient transducer
Directional pattern
Cardioid
Frequency range
20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohm
13 mV/Pa
Rated impedance
50 ohms
Rated load impedance
1000 ohms
Equivalent noise level, CCIR1)
23 dB
Equivalent noise level, A-weighted1)
12 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)
71 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)
82 dB
Maximum SPL for THD
110 dB
Maximum SPL for THD
129 dB
Maximum output voltage for THD
-1 dBu
Dyn. range of the mic. amplifier /A-weighted, 0.5 %2))
98 dB
Dyn. range of the mic. amplifier /A-weighted, 5 %2))
117 dB
Supply voltage (P48, IEC 61938)
48 V ± 4 V
Current consumption (P48, IEC 61938)
3.2 mA
Matching connector
XLR 3F
Weight
825 g
Diameter
78 mm
Length
165 mm
1) According to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) Measured as equivalent el. input signal
Comes with spider-type shock mount and aluminium carrying case
The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG΄s six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.
Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.
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